William Rotsler (director, screenwriter); Cathy Crowfoot, Adele Rein, Scott Avery (starring)Biblio.com
16 721 résultats
1966161787N.p.: N.p. 1966. Two vintage studio still photographs from the 1966 film. Provenance stamp on the verso of each.<br /> <br /> Kitty hooks up with the murderously jealous Tigercat in tempestuous unstable lesbian affair.<br /> <br /> 8 x 10 inches. Very Good plus. N.p. unknown
1968161186N.p.: N.p. 1968. Draft script for the 1970 film seen here under the working title "The Scene." Copy belonging to director William Rowland with his name in manuscript ink on the front wrapper and two revision pages and his annotations in manuscript ink throughout noting deletions scene locations and revisions to dialogue. <br /> <br /> A psychiatrist details her most outlandish cases largely involving her teenage patients and their experiences with drugs sex and politics culminating in her attempt to help her own daughter. Rowland's final directorial effort. <br /> <br /> Set and shot on location in Los Angeles.<br /> <br /> Yellow titled wrappers. 120 leaves with last page of text numbered 117. Mimeograph duplication rectos only with blue and white revision pages throughout dated variously between 6/26/68 and 7/3/68. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1970162598N.p.: Four Star Excelsior Releasing 1970. Vintage studio still photograph from the 1970 film. <br /> <br /> A psychiatrist recounts five case studies including her own giving accounts of wild misguided youth including teen suicide incest unwanted pregnancy and prostitution. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> 8 x 10 inches. Near Fine. Four Star Excelsior Releasing unknown
1979151527Los Angeles: AVCO Embassy Pictures 1979. Vintage press kit for the 1979 film. Black-and-white illustrated pocketed folder containing 21 black and white photographs and 16 gatherings of promotional reading material.<br /> <br /> Based on Richard Condon's 1974 novel. A pitch-black satire following the half-brother of fictional US President Kegan closely modeled on John F. Kennedy as he begins to uncover the circumstances which led to Kegan's assassination 19 years prior. <br /> <br /> Folder photographs and promotional material Near Fine.<br /> <br /> Spicer US Neo-Noir. AVCO Embassy Pictures unknown
1922126253Culver City CA: Selznick Pictures 1922. Vintage hand-tinted half sheet poster for the lost 1922 silent film.<br /> <br /> Conway Tearle starrs as Russell Carrington a man who accepts a murder charge to protect Rita the woman he loves played by Florence Billings and flees to a fishing village where he falls in love with the town belle Dorothy played by Winifred Westover.<br /> <br /> Shot on location in Fort Lee New Jersey.<br /> <br /> 26.25 x 20 inches margins slightly trimmed down from 28 x 22 inches see image. Very Good with moderate edgewear including loss to the top and bottom right corners several closed tears to the margins and one 2.25 inch closed tear to the top center. Selznick Pictures unknown
1942164224N.p.: N.p. 1942. Vintage reference photograph from the Spanish release of the 1942 film noir showing William Powell Hedy Lamarr and Basil Rathbone. Mimeo snipe and title in Spanish on the verso. <br /> <br /> After suffering traumatic amnesia a diplomat encounters a number of shady individuals claiming to be from his past and eventually finds himself implicated in a decade-old robbery. A remake of the 1938 French film "Carrefour." <br /> <br /> 10 x 8 inches. Very Good plus.<br /> <br /> Grant US. Selby US. Spicer US. N.p. unknown
1941162533N.p.: N.p. 1941. Vintage reference photograph of William Powell and Myrna Loy sitting together on the set of the 1941 film. Provenance stamp on the verso.<br /> <br /> A man pretends to be crazy in order to delay his forthcoming divorce. The eleventh of fourteen films to pair Powell and Loy. <br /> <br /> 10 x 8 inches. Very Good plus.<br /> <br /> Byrge and Miller The Screwball Comedy Films. N.p. unknown
1936158662N.p.: N.p. 1936. Vintage reference photograph from the 1936 film. Annotations in manuscript pencil and ink on the verso.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A dramatization of the rise to fame of Broadway producer and impresario Florenz Ziegfeld Jr. An extravagant runaway production with a massive budget lavish sets and costumes by noted designer Adrian. At the time of its release the film was the longest talking film of the time running just over three hours. Nominated for seven Academy Awards winning three including Best Picture and Best Actress for Luise Rainer. <br /> <br /> 10 x 8 inches. Very Good plus lightly worn at the corners. N.p. unknown
1936154012N.p.: N.p. 1936. Vintage borderless reference photograph from the 1936 film showing actress and ballerina Harriet Hoctor dancing between two lions. <br /> <br /> A dramatization of the rise to fame of Broadway producer and impresario Florenz Ziegfeld Jr. An extravagant runaway production with a massive budget lavish sets and costumes by noted designer Adrian. At the time of its release the film was the longest talking film of the time running just over three hours. <br /> <br /> Nominated for seven Academy Awards winning three including Best Picture and Best Actress for Luise Rainer. <br /> <br /> 11 x 8.25 inches. Very Good plus with light wear to the corners and right edge. N.p. unknown
