1 094 résultats
1807AQ23253London: s.n. 1807. Single leaf broadside. A trifle creased. An apparently unrecorded early nineteenth-century playbill advertising a performance at the Theatre Royal Covent Garden of playwright Thomas Morton's bap. 1764 d. 1838 remarkably popular comedy Speed the Plough; the venue at which the play debuted in 1798. . Dimensions 180 x 260 mm. [s.n.] unknown
1831AQ22321London: J. Tabby 1831. Single bifolium. 2pp. A trifle creased to extremities some marking to gutter split at head. The highlight of this double-page playbill is the detailed 'order of scenery' included for the popular Regency hippodrama Timour the Tartar by Matthew Gregory 'Monk' Lewis' 1775-1818 Gothic novelist and dramatist. Timour which debuted at the Royal Opera House Covent Garden in late April or early May 1811 is believed to be the first play expressly written to feature horses. This performance featured horses from Cooke's Circus which appeared in several different performances at the Theatre Royal in May 1831 and their involvement in three scenes is explicitly detailed here. . J. Tabby unknown
AQ21437Valetta: s.n. s.d. Single leaf broadside edges uncut. several horizontal folds lightly creased manuscript title to verso. An apparently unrecorded late Victorian playbill advertising an evening's entertainment starring members of the British armed forces held at the lavish Theatre Royal in Malta's capital Valetta. The venue was constructed in 1866 after designs by Edward Middleton Barry 1830-1880 the architect of Covent Garden Theatre. A mere six years after completion the building's interior was ravaged by fire forcing closure; performances would not resume until restoration works concluded in 1877. The theatre was destroyed during Luftwaffe bombings in 1942. The ruins today serve as an open-air performing arts venue. . Dimensions 210 x 310 mm. [s.n.], [s.d.] unknown
1843AQ21389York: Blyth and Moore 1843. Single leaf broadside. Lightly damp-stained to head a trifle creased. A playbill advertising a staging at the Theatre Royal York of playwright Thomas Morton's bap. 1764 d. 1838 Henri Quatre or Paris in the Olden Time 1820 a musical romance in three acts the title character of which is based on Henry IV of France. . Dimensions 190 x 310 mm. Blyth and Moore unknown
1843AQ21391York: Blyth and Moore 1843. Single leaf broadside. Lightly damp-stained to head a trifle creased. A broadside advertisement for the performance at the Theatre Royal York of The deserter or the point of honour!; playwright Charles Dibdin's bap. 1745 d. 1814 musical drama first performed in 1773 adapted from a 1769 French opera by Michel-Jean Sedaine and Pierre-Alexandre Monsigny. . Dimensions 190 x 310 mm. Blyth and Moore unknown
1843AQ21388York: s.n. 1843. Single leaf broadside. Lightly damp-stained to head a trifle creased. A broadside advertisement announcing a performance at the Theatre Royal York of a three-act opera by playwright Frederick Reynolds 1764-1841. . Dimensions 180 x 310 mm. [s.n.] unknown
1843AQ21390York: Blyth and Moore 1843. Single leaf broadside. Damp-stained to head a trifle creased very small hole to lower corner. A playbill advertising a performance at the Theatre Royal York of Love in a Village a three act ballad opera composed and arranged by Thomas Arne 1710-1778 with a libretto by Isaac Bickerstaff 1733-1808 based on Charles Johnson’s 1729 play The Village Opera. First performed on 8th December 1762 the work set a fashion for pastiche opera enjoying 40 performances in its first season alone. . Dimensions 190 x 310 mm. Blyth and Moore unknown
1869AQ21200Weymouth: Jeffery Brothers Dramatic Printers 1869. Single leaf broadside. Lightly browned and scuffed with chipping and marginal tears to edges and corners. An unrecorded Victorian playbill advertising an evening's entertainment at the Theatre Royal Weymouth beginning with English playwright Charles Dance's 1794-1863 two-act comic drama The Wonderful Woman! 1849. Notably the Charles Dickens museum holds an acting copy of Dance's farce once owned by the great novelist; it appears Dickens an associate of the dramatist and fellow member of the Garrick Club had been involved in an earlier production of The Wonderful Woman! himself. The Theatre Royal Weymouth opened on St Nicholas Street in the early nineteenth century and remained in business until the 1960s being demolished in 1968. It was at one point operated by the father of Ernest Wheeler the first independent manager of the Brighton Pavilion. . Dimensions 200 x 500 mm. Jeffery Brothers, Dramatic Printers unknown
