1 094 résultats
1137129 Walcot Place Kennington; 14 June 1833. 1p. 4to. 15 lines. On aged and worn paper. The letter reads 'Dear Sir/ A general meeting of all the Dramatic Authors will take place at the Garricks head in Bow Street on Monday nexxt at One o'Clock. Can you continue to come among us as it is for the purpose of making some arrangements and appointing an agent under the new act - As many of your plays have been written within the last ten years the act being so far retrospective it is to your interest to understand all its advantages - I undertook to write you on the subject and also to inform you that Douglas Jerrold and Thomas James Serle will become subscribers to your work. One copy each - Am very happy to hear that your list of names are sic increasing'. The final reference is to Dibdin's 'Last Lays of the Last Three Dibdins' 1833 a collection of 200 songs which according to the Oxford DNB he published 'encouraged by Bulwer-Lytton's copyright reform . under royal patronage and wide theatrical subscription'. Dibdin is not named as the recipient but the item comes from a small collection of his papers. 29 Walcot Place, Kennington; 14 June 1833. unknown
1875939F13London: Royal Lyceum Theatre 1875-1877 . Paperback. Good. 9" by 6". None. Programmes for two 1870s productions of Shakespeare's plays at London's Lyceum Theatre both directed by and starring actor-manager Sir Henry Irving. Two very scarce advertisements for Shakespeare plays performed at the Lyceum.The first of these programmes is for the Lyceum's 1875 production of 'Macbeth' starring Sir Henry Irving alongside American actress Kate Josephine Bateman Crowe and directed by Irving himself.The second programme is for the Lyceum's 1877 production of 'Richard III' with Irving performing as the Duke of Glo'ster and with Miss Bateman as Queen Margaret. This production was also directed by Irving.With contemporary press reviews for each production to the rear. Unbound as issued. Significant handling marks and light spotting to both volumes. Closed tears to leaf tails of 'Richard'. Small closed tears to head and tails of central folds of 'Macbeth'. Good Royal Lyceum Theatre paperback
192917783<p>New York: Ned Wayburn Studios of Stage Dancing Inc. 1841 Broadway 1929 Two pieces of ephemera. Your Career is an octavo. 60 pp. Ned Wayburn is also an octavo. 4 pp. Unpaginated. 5.5 x 8 in. Rare first editions. OCLC records 4 copies in libraries worldwide of Your Career and no copies of Ned Wayburn.T. Your Career has publisher's beige wrapping with illustration of ballet dancer and title in blue and orange. Minor edgewear. Reproduced photographs throughout. Ned Wayburn printed on green laid paper folded once with copy of letter from Ned Wayburn to Miss Collebrusco inside. Both items are in near fine condition. . These itens encourage young dancers to train and pursue a dance career through the teaching and advice of Ned Wayburn. Your Career advises young women on how to prepare for a stage career as well as sharing information about Ned Wayburn's dance school. Ned Wayburn Dancing Courses includes dates and prices for summer courses. In the letter inside Weyburn encourages Miss Collebrusco enroll early in these classes before they fill up.</p> Ned Wayburn Studios of Stage Dancing, Inc., 1841 Broadway,
19297873Chicago: Robert Packard and Company 1929. First edition. 8vo 94pp. Woodcut illustrations by Marian Brand. Publisher's green cloth backed spider web textured boards stamped in gilt in illustrated jacket. Shelf wear along bottom edges of boards else a near fine copy in like jacket with some light toning and corner wear. <br /> <br /> Early collection of illustrated poetry from the Michigan-born puppeteer and gay novelist Forman Brown. Brown established the Turnabout Theater with his group Forman's Yale Puppeteers in Los Angeles in 1941. The venue quickly became very popular garnering celebrity attention from the likes of Greta Garbo Mary Pickford Douglas Fairbanks Aimee Semple McPherson and others. <br /> <br /> In 1933 Forman wrote what is considered the first American novel to present the gay experience in a healthy manner a semi-autobiographical work called Better Angel. Spider Kin collects his early poetry some of which was published in The Dial The Reviewer and other periodicals. Truly a beautiful collection with cuts by Marian Brand with copies in this condition being quite scarce. <br /> <br /> . Robert Packard and Company unknown
192882025Moscow: Russian Theater Society N.d. 1928. Octavo 23cm. Bifolium with cover portrait and 2pp text within a black border; final page blank but for imprint. Slightly toned; trivial wear at corners; Very Good or better. Text entirely in Russian cyrillic.<br /> <br /> A memorial tribute to the legendary Russian actor Maria Yermolova likely from context printed to be handed out at her funeral. The text within a black mourning border states: ".The lamp that long and brightly illuminated and warmed the lives of entire generations has gone out and today what contained this dazzling light will be buried in the ground. May this land be a comfort for the one who devoted all her great soul her incomparable art to the service of her people." translation ours with assistance from Goole Translate. Signed in type below text by V.I. Gradov as secretary of the Russian Theatre Society. <br /> <br /> Yermolova 1853-1928 is considered one of the greatest performers in the history of the Russian stage. In 1921 she became the first performing artist to be named "People's Artist of the Republic" the USSR's highest honor for artistic achievement. Not separately catalogued under subject or title in OCLC. Russian Theater Society unknown
63-2340London: Palace Theatre 1942. 8 X 10 inch leaf with Original Autographs by Arthur Askey & Eddie Geary on recto. From Autograph album with signatures by prominent stage actors dancers and conductors comprising photographs clipped signatures pasted onto album pages. VG. London: Palace Theatre, 1942. unknown
1822004SEHurst Robinson and Co. London: Ca. 1822. 1822 Twelve Volumes. Engraved illustrations. All edges marbled. Slightly age stained. 12mo. Original full cloth bindings decorated in blind. Gilt lettered spines. Slight loss at head and tail of spines. Hardbound. A large collection of English plays. Each work bound with an individual title page and sometimes an engraved frontispiece. Pagination not continuous. Fascinating collection of early nineteenth century plays. A very nice set. PRICE JUST REDUCED! SET/W56 Language: eng. Hardcover. Very Good. Hurst, Robinson, and Co., London: Ca. 1822. hardcover
2065Prague. Evzen J. Rosendorf. 1926. Only edition. Paper Wraps. 8vo. Adolf Hoffmeister illustrator. Music by Jaroslav Jezek. 112pp. Pages loose condition is good. unknown
57166Edinburgh: Martin & Wotherspoon 1768. . Ten Volumes of 12; lacking Volumes 2 & 4. 12mo. Full calf spines numbered in gilt titled in gilt on burgundy panels. Some chipping to extremities and joints one chipped label in general condition is sound and very good. Small ownership stamps on inner covers. Each volume contains four plays each with its own title page and pagination. Publisher's ad leaf present at the end of Volume 12. Shakespeare Congreve Colley Cibber Ben Johnson Addison Susanna Centlivre George Lillo Otway etc. This is a multi-volume set which will incur extra postage costs. <br/><br/> Edinburgh: Martin & Wotherspoon, 1768. unknown
Henrik SjögrenNot in perfect condition. unknown
99020Rivista Cinema - Quindicinale di divulgazione cinematografica - Anno IV - 1939 - Raccolta fascicoli completa rilegata in due volumi - Copertine in brossura conservate. - Pag. 416; 408 con illustrazioni. - Copertina rigida - Testo in italiano. - Condizioni molto buone. Piccoli segni sulla copertina del secondo volume. - - unknown
113177Enciclopedia dello Spettacolo - Direttore-Fondatore Silvio D'Amico - 1954 / 1968 Casa Editrice Le Maschere / Unione Editoriale - Opera completa in 11 volumi compresi vol. Indice repertorio e vol. Aggiornamento - Da 600 a 900 pagine circa ogni vol. con illustrazioni nel testo e tavole fuori testo. - Copertina rigida - Testo in italiano. - Condizioni generali molto buone. Dorsi come da foto. - unknown
189031264København 1890 København 1899. Indb. m. det orig. foromslag til "Hedda Gabler" i ét lidt senere blåt hshirtbd. "Hedda Gabler" m. gl. ejernavn på titelbl. og maginalrestauration til sidste teksblad ellers er begge værker helt rene og friske. <br/><br/><em>To originaludgaver.First editions of both works bound w. the orig. front-wrapper for "Hedda Gabler" in one a little later blue full cloth. Old owner's name to title-page of "Hedda Gabler" and marginal restauration to last leaf otherwise both works are very nice and clean. "Ibsen's influence on the whole course of modern drama may be indicated by the inclusion of his plays in the repetoire of every Anvant-garde theatre of his day - the Théâtre Libre Paris 1887 Die Freie Bühne in Berlin 1887 and The Independant Theatre in London 1891-" Printing and the Mind of Man: 375. </em> hardcover
2024x-0367433591Routledge 2024. Hardcover. New. 2nd edition. 384 pages. 9.00x6.00x9.00 inches. Routledge hardcover
