1 094 résultats
17992Without place or date but with 'Adelphi' i.e. the Adelphi Theatre London written inside the front cover. 16pp. of which 12pp. in 8vo and 4pp. in 4to. In fair condition on aged and worn paper. Neatly written out with underlinings in red ink. Loosely inserted in the marbled wraps of an exercise book with 'Adelphi' in pencil on the inside of the front cover. The first scene is written out complete on ten leaves from the exercise book now loose with the main text on ten pages and additions on two versos. In addition to this is a grey paper bifolium carrying over 4pp. 4to additional matter to be inserted at the beginning of the second scene. In pencil on two of the pages are actors' names perhaps giving a clue of context: 'Mr Cole' and 'Mr Hill'. The pantomime may bear some relation to the Grimm fairy tale 'Hansel and Gretel'. The first scene opens with the directions: 'Exterior of the Golden Pipkinn by Sunset. Door Practicable. Music. Enter Jacob followed by Peter earnestly conversing.' The directions at the beginning of the second scene are: 'Enter Gretchen with Cloak & Lanthorn'. The language is spirited the first scene beginning: 'Jacob As clean as a smelt as smooth as a scalded pig. Peter What not one left Jacob No nor a ghost of one either.' The second scene ends: 'Gretchen exit in huff after slapping face. O if I had that pig whip here. Then Hans goes to original commencement of Scene.' Without place or date, but with 'Adelphi' (i.e. the Adelphi Theatre, London) written inside the front cover. paperback
1807AQ23253London: s.n. 1807. Single leaf broadside. A trifle creased. An apparently unrecorded early nineteenth-century playbill advertising a performance at the Theatre Royal Covent Garden of playwright Thomas Morton's bap. 1764 d. 1838 remarkably popular comedy Speed the Plough; the venue at which the play debuted in 1798. . Dimensions 180 x 260 mm. [s.n.] unknown
1869AQ21200Weymouth: Jeffery Brothers Dramatic Printers 1869. Single leaf broadside. Lightly browned and scuffed with chipping and marginal tears to edges and corners. An unrecorded Victorian playbill advertising an evening's entertainment at the Theatre Royal Weymouth beginning with English playwright Charles Dance's 1794-1863 two-act comic drama The Wonderful Woman! 1849. Notably the Charles Dickens museum holds an acting copy of Dance's farce once owned by the great novelist; it appears Dickens an associate of the dramatist and fellow member of the Garrick Club had been involved in an earlier production of The Wonderful Woman! himself. The Theatre Royal Weymouth opened on St Nicholas Street in the early nineteenth century and remained in business until the 1960s being demolished in 1968. It was at one point operated by the father of Ernest Wheeler the first independent manager of the Brighton Pavilion. . Dimensions 200 x 500 mm. Jeffery Brothers, Dramatic Printers unknown
197351721: Pier Theatre Skegness 1973. Paperback. Used: Acceptable. Signed by Author. Signed by Author Pier Theatre Skegness programme for The Tommy Cooper Show 1973. rpduced by Mike Blee and choreographer Ann Coles. Front cover autographed by Tommy saying "Pete Best Wishes Tommy Cooper". Inside further photo of Tommy autographed saying "To Pete Tommy Cooper". Four autographs by supporting group Design also Barry Kathryn Peter and Leonard. Pier Theatre Skegness paperback
1796198465London.: G. Nicol. April 121796. Copper-plate engraving 24 x 35.3cms image; 26.7x 36.7cms sheet sheet age-toned and margins worn small chip from lower left corner not affecting the image two spots of browning in the sky very faint the image in good condition. An elegant composition after drawings by William Alexander published in Sir George Staunton's two-volume "Account of the Embassy from the King of Great Britain to the Emperor of China" published in London 1796-97. . G. Nicol. unknown
181423191London: Printed by E. Macleish 1814. 1 vols. ca.7 x 12 1/2 inches. Some light offsetting and discoloration line of forthcoming productions cropped else a very good copy. 1 vols. ca.7 x 12 1/2 inches. The cast of the first including Charles Kemble Charles Macready Mr. Abbott Daniel Egerton and Maria Foote later Countess of Harrington. The "Cinderella" case included Mr. Ellar Mr. Barnes Miss Green and Miss J. Scott. "Virginius" had opened for the first time the 17th of May and became an instant success. Forthcoming productions are noted below. Charles Macready is also noted for his friendships with Forster Dickens and Maclise. Printed by E. Macleish unknown
