HUGO VictorLivre Rare Book
105 166 résultats
183018829Edition originale rare et peu courante de cette pièce de Victor Hugo. Représenté sur le Théâtre-Français le 25 février 1830.Paris, Mame et Delaunay-Vallée, 1830. 154 pages (avec l'erreur de pagination à la page 80 comme indiqué chez Vicaire.)Reliure demi-cartonnage brun moucheté. Joli cartonnage avec le dos orné de filets dorés. Pièce de titre maroquin havane. Pages de garde brunies. Pas de rousseur sur le texte. Très bon état. Format in-8° (21x13).
193219417Illustré de 35 lithographies originales érotiques en sanguine de Jean Berque.Tirage limité à 99 exemplaires. Celui-ci N°59 contient 8 planches hors commerce inédites en fin de volume, et un dessin original en couleurs.Paris, chez Philippe Gonin - 1932 - 55 pages.Très belle reliure plein veau fauve de l'époque signée Forbin. Etui bleu bordé de cuir fauve. Dos lisse avec titre et auteur. Couverture et dos conservés. Pas de rousseur. Parfait état. Format in-4° (31x26).
in-4, pp. (12), 228, leg. coeva p. perg. rigida, tit. oro al dorso, tagli marmorizz. Dedica dell'a. al nobile Paolo Ippolito De Beawillier. Fregi ed iniz. silogr. Con una vignetta sull'occhietto e 85 tavole f.t. inc. in rame (num. 1-84, ma la 44 è bis) raffiguranti ''maschere e figure comiche in cammei, in gemme incise, ed in altri monumenti'' degli antichi Romani, fatte di vario materiale (agata, corniola, onice, terracotta, bronzo, ecc.) e facenti parte della ricca collezione dell'autore. Prima edizione di importante erudita opera, molto stimata e ricercata, tradotta anche in latino e pubblicata nel 1750 (vedi scheda seguente). Esempl. genuino, a grandi margini (con lieve alone d'umido nella parte infer. esterna), ex-libris Sordelli.. Cicognara 1652: "Opera che in questa materia può ritenersi per la più classica e copiosa di quante l'hanno preceduta, e seguitata...". Cat. Rasi 368 (ediz. poster.). Olschki, Choix VIII, 10939. Brunet II, 1245. Graesse II, 576..
Very Good Turkish, Ottoman (1500-1928) In very aesthetical modern full morocco in a traditional Ottoman style. Unopened and untrimmed pages, covers (saved in modern binding) stained slightly, also extremities damaged. Otherwise a very good copy. 12mo. (16 x 12 cm). In Ottoman script (Old Turkish with Arabic letters). 119 p. Hegira: 1304 = Gregorian: 1887. Extremely rare first Turkish edition of the comedy of errors by Shakespeare in book form. Since the middle of the 19th-century, Turkish literature has appealed to foreign sources, especially European and Anglo American culture, in order to meet modern Turkey's demands. Shakespeare played a significant role in inspiring and shaping modern Turkish theatre. Shakespearean plays made their official entrance into Turkey during the reform movement of Tanzimat (1839-76) that warmly welcomed translating works from other cultures. European, Greek and Armenian troupes of the Ottoman Empire, as well as travelling Italian troupes, were the pioneers of producing plays from other cultures, yet in their own languages. The Merchant of Venice (1885) and The Comedy of Errors (1886-7) were the earliest translations into Turkey by Hasan Sirri, which had the chance to be published in book form. First translations of Shakespeare's plays were made from French copies. However, Sehv-i mudhik (The Comedy of Errors) was one of the earliest translations directly from English language. The translator of this book, Örikagasizâde Hasan Sirri, (1861-1939) was an administrator and educator who grew up during the reign of Abdulhamid II and was in state service for almost forty years. He was the son of Turkish diwan poet Ahmet Nafiz Pasha and the father of author Nahid Sirri Örik. The Comedy of Errors which he translated by easing or removing prejudiced sentences and words about Turks, Islam and Jews, is of importance in terms of his clear Turkish and careful attention to detail. The Comedy of Errors was the second play of Shakespeare translated, and is one of William Shakespeare's early plays. It is his shortest and one of his most farcical comedies, with a major part of the humor coming from slapstick and mistaken identity, in addition to puns and wordplay. The Comedy of Errors is, along with The Tempest, one of only two Shakespearean plays to observe the Aristotelian principle of unity of time, through which the events of a play should cover a period of 24 hours. It has been adapted for opera, stage, screen and musical theatre numerous times worldwide. In the centuries following its premiere, the play's title has entered the popular English lexicon as an idiom for "an event or series of events made ridiculous by the number of errors that were made throughout". Özege 17696.; Only one copy in OCLC: 978068535.
