16 721 résultats
1961156240Los Angeles: Twentieth Century-Fox 1961. Revised Final Draft script for the 1962 film. <br /> <br /> Based on Ernest Hemingway's "A Farewell to Arms" as well as his "Nick Adams" stories about a 19-year-old who leaves his Michigan home holding various jobs before signing up to become an ambulance driver for the Italian Army during World War I. Nominated for five Golden Globes including Best Drama and Best Supporting Actor. <br /> <br /> Shot on location in Mellen Wisconsin and in Verona Italy. <br /> <br /> Red titled wrappers noted as REVISED FINAL on the front wrapper dated October 17 1961. Title page present dated October 17 1961 noted as Revised Final with credits for screenwriter A.E. Hotchner. 167 leaves with last page of text numbered 67. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 10/23/61 and 11/27/61. Pages with silverfish damage to the top of the confidentiality page and a small amount to the top of the title page else Near Fine wrapper Very Good plus bound internally with three gold brads. Twentieth Century-Fox unknown
1937147541N.p.: N.p. 1937. Draft script for the 1937 film. With the name of character Mary Field and actor Suzanne Kaaren uncredited in the final film added to the cast list in holograph pencil and with a few minor holograph pencil emendations throughout. Screenplay divided into eight alphabetical Sequences A through H.<br/><br/>A melancholic romantic comedy by Ernst Lubitsch about a love triangle between Lady Maria Barker Marlene Dietrich her husband the British diplomat Sir Frederich Barker Herbert Marshall and the charming traveler Anthony Halton Melvyn Douglas set throughout Europe with an oncoming war looming.<br/><br/>Set in London Paris and Vienna. <br/><br/>In a custom quarter leather clamshell box. <br/><br/>Untitled self wrappers. 175 leaves with last page of text numbered H-19. Mimeograph duplication rectos only with white revision pages throughout dated variously between 1/28/37 and 2-1-37. Pages Very Good plus some front leaves with light soiling wrapper Very Good lightly soiled dampstaining separating at the spine side stapled with three staples. N.p. unknown books
1938146082Culver City CA: RKO Radio Pictures 1938. Final Draft script for the 1939 film. INSCRIBED by actor Gene Reynolds who played a young Douglas Corrigan in the movie: "For Art / From Corrigan-as-a-boy / Gene Reynolds / Mar - 71" in holograph ink on an inset page preceding the script. With blue and white revisions pages including some detail for montage sequences. Copy originally belonging to an unidentified cast or crew member "Mr. Starkey" with that persons's holograph pencil annotations throughout.<br/><br/>Based on the true story of Douglas "Wrong Way" Corrigan an aviator who "accidentally" flies to Dublin Ireland. Corrigan plays himself a man hell-bent on becoming a pilot by any means necessary cobbling together a single-engine one-passenger plane with a door held shut with baling wire. When his plane is understandably grounded for being too dangerous he appeals for and is eventually given a temporary license to fly his plane west to Long Beach California. Instead determined to prove his reputation through feats of aviation he reroutes in-air and makes a 28-hour flight to Ireland-facetiously insisting upon landing that he thought he was flying to California. <br/><br/>Shot on location in California. <br/><br/>Housed in green 1970s standard card report wrappers with titled label attached. Title page present dated NOVEMBER 12 1938 stamped as FINAL SCRIPT with credits for screenwriters Ernest Pagano and Dalton Trumbo. 145 leaves with last page of text numbered 139. Mimeographed rectos only with blue revision pages throughout dated variously between 11/14/38 and 11/23/38. Pages Very Good plus with some minor tearing and fading lacking original wrapper bound internally with silver prong binding. RKO Radio Pictures unknown books
1976149074Burbank CA: Warner Brothers 1976. Final Shooting script for the 1977 film. Uncredited makeup artist Rick Schwartz's copy with his ownership name on the title page in holograph link and with penciled check marks throughout relating to close-ups in the film. Secretarial notation of supervising producer Irwin Allen's name on the title page.<br/><br/>A stunt-heavy 1970s powerhouse designed to capitalize on the enormous success of the 1971 film "Evel Knievel" but with this entry featuring inimitable motorcycle daredevil Evel Knievel as himself. Also cast are Gene Kelly as his alcoholic mechanic and Leslie Nielsen as a power-hungry Mexican drug lord. Knievel is offered a fortune to perform in Mexico unaware that a drug cartel intends to kill him and use his tour bus to smuggle hundreds of kilos of cocaine. <br/><br/>Set in California and Mexico shot on location in Monterey Park Burbank and Long Beach California. <br/><br/>Yellow titled wrappers rubber-stamped FINAL on the front wrapper. Title page present dated February 13 1976 noted as SHOOTING FINAL with credits for screenwriter Antonio Santillan sic. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly soiled bound with two gold brads. Warner Brothers unknown books