18922621San Francisco 1892. Good. 7-1/2 x 5-1/4 inches. Bifolium 4pp. Cream silk printed in brown with brown and white illustration of Shakespeare to last page. Horizontal fold line; small stain to first leaf; fraying to fore-edges. Silk souvenir program for the opening shows at Stockwell's Theatre which operated from 1892-1894 at 11 Powell St. in downtown San Francisco. Prior to being taken over and renovated at a cost of an estimated $60000 by L. R. Stockwell it had been the Powell Street Theatre. The theatre again changed to new ownership in 1894 after Stockwell went bankrupt and left the city; the Columbia Theatre which replaced it was destroyed in the 1906 earthquake and fire.The program notes the arrival of Augustin Daly's Company of Comedians and lists the members of the troupe who appear next in their roles in As You Like It which opened on July 7 1892. A synopsis of scenery attribution for the original incidental music names of the managers and orchestra notes follows with a list of upcoming plays at the end.OCLC locates one holding at Yale. unknown
1932List3665Chicago Illinois: Egyptian Press 1932. Folio 5 pp. Wraps torn at seam slightly musty odor good condition. An unrecorded composition by a woman who travelled through the midwest claiming to be a descendant of Cleopatra using the name Princess Dalla Pattra. The details of the princess are murky as she disappears from newspaper records after 1930 when she admitted in court to using a manager to stage a publicity stunt in St. Louis.1 In her hearing she also admitted that she had been arrested for embezzlement in San Francisco in 1920. Two years later rather inexplicably this songsheet was published in collaboration with a Max Lander who according to patent records was English. <br /> <br /> The introduction to the song reads: “Hear the desert winds shriek and the tom-toms in the distance thrilling with the weird undertone of the desert night then the calm as the Royal Egyptian Maiden sings her love song to her desert prince.†We find no record of the composition in OCLC or anywhere else or of the princess in newspapers after her 1930 court appearance with the only findable record of her continued impersonation a patent registered in 19312 and this song sheet. <br /> <br /> 1 “St. Louis Wonders if it Got a Fooling†Kirksville Daily Express and Kirksville Daily News April 6 1930.<br /> 2 “Only to be with you just for a day†Catalog of Copyright Entries Part 3: Musical Compositions Library of Congress Copyright Office 1932 22760 accessed at ​​https://archive.org/details/bub_gb_ZS5jAAAAIAAJ/page/1165/. Egyptian Press unknown
193386187Leningrad: TRAM Theater for Working Youth 1933. Original program for the Leningrad State Theater for Working Youth during their 1933 national tour. Single sheet 25cm x 69cm printed both sides folded to form eight panels. Printed in black and white on newsprint with halftone reproductions of production photographs to each panel. Minor toning; panels slightly mis-folded; Very Good. <br /> <br /> TRAM under the direction of Mikhail Sokolovsky was a working theater for proletarian youth focused on producing plays of working-class life promoting Marxist ideology. This program issued for the group's 1933 tour of the Soviet Union promotes the season's two offerings Alexei Tolstoy and Aleksandr Starchakov's "The Right to Live"; and Sokolovsky's adaptation of Denis Fonvizin's 18th-c. comedy "The Minor." Also illustrated are scenes from past productions - A.I. Piotrovsky's "Rule Britannia;" a performance by Ivan Dzerzhinsky's music and dance ensemble "Green Workshop" and two others. A rare program; very little primary material relating to TRAM has appeared in the marketplace and the current program does not appear to be held by any OCLC member institution. TRAM (Theater for Working Youth) unknown
1960160201New York: The Living Theatre 1960. Vintage flyer for an experimental music performance held at The Living Theatre on November 7 1960. <br /> <br /> Flyer advertises performances by composers Stephen Addiss Peter Hartman Ezra Sims William Sydeman and Charles Wuorinen. <br /> <br /> Founded in 1947 The Living Theatre laid the foundation for a robust underground art scene in the New York City. After more than a decade of successful original radical stage productions and adaptations of works by playwrights such as Bertold Brecht and Gertrude Stein founders Judith Malina and Julian Beck used their space and resources for the nourishment of the arts more broadly offering the theatre for literary benefits film screenings and musical performances such as the ones advertised here. <br /> <br /> 14 x 8.5 inches. Very Good plus with faint age toning on the left and right edges and a few nicks at the corners. The Living Theatre unknown
