16 721 résultats
1965149476Chicago: Esquire 1965. Vintage studio still photograph from the 1965 film. With the stamp of R.I.C. Productions in Brussels on the verso.<br /> <br /> A so-called modeling agency in New York City secretly operates as an undercover prostitution ring.<br /> <br /> Set and shot on location in New York.<br /> <br /> 10 x 8 inches. Very Good plus lightly creased and edgeworn. Esquire unknown
1965149476Chicago: Esquire 1965. Vintage studio still photograph from the 1965 film. With the stamp of R.I.C. Productions in Brussels on the verso.<br/><br/>A so-called modeling agency in New York City secretly operates as an undercover prostitution ring.<br/><br/>Set and shot on location in New York.<br/><br/>10 x 8 inches. Very Good plus lightly creased and edgeworn. Esquire unknown books
1980150594N.p.: N.p. 1980. Seven vintage matte-finish borderless reference photographs from the 1980 French hardcore film.<br /> <br /> A man injured in a brawl with his lover's husband is taken to an erotic clinic. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Bier 318. N.p. unknown
1979149671N.p.: N.p. 1979. Five vintage matte finish reference photographs from the 1979 French hardcore film.<br /> <br /> A nurse conducts a series of erotic visits with her patients. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Bier 566. N.p. unknown
1980150594N.p.: N.p. 1980. Collection of seven vintage matte-finish borderless reference photographs from the 1980 French hardcore film.<br/><br/>A man injured in a brawl with his lover's husband is taken to an erotic clinic. <br/><br/>5 x 7 inches. Near Fine. <br/><br/>Bier p. 187. N.p. unknown books
1979149671N.p.: N.p. 1979. Collection of five vintage matte finish reference photographs from the 1979 French hardcore film.<br/><br/>A nurse conducts a series of erotic visits with her patients. <br/><br/>5 x 7 inches. Near Fine. <br/><br/><br/>Bier p. 336. N.p. unknown books
1957144103France: Regina 1957. Collection of 6 original still photographs for the 1957 French-Italian film here under the original French title. Actress Feuillere is prominently featured in glamour poses and answering the phone. All with ditto-style mimeo snipes on the verso crediting the original title Feuillere Servais Blier and Allegret. Also included is a business card for starring actor Lefebvre here as Lefevre with an inscription in French and initials by him in manuscript ink. Housed in a manila envelope with French film title and a credit for director Allegret in manuscript ink. <br /> <br /> Based on the 1956 novel "Sans Attendre Godot" by Jean Amila Meckert who wrote mostly science-fiction and mystery novels. Noirish crime thriller about night-club owner Godot Servais who hires hitman Jo Delon to rub out an enemy convinced of his wife Angele's Feuillere adultery. Angele might be the femme fatale as she moves in on the hitman. <br /> <br /> 5 x 7 inches envelope twice as large and business card a third smaller. Near Fine overall with slight curl to the photographs light foxing to the business card. <br /> <br /> Selby Worldwide. Regina unknown
1981155773N.p.: N.p. 1981. Collection of eleven vintage borderless matte-finish reference photographs from the 1981 French hardcore film. <br /> <br /> Noted French adult film director Alain Payet worked under a variety of pseudonyms including John Pardaillan John and Frederick Brasil Amor James Gardner and Alain Garnier. Payet was best known for his boundary-pushing casting practices in films such as "Les Aventures érotiques de Lili pute" and "Les Gourmandes du sexe" and often worked with amateur actors throughout his career.<br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Bier p. 795. N.p. unknown
1981156016N.p.: N.p. 1981. Five vintage borderless reference photographs from the 1981 French adult film including four matte-finish and one glossy. Layout annotations on the verso. <br /> <br /> A wealthy industrialist's young wife agrees to sleep with a soccer team in order to encourage them to win the upcoming match. <br /> <br /> Noted French adult film director Alain Payet worked under a variety of pseudonyms including John Pardaillan John and Frederick Brasil Amor James Gardner and Alain Garnier. Payet was best known for his boundary-pushing casting practices in films such as "Les Aventures érotiques de Lili pute" and "Les Gourmandes du sexe" and often worked with amateur actors throughout his career.<br /> <br /> 7 x 5 inches. About Near Fine one with light fading and toning at the edges. <br /> <br /> Bier 1722. N.p. unknown