1938142943Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Vintage Style D US one sheet poster for the 1938 US film. <br/><br/>Based on the 1936 novel by Erich Maria Remarque and to our knowledge F. Scott Fitzgerald's only credited adaptation of a literary work by another author. <br/><br/>Three young German soldiers vie for the love of a dying woman in the years following World War I. <br/><br/>27 x 41 inches on archival linen rolled. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1935150693N.p.: N.p. 1935. Three original photographs of Frank Capra and Gary Cooper on the set of the 1936 film. Mimeo snipe adhered to the verso of one photograph referring to the film by its working title "Opera Hat" along with the stamp of photographer A.L. Schafer and one photograph with a date stamp reading April 20 1936 on the verso. <br /> <br /> The first photo shows Capra with the film script in hand standing next to a wall calendar that prominently reads "Friday December 13th" the day the film was announced. The second is a candid shot of Capra and Gary Cooper and the third is a candid photo of Capra standing in the balcony of one of the film's sets.<br /> <br /> A small town man discovers he is the sole beneficiary of his estranged and incredibly wealthy uncle's estate and must move to New York to claim his inheritance becoming a moving target for a number of scammers in the process. Winner of the Academy Award for Best Director. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing. N.p. unknown
1970152527N.p.: N.p. 1970. Dialogue transcript for the unfinished film copy belonging to Frank Zappa circa 1968 with a single annotation in Zappa's hand in holograph ink of "Wednesday" on top of first page. A transcript of multiple takes of ten scenes shot by Zappa for his long aspired but never finished experimental film. Featuring scenes primarily between Don Preston and Phyllis Smith Altenhaus the transcript also contains dialogue from Zappa himself as well as Carl Zappa Billy Mundi Aynsley Dunbar and Jimmy Carl Black. The annotation of "Wednesday" likely refers to the day the sequences were shot or the day Zappa intended on editing the footage.<br/><br/>Full provenance available including letter stating transcript came from the estate of Zappa's longtime business manager Herb Cohen.<br/><br/>As early as 1967 Zappa had begun work on his infamous unfinished experimental film "Uncle Meat." Originally featuring his then band the Mothers of Invention as both musicians and fictional characters over the next decade the film would morph and change into various proposed incarnations by Zappa's apparently unbridled imagination but the project was always constrained by a lack of financing. Finally in 1987 a direct-to-video "making of" documentary of the uncompleted "Uncle Meat" production was released.<br/><br/>In 1969 the Mothers of Invention released the double album "Uncle Meat." Largely an instrumental soundtrack to the unfinished film the album was an unfocused but brilliant showcase for Zappa's compositional dexterity and a harbinger of his emergence as one of the most creatively fertile minds in rock music.<br/><br/>Transparent front wrapper with orange back wrapper and spine. 59 leaves with last page of text numbered 58. Mimeograph duplication rectos only. Pages with light stain on first leaf else Near Fine wrapper Very Good plus bound internally with three silver brads. N.p. unknown books
1933153095Culver City CA: RKO Studios Inc 1933. Final Draft script for the 1933 film. Carbon typescript on onionskin with production number "687" and "Property of RKO Studios Inc. Return to Scenario Dept. Files" stamps on front wrapper.<br /> <br /> Based on an unpublished play by Anne Caldwell and Louis Brock. One of the most famous dance debuts in film history featuring the iconic team of Fred Astaire and Ginger Rogers performing "The Carioca." The film's success set a dance and music craze across the country and made the pair bankable worldwide for a string of classic films. Nominated for an Academy Award.<br /> <br /> Set in and shot on location in Rio de Janeiro Brazil. <br /> <br /> Tan titled wrappers noted as FINAL SCRIPT on the front wrapper rubber-stamped production No. 687 dated August 25 1933 with credits for author Louis Brock. 161 leaves with last page of text numbered 159. Ribbon copy typescript rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. RKO Studios, Inc unknown
