16 721 résultats
1991155648N.p.: N.p. 1991. Vintage reference photograph of director Alan Parker standing with the members of the band on the set of the beloved 1991 film. <br /> <br /> Based on the 1987 novel about a young man from Dublin who assembles a soul band composed of a group of working-class music fans. <br /> <br /> Set and shot on location in Dublin. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. N.p. unknown
1996152230Burbank CA: Warner Brothers 1996. Draft script for the 1996 film. <br/><br/>Based on the 1978 musical stage production by Tim Rice and Andrew Lloyd Webber which was in turn based on Rice and Webber's 1976 concept album following the brief life of Argentinean first lady Eva Peron from her impoverished illegitimate beginnings to her later idolatry. The film went through many iterations of production passing between studios and directors with Parker returning to direct in 1994 after having initially rejected the opportunity in 1979. The copy seen here was written by Oliver Stone who was originally slated to direct but would leave the project in 1994 over rising production costs.<br/><br/>Set in Argentina and Europe shot on location in Hungary Argentina Spain and England. <br/><br/>White generic Warner Brothers wrappers. Title page present undated with credits for screenwriter Oliver Stone. 96 leaves with last page of text numbered 94. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown books
1987144579Los Angeles: Carolco 1987. Vintage photograph of Alan Parker and Mickey Rourke on the set of the 1987 film sporting the fashions of the day. With holograph annotations and agency stamp on the verso. <br/><br/>Private detective Harold Angel Mickey Rourke is hired by a mysterious Louis Cyphre Robert De Niro to track down the whereabouts of a popular singer Johnny Favorite. The search brings Angel to New Orleans where each person he contacts promptly meets their death leading him to realize the presence of supernatural forces surrounding the investigation. <br/><br/>Shot on location in New York and Louisiana. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Grant Worlwide. Spicer US Neo-Noir. Carolco unknown books
1981148070Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Two vintage studio still photographs from the 1982 film one of Dana Hill and one of Dana Hill Viveka Davis Tracey Gold and Tina Yothers . <br/><br/>George Albert Finney is caught in an affair by his wife Faith Diane Keaton destroying their already fragile marriage and devestating their four children. <br/><br/>Nominated for the Palme d'Or.<br/><br/>Set in Marin County California shot on location in California. <br/><br/>8 x 10 inches. One Near Fine one Very Good plus with 1 inch bruise in upper left corner. Metro-Goldwyn-Mayer [MGM] unknown books
1982152320London: United International Pictures 1982. Two vintage borderless reference photographs taken on the set of the 1982 film one showing director Alan Parker director of animation Gerald Scarfe and cameraman John Stanier in conversation the other showing Parker and actor Bob Geldof. With printed mimeo snipes on the verso. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>Based on Pink Floyd's 1979 rock opera about a young rock star named Pink whose troubled childhood in 1950s England leads him into an adulthood marred by isolation and depression and eventually complete mental collapse. <br/><br/>Shot on location in London and Quebec. <br/><br/>10 x 8 inches with wide bottom margins. Near Fine. <br/><br/>Ebert IV. United International Pictures unknown books
1987139498Culver City CA: TriStar Pictures 1987. Two vintage black-and-white studio still photographs from the 1987 film. <br/><br/>Louis Cyphre Robert De Niro hires detective Harry Angel Mickey Rourke ostensibly to track down a big band singer he made a deal with years ago. However a string of gruesome murders follows in Angel's path and the unnerved detective gradually begins to uncover Cyphre's true intentions. The film stirred controversy for the graphic sex scene between the young Lisa Bonet and Rourke. Parker threatened with an X rating was forced to cut 10 seconds from the scene. At the time Bonet was best known for her role in "The Cosby Show." Generally considered the director's masterpiece and an essential supernatural horror film of the 1980s. Based on William Hjortsberg's 1978 novel "Falling Angel." <br/><br/>Set in New York and New Orleans and shot on location in both places. <br/><br/>8 x 10 inches. Fine. <br/><br/><br/>Grant p. 32. Spicer p. 424. TriStar Pictures unknown books