46292Paris : Théâtre Sarah-Bernhardt 1900. Octavo 210 x 130 mm stapled pictorial wrappers with portrait of Bernhardt in profile; pp. 18 with 3-page fold-out at centre illustrations advertisements; upper wrapper with some light foxing and partially remnant decorative blue ribbon contents very clean an excellent example. Original programme for Sarah Bernhardt and M. Guitry in Edmond Rostand's L'Aiglon which premiered on 15 March 1900 at the Théàtre Sarah Bernhardt in Paris. The great actress managed this theatre between 1898 and 1923. unknown
1827AQ25469Doncaster: T. Brooke and Co. 1827. Five single sheets printed on one side only. A trifle creased stab-stitch holes to gutter margins early naive paper repair to verso of one playbill. A clutch of five - apparently unrecorded - playbills advertising dramatic and comedic productions at the Doncaster theatre in October of 1827 including Irish dramatist John O'Keefe's 1747-1833 The Young Quaker 1784 playwright and actor John Poole's 1785/6- 1872 immensely popular three-act farce Paul Pry 1825 and Edward Fitzball's 1793-1873 nautical drama The Flying Dutchman or the Phantom Ship which had debuted at the Adelphi Theatre the year prior. . Dimensions 140 x 220 mm. [T. Brooke and Co.] unknown
1864AQ25335s.l.: Imp. de las Novedas 1864. Single leaf broadside. Numerous early vertical and horizontal folds. A trifle creased. An apparently unrecorded broadside advertising an evening's entertainment at the San Fernando theatre Seville for the benefit of the children of the local asylum for the poor; the main event being a production of Rafael María Liern y Cerach's 1832-1897 immensely popular three-act comedy La Almoneda del Diablo 'The Devil's Auction' after which followed a selection of musical diversions including the performance of the 'La Batalla de Inkerman' a song commemorating the events of the Crimean War a decade earlier. . Dimensions 250 x 400 mm. Imp. de las Novedas unknown
1827AQ27774Wakefield: Hurst Printer 1827. Single leaf broadside. A trifle shaved at foot stab-stitch holes to one margin. An apparently unrecorded playbill advertising a performance of Richard Brinsley Sheridan's 1751-1816 perennially popular comedy The Rivals 'by the desire' of the Gentleman's Book Club of Wakefield West Yorkshire. The Rivals premiered at Covent Garden on 17th January 1775. It was universally vilified for its length bawdiness and the poor performance of actor John Lee 1725-1781 in the role of Sir Lucius O'Trigger. Sheridan withdrew the play immediately and over the course of ten days rewrote it extensively. The play reopened on 28th January with a more capable actor in the role of the comic Irishman to significant acclaim and has remained a standard of English theatre ever since. . Dimensions 140 x 220 mm. Hurst, Printer unknown
1825AQ25615Wolverhampton: Smart Printer 1825. Single leaf broadside. A trifle creased top-edge ragged stab-stitch holes to one margin. An apparently unrecorded playbill advertising an evening's entertainment at the Wolverhampton theatre on 4th February 1825 including a performance of actor and playwright William Rowley's 1585-1626 didactic romance A Woman Never Vexed to be followed by 'the highly celebrated comic Pantomime' Harlequin Gulliver; or the Flying Island an elaborate production which had debuted at Covent Garden during the 1817 season loosely based upon Swift's satirical masterpiece and featuring extravagant set pieces including 'the appearance of the flying island' and 'a view of the court yard and royal palace in Lilliput'. . Dimensions 220 x 420 mm. Smart, Printer unknown
1929155506N.p.: N.p. 1929. Collection of ten vintage route cards advertising the showing schedules of five different traveling theatre shows produced by Cincinnati producer George E. Wintz between 1926 and 1929. <br /> <br /> Among the shows represented in this collection are "Ziegfeld Follies" Irving Berlin's "Music Box Revue" "The Vagabond King" "Rio Rita" and "George White's Scandals." The shows apparently toured primarily in the mid-Atlantic and southern United States. Four cards have postmarks on the verso and are addressed to a Charlie North likely a crew or cast member for Wintz's run of "George White's Scandals" from Harry Cook the props master of Wintz's shows. <br /> <br /> Itinerant or traveling theatre shows gained popularity during the early and mid-1920s with commercial genres such as vaudeville and musical revues finding particular success during Prohibition when jazz cabarets speakeasies and nightclubs would stage elaborate shows in order to hide the fact that audiences were actually flocking in to obtain alcohol. <br /> <br /> Cards range from 3.25 x 5.5 inches to 3 x 5 inches. Generally about Near Fine. N.p. unknown