BB110319Full parchment binding in good condition 135 x 75 cm. With decorative frontispiece with in the left botum: Heraclite et Democrite. The figures have names witten under the figure:L Aristote Epicure et al.Theatre play with text in French. Illustrations on p. 21 p. 56 and p. 100. First edition complete copy.Second part Palaprat L'Important de cour comedie La Haye Jacob van Ellinkhuysen 1694 with damaged titlepage 140 pp. Also a theatre play by Jean Palaprat.Third part La femme poussée a bout. Comedie traduite de la piece Angloise intitulée The provokd sic! should be provoked Wife Londres chez Jan Wite 1700 211 pp.Fourth part: La Contr'impromptu de Namur 68 pp. Without titlepage and without illustration. most likely the edition: Le contre impomptu de Namur. Comedie Amsterdam J. Louis de Lorme & Estienne Roger 1696 by anonymous authorFirst part not in STCN.NL Het eerste deel 'Arlequin comedien aux Champs Elisees' gaat over een komische en allegorische geschiedenis rond de figuur Arlequin een bekende persoon uit de Franse komedie. Het bevat elementen van een historische verhaal maar met veel humor en metafysische suggesties. Het bevat een brief van Cardan dat is geschreven vanuit de Champs Elisees aan een heer wiens naam niet wordt genoemd. Het is een mengeling van verschillende stijlen en genres zoals past in de literaire traditie van die tijd. Het tweede deel van Charles Palaprat draait om thema's gerelateerd aan het hofleven en hovelingen. The provoked wife is een theaterstuk van John Vanbrugh over een huwelijksprobleem tussen Sir John Brute en zijn echtgenote Lady Brute. Het derde stuk La femme poussée is vertaald door Charles de Marquetel de Saint-Denis de Saint-Evremond naar het Engels van John Vanbrugh. unknown
117188Moscow Izd. Vseros teatral nogo obschchestva 1934. 4to. XLVIII 211 1 pp. with over 190 plates partly in pagination and partly on separate plates. The colour plates with printed tissue paper guards. Publ. brown blindstamped cloth spine sligthly faded and some wear at corners. Owner’s signature of Lauritz Falk and with ex-library stamp of Kungl. Dramatiska teatern. Rare first edition. Text in Russian. An English translation was published in 1935. Preface by Abraham Efros. An hommage to Alexander Tairov’s modernist Kamerny Theatre in Moscow with fine drawings of set- and costume design and scenes after photographs from its first 20 years. Alexander Tairov 1885-1950 produced many modern non-russian plays by Berthold Brecht Eugene O’Neill Oscar Wilde and G. B. Shaw and he collaborated with many of the foremost avant-garde artists in cubism constructivism etc. The gouverment closed down the theatre in 1949. Abraham Efros 1888-1954 from Moscow was a translator poet art historian and critic. After 1917 he served on the commission for the protection of artistic and antique treasures in the Russian Soviet Republic and on the boards of among other the Tretyakov Gallery and the GOSET Moscow State Jewish Theater. In the Stalinist purges of the late 1930s Efros was arrested and exiled and in the late 1940s he was ousted from his academic posts. The former owner is probably the Swedish-Norwegian actor and painter Lauritz Falk 1909-90. hardcover
- (Circa 1890), cliché : 12,4x19,5cm / carton : 13,3x21,3cm , une photographie. - Portrait photographique d'Eleonora Duse dite "La Duse", tirage albuminé d'époque d'un grand format. Beau portrait de cette grande comédienne qui incarna Cosette, Thérèse Raquin, Cléopâtre et fut la maîtresse de Gabriele d'Annunzio. [ENGLISH DESCRIPTION ON DEMAND]
- Paris 1900, 15,9x21,9cm, une photographie. - Photographie originale argentique au grand format contrecollée sur carton brun. Envoi à la plume : "Souvenir de Sarah Bernhardt". Portrait de l'actrice en pied en tenue pour L'aiglon d'Edmond Rostan, dans le grand escalier du théâtre Sarah Bernhardt, aujourd'hui théâtre de la ville. L'actrice obtiendra le bail de la ville de Paris de 1898 à 1925. L'aiglon est mis en scène pour la première fois au théâtre Sarah Bernhardt en 1900, avec l'actrice dans le rôle titre. Attribution à Henri Manuel, principal photographe à cette époque de l'actrice dans ses rôles. Annotation manuscrite au dos. [ENGLISH DESCRIPTION ON DEMAND]
- Nadar, Paris 1875, 10,5x16,5cm, une photographie. - Photographie originale sur papier albuminé, au format carte de cabinet, contrecollée sur carton jaune bordé de rouge de Nadar, avec sa marque au dos, rue d'Anjou St-Honoré. Portrait de l'actrice accoudée, le visage reposant dans le creux de la main, regardant le photographe ou celui qui regarde la photographie, l'air mélancolique. Très belle photographie. Les photographies de Sarah Bernhard sont le plus souvent en costume de scène, jouant la comédie, celles la représentant au naturel, plus anciennes et où elle se trouve plus jeune, sont beaucoup plus rares. L'actrice aura été assez fidèle au photographe car on retrouve plusieurs portraits d'elle de ses débuts jusque vers 1900. Annotation manuscrite au dos. [ENGLISH DESCRIPTION ON DEMAND]
110635aafLondon, Virtue & Co, n.d. (1873-76), in-folio. Volume 1: 800 p. + 26 engraved plates / Volume 2: 778 p. + 18 engraved plates, pages printed with double col., with usual aging to the paper, in all a clean and fresh copy, plates on heavy paper without stains, full brown morocco, richly gilt on spine and both covers, all edges gilt, a fine copy with only a few traces of use to the corners of the bindings, gilt edges.
18884956CBMannheim, K. Ferd. Heckel, (1888). 4°. (2), 359 S. Etwas späterer Halbleinenband mit verg. Rückentitel ohne Orig.-Umschlag.
Illustrazioni di Gustavo Doré. Prefazione di Giosuè Carducci. Legatura in piena pelle con titoli e fregi in oro al piatto e al dorso. Oltre alle tavole sono presenti centinaia di illustrazioni nel testo, capolettera, finalini. Completo e in Ottimo stato. Milano, 1899; ril. in pelle, pp. 740, ill. b/n, 84 tavv. b/n, cm 27,5x36. italiano ril. in pelle
"Ch. Bianchini - Eug. Mesples, "Le Costume au théatre et a la ville" 16 numeri dal numero 1 del 15 dicembre 1886 al numero 16 del primo ottobre 1887 16 numeri completi, Aubert (vente principale), Paris 1886-1887, cm 30,5x22, pp. dalle 4 alle 8 per ciascun numero, con complessivamente 79 bellissime tavv. cromolitografiche realizzate su cartoncino (G. Bianchini inv. - E. Mesples del.), primo numero con conservata la bella brossura editoriale anteriore originale, anch'essa con bella grafica cromolitografica. Pregevole legatura d'epoca in mezza pelle con titolo e piccoli fregi impressi in oro al dorso, piatti marmorizzati. Risguardi anch'essi marmorizzati. 16 numeri completi di rivista rilegati in un unico volume. Alla prima bianca breve annotazione bibliografica a matita del precedente collezionista. Condizioni di conservazione Buone condizioni con tracce d'uso, margini e angoli dei piatti con qualche minimo strappetto e mancanza al rivestimento marmorizzato, dorso con qualche leggera spellatura principalmente alle cuffie. Interni buoni con lieve foxing ad alcune pagine e tavole, margini lievemente rifilati per rilegatura in volume. Rara raccolta della suddetta rivista, celebre e collezionata per le bellissime cromolitografie di costumi teatrali. Il volume contiene i primi 16 numeri completi sia dei testi che delle tavole cromolitografiche, in totale 79. Cf. R. Colas, "Bibliographie Generale du Costume et de la Mode", Paris 1933, I, 324, col. 9. SETT228.L24089 N "
in-4, pp. (16), 684, leg. coeva p. perg., tit. ms. al dorso. Impresa tipogr. al tit., fregi ed iniz. silogr. Pregevole edizione, molto accresciuta rispetto alla prima del 1585, di quest'opera enciclopedica, interessante e curiosa che ebbe enorme successo, fu sovente ristampata e tradotta in latino e tedesco. Divisa in 155 Discorsi, essa fornisce una quantità di notizie utili alla storia delle scienze, delle invenzioni, delle professioni e mestieri umani. Per quanto attiene al teatro si vedano i seguenti argomenti trattati: ''De saltatori, ballarini...'' (Discorso XLI, pp. 333-338); ''De' comici, et tragedi, così auttori, come recitatori, cioè de gli histrioni'' (CIV, pp. 544-547); ''De' formatori di spettacoli in genere...'' (CV, pp. 548-553); ''Buffoni, o mimi, histrioni'' (CXIX, pp. 598-600). Buon esempl. (abili restauri marginali al frontesp., tre timbri di biblioteca privata nei primi due ff.).. Cat. Rasi p. 379 e Gamba 1415 (entrambi ediz. 1595). Choix d'Olschki VI, 6698..
1784174929Berlin, Wever, 1778-1784. M. 5 (st. 7) Portr. sowie 26 S. gest. Notenbeil. In 2 Hldr.- u. 1 Ppbd. d. Zt. Einbde. beschabt u. bestoßen, teils m. Rsign. St. verso Tit. u. das Portr. lose beilieg. Gebräunt, teils braunfl. Ohne 2 Kpfr.-Taf.
19454262BParis, (d.i. Nice, André Bottin] (1945). Gr.8°. 69 Seiten, 4 Bll., 2 Tafeln mit 3 farbigen Orig.-Lithografien, das Frontispiz davon als Doppel-Lithografie zum Aufklappen. Halbpergament mit Pergamentecken, goldgeprägtem Rückentitel und feinen Goldfileten an den Deckeln. Kopfgoldschnitt. Die Orig.-Broschur mit rotem Deckeltitel mit eingebunden. Im Pappschuber. [5 Warenabbildungen]
26766Paris, Editions Balzac In-12, maroquin vert pomme, dos lisse, titre, auteur et date dorés, décor abstrait mosaïqué en box noir et rouge, tête dorée, couvertures et dos. conservés, sous étui (Reliure de de ROUVRE & DEVAUCHELLE).
Paris, Editions Balzac In-12, maroquin vert pomme, dos lisse, titre, auteur et date dorés, décor abstrait mosaïqué en box noir et rouge, tête dorée, couvertures et dos. conservés, sous étui (Reliure de de ROUVRE & DEVAUCHELLE). Edition collective en partie originale tirée à 200 ex. numérotés sur Alfa Navarre (n° 34). Très bel exemplaire.