195663782Hollywood & London: Max Factor Make-Up Studio 1956. Nine vols. Tall 8vo. 104 pp each booklet paginated separately. Text illustrations & photos throughout diagrams tables. Colour-illustrated softcovers slight shelfwear very slight creasing to couple corners rust to staples at gutter margin still a VG set. 21st edition of this scarce and complete make-up course designed by the visionary make-up artist wig maker and inventor. Factor 1872-1938 was the former official cosmetics expert for the Russian Royal Family and the Imperial Russian Grand Opera who emigrated in 1904 eventually settling in Los Angeles where he created the signature looks of Ava Gardner Jean Harlow and Marlene Dietrich. He went onto found a cosmetics empire on the philosophy that any woman could be glamorous given the right tools and make-up artistry skills developing such products for women as the tru-colour lipstick lip gloss and the concept of colour harmony for make-up. These booklets were intended for use with the wide range of screen and stage make-ups the Max Factor Co. offered for sale out of their Los Angeles-based warehouses including grease paint foundations pan-cake make-ups face powders rouges lipsticks eyebrow pencils tooth enamel hair dyes and much more with an emphasis on Shakespearean plays comprising the final 3 volumes. Max Factor Make-Up Studio, paperback
1989WALTER-FILM005067<p>Wendy Wasserstein playwright Los Angeles: Center Theatre Group 1989. Vintage original 22 x 14″ 56 x 36 cm. window card theatre poster USA. Various creases NEAR FINE.</p><p>Wendy Wasserstein won the 1989 Pulitzer Prize for Drama for THE HEIDI CHRONICLES which unfolds over a period of twenty years about the changing role of women during those times showing her ardent feminism in the 1970s and her eventual sense of betrayal in the Reagan era.</p><p>This poster is for the Los Angeles premiere of the play with Amy Irving in the lead role under the direction of Daniel Sullivan.</p><br /> Center Theatre Group
196032397Mexico City: s.i. 1960. Very Good. Mexico City: s.i. ca. 1960s. Collection of three pictorial broadside flyers 21.5x33.5cm or the inverse one printed in blue the other two in blue ombré-ing into red. Previous folds one flyer with a few closed tears affecting text and image without loss of meaning stock uniformly toned else Very Good.<br /> <br /> Three busy flyers promoting the busy theater founded in 1960 by Mexican actress and exotic dancer Margo Su one of several venues she opened during her long career. The theater was one of the most popular in the city and the broadsides in this collection each crammed with portraits and names of the performers is testament to that--all three examples list at least fifteen or twenty acts including singers like Imelda Miller and Carmen Salinas comedians Pompin y Nacho actor El Loco Valdes and the early pop group Los Xochimilcas. . s.i. unknown
68-8868Sunderland UK: Empire Sunderland Theatre 1960. Theatre Poster Broadside. 37.5 x 25 cm. Good with marginal tears. Sunderland, UK: Empire Sunderland Theatre, 1960. unknown
1902019994Chicago IL: Hayman & Davis Company Proprietors 1902. Book. Very good condition. Paperback. First Edition. 12mo - over 6¾ - 7¾" tall. Including the printed covers there are 52 unnumbered pages of text. The covers/wrappers are printed in color and have minor creasing and shelfwear. Full of Chicago-centric advertising at a time when $20 monthly paid for a home on the North South or West sides Horse stables or liveries were advertised alongside Electric Oldsmobile Runabouts and Stanhopes women were depicted playing ping-pong to promote the sale of corsets and Tiffany rings and luxury furs were vying for theatergoers pocketbooks. Lists Will J. Davis as Manager Thomas J. Noonan as Business Manager and Treasurer. The Actors include Harry Bulger William H. Macart Jos. Cawthorne John Page Hohn Hyams Leila McIntyre Viola Gillette Phoebe Coyne Gertrude Mackenzie and Elseeta. Hayman & Davis Company, Proprietors Paperback
63-2335London: Piccadilly Theatre 1942. 8 X 10 inch leaf with Original Autograph by John Gielgud on recto; on verso Original Autographs by George Gowers Dan Noble Bobby Vernon & others from a production of "Maid Of The Mountains" November 28 1960. From Autograph album with signatures by prominent stage actors dancers and conductors comprising photographs clipped signatures pasted onto album pages. VG. London: Piccadilly Theatre, 1942. unknown
183852157Tremont Theatre Boston Massachusetts 1838. Broadside. Used - Very Good. Eastburn's Press. Broadside 16 x 7.5" Creased tiny hole trifle soiled VG. Tremont Theatre, Boston, Massachusetts unknown
1954231274New York.: Ballet Theatre Foundation. 1954. Stapled wrap. Very light soiling and light wear to covers otherwise a very good copy. 4to. Signed by Igor Youskevich Alicia Alonso John Kriza Melissa Hayden Roy Fitzell and Job Sanders on their respective photographs. Program for 1954 series at the San Francisco War Memorial Opera House laid in. Numerous photographs of the performers. Ballet Theatre Foundation. unknown