1951158773Paris: Institut des hautes études cinématographiques 1951. Vintage program for a 1951 showing of Alain Resnais' 1950 short documentary film at the prestigious Institut des hautes études cinématographiques IDHEC. Text in French. <br /> <br /> IDHEC was founded in Paris during World War II in order to offer training for virtually every aspect of film production. It counted a veritable who's who of prominent filmmakers among its graduates including Louis Malle Claire Denis Jean-Jacques Annaud Volker Schlöndorff Andrzej u awski and Costa-Gavras among many others. Resnais attended IDHEC for one year from 1943-1944 training as a film editor before leaving in 1945 for military service. <br /> <br /> "Gauguin" was part of an early series of documentary short films about artists created by Resnais between 1946 and 1953 preceded by "Van Gogh" 1949 winner of an Academy Award and followed by "Guernica" 1950 in collaboration with Robert Hessens.<br /> <br /> 8.25 x 10.75 inches. Bifold. Very Good plus lightly faded on the edges with brief wear at the bottom right corner. Institut des hautes études cinématographiques unknown
1981139774Universal City CA: Universal Pictures 1981. Vintage studio still photograph from the US release of the 1981 film. <br/><br/>Three wealthy couples living in New York take seasonal trips with one another. This marital drama and romantic comedy was met with box office success upon its release. <br/><br/>Shot on location in various locations around the eastern United States. <br/><br/>10 x 8 inches. Fine. <br/><br/>Complete collation details available on request. Universal Pictures unknown books
1977163630Los Angeles: Twentieth Century-Fox 1977. Vintage promotional portrait photographs of Sid Caesar and Rob Reiner from the 1977 film. <br /> <br /> Based on Robert Klane's 1975 novel about a store owner and his two sons one of whom he has essentially disowned. Ezra Alan Arkin is the lesser son who coaches a worthless high school basketball team and has a wife much too eager to have children. A well regarded comedy about a dysfunctional Jewish family with a cast of veteran comedic actors. <br /> <br /> 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
1975129187Los Angeles: Twentieth Century-Fox 1975. First Draft script for the 1977 film. <br /> <br /> Benny Fikus owns a failing clothing store and wishes to cash in on it by burning down his store and collecting the money from the fire insurance policy. He goes on vacation with his wife and puts his son in charge and suffers a heart attack while away. His other son Ezra attempts to adopt an African American teenager to have him play on his basketball team so that he may keep his job as the unsuccessful high school basketball coach. <br /> <br /> Blue titled wrappers. Title page present dated September 19 1975 noted as First Draft with credit for screenwriter Klane. 124 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1972168139Burbank CA: Warner Brothers 1972. Two vintage studio still photographs taken on the set of the 1974 film one showing director Richard Rush and actor James Caan the other showing Caan with motorcycle stunt instructor Mike Bast.<br /> <br /> A blueprint for the buddy cop movie about two inept police officers portrayed with wonderful chemistry by Alan Arkin and James Caan who wreak utter mayhem and destruction while trying to bring down a local mob boss. Director Richard Rush's ludicrous politically incorrect black comedy satirizing the popular revenge and police action films of the period.<br /> <br /> Set and shot on location in San Francisco California. <br /> <br /> 7.5 x 10 inches. Warner Brothers unknown
1968170440N.p.: The Landau Company 1968. Collection of 25 vintage photographs from the 1968 film including nine studio still photographs and 16 reference photographs. Three with mimeo snipes on the versos and the balance with provenance stamps and labels to same. <br /> <br /> One of the great film adaptations of any American novel starring Sondra Locke in her screen debut opposite Alan Arkin. Although much of the political aspect of McCullers' novel was removed from the film the themes present in the author's work are readily apparent: race loneliness impoverishment and anger. Arkin and Locke were nominated for Best Actor and Best Supporting Actress Oscars. <br /> <br /> Shot on location in Selma Alabama.<br /> <br /> Photographs range in size from 8 x 9.25 inches to 10 x 8 inches. Generally Near Fine. The Landau Company unknown
1968170442N.p.: The Landau Company 1968. Vintage borderless photograph from the 1968 film showing Alan Arkin Sondra Locke and an unidentified man at the film's premiere. Metropolitan Photo Service stamp on the verso.<br /> <br /> One of the great film adaptations of any American novel starring Locke in her screen debut opposite Arkin. Although much of the political aspect of McCullers' novel was removed from the film the themes present in the author's work are readily apparent: race loneliness impoverishment and anger. Arkin and Locke were nominated for Best Actor and Best Supporting Actress Oscars. <br /> <br /> Shot on location in Selma Alabama.<br /> <br /> 10 x 8 inches. Very Good plus. The Landau Company unknown
1976138747Los Angeles: Twentieth Century-Fox 1976. Final Draft script for the 1977 film. Laid in is a five-page staff and crew list with brief annotations in holograph ink on the verso of the last page. <br/><br/>Based on Klane's 1975 novel. The last of four films directed by Alan Arkin between 1967-1977 and probably the best. An anarchic comedy about the owner of a department store Vincent Gardenia nearing financial terminus who decides to convince his brother-in-law Sid Caesar that his store is actually a Nazi stronghold trusting that the brother will burn the store down and save him the expense of hiring an arsonist. The film also stars Arkin as the store owner's brother and Rob Reiner as his dimwitted son. <br/><br/>Red titled wrappers dated September 10 1976. Title page present dated September 10 1975 noted as FINAL with credits for screenwriter and novelist Robert Klane. 111 leaves with last page of text numbered 110 and five staff and crew sheets. Mimeograph on eye-rest green stock. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox unknown books
1975147540N.p.: N.p. 1975. Draft script for the 1975 US production of the 1973 play.<br /> <br /> The final play in "The Norman Conquests" trilogy preceded by "Table Manners" and "Living Together" a series of comic melodramas set in different parts of the same countryside house. The play made its US debut at the Morosco Theatre on December 7 and was first staged in the UK at the Library Theatre in Scarborough on July 2.<br /> <br /> Green titled card wrappers. Title page present with credits for playwright Alan Ayckbourn. 106 leaves with last page of text numbered II-2-103. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1975147540N.p.: N.p. 1975. Draft script for the 1975 US production of the 1973 play.<br/><br/>The final play in "The Norman Conquests" trilogy preceded by "Table Manners" and "Living Together" a series of comic melodramas set in different parts of the same countryside house. The play made its US debut at the Morosco Theatre on December 7 and was first staged in the UK at the Library Theatre in Scarborough on July 2.<br/><br/>Green titled card wrappers. Title page present with credits for playwright Alan Ayckbourn. 106 leaves with last page of text numbered II-2-103. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1980151073Los Angeles: Paramount Pictures 1980. Vintage press kit for the 1980 film. Full-color illustrated pocketed folder containing 12 black and white photographs and 5 gatherings of promotional reading material.<br /> <br /> A dramatization of the life of legendary Polish ballet dancer and choreographer Vaslav Nijinsky focusing on the dancer's repression of his own homosexuality due to his drive for success and subsequent descent into mental illness near the end of his life. Loosely based on Nijinsky's personal diaries which were heavily bowderlized and published by his widow Romola de Pulszky in 1936 as well as Pulszky's 1934 biography of the dancer. <br /> <br /> Folder photographs and promotional material Near Fine.<br /> <br /> Olive Films 347. Paramount Pictures unknown
1942164470Universal City: Universal Pictures 1942. Vintage studio still photograph from the 1942 film showing actors Robert Cummings and Priscilla Lane. Date stamp and provenance stamp on the verso.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901. Jones worked for Paramount Pictures in the early 1930s and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures where he worked well into the 1950s.<br /> <br /> A high spot among Alfred Hitchcock's early thrillers and the director's only collaboration with author Dorothy Parker who contributed to the screenplay. The film included much more location footage than most of the director's pictures including Boulder Dam locations in New York City including Radio City Music Hall and Rockefeller Center and of course Liberty Island for the famed closing scene on the Statue of Liberty. <br /> <br /> 10 x 8 inches. Very Good moderately wavy on the bottom and top edges with touch-ups on the recto. Universal Pictures unknown
1942164400Universal City: Universal Pictures 1942. Three vintage publicity photographs from the 1942 film one showing actor Alan Baxter in heavy makeup and costume as Freeman the other two showing actors Robert Cummings and Priscilla Lane. One with a printed mimeo snipe affixed to the verso and one with a provenance stamp on the same. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901. Jones worked for Paramount Pictures in the early 1930s and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures where he worked well into the 1950s.<br /> <br /> A high spot among Alfred Hitchcock's early thrillers and the director's only collaboration with author Dorothy Parker who contributed to the screenplay. The film included much more location footage than most of the director's pictures including Boulder Dam locations in New York City including Radio City Music Hall and Rockefeller Center and of course Liberty Island for the famed closing scene on the Statue of Liberty. <br /> <br /> 8 x 10 inches. Very Good to Very Good plus. Universal Pictures unknown
1970141627Middlesex: Amicus Productions 1970. Draft script for the 1970 Amicus Productions film. Laid in are eight pages of notes and letters to and from Hollywood agent Paul Kohner. <br /> <br /> Based on the 1961 novel of the same name by Charles Eric Maine. A man has been in a coma since his literal birth and thirty years after his birth he awakens for the first time with the mind of an infant. <br /> <br /> Set in London. <br /> <br /> Dark green wrappers with die-cut window in the British style. Title page present with credits for screenwriters Stanley Mann and John Hale and author Charles Eric Maine. 117 leaves with last page of text numbered 116. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Amicus Productions unknown
1969142322N.p.: Amicus Productions 1969. Revised Draft script for the 1970 film. <br/><br/>Based on the 1961 novel by Charles Eric Maine and one of the classics from Amicus Productions in the 1960s. A man has been in a coma since birth and awakens for the first time at the age of 30 with the mind of an infant. <br/><br/>Set in London. <br/><br/>Red untitled wrappers with a die-cut title window in the British style. Title page present dated January 2 1969 noted as REVISED with credits for screenwriters Stanley Mann and John Hale and author Charles Eric Maine. 109 leaves with last page of text numbered 108. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Amicus Productions unknown books
1981140025Culver City CA: Harry Bennett Productions 1981. Final Draft script for Part II the 1982 television movie shown in two installments at a length of 240 minutes. Winner of three Emmys including Outstanding Lead Actress and nominated for four more. <br/><br/>A biopic on the life of Israel's first female prime minister Golda Meir who tells her story at her old school in Milwaukee Wisconsin. As a child in Russia her family moved to America to avoid persecution. Upon reaching adulthood she moved to Palestine to work on a kibbutz. In 1969 she was elected Prime Minister and resigned following the Yom Kippur War of 1974. <br/><br/>Set in Milwaukee Wisconsin Russia and Israel shot on location in Israel. <br/><br/>White titled wrappers. Title page present dated April 10 1981 noted as Final Draft with credits for screenwriter Harold Gast. 121 leaves with last page of text numbered 117. Xerographically duplicated first generation copy with no copied punch holes. Pages Fine wrapper Fine bound with two gold brads. Harry Bennett Productions unknown books