1973146779Universal City: Universal Pictures 1973. Vintage US silkscreen banner poster for the 1973 film. <br/><br/>Based on Frederick Forsyth's 1971 novel about the titular professional assassin hired by a militant French underground organization to assassinate French president Charles de Gaulle. <br/><br/>Set in and shot on location in Paris Versailles and Hautes-Alpes. <br/><br/>82 x 24 inches. Rolled. Very Good with no restoration. Several vertical creases with some cracking three closed tears measuring tow four and five inches several small closed tears in margins otherwise bright and unfaded.<br/><br/>Penzler 101. Universal Pictures unknown books
1976145023Universal City CA: Universal Pictures 1976. Early Draft script for the 1977 film. At 200 pages this draft is 36 pages longer than the longest of the three we have encountered meaning almost certainly that it is a First Draft or very close.<br/><br/>The plot of William Friedkin's suspense thriller originated with the same Georges Arnaud novel that inspired Henri-Georges Clouzot's French suspense classic "The Wages of Fear" 1953. Roy Scheider Bruno Cremer Francisco Rabal and Amidou play four men who for various reasons cannot return to their own countries. They end up in a dismal South American town where an American oil company is seeking out courageous drivers willing to haul nitroglycerin over 200 miles of treacherous terrain. The four stateless men have nothing to lose and besides they'll be paid $10000 apiece and be granted legal citizenship if they survive. The suspense is almost unbearable at times even outdistancing the tension level of "The Wages of Fear" in certain scenes in particular a famous set piece wherein one of the trucks must cross a rope bridge in the middle of the Amazon-and in the middle of a monsoon. Nominated for an Academy Award. <br/><br/>Gray titled wrappers. Title page present undated with credits for screenwriter Green and novelist Arnaud. 200 leaves xerographically duplicated. Pages and wrapper Near Fine bound with two gold brads. Universal Pictures unknown books
1929132439Munich: Universum Film UFA 1929. Vintage reference photograph from the French release of the 1927 German film. With the UFA logo at the bottom right corner. <br /> <br /> Director Fritz Lang's expressionist masterpiece based on the novel and written for the screen by then-wife Thea von Harbou one of the most enduring and influential films of the silent era. <br /> <br /> 9 x 6.5 inches. Near Fine.<br /> <br /> Ebert I. Eureka Masters of Cinema 16. Rosenbaum 1000. Schrader Canon Fodder 5. Godard Histoires du cinema. Universum Film [UFA] unknown
1931136679Berlin: Nero-Film AG 1931. Vintage oversize double weight photograph from the 1931 film. Based on the true story of psychopathic serial killer Hans Beckert nicknamed the "Vampire of Dusseldorf" here played by Peter Lorre. A brilliant image from this crime thriller classic in which the search is on for Lorre. <br/><br/>Lang's first sound film Lorre's breakthrough role and the film Lang considered to be his masterpiece-an assertion that has found much agreement since. The mood atmosphere and lighting foreshadow film noir and Lang's use of sound though primitive technologically still makes a powerful psychological impact. <br/><br/>So strongly regarded was the film that MGM producer Irving Thalberg assembled his writers and directors for a screening and told them they needed to be making films of this caliber. Banned in Germany in 1934 when the Nazis came into power at which point Lorre and Lang both of partial Jewish ancestry fled the country. The expressionistic art direction visible here the uncredited work of Edgar G. Ulmer would also serve as the basis of Ulmer's later directorial work in Hollywood where he would make some of the most creative and classic noir-style films. Set in Berlin shot there on location. <br/><br/>Nero film insignia in the lower right corner with a Dutch blind stamp at the upper right corner. Original German stills from this film are scarce: this is the only one we have ever offered. <br/><br/>9 x 12 inches. Fine. <br/><br/>Complete collation details available on request. Nero-Film AG unknown books
1987121465Los Angeles: Pan Arts / American Broadcasting Company ABC 1987. Shooting script for the 1988 film comedy. Director George Roy Hill's working copy with his typically profuse holograph annotations throughout as well as handwritten drafts and drawings for establishing shots scene setups screen credits sequences ideas etc. Also included are 2nd Unit shot lists Montage Arrangements Staff and Crew List a One Line Schedule and internal memorandums including an interesting summary of the cost for rights to various musical properties used in the film. <br/><br/>A well-loved and overlooked comedy in which Chase plays a sportswriter who moves his family to rural Vermont in order to write a novel. The townspeople however turn out to be more than a little eccentric and the relative seclusion sought by the family is interrupted by one disaster after another. <br/><br/>Materials housed in director Hill's black three-ring binder. Various loose materials in the binder pockets. Screenplay: orange titled wrappers; title page present with credits for novelist Cronley and screenwriter Boam and a date of 7/20/87. 131 leaves xerographically duplicated with pink blue green and yellow revision pages throughout dated variously between 8/26/87 and 9/5/87 some undated. Pages wrapper and binder Near Fine; loose inserted leaves Very Good plus to Near Fine. Pan Arts / American Broadcasting Company [ABC] unknown books
1981152765Burbank CA: Warner Brothers 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in holograph pencil annotation to the front wrapper and a single holograph ink annotation to the title page noting copy No. 201. <br/><br/>Based on the 1978 novel by John Irving. Director George Roy Hill capped an impressive career with this film one of the best literary adaptations of the 1980s a great example of a successful and uncompromised translation of a novel's idiosyncrasies directly to the screen and a triumph of ensemble acting. Nominated for two Academy Awards for Best Supporting Actor and Best Supporting Actress for John Lithgow and Glenn Close respectively.<br/><br/>Shot on location in New York and New Jersey. <br/><br/>Blue titled wrappers. Title page present dated January 1981 noted as Final Draft with credits for screenwriter Steve Tesich and novelist John Irving. 170 leaves with last page of text numbered 139. Xerographic duplication rectos only with pink blue and yellow undated revision pages throughout. Pages Very Good plus with light foxing to the first and last leaves wrapper Very Good plus with dampstains and light soil to the binding and rear wrapper bound internally with three gold brads. Warner Brothers unknown books
1934131076N.p.: N.p. 1934. Draft script for the 1934 film. Presentation script belonging to uncredited screenwriter Jack Leonard with his name in gilt on the spine and his annotations throughout marking completed scenes. With a 21-page shooting schedule and two-page wardrobe breakdown bound in after the script. <br /> <br /> Based on the successful 1883-1908 comedy adventure novel series by George Wilbur Peck and in particular on Peck's 1883 novel "Peck's Bad Boy and His Pa." <br /> <br /> Bound in brown cloth with brown quarter leather with gilt titles on the spine. Missing title page presumably as issued. 127 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Near Fine binding Very Good plus lightly edgeworn and rubbed. N.p. unknown
141383Los Angeles: Callboard Theatre 1970. Vintage poster for three performances of the 1969 play held at the Callback Theatre in Los Angeles circa early 1970s. Directed by and starring Gerald McRaney who would go on to a long and successful career in film and television as an actor. <br /> <br /> Mart Crowley's off-Broadway play about a group of gay men who gather at an apartment to celebrate a birthday ran for over 1000 performances at Theatre Four from April 15 1968 to September 6 1970. In addition to being a landmark piece of queer theatre the play also found significant mainstream success and served as an inspiration and rallying point for many who would participate in the burgeoning gay rights movement. The play's influence and importance are evidenced not only by this early revival but by the poster itself whose subtly homoerotic image would have been provocative in that era and probably quite a bit later as well. <br /> <br /> William Friedkin would direct a film version in 1970 adapted by Crowley from his play and Crowley would write a sequel to the play "The Men from the Boys" in 2002. <br /> <br /> 25 x 19 inches. Near Fine with a couple of tiny closed tears. Callboard Theatre unknown
160761New York: Waissman and Fox 1972. Vintage script for the 1972 touring stage production of the 1971 musical. With the name of actor Greg Evigan in manuscript pencil on the front wrapper and in manuscript ink on the title page however script appears to have been used by several different cast members with notations in various hands throughout. <br /> <br /> A classic teen musical about the opposites-attract high school romance between a local bad boy and good girl exchange student in the late 1950s. Basis for the 1978 film starring John Travolta and Olivia Newton-John. The touring production debuted at the Eden Theatre on February 14 1972 and ended at the Majestic Theatre on April 13 1980. <br /> <br /> Orange titled Studio Duplicating Service wrappers. Title page present with a copyright date of 1970 and credits for playwrights Jim Jacobs and Warren Casey choreographer Patricia Birch and director Tom Moore. 92 leaves with last page of text numbered 2-5-41. Mimeograph duplication rectos only. Pages Near Fine wrappers Very Good plus bound with two gold brads. <br /> <br /> Hirschhorn The Hollywood Musical. Waissman and Fox unknown
1988152773Los Angeles: Avenue Pictures 1988. Final Shooting script for the 1989 film. <br/><br/>Gus Van Sant's directorial debut and a breakthrough film for actors Matt Dillon and Kelly Lynch. A nihilistic answer to the onslaught of coming-of-age movies in the 1980s appropriately released at the end of that decade following the exploits of a group of young people driven by nothing other than boredom and an obsessive need for more drugs leading inevitably to confusion and rampant lawlessness. <br/><br/>Set in the Pacific Northwest. <br/><br/>White generic Avenue Pictures wrappers. Title page present dated 9/08/88 noted as Final Shooting Script with credits for director Gus Van Sant and screenwriter Dan Yost and story credits James Fogle. 103 leaves with last page of text numbered 97. Xerographic duplication rectos only with blue revision pages throughout dated 9-27-88. Pages Near Fine wrapper Near Fine bound internally with two gold brads.<br/><br/>Spicer US. Avenue Pictures unknown books
1976146431Universal City: Universal Studios 1976. First Draft script for the 1977 film here under the working title "Bandit."<br/><br/>One of the most successful films of 1976 and a capper for Burt Reynold's impressive 1970s run as a roving badass. Bo "Bandit" Darville is a race car driver and part-time bootlegger hired to transport 400 cases of illegally obtained Coors beer from Texarkana to Atlanta in under 28 hours accompanied by his partner Cledus "Snowman" Snow and pursued by pesky Texas county sheriff Buford T. Justice. Followed by two sequels and beloved by Southern audiences as in the words of Billy Bob Thornton not so much a movie as a documentary.<br/><br/>Set in Georgia and Texarkana shot on location in Georgia. <br/><br/>Green titled wrappers noted as FIRST DRAFT SCREENPLAY on the front wrapper noted as production No. 00442 dated July 30 1976. Title page present noted as First Draft Screenplay with credits for screenwriters CHARLES SHYER AND ALAN MANDEL and story credits to Hal Needham and Robert Levy. 115 leaves with last page of text numbered 113. Xerographically reproduced on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Studios unknown books
1942003091CALIFORNIA: Paramount Studios 1942. Hammett Dashiell Author Stuart Heisler Director Joseph Latimer Screenplay Veronica Lake Alan Ladd Actors. ORIGINAL PRESSBOOK FOR "THE GLASS KEY." Los Angeles CA: Paramount Studios 1942. Original pressbook for the 1942 Film Noir classic film adapted from Dashiell Hammett's 1931 novel of the same name. Near Fine condition center fold barely visible trifling edge wear no cuts absolutely complete. Exceedingly scarce and a remarkable survival in this fresh original condition. From the collection formed by Robert Osborne erstwhile host of Turner Classic Movies. 14 pages 12.25 x 15 inches. . First Edition. Printed Wrappers. Near Fine. Paramount Studios paperback books
1962156730N.p.: N.p. 1962. Four vintage oversize borderless reference photographs from the classic 1962 film. <br /> <br /> Based on the 1960 Pulitzer Prize-winning novel by Harper Lee. One of the greatest and most loved literary adaptations ever to reach the screen and the film debut of Robert Duvall in a dialogue-free role as Boo Radley. Nominated for eight Academy Awards winning three including Best Actor for Gregory Peck and Best Screenplay. Nominated for the Palme d'Or.<br /> <br /> Set in the fictional town of Maycomb Alabama shot on location in Monroeville Alabama and Pasadena California. <br /> <br /> 13.5 x 10.5 inches. Near Fine. <br /> <br /> National Film Registry. Penzler 101 Greatest Films of Mystery and Suspense. N.p. unknown