189734855New York: The Century Company circa 1897. A Deluxe Reissue of the First Edition with some changes. Extensively illustrated from numerous sources many of which being actors in theatrical character in photographs or engravings. 4to bound for the publisher by W. Rouch in three-quarter crushed tan morocco over marbled paper covered boards the spine with raised bands ruled in gilt and blind central gilt devices in five compartments and gilt lettering in a sixth marbled endpapers t.e.g. xv 509pp. A very fine copy essentially as mint. THE AUTOBIOGRAPHY OF ONE OF THE GREASIEST AMERICAN ACTORS OF THE LATER 19TH CENTURY. While detailing his life and storied theatrical career Jefferson has also provided us with a virtual "who's who" of the New York performing arts scene during the Victorian era. It also provides great insight in life on the stage in general; including stagecraft rivalries between inflated personalities and extensive travel. An important piece of American theatrical history respected for both its candor and humour. The Century Company hardcover
179621336Paris 1796. 390 x 290 mm. <br /> <br /> Some foxing and minor wear. Hall III p. 385 2. <br /> <br /> Raucourt a popular and controversial French actress made her debut at the Comédie Française in 1772 as Dido going on to play all the classical tragédienne roles. "Her beauty and talent had made her famous but her not so secret love affairs with other women made her notorious. . Raucourt led the Sect of Anadrynes a society of lesbians in Paris. . At the outbreak of the Revolution she was imprisoned for six months with other royalist members of the Comédie Française and she did not reappear upon that stage until the close of 1793 and then only for a short time. She deserted with a dozen of the best actors in the company to found a rival colony but a summons from the Directory brought her back in 1797. . Her funeral was the occasion of a riot. The clergy of her parish having refused to receive the body the crowd broke in the church doors and were only restrained from further violence by the arrival of an almoner sent posthaste by Louis XVIII." Wikipedia. unknown
21321Le Kain is depicted in the role of Orosmane in Voltaire's "Zaire." 420 x 282 mm. No place no date but Paris ca. 1775. <br /> <br /> Slightly browned and foxed. Proof before text. Hall III p. 32. <br /> <br /> Le Kain was a noted French actor who performed with the Comédie Française. unknown
19104868Merida: Imprenta Constitucionalista 1910. Good. Broadside approximately 10.5x15 inches. Previously folded. Two short internal tears with no loss of text or image. Evenly tanned; faint tide line at left margin. Ephemeral early 20th-century Mexican broadside for performances of a traveling theater troupe starring Spanish actress Prudencia Grifell at the Teatro Peon Contreras in Merida Yucatan. The broadside lists members of the company and crew the repertoire of plays to be performed beginning with the comedy "Pipiola" by Spanish playwright Alvaro Quintero ticket prices and other relevant information. The advertisement is illustrated by photo portraits of Grifell and one of her fellow actors. Grifell began in the theater but went on to a long career in Mexican radio film and television following a self-imposed exile caused by the Spanish Civil War. She passed away in 1970 at the age of ninety-three only a year after her final screen appearance. The Peon Contreras theater still stands in Merida although it was seriously damaged by fire in 2022. Imprenta Constitucionalista unknown
201787733Leuven: Peeters 2017. First Edition. First Impression. Thick octavo 24.5cm; original pictorial card wrappers; xxxvi34-940pp; illus.; text is entirely in French. A Fine copy of this substantial monograph on Tibetan ache lhamo theatre as it was performed in the pre-modern era before 1950 and as it is still performed today in the Tibet Autonomous Region and within the Tibetan diaspora in India and Nepal. 87733. Peeters unknown
2404512 June 1956. No place London. For information on Macqueen-Pope see his entry in the Oxford DNB. The present item is from his papers. Unsigned carbon copy of typed letter with ‘W. Macqueen-Pope’ typed below space for signature. 2pp 4to. Sixty-one lines of text. Text clear and complete on lightly aged and creased paper with slight water stain to one edge and damage to top left-hand corner from paperclip. The letter begins: ‘My Dear John / Re the toys which made Xmas long ago. One would want a picture of the men standing shoulder to shoulder down Ludgate Hill in the gutter selling the penny toys. These they carried on trays with a support round their necks. The toys were of all sorts - a list -’. A list of thirty-two lines follows beginning: ‘Little men taking off their tall hats when a string was pulled. / Little tortoises in boxes with glass tops which waggled their legs when moved.’ Ends with: ‘Little bits of metal like aeroplane propellors sic which rose in the air when pushed up a screwed rod. / Watchmen’s rattles - yellow and red. / Bulls eye lanterns.’ The recipient has followed each entry on the list with a tiny tick in ink. Macqueen-Pope continues with twenty-three lines listing ‘toys which have almost if not quite vanished - but which cost more than a penny - some as much as sixpence’. These include: ‘Tin palm tress sic bearing cocoanuts and a nigger smwarmed sic up it caught a cocoa nut in a try on his head and came down.’ and ‘The Wheel of Life - a circular tin affair looking like a round saucepan with no handle. It had slots in the side. Into the bottom went a spike. You put rolls of paper - with illustrations inside facing inwards you twirled it round looked through the slots and the pictures moved. This was the origin of the cinema.’ Also ‘Slap bangs which went off with a satisfying bang when dropped. Scared old men and made cyclists think they had a puncture.’ Postscript: ‘White mice and pigs made of sugar. Tiger nuts - locusts. Everlasting stick’. 12 June 1956. No place [London]. unknown
24581No date or place. 1947. London. From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. MP is not named as the author but there is no doubt that he is. Item one has corrections in his hand. Both versions are simply titled ‘Will Fyffe’. The two versions exhibit a number of differences from one another. It is not clear where the obituary was published but it was probably the London magazine ‘Everybody’s’ for which MP contributed a weekly column. ONE: 4pp 4to double-spaced on four leaves. Autograph corrections to first sentence and an altogether more untidy effect including an additional passage on the last page which is correctly positioned in the second draft below suggest that this is an earlier draft. Begins: ‘It was a freak of fortune that made Will Fyffe into a music hall star instead of remaining on the legitimate stage where he had made his beginning as a small boy.’ Contains information not present in the second version including several astute assessments. For example: ‘Unlike Sir Harry Lauder the other great Scot of the Halls Will Fyffe was a realist. He could create a character and be it. It was not Will Fyffe at whom you gazed it was a gamekeeper a centenarian a Scots engineer on a steamship a guard on the Highland Railway - finding a report of the Battle of Waterloo in the lining of his ill fitting cap a country doctor a real country bumpkin the blacksmith at Gretna Green or the inebriated gentleman to whom Glasgow belonged on a Saturday night. He studied his types and he reproduced them magnificently. They were real people.’ Other topics include his mastery of make-up international popularity and ‘magnificent service’ in the First World War. TWO: 3pp 4to single-spaced on three leaves. More polished than One and with emendations deletions and recasting. Ends: ‘Our stage has lost one of its greatest artists and finest men. How fine an actor he was few knew although one celebrated critic glimpsed it when he wrote “Mr Fyffe has a sob here of which Garrick had bee proud.’ No date or place. [1947. London.] unknown
1920List330New York: Arnold Genthe 1920. Silver gelatin print 6 ¾ x 9 ¼ inches on larger mount. Signed by Genthe on the mount inscribed by Marlowe as Marlowe Sothern on the mount as follows: “To Jean: our little comrade on our walks in Beautiful Stockbridge. In remembrance also of 'Sun Yat Sen' and Choo-Chio Chow. September. 1940. Julia Marlowe Sothern. Very Good. An uncommon image of the actress feminist and suffrage advocate Julia Marlowe who adopted the name - though never legally - Julia Marlowe Sothern after working with the Shakespearean actor E.H. Sothern. Ill health led Marlowe to retire from the stage in 1924 and she was seldom seen in public. This photograph inscribed later in her life is an uncommon relic from her reclusive later years. We can find no record of a Jean or the names mentioned. <br /> <br /> Arnold Genthe who famously photographed the San Francisco Earthquake of 1906 from the site of his destroyed studio moved to New York in 1911 where he became a portrait photographer. He most likely took this picture in his stint on the east coast. We find no other record of this specific portrait of Marlowe. Some silvering at margins otherwise excellent with some light normal tanning to mount. Arnold Genthe unknown
193840442New York: Random House 1938. 8vo. xiii 1 81 2 121 1 80 pp. Three photo frntsps. for each play. Red cloth silver lettrng vry slght tidemrk to ft of spine w/ d.j. chppng & scuffng to uppr & lwr left crnrs frnt cvr fnt tidemrk ft of spine still VG-/G- copy. First edition stated of these three plays written and produced as part of the Federal Theatre Project under the Works Progress Administration to put 1000s of unemployed theatre workers during the Great Depression back to work. Random House, hardcover
0243440669.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0243443145.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback