16 724 résultats
19532411010024Alfar Montevideo 1953. Paperback. Acceptable. 8x5x0. Softcover. Poor binding. Tears to wraps. Gutters weakened. Scattered markings. Some water damage to edges. Sold with all faults. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Alfar, Montevideo paperback
1976132911London: National Screen Service / EMI 1976. Vintage full-color still photograph from the 1976 UK film. <br/><br/>Based on Bill Naughton's 1970 novel sequel to his 1966 play "Alfie" basis for the 1966 film starring Michael Caine starring Alan Price as the womanizing Alfie galavanting until he meets the equally charged Abby Jill Townsend. <br/><br/>Shot on location in England and France. <br/><br/>8 x 10 inches. Near Fine. National Screen Service / EMI unknown books
1975145527London: Signal Films 1975. Shooting Script for the 1975 film. Sequel to the 1966 film "Alfie" and based on the 1970 novel by Bill Naughton. Copy belonging to director/screenwriter Ken Hughes with his heavy annotations throughout. <br/><br/>Alan Price takes on the role previously played by Michael Caine of Alfie a womanizing truck driver who finally finds a woman he wants to settle down with with tragic results. <br/><br/>Set in France and England shot on location in France and England. <br/><br/>Goldenrod wrappers with a die-cut title window. Title page present noted as Shooting Script with credits for screenwriter Ken Hughes and novelist Bill Naughton. 148 leaves with last page of text numbered 145. Mimeograph on eye-rest green stock rectos only with pink and goldenrod revision pages throughout dated variously between August 25 1974 and September 18 1974. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. Signal Films unknown books
1966138768Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing a very relaxed Michael Caine laying across the laps of his four costars Vivien Merchant Jane Asher Julia Foster and Shelley Winters between takes. Mimeo snipe affixed to the verso.<br /> <br /> Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. <br /> <br /> Shot on location in London and Middlesex England. <br /> <br /> 7 x 9 inches. About Fine. Paramount Pictures unknown
1966133573Hollywood: Paramount Pictures 1966. Two vintage black-and-white borderless still photographs from the 1966 UK film. Press photos with layout annotations in the British style millimeters on the verso of one still and a stamp on the verso of the other still. <br /> <br /> Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. <br /> <br /> Set in London shot on location there and in Middlesex England. <br /> <br /> 8 x 10 inches borderless. About Near Fine. Paramount Pictures unknown
42263Madrid, Coleccion Idolos del Deporte n°1, 1958, in-12 broché, 32 pp illustrées (photographies en noir). BON ETAT
1943164362Universal City CA: Universal Pictures 1943. Vintage publicity photograph from the 1944 film showing actress Ramsay Ames. <br /> <br /> A successful entry in Universal's Technicolor fantasy adventures alongside "Arabian Nights" in 1942 and "White Savage" in 1943 loosely based on the classic Arabian Nights tales with a fitting score by Edward Ward to match director Arthur Lubin's directorial flair. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Weaver Universal Horrors. Universal Pictures unknown
1943130860Universal City CA: Universal Pictures 1943. Revised Final Draft script for the 1944 film. Screenwriter Hartmann's final submission for the master mimeo with profuse holograph corrections typeovers attached text and pasted-in text throughout. <br/><br/>The second of Universal's Technicolor fantasy adventures after "Arabian Nights" 1942 and "White Savage" 1943 loosely based on the classic Arabian Nights tales with a fitting score by Edward Ward to match Lubin's directorial flair. A fun but often overlooked desert romp. <br/><br/>Tan titled wrappers noted as copy No. 110 and rubber-stamped production No. 7142 dated May 25 1943 with credit for screenwriter Hartmann. 149 leaves mimeograph duplication with blue and yellow revision pages throughout dated variously between 6-1-43 and 7-24-43. Pages Near Fine wrapper Very Good bound with three gold brads. Wrapper encapsulated in mylar. <br/><br/>Weaver p. 565. Universal Pictures unknown books
1937158566N.p.: N.p. 1937. Two vintage photographs of publisher Rob Wagner and comedian Eddie Cantor on the set of the 1937 film. In one photograph both men are accompanied by a couple identified in manuscript pencil on the verso as "Tom Moriarty and his wife" and in the other photograph the two men are joined by actor Roland Young. <br /> <br /> Wagner was the editor and publisher of "Script" a left-leaning weekly literary film magazine published in Beverly Hills between 1929 and 1949. Cantor was one of the early contributors to "Script." <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1949170744Hollywood: Paramount Pictures 1949. Vintage studio still photograph from the 1949 film noir. Annotations in manuscript pencil on the verso. <br /> <br /> Loosely based on the Faust myth about a district attorney who makes a deal with the devil in order to put a criminal ringleader behind bars. <br /> <br /> 10 x 8 inches. Very Good or better lightly toned with creasing at three corners. <br /> <br /> Grant US. Selby US. Spicer US. Paramount Pictures unknown