1938140293Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Draft script for the 1938 film. Based on the short story "Private Pettigrew's Girl" by Dana Burnet and published in "The Saturday Evening Post" on September 14 1918. Copy belonging to an unknown crew member with manuscript pencil annotations throughout. <br /> <br /> Jimmy Stewart plays an idealistic soldier who convinces a Broadway star Margaret Sullavan to pretend they're dating in order to impress his other soldier friends. Meanwhile Sullivan's manager Walter Pidgeon has always been in love with her and objects to the pair's closeness even as they decide to get married before Stewart is shipped out to France. Stewart and Sullivan pull off surprisingly believable roles for a plot of such sickly sweetness in this their second on-screen pairing. <br /> <br /> The third film based on Burnet's "Saturday Evening Post" story the first two being the 1919 George Melford silent film "Pettigrew's Girl" and Richard Wallace's part-talkie "The Shopworn Angel" 1928 starring Gary Cooper. Set in New York. <br /> <br /> Goldenrod titled wrappers rubber-stamped copy No. 2268 and production No. 25077 dated 3/16/38 with credits for producer Joseph L. Mankiewicz and screenwriter Waldo Salt. Distribution receipt laid into the script. Title page integral with the first page of the text as issued. 108 leaves with last page of text numbered 108. Mimeograph duplication. Pages Near Fine wrapper Very Good bound with two gold brads. <br /> <br /> Warner Archive. Metro-Goldwyn-Mayer [MGM] unknown
1949139871Los Angeles: Twentieth Century-Fox 1949. Revised Final script for the 1950 film. Bound presentation belonging to producer Sol C. Siegel with his name in gilt on the front board. With 53 studio still photographs tipped in throughout four pages of retakes and added scenes tipped in at the rear as well as a number of holograph annotations primarily denoting the titles of various musical numbers. <br/><br/>Based on the short story "Stork Don't Bring Babies" by S.K. Lauren Grable and Dailey play a showbiz couple who discover in successive order that they cannot have children that they can adopt children and that they aren't really fit to raise children. But things get better with the help of several musical numbers scored by Harold Arlen. <br/><br/>Bound in green faux leather boards with gilt titles and rule and marbled endpapers. Title page present dated Dec. 1 1949 noted as Revised Final with credits for screenwriters Trotti and Binyon. 191 leaves with last page of text numbered 130. Mimeograph duplication with blue revision pages throughout dated variously between 12/21/19 and 1/5/50. Pages Very Good plus photographs Near Fine with some bruising or chipping to the verso of the preceding page on either the top or bottom edge. Boards Near Fine with a bump to the upper rear corner. <br/><br/>Hirschhorn The Hollywood Musical. Twentieth Century-Fox unknown books
1961WRCLIT67362Culver City: Selznick International Studios 1961. Four volumes each foliated in reel format three quarto one legal format. Mimeograph typescript printed on rectos only. First three bradbound in mimeographed wrappers the latter stapled at top margin. Slight tanning and foxing to a couple wrappers a few small spots to fore-edge of one item otherwise very good to fine. A group of post-production scripts for this key Hitchcock film based on a screenplay by Ben Hecht which was in turn based on Angus MacPhail's adaptation of a novel THE HOUSE OF DR. EDWARDES by Hilary Saunders and John "Francis Beeding" Palmer. Present here are a Cutting Continuity script dated 1 November 1945; a Dialogue Continuity script rerun 31 May 1949; another Cutting Continuity script rerun 10 June 1949 and a Combined 16mm Continuity script 15 May 1961. Ingrid Bergman and Gregory Peck starred and Salvador Dali contributed designs to the dream sequences. The film was nominated for six Academy Awards and won one for Miklós Rózsa's musical score. While not on the level of preproduction or production scripts these scripts record in detail often quite technical detail the final form of the film. Selznick International Studios unknown books
19961ivFd0047New York: Stewart Tabori & Chang/A Division of U.S. Media Holdings Inc. 1996. Book. Illus. by Howard Schatz & Beverly Ornstein Photos; Mia Galison Creative Director; Gina Federico Designer. Like New. Spiralbinding Soft Cover. Published in 1996 by Stewart Tabori & Chang. 12mo or 12° Duodecimo: 6¾" x 7¾" tall. Page Numbers: N/A. A rare hard-to-find out-of-print scarce true collectible gem! A wonderful copy! Spiral bound copy with very minor shelf wear. No dust jacket. . Stewart, Tabori & Chang/A Division of U.S. Media Holdings, Inc. Paperback