1973List2919New York City: George Fenmore Associates 1973. Sixteen page booklet measuring 9 x 12 inches. Some wrinkling some marginal damage overall excellent. The Negro Ensemble Company was opened in 1967 by actor and playwright Douglas Turner Ward actor and producer Robert Hooks and producer Gerald Krone with a grant from the Ford Foundation. It provided free theater training—both in acting and in behind-the-scenes work—to Black people in New York City and put on plays relevant to the community. Notable alumni of the NEC include Angela Bassett Samuel L. Jackson and Giancarlo Esposito among numerous others.<br /> <br /> Offered here is a booklet about the NEC’s production of Joseph A. Walker’s The River Niger which opened in 1972 in the small off-off-Broadway St. Marks Playhouse theater. The play was so popular that it played for weeks longer than planned at St. Marks and then opened on Broadway in 1973. Walker won a Tony for Best Play for The River Niger the first African-American to do so. The booklet includes photographs of the play and an article about it from Ebony magazine alongside photographs from the group’s many other productions. We find two copies of the booklet in OCLC both at the University of California Davis. George Fenmore Associates unknown
99019Rivista Cinema - Quindicinale di divulgazione cinematografica - Anno III - 1938 - Raccolta fascicoli completa rilegata in due volumi - Copertine in brossura conservate. - Pag. 430; 418 con illustrazioni. - Copertina rigida - Testo in italiano. - Condizioni molto buone. - - unknown
24664Tableau Entertainment. Leather Costume Design Barak Stribling 1 pg. Small COLOR FLYER Chris Angel Autographed Flyer Mindfreak 8.75 X 3.75 IN. approx with light Wrinkle VG condition With A SOFTCOVER B/W Program at World Underground Theatre from His Show with him Levitating on Front .He's Trained in Martial Arts Dance & Pyrotechnics. Before Criss Angel was the magic superstar he is today he had a small magic show at the World Underground Theatre the theatre under the old WWF restaurant in NY. This is a hand signed flyer from that event. Also comes with an unautographed program. Signed by Author. First Edition. Soft Cover. Tableau Entertainment hardcover
1886AQ23260London: W. S. Johson 1886. 8pp. Stitched as issued. Old central horizontal fold a trifle spotted. A programme for a performance of Goethe's Faust on May 10th 1886 at the Lyceum Theatre then under the management of Henry Irving 1838-1905 with Bram Stoker 1847-1912 serving as acting manager. It has been argued that the titular character of Stoker's Dracula 1897 was in part inspired by Irving’s portrayal of Mephistopheles in a production of Faust; and indeed the works of Goethe more broadly were highly influential in particular his poem 'Die Braut von Corinth' 1797 that introduced the vampire to German literature. . Quarto. [W. S. Johson] unknown
1858AQ25652London: Printed by J. W. Peel 1858. Single leaf broadside. numerous old horizontal and vertical folds. A trifle creased and browned. An apparently unrecorded playbill advertising performances at the Theatre Royal Drury Lane of William Leman Rede's 1803-1847 two-act farce His First Champagne and Edward L. Blanchard's 1820-1889 comic pantomime Little Jack Horner or Harlequin A. B. C. and the Enchanted Regions of Nursery Rhymes! The bill rather verbosely described the pantomime as 'Allegorical Beautiful Comical Diverting Educational Fanciful Gorgeous Hyperbolical Intellectual Jovial Keen Laughable Merry Novel Original Peculiar Quizzical Romantic Splendid Transcendent Unobjectionable Volatile Waggish Extravagant Youthful and Zigzaggy'. In the pantomime an entreaty to literacy and knowledge Intelligence sends Proverb to help Jack Horner with his studies Jack fends off Ignorance with the Sword of Perseverance and sent to a 'Fairy Aquarium' with a coral palace to see what can be achieved by Imagination. The spectacular visual scenery provided by William Beverley in particular the 'Fairy Aquarium' was universally praised; indeed even the The Times who dismissed Blanchard's efforts stating that 'People do not expect to be edified and instructed at a pantomime' were effusive in their praise: 'As its wonders gradually revealed themselves and the circumambient air no less than terra firma became peopled with floating nymphs and soaring fairies the applause was vociferous and continuous and a summons first for Mr E. T. Smith the manager and next for Mr Beverley the artist presented the climax of excitement'. . Dimensions 500 x 510 mm. Printed by J. W. Peel unknown
1829AQ22323London: Printed by W. Reynolds 1829. Single leaf broadside edges uncut. A trifle creased and browned. An apparently unrecorded late Georgian playbill advertising an evening's entertainment at the Theatre Royal Covent Garden on 2nd February 1829 including a performance of the juvenile comic pantomime 'Harlequin and Little Red Riding Hood; or the Wizard and the Wolf' starring Joseph Grimaldi 1778-1837 as Granny Rose; but perhaps more remarkably featuring a moving Panorama depicting the progress of Russian forces enroute to the Turkish capital presumably during the then ongoing Russo-Turkish War 1828- 1829. Though apparently unrelated to any of the performances staged on 2nd February this elaborate panorama was produced by the Scottish artist and noted scene painter David Roberts 1796-1864 and clearly a significant enough draw to London audiences to be noted in the billing. . Dimensions 220 x 350 mm. Printed by W. Reynolds unknown
1833AQ25373London: Printed by W. Reynolds 1833. Single leaf broadside two edges uncut. A trifle creased and browned early manuscript note 'turn over' / 'postponed' to head. An apparently unrecorded playbill advertising the debut performance at the Olympic Theatre London of The Bridal Promise an adaptation by John Oxenford 1812-1877 of French composer Ferdinand Herold's 1791-1833 opera comique Zampa ou La fiancée de marbre 1831. As the manuscript note attests the performance was postponed an extant contemporary broadside suggests until June 10th. . Dimensions 200 x 350 mm. Printed by W. Reynolds unknown
1827AQ27774Wakefield: Hurst Printer 1827. Single leaf broadside. A trifle shaved at foot stab-stitch holes to one margin. An apparently unrecorded playbill advertising a performance of Richard Brinsley Sheridan's 1751-1816 perennially popular comedy The Rivals 'by the desire' of the Gentleman's Book Club of Wakefield West Yorkshire. The Rivals premiered at Covent Garden on 17th January 1775. It was universally vilified for its length bawdiness and the poor performance of actor John Lee 1725-1781 in the role of Sir Lucius O'Trigger. Sheridan withdrew the play immediately and over the course of ten days rewrote it extensively. The play reopened on 28th January with a more capable actor in the role of the comic Irishman to significant acclaim and has remained a standard of English theatre ever since. . Dimensions 140 x 220 mm. Hurst, Printer unknown
1825AQ25615Wolverhampton: Smart Printer 1825. Single leaf broadside. A trifle creased top-edge ragged stab-stitch holes to one margin. An apparently unrecorded playbill advertising an evening's entertainment at the Wolverhampton theatre on 4th February 1825 including a performance of actor and playwright William Rowley's 1585-1626 didactic romance A Woman Never Vexed to be followed by 'the highly celebrated comic Pantomime' Harlequin Gulliver; or the Flying Island an elaborate production which had debuted at Covent Garden during the 1817 season loosely based upon Swift's satirical masterpiece and featuring extravagant set pieces including 'the appearance of the flying island' and 'a view of the court yard and royal palace in Lilliput'. . Dimensions 220 x 420 mm. Smart, Printer unknown
1823168037London: New Theatre Royal 1823. An ephemeral playbill for Thomas Dibdin's "The Chinese Sorcerer" a two-act spectacle with characters including the Emperor Qianlong a magician called Whang Fong the head of a "Horde of Tartar Plunderers" and a familiar by the name of Chop-Stick. The play was first performed on 31 March 1823 with this bill promoting the sixth performance. Scenes are set at the imperial court in the faraway reaches of the empire in an enchanted valley and a necromantic tower and inside the "Magnificent Hall of Tien superbly decorated for the Feast of Lanterns". Patrons of the New Theatre Royal could also look forward to a performance of "The Siege of Belgrade" a popular comic opera premiered in 1791. Letterpress broadside 320 x 175 mm. Near-contemporary pencil mark beside the name of the actor Mr. Harley. Sometime roughly cut along edges loss at foot affecting text of advert for another play. A very good example. unknown
61859New York: Morris Guest 1924. First edition. Quarto 31cm. Pictorial thick paper wrappers; 40pp; illus. Some trivial dusting to wrappers still a Fine copy free of markings or notable wear. <br /> <br /> Lavish souvenir program for the New York premier of Reinhardt's renowned adaptation of Vollmöller's wordless play illustrated throughout with color reproductions of Bel Geddes' costume and set designs. "The Miracle" was originally produced in 1911 at London's Olympia Theatre; the show traveled throughout the Continent until 1914 when it was closed due to the onset of the Great War. The 1924 American revival began as a traveling show playing in Detroit and Milwaukee before its spectacular grand opening on at the Century Theatre on January 16th. An uncommon program beautifully produced. unknown