1983137751Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1983. First Draft script for the pilot episode of the 1983-1988 television series "We Got It Made." <br/><br/>Mickey Mackenzie Copley is a girl in her early 20s who applies for a housekeeping job in Manhattan. Her employers are two bachelors David Tucker McCoy a conservative attorney and Jay Bostwick Villard a liberal salesman. Both bachelors have girlfriends who are skeptical of Mickey but eventually they come to accept her as a friend. <br/><br/>The show was canceled after less than a year but was syndicated in 1987 and again was canceled after less than a year. <br/><br/>Blue and orange MGM titled wrappers with die-cut window. Title page present dated March 7 1983 noted as SECOND DRAFT with credits for screenwriters Garr and Farr Brao noted as production No. 1308-001. 46 leaves with last page of text numbered 45. Xerographic duplication with photocopied hole punches. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1981152296Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to special effects crew member John Burke with his name on the front wrapper in manuscript ink and his manuscript pencil annotations to the rear wrapper and throughout. Missing two pages likely as used or issued.<br /> <br /> While visiting his daughter in a small Colorado town a retired New York policeman becomes involved in solving the case of a string of cattle mutilations. <br /> <br /> Shot on location in Colorado New York and Wyoming. <br /> <br /> Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 218 dated 2/27/81 with credits for director Alan Rudolph. Title page present noted as FINAL DRAFT dated 2/27/81 with credits for director Alan Rudolph. 132 leaves with last page of text numbered 132. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 8/13/81 and 10/1/81. Pages and wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1980153848N.p.: N.p. 1980. Vintage reference photograph from the 1980 film showing actress Debbie Harry playfully "drumming" empty beer bottles while Meat Loaf looks on to her left. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A rowdy beer distributor from Texas gets roped into becoming a roadie for a touring rock band. Featuring numerous cameos by real-life bands including Blondie Utopia Alice Cooper Asleep at the Wheel Hank Williams Jr. and Roy Orbison. Meat Loaf's first starring role. <br /> <br /> Shot on location in New York Texas and California. <br /> <br /> 5 x 3.5 inches. Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown
1985150336N.p.: N.p. 1985. Vintage oversize reference photograph of director Alan Rudolph and Genevieve Bujold on the set of the 1985 film. <br /> <br /> Ex-cop Hawk Kris Krisofferson released from jail after serving eight years for murder is in need of "a woman and a job" and returns to his former hangout Wanda's Cafe run by his ex Wanda Bujold. Wanda's new waitress Georgia Lori Singer whose errant husband Coop Keith Carradine has gotten embroiled in shady dealings catches Hawk's eye in Alan Rudolph's stylish unusual Neo-Noir.<br /> <br /> Set in the fictional Rain City shot on location in Seattle. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies: The Complete Guide to Punks on Film. N.p. unknown
1985150336N.p.: N.p. 1985. Vintage oversize reference photograph of director Alan Rudolph and Genevieve Bujold on the set of the 1985 film. <br/><br/>Ex-cop Hawk Kris Krisofferson released from jail after serving eight years for murder is in need of "a woman and a job" and returns to his former hangout Wanda's Cafe run by his ex Wanda Bujold. Wanda's new waitress Georgia Lori Singer whose errant husband Coop Keith Carradine has gotten embroiled in shady dealings catches Hawk's eye in Alan Rudolph's stylish unusual Neo-Noir.<br/><br/>Set in the fictional Rain City shot on location in Seattle. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Carlson and Connolly Destroy All Movies: The Complete Guide to Punks on Film. N.p. unknown books
1990140709N.p.: David Blocker Productions 1990. Vintage studio still photograph from the 1990 film. <br/><br/>An old fashioned hard-boiled detective film starring Tom Berenger Elizabeth Perkins Anne Archer and Kate Capshaw and directed by Alan Rudolph. <br/><br/>Shot on location in Oregon. <br/><br/>8 x 10 inches. Very Good plus with a small stain to the image and a blue holograph ink notation to the verso. <br/><br/><br/>Grant US. David Blocker Productions unknown books