16472Neither translation dated but both 'Copyright by DONALD WATSON 13 Oakley St. Chelsea London.'. Watson's translation of 'La Cantatrice Chauve' 1950 was first published in London by Calder in 1958 and his version of 'Le Salon de l'Automobile' 1951 by the same publisher in the fifth volume of Ionesco's plays in 1963. The two scripts typed in uniform style on rectos of leaves and stapled together. ONE: 'The Bald Prima Donna'. 19pp. 8vo. In good condition on aged paper with somewhat-appropriate child's markings in black ink on blank parts of first page. Introductory note by Watson: 'First acted in Paris by the Company of Nicolas Bataille at the Theatre des Noctambules and the Theatre de la Huchette. Nicolas Bataille made several alterations in this the original text for his production. One or two of these alterations have been noted. Several other small changes were made by the author in the text published by Gallimard.' Includes 'Translator's note' regarding the phrase 'Il s'emmerde.' TWO: 'The Motor Show'. 5pp. 8vo. In good condition on aged paper. Translator's note: 'THE MOTOR SHOW called in French "Le Salon de l'Automobile" was broadcast in March 1952 by the Club d'Essai de la Radiodiffusion Francaise.' Neither translation dated, but both 'Copyright by DONALD WATSON, | 13 Oakley St., Chelsea, London.' unknown
24584Material all dating from 1950. ‘Everybody’s’ magazine 114 Fleet Street London. From the Macqueen-Pope papers. See his entry and that of Brooke in the Oxford DNB. The five items are in good condition lightly aged and worn. ONE: Carbon of Typed Article titled ‘London Was Unlucky to Him / The Story of Gustavus Brooke The Tragic Tragedian’. 11pp 4to on eleven leaves. Begins: There is nothing so ephemeral as the art of the actor. Very very few of the names live on. Yet there are some who in their day were of the first magnitude and are now forgotten save for the delving historian. That is a pity for many of them deserve a niche in Fame and such a one was Gustavus Vaughan Brooke the Tragic Tragedian. His life was one long exciting adventure of triumph and disaster. . He was one of the great ones of the early nineteenth century. His life ad his career resembled that of Edmund Kean.’ TWO: Carbon of apparently earlier draft of article. 11pp 4to. No changes to text are apparent but the layout is different. THREE: Another carbon of Item Two. FOUR: Carbon of TL from MP to the editor of ‘Everybody’s’ Greville Poke also see his entry in the Oxford DNB. 13 July 1950. He is sending ‘the story of Gustavus Brooke. I know it is a little long but believe me it is a great story.’ He has ‘plenty of illustrations’. Elsewhere he writes that he is ‘rather sorry’ Poke did not like his ‘suggestion concerning the musical comedy situation because this turned out to be what I think is one of the best articles I have ever written. I sold it elsewhere at once’. FIVE: TNS written on behalf of the editor of ‘Everybody’s’ magazine Greville Poke also see his entry in the Oxford DNB on the magazine’s letterhead 14 July 1950. 1p 4to. Signed ‘for Greville / WS’. Reads: ‘My dear Popie / Thanks for sending along the manuscript of GUSTAVUS BROOKE. I shall be getting into this in the near future I hope.’ Material all dating from 1950. [‘Everybody’s’, magazine, 114 Fleet Street, London.] unknown
2285227 October 1834. 'No. 2 Cumberland Terrace Camden New Town' London. 1p 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse with postmark and address to 'Chas. Thompson Esqr. 34 Bedford Street Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation' that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'. 27 October 1834. 'No. 2 Cumberland Terrace | Camden New Town' [London]. unknown
22488No place or date. The text is on one side of a 13 x 16 cm piece of laid watermarked paper. The signature 'J. Kemble' is at bottom left in slightly-darker ink than the fifteen lines of text. Lightly aged and with short closed tears at edges of two folds. Slight traces of brown-paper mount at top corners on reverse which carries a capable ink drawing of 'the Caducean Trident' mentioned in the text: a dragon with two sets of wings body stiff as a rod encircled by two snakes. The text which has a few deletions and interpolations indicating original composition may refer to a prop required for a dramatic production by Kemble. It reads: 'Albion having accepted from his cousin Mercury God of Commerce his original Caduceus and from his father Neptune his original Trident requested of Vulcan to new mould them making the two into one badge of sovereign authority symbolical of commercial supremacy and marine dominion. In compliance with this request Vulcan produced the Caducean Trident. The Dragon is the symbol of a military marine; vigilant swift terrible and potent; and the Serpents are the types of the sagacity address and prudence of Commerce which is the source and foundation of naval power; and therefore this symbolical sceptre of Albion is in a tridental form well at sic its lower as well as its upper extremity.' No place or date. unknown
24568Dated September 1951. On his letterhead: ‘John Vickers / Photographer 29B Belgrave Road London S.W.1 Victoria 4915’. From the Macqueen-Pope papers. See his entry in the Oxford DNB. A nice piece of theatre and photographic ephemera. Vickers has five items in the National Portrait Gallery which provides the following information: ‘John Vickers began his career by working as assistant to photographer Angus McBean in the 1930s. From 1939 until the time of his death he ran his own studio. After the war he became well known as a theatre photographer working for theatres including the Old Vic. He photographed over 1000 productions and his portraits of actors writers and musicians gained him a high reputation. For the last twenty years of his career he worked mainly on advertising and commercial photography.’ Macqueen-Pope would have come into contact with Vickers through his work as Drury Lane press agent and he and his daughter were photographed by McBean. 1p 4to. Modern-looking letterhead printed in black punctuated with red stars. Somewhat creased and previously folded into a packet. Subheadings on ‘Photographs taken on stage’ with charge for Press and Display prints and ‘Glossy Press Prints’ ‘Studio Portraits’ and ‘COPYRIGHT’. First paragraph reads: ‘In order to avoid dramatic increases in the Fees for Theatre Photography slight changes in the method of submitting the results have been adopted. Substitution of chargeable Press Prints in place of rough proofs gives the Press Representative a wider choice of pictures especially useful where “exclusive†papers requiring one print only have to be considered.’ Dated September 1951. On his letterhead: ‘John Vickers / Photographer * 29B Belgrave Road, London, S.W.1 * Victoria 4915’. unknown
19233Three of the letters on Oxford University Press letterheads. Other items addressed from her home Hobbits Nether Westcote Kingham Oxon. 1945 and 1946. Nine items. In fair condition on aged and worn paper. Heavily annotated by Duncan. The letters each 1p. long two in 4to and two in 8vo concern her orders and wants'. On 23 April 1945 she writes: 'I find on looking through the Play Pictorial bound volumes that No. 28 His Highness My Husband is missing. It is not a very important one in fact I don't remember hearing of the play before but if you happen to have a copy among your single numbers I should be glad to have it in order to complete the volume. If you have not got it perhaps you would keep a look out for it and send it to me when it turns up.' Also present are an Autograph Note Signed an Autograph Card Signed a Typed Card Signed as well as two carbons of letters from Duncan one an invoice and the other a letter apologising for a 'missing number'. For more information on Hartnoll see her obituary Times 28 January 1997. Oxford Companion to the Theatre 1951 Three of the letters on Oxford University Press letterheads. Other items addressed from her home, Hobbits, Nether Westcote, King unknown
2461810 to 13 March 1931. Knight Frank & Rutley 20 Hanover Square London W.1. Printed by J. Davy & Sos Ltd. 8-9 Frith Street London. As the Great Depression hit Gibbons found himself over-extended and was forced into bankruptcy. The present item is scarce. The only copy on JISC is at the Paul Mellon Centre Library. 68pp 8vo. In grey printed wraps and with purchase slip tipped in. In fair condition lightly aged and worn. At head of title-page: ‘By Direction of Lieut.-Col. SIR WALTER GIBBONS K.B.E. D.L. Following the Sale of the Freehold and the proposed conversion of the Property into high-class Residential Flats.’ ‘Conditions of Sale’ on reverse of title. 974 lots. ‘Order of Sale’ as follows: First Day The Reception Rooms; Second Day Pictures Drawings and Engravings / Books; Third Day The Boudoir The Study The Secretary’s Office The Bedroom Furnishings; Fourth Day Silver and Plated Ware / China and Glass / Wine Linen and the Domestic Offices’. Around half of the book lots on the second day 300-508 are annotated in pencil with a bookseller’s bids. Loosely inserted is a slip of paper with a pencil note in the same hand: ‘clear Saturday / one lot only / 371 12/-/-’. 10 to 13 March 1931. Knight, Frank & Rutley, 20 Hanover Square, London, W.1. Printed by J. Davy & Sos, Ltd., 8-9 Frith Street, L paperback