1933011153Paris [Bernard Steele] 1933 In-12 Agrafé
1925202551925 Aquarelle et encre de Chine avec des rehauts d'or et d'argent, signée, (1925), 26.3 x 22.5 cm.
2 opere in un vol. in-4, leg. coeva p. perg., tit. ms. al dorso. - I) Filli di Sciro...; pp. (8, compr. tit. inc.), 172, (2). Frontesp. inc. da Fr. Valesio, con putti, stemma del dedicatario (il duca d'Urbino Franc. Maria della Rovere) e impresa degli Accademia degli Intrepidi; 5 magnifiche tav. n.t., inc. dal Valesio, all'inizio di ciascun atto, raffig. animate scene della ''favola''; fregi ed iniz. silogr. Edizione originale di questa favola pastorale di cinque atti in versi, giudicata la migliore del XVII secolo per eleganza e musicalità dei versi e sapienza di costruzione scenica. - II) Discorsi...; pp. (32, compr. tit. inc.), 221, (1). Frontesp. inc. da Gaspare Grispoldo, con putti, grifoni, stemma del dedicatario (Card. Spinola) e impresa degli Intrepidi; fregi silogr. e car. corsivo. Edizione originale, postuma, di quest'opera che il Bonarelli aveva già composto e letto agli Accademici Intrepidi di Ferrara, per rispondere alle polemiche sul doppio amore di Celia, la quale in ''Filli di Sciro'' s'innamora con la stessa passione di due giovani che l'hanno salvata da un centauro. ''I Discorsi sono un vero e proprio trattato scolastico in cui, con rigoroso metodo deduttivo si dimostra in generale la legittimità del doppio potenziale amore e, in particolare, la sua verisimiglianza e necessità...'' (D.B.It. XI, 583-5). E' raro trovare assieme queste due opere del letterato marchigiano (Pesaro 1563 - Fano 1606). Ottimo esemplare.. BMC, XVII sec., p. 126. Michel-Michel I, 185. Cat. Vinciana n. 4025 (solo ''Filli di Sciro''). Gay II, 312 e I, 912..
Cm. 26,50; pp. (8), 30. Bella antiporta allegorica incisa da Wagner su disegno di Giuseppe Bazzani. Grande vignetta al frontespizio con ritratti in ovale dei sovrani. Due grandi testate allegoriche, due capilettera figurati e 4 grandi finali tutto inciso. Cartonato dorato coevo, tagli marmorizzati. Timbri di biblioteca con relativo annullo. Ottimo esemplare. La rappresentazione di quest'opera, testo di Buganza, musica di Traetta e scenografia del Bibiena, programmata in occasione del passaggio dei Reali, non ebbe luogo a causa di un lutto che colpì la Sovrana. 1010/P
G105935Roma [& Venedig = Venice], Simone Occhi 1754 [& 1755] 2 works bound in one volume, I (Concina): xxxvi + 360pp. with engraved vignette on title page, 2nd edition (first published in 1752), This work is an attack on the Italian dramatist Francesco Scipione Maffei (1675-1755) who revitalized Italian theatre // II (Tonischi): [8] + 158pp. with engraved vignette on title page, first edition, this work was written in support of the dramatist Maffei and expressing anger at Concina and other clerics for opposing the pleasure provided by theatrical entertainments // ca. early 19th cy. Hardcover binding (marbled boards, spine in brown leather with gilt title, some small wormholes in upper and lower end of spine), text and interior are clean and bright except for few occasional foxing and a library stamp on first French title page, few small wormholes in first pages (in the margin of the text, not in text itself), overall in good condition, rare, G105935
2 works bound in one volume, I (Concina): xxxvi + 360pp. with engraved vignette on title page, 2nd edition (first published in 1752), This work is an attack on the Italian dramatist Francesco Scipione Maffei (1675-1755) who revitalized Italian theatre // II (Tonischi): [8] + 158pp. with engraved vignette on title page, first edition, this work was written in support of the dramatist Maffei and expressing anger at Concina and other clerics for opposing the pleasure provided by theatrical entertainments // ca. early 19th cy. Hardcover binding (marbled boards, spine in brown leather with gilt title, some small wormholes in upper and lower end of spine), text and interior are clean and bright except for few occasional foxing and a library stamp on first French title page, few small wormholes in first pages (in the margin of the text, not in text itself), overall in good condition, rare, G105935
1976248789Michel de l'Ormeraie 1976 in4. 1976. Reliure editeur. reproduction fidèle du premier tirage de l'édition Gravelot de 1774 limité à 999 exemplaires numéroté de 1 à 999 relié par Robert Ardant à Limoges. Ici exemplaire n°814 (numéroté dans le dernier tome) nervures sur le dos reliure cuir et dorure sur la couverture