1935165086Culver City CA: RKO Radio Pictures 1935. Vintage reference photograph from the 1935 film showing actress Katharine Hepburn with director George Stevens and other crew members on the set of the 1935 film. Printed mimeo snipe RKO stamp and Advertising Council stamp on the verso. <br /> <br /> Based on Booth Tarkington's 1921 novel about a young social climber whose dreams of rising above her station are continually waylaid by the reality of her impoverished living situation. A film whose success brought Hepburn back into public favor after two years of waning popularity.<br /> <br /> 10 x 8 inches. Very Good plus. RKO Radio Pictures unknown
1974128250Burbank CA: Warner Brothers 1974. American one sheet film poster for the 1974 film "Alice Doesn't Live Here Anymore" directed by Martin Scorsese and starring Ellen Burstyn Kris Kristofferson and Harvey Keitel. An elegantly-designed poster for Scorsese's fourth full-length film considered by many to be his finest drama. <br/><br/>27 x 41 inches rolled. Some shallow creasing at a couple of extremities else Fine condition. Warner Brothers unknown books
1977149743N.p.: N.p. 1977. Four vintage borderless reference photographs from the set of the 1977 French film showing actress Sylvia Kristel variously with director Claude Chabrol and actors Charles Vanel and Jean Carmet.<br /> <br /> A young woman in the process of leaving her husband discovers her car's windshield has mysteriously shattered forcing her to spend the night at an isolated mansion in the countryside.<br /> <br /> Shot on location in Villennes sur Seine France.<br /> <br /> 7 x 4.5 inches. Fine. N.p. unknown
1986142613France: Filmel 1986. Two photographs for airings of the 1977 film on French public television channel France 3. <br/><br/>The first photograph for a September 6 1978 airing is borderless and shows director Chabrol and star Kristel in between takes with the stamp of photographer Robert Cohen and a mimeo snipe on the verso. <br/><br/>The second photograph for an October 2 1986 airing is of a topless Sylvia Kristel with a mimeo snipe on the verso. <br/><br/>Chabrol riffs on both "Alice in Wonderland" and the popular 1970s horror mini-genre where a beautiful young woman becomes trapped through supernatural means in a house after seeking shelter there. In this case it's "Emmanuelle" star Sylvia Kristel whose car breaks down in the middle of the night after she walks out on her husband and Chabrol is more interested in her journey toward emancipation than actual horror. <br/><br/>Both photographs 7 x 5 inches. Fine. Filmel unknown books
1969160695Beverly Hills CA: United Artists 1969. Two vintage studio still photographs from the 1969 film both showing Tina Chen and Arlo Guthrie.<br /> <br /> Based on Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br /> <br /> Set and shot on location in New York and Massachusetts.<br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1969149517Beverly Hills CA: United Artists 1969. Collection of five vintage borderless reference photographs taken on the set of the 1969 film. Included are: 1 a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan 2 a shot of director Arthur Penn producer Hillard Elkins and another crew member on motorcycles 3 a shot of McLanahan Penn and actress Patricia Quinn working on a scene 4 Guthrie with Quinn and 5 Guthrie with a donkey and members of the cast.<br /> <br /> Based on Arlo Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br /> <br /> Set and shot on location in New York and Massachusetts.<br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1969149517Beverly Hills CA: United Artists 1969. Collection of five vintage borderless reference photographs taken on the set of the 1969 film. Included are: 1 a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan 2 a shot of director Arthur Penn producer Hillard Elkins and another crew member on motorcycles 3 a shot of McLanahan Penn and actress Patricia Quinn working on a scene 4 Guthrie with Quinn and 5 Guthrie with a donkey and members of the cast.<br/><br/>Based on Arlo Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br/><br/>Set and shot on location in New York and Massachusetts.<br/><br/>10 x 8 inches. Near Fine.<br/><br/>Complete collation details available on request. United Artists unknown books