1984139836Culver City CA: Tri-Star TriStar Pictures 1984. Revised Final script and shooting schedule for the 1984 film. Copy belonging to an uncredited crew member with his holograph annotations throughout in blue ink. <br/><br/>Doc Jenkins Willie Nelson is an aspiring singer/songwriter whose ambition is thwarted by a bad contract with a record label. With the help of former singing partner Blackie Buck Kris Kristofferson they execute a plan to fix the deal. Based loosely on Nelson's own freewheeling career with a smattering of musical numbers throughout of course. Shooting schedule still retains credit for director Steve Rash who was replaced by Alan Rudolph. <br/><br/>Set in Nashville shot on location in Austin Texas. Nominated for an Academy Award. <br/><br/>Blue untitled wrappers. Title page present dated September 12 1983 noted as REVISED FINAL SCRIPT with credits for screenwriter Shrake. 126 leaves with last page of text numbered 65. Xerographically duplicated. Pages Fine wrapper about Fine bound with three gold brads. Tri-Star [TriStar] Pictures unknown books
1993170168Los Angeles: Twentieth Century-Fox 1993. Revised Final Draft script for the 1994 film.<br /> <br /> Loosely based on a 1976 "New Yorker" article by Roger Angell about a baseball scout who discovers a promising new player and successfully negotiates his signing with the Yankees only to realize that the man is emotionally stunted after years of childhood abuse. <br /> <br /> Shot on location in Zempoala and Veracruz in Mexico in Bracken County Kentucky and in New York.<br /> <br /> Self wrappers. Title page present dated 12/5/93 noted as FINAL DRAFT and Revised. 130 leaves with last page of text numbered 126. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 12/20/93 and 3/15/94. Pages Near Fine bound with three gold brads. Twentieth Century-Fox unknown
1967152322London: The Rank Organization 1967. Vintage reference photograph from the 1967 film showing director-actor Albert Finney. With a printed mimeo snipe affixed to the verso along with the stamp of The Rank Organization. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A wealthy famous English writer with working class roots is forced to reconnect with his emotions and sense of humanity when he takes a trip to visit his estranged wife and son. Finney's first and only directorial attempt. <br /> <br /> Set and shot on location in London and Manchester. <br /> <br /> 10 x 8 inches. Very Good plus lightly creased to the edges. The Rank Organization unknown
1983166250N.p.: N.p. 1983. Second Draft script for the 1983 British film. Noted as copy No. 101 in manuscript ink on the front wrapper. <br /> <br /> Based on the 1980 play by Ronald Harwood loosely based on his own experiences as a personal dresser to Shakespearean actor and manager Donald Wolfit. The dresser and confidante of a faded veteran actor struggles to keep his employer's life together eventually realizing that the actor's mental capacities are failing in his advanced age. Nominated for four Academy Awards including Best Picture Best Adapted Screenplay and Best Actor for both Tom Courtenay and Albert Finney. <br /> <br /> Blue wrappers with a die-cut title window in the British style. Title page present dated 8th February 1983 noted as Second Draft with credit for Harwood. 107 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Fine wrapper Near Fine in a blue cloth binder. N.p. unknown
1983168015Culver City CA: Columbia Pictures 1983. Vintage reference photograph from the 1983 film showing actor Albert Finney preparing for a turn as King Lear with help from his dresser Tom Courtenay. Annotations in manuscript pencil on the verso.<br /> <br /> Based on the 1980 play by Ronald Harwood loosely based on his own experiences as a personal dresser to Shakespearean actor and manager Donald Wolfit. The dresser and confidante of a faded veteran actor struggles to keep his employer's life together eventually realizing that the actor's mental capacities are failing in his advanced age. Nominated for four Academy Awards including Best Picture Best Adapted Screenplay and Best Actor for both Tom Courtenay and Albert Finney. <br /> <br /> 10 x 8 inches. Very Good with dampstains and adhesive residue affecting the top edge. Columbia Pictures unknown
1963162296N.p.: N.p. 1963. Vintage borderless reference photograph from the 1963 British film showing actors Albert Finney and Susannah York. With manuscript ink annotations on the verso.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Based on Henry Fielding's popular 1749 novel wherein a young good-natured man of questionable origins is turned loose on the world and more to the point the world's women. Nominated for ten Academy Awards and winning four including Best Picture and Best Director.<br /> <br /> Set and shot on location in England.<br /> <br /> 7 x 9 inches. Near Fine. N.p. unknown
1967152322London: The Rank Organization 1967. Vintage reference photograph from the 1967 film showing director-actor Albert Finney. With a printed mimeo snipe affixed to the verso along with the stamp of The Rank Organization. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>A wealthy famous English writer with working class roots is forced to reconnect with his emotions and sense of humanity when he takes a trip to visit his estranged wife and son. Finney's first and only directorial attempt. <br/><br/>Set and shot on location in London and Manchester. <br/><br/>10 x 8 inches. Very Good plus lightly creased to the edges. The Rank Organization unknown books
1960143981Strasbourg France: Jean Jungmann 1960. Archive of 5 vintage single weight press photographs from a press gala for the 1960 French film here under the original French title. All rubber-stamped on the verso crediting photographer Jungmann and all but one show director Lamorisse on-stage behind a microphone with an official from the gala with one photo featuring smiling colleagues seated at a dining table. Housed in an original Jungmann mailing envelope addressed to Maryse Martres in manuscript ink with a memo on Cinedis parchment from "F. Willkomm" signed by him in manuscript ink and dated December 30 1960 noting that the images portray Lamorisse while he visited Strasbourg for the gala. Also included is a carbon typescript letter from Martres to Lamorisse citing the inclusion of travel tickets to Strasbourg and Marseilles and various press events to occur. A welcome addition to the director's mostly unseen oeuvre. <br /> <br /> Little is known of Willkomm but the memo does bear his rubber-stamp crediting him as the Cinedis director of the Strasbourg location. Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. Photographer Jungmann is equally obscure but seems to have been prolific in the 1960s mostly for press relations. <br /> <br /> Director Lamorisse starred his own son Pascal as a boy who stows away on his grandfather's Gille hot-air balloon that is less controllable than suspected. They narrowly escape church spires and snag clotheslines and party guests Pascal enjoying every minute. Lemmon narrated the English version and subsequently bought the rights to the film. Winner of an OCIC Award at the 1960 Venice Film Festival. <br /> <br /> Photos 5 x 7 inches small white borders Near Fine. Envelope and memo slightly larger Very Good plus overall. Carbon typescript 8.25 x 10.5 inches pink stock Very Good plus. Jean Jungmann unknown
1960143981Strasbourg France: Jean Jungmann 1960. Archive of 5 vintage single weight press photographs from a press gala for the 1960 French film here under the original French title. All rubber-stamped on the verso crediting photographer Jungmann and all but one show director Lamorisse on-stage behind a microphone with an official from the gala with one photo featuring smiling colleagues seated at a dining table. Housed in an original Jungmann mailing envelope addressed to Maryse Martres in holograph ink with a memo on Cinedis parchment from "F. Willkomm" signed by him in holograph ink and dated December 30 1960 noting that the images portray Lamorisse while he visited Strasbourg for the gala. Also included is a carbon typescript letter from Martres to Lamorisse citing the inclusion of travel tickets to Strasbourg and Marseilles and various press events to occur. A welcome addition to the director's mostly unseen oeuvre. <br/><br/>Little is known of Willkomm but the memo does bear his rubber-stamp crediting him as the Cinedis director of the Strasbourg location. Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. Photographer Jungmann is equally obscure but seems to have been prolific in the 1960s mostly for press relations. <br/><br/>Director Lamorisse starred his own son Pascal as a boy who stows away on his grandfather's Gille hot-air balloon that is less controllable than suspected. They narrowly escape church spires and snag clotheslines and party guests Pascal enjoying every minute. Lemmon narrated the English version and subsequently bought the rights to the film. Winner of an OCIC Award at the 1960 Venice Film Festival. <br/><br/>Photos 5 x 7 inches small white borders Near Fine. Envelope and memo slightly larger Very Good plus overall. Carbon typescript 8.25 x 10.5 inches pink stock Very Good plus. Jean Jungmann unknown books
1960143892Paris: Films Montsouris 1960. Original French premiere invitation for two people from the 1960 French film here under the original French title. Illustration recalling the design of the film's posters printed on card stock in orange green and blue noting the date and location of showing Wednesday September 14 9 pm at the Marignan theatre in Paris. The film was presented by Cinedis and Pathe Cinema its distributors with music credited to Jean Prodromides and filmed in "Helivision: La Camera Volante" The Flying Camera. <br/><br/>Director Lamorisse starred his own son Pascal as a boy who stows away on his grandfather's Gille hot-air balloon that is less controllable than suspected. They narrowly escape church spires and snag clotheslines and party guests Pascal enjoying every minute. <br/><br/>Lemmon narrated the English version and subsequently bought the rights to the film. Winner of an OCIC Award at the 1960 Venice Film Festival. <br/><br/>6.5 x 8.25 inches printed recto. Near Fine. Films Montsouris unknown books
1958143982France: Filmsonor 1958. Draft script and synopsis for the 1960 film here under the original French title. From the collection of Christian de la Maziere with his name in holograph ink on the title page of the script. Also included is a small press kit packet detailing cast and crew credits and a small press relations packet dated 1958 detailing a travel itinerary for cast and crew. Brief annotations in holograph ink on the press travel itinerary. Housed in a large manila envelope with the French title on the flaps in holograph ink. <br/><br/>Director Lamorisse starred his own son Pascal as a boy who stows away on his grandfather's Gille hot-air balloon that is less controllable than suspected. They narrowly escape church spires and snag clotheslines and party guests Pascal enjoying every minute. Lemmon narrated the English version and subsequently bought the rights to the film. Winner of an OCIC Award at the 1960 Venice Film Festival. <br/><br/>Christian de la Maziere 1922-2006 was a journalist and member of the Charlemagne Division of the Waffen SS and was featured in Marcel Ophuls 1969 documentary "The Sorrow and the Pity" discussing his role in WWII. He also worked for the fascist newspaper "Le Pays Libre" before joining Charlemagne and in 1974 he wrote "The Captive Dreamer." His involvement at Vichy and the Waffen SS was pardoned before his career in press and film relations and he apparently garnered some postwar celebrity. <br/><br/>Red untitled wrappers with Filmsonor stamp on the front wrapper. Title page present undated with French title and "titre provisoire" Filmsonor stamp and de la Maziere's signature. 48 leaves with last page of text numbered 36. Ditto-style mimeograph on white stock. Pages and wrapper Near Fine side-stapled. Synopsis and press packets corner-stapled Very Good plus overall. <br/><br/>Complete collation details available on request. Filmsonor unknown books
1965376233Cosmair Inc. 1965. VHS. Very Good. ca. 1965 album of 30 different hairstyles by noted Parisian hairstylists. Includes one full-page high resolution photo of each style and three smaller images. Also includes detailed setting patterns in back of album. See attached list of hairstylists. Valuable resource for replication of high fashion Parisian hairstyles near mid-century. 64 pp. 11 3/4" x 9 1/4". Tight unmarked copy with minimal shelf wear and corner crease to back panel. Photographs of or additional information about this item are available on request. All inquiries answered promptly. Cosmair, Inc. unknown
1993149995N.p.: N.p. 1993. Draft script for the 1994 film. <br /> <br /> A political thriller set during the transfer of sovereignty over Hong Kong from the United Kingdom to the People's Republic of China wherein a British assassin is tasked with killing several prominent Chinese government officials. <br /> <br /> Set in Hong Kong shot on location in Hong Kong and the Philippines. <br /> <br /> Self wrappers. Title page integral with front wrapper dated June 2 1993 with credits for screenwriter Randall Fontana. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads.<br /> <br /> Full provenance available. N.p. unknown