1936156211N.p.: France Presse 1936. Vintage reference photograph from the 1936 film showing actresses Diane Cook Edna Callahan Hester Deane and Mary Jane Halsey in a sea of white balloons. Printed mimeo snipe affixed to the verso along with the stamp of France Presse and Page Illustree. <br /> <br /> A dramatization of the rise to fame of Broadway producer and impresario Florenz Ziegfeld Jr. An extravagant runaway production with a massive budget lavish sets and costumes by noted designer Adrian. At the time of its release the film was the longest talking film of the time running just over three hours. Nominated for seven Academy Awards winning three including Best Picture and Best Actress for Luise Rainer. <br /> <br /> 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. France Presse unknown
1933161153Burbank CA: Warner Brothers 1933. Vintage reference photograph from the 1933 film showing actors Eugene Pallette William Powell and Robert McWade. Annotations in manuscript pencil on the verso. <br /> <br /> Easily the best entry in the series of the 15 Philo Vance film adaptations made between 1929 and 1947. Powell's second of four appearances as the great detective setting the model for his unforgettable persona in "The Thin Man" released the following year.<br /> <br /> 10 x 8 inches. Very Good plus lightly age toned with reinforcements on the verso at three corners. Warner Brothers unknown
1926140498Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Draft script for the 1927 Silent film. <br/><br/>Based on the 1913 yellow peril play by Henry Maurice Vernon and Harold Owen and previously adapted for the screen in 1919 directed by Maurice Elvey and starring Matheson Lang. Lon Chaney in full yellowface murders his daughter after discovering she loves the son of a British diplomat then seeks revenge on son and his the entire family. <br/><br/>Anna May Wong who has a small role in the film was originally considered for the role of the daughter but censorship of mixed race relationships on the screen caused the role going to a white actress a sadly all-too-familiar story in her career. Wong would leave Hollywood for Europe the following year after once again being denied the lead role in a film because of her race this time in "The Crimson City."<br/><br/>Tan titled wrappers rubber-stamped copy No. 543 and production No. 1589 dated Nov. 13 1926 with credits for story writer Louise Jordan Miln and screenwriter Lorna Moon. Title page integral with the first page of the text dated October 20 1926 with credits for screenwriter Moon and story writer Miln. 102 leaves with last page of text numbered 96. Ditto style mimeograph duplication. Pages Near Fine wrapper Very Good bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1929140500Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Draft script for the 1929 silent film. Holograph pencil annotations throughout by an unknown editor with an unsigned typescript note of revisions to producer Hunt Stromberg bound in at the front of the script. <br/><br/>Lon Chaney's penultimate film appearance and his last silent film as he would develop walking pneumonia during the film's production which when combined with his throat cancer lead to his death two months later after the release of his final film "The Unholy Three 1930." Now considered a lost film as only one reel is known to have survived. <br/><br/>Chaney plays a railroad engineer who is obsessed with running his train on time to the degree that he causes several tragedies and is ostracized from his family. <br/><br/>Set in Illinois shot on location in Wisconsin. <br/><br/>Blue titled wrappers rubber-stamped copy No. 12318 and production No. 1713 dated Feb. 5 1929 with credits for screenwriters Byron Morgan and Ann Price. Title page integral with the first page of the text dated Feb. 5 1929 with credits for screenwriters Morgan and Price. 236 leaves with last page of text numbered 233. Carbon typescript on onionskin stock. Pages Near Fine wrapper Very Good bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
6710Five of the letters dated between 1827 and 1831. The collection is lightly aged and in good condition. Letter One 12mo 3 pp Oxford 1 November 1827 signed 'W: M.': Begins by saying that he will be pleased to join Charles 'in the Lodging you propose or any other more to your mind - I had not fixed upon any plan but thought once of being at Ellis's Hotel - the Colonial Club House St. James St. Your proposal however I like much better.' He will 'much prefer being in the Regent Street on late Nights in the Ho. of Commons Manning was also a Member of Parliament as I found Wimpole St. rather too far last winter.' Thanks him for the information about Mrs Lennox apologises for his inattention to 'Mr. Connant's request'. Thanks him for sending Lord Rendlesham's game to two persons. Letter Two 12mo 3 pp '<Denmark> Hill' 11 November 1827 signed 'W: M.' Charles 'did not appear to have heard of the Grand Signior': 'it is fortunate however that the Company escaped so well - & I am very thankful for Maria's escape'. Manning has 'seen the Duke of Wellington since Church who has given me many particulars of the engagement with the Turkish Fleet'. Discusses plans for a visit London. 'The Duke was very gracious & invited me to dinner tomorrow to meet a large party but we had made our arrangements & I was obliged to decline'. Letter Three 12mo 1 p 4 February 1830 signed 'W: M'. Discusses 'an accommodation to Nurse Pring to have permission to remain in New Bank Buildings & to give up her Lodging at Woolwich': 'I cannot offer her board WAges but she may partake of anything left from our Table'. Letter Four 12mo 3 pp Combe Bank 20 July 1831 signed 'W: Manning'. He does not 'feel inclined to risk a Letter of so much importance to Sir Richard Jackson who may have left Scotland before it gets there'. Instructs Charles to make a purchase for Miss Elizabeth Hughes. 'As John has sent me all the Letters for Signature I shall perhaps not go up tomorrow but Henry will do so & he will take this Letter'. Charles will 'receive from Henry one of the printed particulars from Mr Christie'. Letter Five 12mo 2 pp Combe Bank 21 July 1831 signed 'W: Manning'. Giving instructions for banking transactions. Letter Six 12mo 1 p 4 October no year but c. 1833 Upper Gower Street to which Manning moved following his bankruptcy in 1831 signed 'W: M-'. Small hole caused by breaking of wafer resulting in loss to one word. Discussing his wife's age as stated on an insurance policy. Letter Seven 12mo 1 p 'Bank 12 o'Clock' signed 'W: M'. Marked 'private'. He has just learnt 'that Mr: Turnor has left his Widow £3000 a Year & to Edmunda the wife of Manning's eldest son Frederick £1000 a year for her Life - ample provision perhaps £30000 to each of his younger Children'. The transcription of Manning's memorial tablet is on one side of a 4to leaf of laid paper watermarked 1834. Good with one 3 cm closed tear. Docketed in bottom left-hand corner 'Tablet erected in Sundridge Church Febry 1836.' Praises Manning's 'meekness purity benevolence and unwearied endeavours for the welfare and happiness of all around him' which 'will be long remembered by an extensive circle of grateful friends but chiefly by his own Family who deeply feeling their bereavement desire to record by this Tablet their reverential and pious affection for the best of Fathers -'. This supports Cardinal Manning's evaluation of his father's character on which doubt has been cast by the author of his entry in the Oxford DNB. Five of the letters dated between 1827 and 1831. unknown
1971019578Washington D.C: US Department of Commerce/Bureau of the Census 1971. First Edition First Thus . Hardcover. Near Fine/No Jacket. Text/NEW & Bright; folded corner to pg 39 publisher's flaw. Gray illustrated boards/NF w/light surface wear. The Statistical Abstract of the U.S. 92nd issue publication of the Census Bureau an agency of the U.S. Depart of Commerce. Published annually from 1878 thru' 2012. Statistical documentation of socio-economic & political conditions in America. f the United States with the 2012 edition. This 1971 92nd annual issue covers census data of 1970. 1008 pgs.in 33 Sections followed by 3 appendices. <br/> <br/> US Department of Commerce/Bureau of the Census hardcover
1964161853N.p.: S.F. Film Distributors 1964. Vintage studio still photograph of Margaret Nolan from the US release of the 1964 British film. With provenance stamps on the verso. <br /> <br /> Vicki and Vera take their friend Carol on a tour around Windsor before introducing her to their nudist club. <br /> <br /> Shot on location in Windsor England. <br /> <br /> 8 x 10 inches. Near Fine. S.F. Film Distributors unknown
1966149378N.p.: Delpire 1966. Collection of three vintage borderless reference photographs from the 1966 film. Both with the stamp of Tele-Magazine on the verso. <br/><br/>An anarchic satire of the fashion industry directed by a true insider Vogue magazine's longtime fashion photographer William Klein. Dorothy McGowan in her first and only film appearance stars as young model Polly Maggoo who becomes the subject of a television documentary news episode over the course of Paris Fashion Week.<br/><br/>Set and shot on location in Paris.<br/><br/>One photograph 10 x 8 inches two photographs 10 x 7.5 inches. Near Fine. Delpire unknown books
1968135608N.p.: William Klein 1968. Vintage photograph shot by director-photographer William Klein during the making of his landmark documentary. With Klein's stamp on the back noting his address in Paris. <br/><br/>In making his cinema verite documentary about the occupation of the Sorbonne begun during the May 1968 protests in Paris Klein received unprecedented access to student leaders activists various committee meetings and the general assembly. Filmed during late May and early June of 1968 the film is less a picture of the birth of a radical movement than it is a catalog of the everyday struggles both practical and intellectual of maintaining focus on moving forward from and ultimate dissipation of that foundational revolutionary spirit. <br/><br/>7 x 9.75 inches. In an archival mat. Near Fine. William Klein unknown books
1966135616Paris: Club des Producteteurs 1966. Eight vintage oversize press photographs from the set of the 1965 film shot for the French magazine Cinema 66 and with their stamp and stamped reference number on the verso of each. All the shots are striking and quite candid several showing director William Klein working with actors Dorothy MacGowan and Sami Frey or setting up shots and others capturing the delirious and beautiful Ms. McGowan. <br/><br/>"After nearly a decade as American Vogue's most subversive fashion photographer William Klein made this wild pseudoverite incursion into the world of Parisian haute couture. Elegant scathing humor ties together the various strands of this alternately glamorous and grotesque portrait of American in Paris Polly Maggoo Dorothy MacGowan an Alice in Wonderland supermodel who becomes the pinup plaything of media hounds and the fragmented fantasy of haunted Prince Igor Sami Frey. Klein's first fiction film is a daring deflation of cultural pretensions and institutions dressed up in brilliant black and white." The Criterion Collection<br/><br/>All photos 15.75 x 10.75 inches. Fine. <br/><br/>Criterion Eclipse 9. Club des Producteteurs unknown books
1967149499London: Contemporary Films 1967. Collection of eight vintage reference photographs from the UK release of the 1967 French anthology film. With printed mimeo snipes in English affixed to the verso. Also included with the set is a two-page mimeographically duplicated press pamphlet in English.<br/><br/>An anti-war anthology documentary film by seven prominent French directors expressing support for the North Vietnamese army during the Vietnam War.<br/><br/>Shot in New York City.<br/><br/>10 x 8 inches. Very Good or better. Contemporary Films unknown books
1967161310N.p.: N.p. 1967. Vintage reference photograph from the 1967 French anthology film showing actress Karen Blanguernon.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> An antiwar anthology documentary film by seven prominent directors expressing support for the North Vietnamese army during the Vietnam War.<br /> <br /> Shot in New York City.<br /> <br /> 10 x 8 inches. Very Good plus lightly curled. N.p. unknown
1967149499London: Contemporary Films 1967. Eight vintage reference photographs from the UK release of the 1967 French anthology film. With printed mimeo snipes in English affixed to the verso. Also included with the set is a two-page mimeographally duplicated press pamphlet in English.<br /> <br /> An anti-war anthology documentary film by seven prominent French directors expressing support for the North Vietnamese army during the Vietnam War.<br /> <br /> Shot in New York City.<br /> <br /> 10 x 8 inches. Very Good or better. Contemporary Films unknown
1968135608N.p.: William Klein 1968. Vintage photograph shot by director-photographer William Klein during the making of his landmark documentary. With Klein's stamp on the back noting his address in Paris. <br /> <br /> In making his cinema verite documentary about the occupation of the Sorbonne begun during the May 1968 protests in Paris Klein received unprecedented access to student leaders activists various committee meetings and the general assembly. Filmed during late May and early June of 1968 the film is less a picture of the birth of a radical movement than it is a catalog of the everyday struggles both practical and intellectual of maintaining focus on moving forward from and ultimate dissipation of that foundational revolutionary spirit. <br /> <br /> 7 x 9.75 inches. In an archival mat. Near Fine. William Klein unknown
1968153886N.p.: N.p. 1968. Vintage borderless reference photograph taken on the set of the 1968 French film showing director William Klein with actors Delphine Seyrig Philippe Noiret and other cast members between takes. Manuscript ink annotations to the verso noting the film's title along with stamps noting "PM 1020" and "1968". <br /> <br /> A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. Klein's second film following "Who Are You Polly Maggoo" 1966. <br /> <br /> 3.5 x 5 inches. Near Fine. <br /> <br /> Criterion Collection. Rosenbaum 1000. N.p. unknown
1968156346N.p.: N.p. 1968. Four vintage studio still photographs from the 1968 French film showing director William Klein with actors Delphine Seyrig Philippe Noiret and other cast members between takes. Provenance stamps on the versos. <br /> <br /> A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. William Klein's second film following "Who Are You Polly Maggoo" 1966. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection. Rosenbaum 1000. N.p. unknown