1968WRCLIT83433New York: Florin Corporation 1968. 1114 leaves modified by lettered and revised inserts. Quarto. Mimeographed typescript printed on rectos only of plain blue yellow and salmon colored stocks. Bolt bound in mimeographed stiff wrappers. Wrapper somewhat creased edgeworn and smudged annotations throughout in pencil and ink some occasional minor stains and frays but a very good and important copy utilized in the production see below. Denoted a "shooting script" but incorporating revisions spanning two months on colored and dated revises and inserts. This significantly used copy bears the ownership signatures and occasionally heavy annotations music cues and highlighting of Fred Hellerman music director for the production. Hellerman 1927 - 2016 was with Pete Seeger Lee Hays and Ronnie Gilbert an original member of the seminal American folk group the Weavers. He produced the 1967 album by Arlo Guthrie that served as the sourcework for this film ALICE'S RESTAURANT. Arthur Penn also directed the film and received an Oscar nomination for Best Director. The cast included Guthrie and Patricia Quinn in the lead with Pete Seeger Lee Hays Emmet Walsh and many others filling in a large and colorful cast. Penn and Herndon's script was nominated for a WGA Award. Florin Corporation unknown books
1984164165Burbank CA: Warner Brothers Television 1984. Tape Draft script for Season 7 Episode 8 of the 1976-1985 CBS television series which aired on January 16 1983.<br /> <br /> Based on the 1974 film "Alice Doesn't Live Here Anymore" about a widow who moves across the country to start over in a new town accompanied by her young son. In this installment Jolene is not happy about her brother Jonas visiting. Nominated for eight Primetime Emmy Awards.<br /> <br /> Set in Phoenix.<br /> <br /> Pink titled wrappers noted as TAPE DRAFT on the front wrapper dated 9/18/82. Title page present dated 9/18/82 noted as TAPE DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 54 leaves with last page of text numbered 43. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers Television unknown
1983162653N.p.: N.p. 1983. Archive of four scripts for Season 8 Episode 19 of the 1976-1985 television series including a treatment script a First Draft a Second Draft and a Third Draft. Archive belonging to screenwriter Stephen Sustarsic with his annotations in manuscript pencil throughout the treatment script and First and Third Drafts and his copied annotations throughout the Second Draft. <br /> <br /> Laid in with the archive is a partial treatment script dated July 1 1983 consisting of two pages one with multiple typeovers. <br /> <br /> Based on the 1974 film "Alice Doesn't Live Here Anymore" the series followed a widow attempting to start her life over in a new town accompanied by her young son. In this installment Vera is injured while attempting to save a bird's nest from the diner sign and ends up sharing a hospital room with a roller derby star.<br /> <br /> Set in Phoenix.<br /> <br /> Treatment script:<br /> <br /> Self wrappers. Title page integral with the first page of text dated 6/22/83 with credits for screenwriters David Silverman and Stephen Sustarsic. Five leaves with last page of text numbered 5. Xerographic duplication rectos only. Pages Very Good plus bound with a single staple at the top left corner with the last page detached from the binding.<br /> <br /> First Draft:<br /> <br /> Self wrappers. Title page present dated July 18 1983 noted as FIRST DRAFT with credits for Silverman and Sustarsic. 43 leaves with last page of text numbered 40. Xerographic duplication rectos only with 14 undated revision pages laid in at the rear of the script. Pages Very Good plus unbound.<br /> <br /> Second Draft:<br /> <br /> Self wrappers. Title page present dated August 10 1983 and noted as SECOND DRAFT in manuscript ink with credits for Silverman and Sustarsic. 45 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Very Good with silverfish damage along the right edges bound with two gold brads.<br /> <br /> Third Draft:<br /> <br /> Self wrappers. Title page present dated August 9 1983 noted as THIRD DRAFT in manuscript pencil with credits for Silverman and Sustarsic. 53 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Very Good plus partially bound with a gold brad at the top left corner. N.p. unknown
1979165087N.p.: N.p. 1979. Four vintage color reference photographs from the 1979 film all four showing actress Sigourney Weaver along with others in the cast. <br /> <br /> One of the greatest science fiction/horror films ever made a franchise so rich in themes and expandability that it has generated three sequels and two prequels.<br /> <br /> Returning home from a mission the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. <br /> <br /> 10 x 8 inches. Lightly toned else Near Fine. <br /> <br /> National Film Registry. Ebert II. N.p. unknown
1988169170Los Angeles: Twentieth Century-Fox 1988. Vintage film program for the 1988 film. Bi-fold with a two color front panel and full credits in the interior spread.<br /> <br /> In 1988 Earth makes first contact with an alien civilization and in 1991 after three years of quarantine the "Newcomers" are slowly integrated into society. Mandy Patinkin stars as Sam Francisco the first "Newcomer" police officer partnered with a racist police officer James Caan to investigate a homicide.<br /> <br /> Set in and shot on location in Los Angeles. <br /> <br /> The film spawned a short-lived Fox television series 1989-1990 five Fox network television movies 1994-1997 as well as eight comic books 1988-1992 and eight novels 1993-1995.<br /> <br /> 9 x 11.5 inch Bi-fold. Very Good with light overall rubbing and creasing to the extremities. Twentieth Century-Fox unknown
1987169102Beverly Hills CA: Twentieth Century-Fox 1987. Two original screenplays for the 1988 film. A Draft script dated September 25 1987 here under the working title "Future Tense" and a partial Revised Draft script dated 2 October 1987 an internally duplicated script with copied punch holes lacking approximately the last 35 pages. <br /> <br /> Both scripts with rewrite credits for James Cameron who did not receive a screenwriting credit in the released film. The partial Revised Draft script includes extensive manuscript pencil annotations of what appears to be a love letter and poem on the versos of the last ten leaves.<br /> <br /> In 1988 Earth makes first contact with an alien civilization and in 1991 after three years of quarantine the "Newcomers" are slowly integrated into society. Mandy Patinkin stars as Sam Francisco the first "Newcomer" police officer partnered with a racist police officer James Caan to investigate a homicide.<br /> <br /> Set in and shot on location in Los Angeles. <br /> <br /> The film spawned a short-lived Fox television series 1989-1990 five Fox network television movies 1994-1997 as well as eight comic books 1988-1992 and eight novels 1993-1995.<br /> <br /> September 25 1987 Draft script under the working title "Future Tense:"<br /> Blue untitled Twentieth Century-Fox wrappers. Title page present dated September 25 1987 with credits for screenwriter Rockne S. O'Bannon and Rewrite by James Cameron. 123 leaves with last page of text numbered 122. Xerographic duplication on blue leaves rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> 2 October 1987 partial Revised Draft script under the working title "Outer Heat:"<br /> Front wrapper integral with title page dated 2 October 1987 noted as REVISED with credits for screenwriter Rockne S. O'Bannon and Rewrite by James Cameron. 83 leaves with last page of text numbered 82. Xerographic duplication on pink leaves rectos only. Pages Near Fine overall bound with two gold brads. Twentieth Century-Fox unknown
1989161888Los Angeles: Twentieth Century-Fox 1989. Revised Final script for Season 1 Episode 10 of the 1989-1990 television series. Copy belonging to an unidentified cast or crew member with their name in manuscript ink on the first leaf.<br /> <br /> Based on the 1988 film the short-lived series followed the partnership between a Los Angeles police officer and an extraterrestrial detective. In this installment Sikes and Francisco search for a Newcomer woman linked to a string of dead humans. The episode originally aired on November 27 1989 on Fox.<br /> <br /> Self wrappers. Title page present dated October 13 1989 with credits for screenwriters Diane Frolov and Andrew Schneider and director Harry Longstreet. 67 leaves with last page of text numbered 59. Xerographic duplication on blue stock rectos only with rainbow revision pages throughout dated variously between October 16 and 27 1989. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1990161889Los Angeles: Twentieth Century-Fox 1990. Second Revised Final Draft script for Season 1 Episode 17 of the 1989-1990 television series. The episode originally aired on February 26 1990 on Fox.<br /> <br /> Based on the 1988 film the short-lived series followed the partnership between a Los Angeles police officer and an extraterrestrial detective. In this installment Francisco suspects Sikes of hiding something after he cancels his vacation plans to help find a killer. <br /> <br /> Cream pictorial titled wrappers dated January 11 1990 noted as Second Revised Final Draft. Title page present dated January 11 1990 with credits for screenwriters Craig W. Van Sickle amd Steven Long Mitchell and director Gwen Arner. 60 leaves with last page of text numbered 57. Xerographic duplication on yellow stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown