10 360 résultats
1997157411Hollywood: Volcanic Films 1997. Revised Draft script for the 1998 film. <br /> <br /> A pitch-black comedy about two middle-class couples who lie and cheat in their struggles to find satisfaction in their empty relationships. Neil LaBute's second feature following "In the Company of Men" 1997.<br /> <br /> Gray titled wrappers with credit for director-screenwriter Neil LaBute. Title page present dated 10/20/97 noted as Revised with credits for screenwriter Neil LaBute. 125 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Fine wrapper about Fine bound with two gold brads. Volcanic Films unknown
1954152836Los Angeles: ZIV Television Programs 1954. Final Master script for the 1954 television episode. Copy belonging to script supervisor Helen McCaffrey with her manuscript pencil annotations on virtually every page and many versos and her name in manuscript ink annotation on the top right corner of the front wrapper.<br /> <br /> A dramatization of the December 1862 Battle of Fredericksburg based on a short story by Stephen Crane. <br /> <br /> Brown titled wrappers noted as FINAL MASTER SCRIPT on the front wrapper dated April 12 1954 with credits for screenwriter Ellis Marcus and story credits to Stephen Crane. Title page integral with the front wrapper. 48 leaves with last page of text numbered 47. Mimeograph duplication rectos only with blue revision pages throughout dated 4-14-54. Pages Near Fine wrapper Near Fine bound with two gold brads. ZIV Television Programs unknown
1959158642Bruxelles Brussels: Cosmopolis Films 1959. Vintage oversize black-and-white borderless reference photograph from the French release of the 1959 West German film.<br /> <br /> 11.5 x 9.25 inches. Very Good with moderate edgewear and creasing. Cosmopolis Films unknown
19861237143PN. New. 1986. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
1963135122Burbank CA: Warner Brothers 1963. Final script for the 1964 film. <br /> <br /> Based on Herman Wouk's 1962 novel. Youngblood Hawke Franciscus is a Kentucky truck driver who comes to New York City to start a career as a writer. He meets editor Jeanne Green Pleshette who falls for him while putting together a book deal. Throughout his first three books his hops from woman to woman and book deal to book deal including a Broadway adaptation and an affair with a woman whose jealous husband intends to destroy Hawke. He returns to Kentucky to work on writing contracts pneumonia and realizes that Jeanne was the only woman he truly loved. <br /> <br /> Set in Kentucky and New York shot on location in New York. <br /> <br /> Self wrappers noted as FINAl on the front wrapper dated February 15 1963 with credits for screenwriter Daves and novelist Wouk. Title page integral with front wrapper DATE. 160 leaves with last page of text numbered 157. Mimeograph on eye-rest green stock. Near Fine overall bound with two gold brads. Warner Brothers unknown
1983007196Los Angeles CA: Cannon Films Inc. Original film poster measuring 27" by nearly 41" previously folded four times as issued. With a large photograph of a biker and his chick list of cast and crew headlined "MEET THE ULTIMATE WEAPON IN THE FIGHT AGAINST CRIME." Noticeable crease lines light wear. . Very Good. No Binding. First Edition. 1983. Cannon Films, Inc. unknown
1987166290N.p.: N.p. 1987. Draft script for the 1988 film. Bound in before the script are several production documents relating to casting grouping lists of principal actors and extras needed for scenes.<br /> <br /> A dramatization of the early life of Italian conductor Arturo Toscanini focusing on his time in Rio de Janeiro as part of an orchestra tour during which time he tries to convince his childhood idol a faded opera diva to leave retirement for a staging of "Aida." <br /> <br /> Shot on location in Lisbon and Puglia. <br /> <br /> White wrappers with a title label affixed to the front wrapper dated August 8 1987 and noting "Script copied in London from draft supplied to Tom Rand". Missing title page presumably as issued. 128 leaves with last page of text numbered 125. Xerographic duplication rectos only. Script housed in a black three-ring binder. N.p. unknown
19562090202120405364Towa 1956. Soft Cover. Fine. Number of books: 1 Towa paperback
1939150177N.p.: N.p. 1939. Vintage borderless portrait photograph from the 1939 film showing actor Henry Fonda in costume as a young Abraham Lincoln. <br /> <br /> A dramatization of the early years of future president Abraham Lincoln following his upbringing in a log cabin to his first loves to his establishment of a law practice in Springfield Illinois. <br /> <br /> 7 x 9 inches. Very Good plus with light wear to the top corners and adhesive residue on the bottom edge of the verso. <br /> <br /> National Film Registry. Criterion Collection 320. N.p. unknown
1950161272N.p.: N.p. 1950. Draft script for the 1950 film. Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Twelve reference photographs bound in variously among the script pages.<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960.<br /> <br /> Based on the 1938 novel by Dorothy Baker in turn loosely inspired by the life of famed jazz cornetist Bix Beiderbecke. A young trumpet player finds himself caught in a love triangle between a talented singer and a beautiful but disturbed heiress. <br /> <br /> Set and shot on location in Los Angeles and New York.<br /> <br /> Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present undated with credits for screenwriter Carl Foreman and novelist Dorothy Baker. 158 leaves with last page of text numbered 141. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 7/9/49 and 8/25/49. Pages Near Fine binding Good only cloth lightly foxed significant wear to the leather quarterbinding though spine titles can still be read. N.p. unknown
1957132691London: Miracle Films 1957. Collection of 7 vintage black-and-white double weight still photographs from the 1957 UK release of the 1957 French film. Distributor rubber-stamps on the versos. <br /> <br /> Based on James Hadley Chase's novel "Miss Callaghan Comes to Grief" 1941 banned in the UK upon publication due to its graphic sexual passages involving prostitutes and lost women. <br /> <br /> 8 x 10 inches. Near Fine. Miracle Films unknown
1963161926Various cities: Columbia Pictures 1963. Vintage program for the 1963 film. Title in both Danish and French and text in Danish. From the collection of artist and author Duncan Hannah. <br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A young kleptomaniac befriends a heiress and follows the woman to Saint-Tropez. <br /> <br /> 4.25 x 6.25 inches. Three leaves in saddle stapled wrappers. Very Good plus. Columbia Pictures unknown
1965145917Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Vintage photograph from the set of the 1965 film. Mimeo snipe and Tony Crawley stamp on verso. A young Julie Christie sunning herself on the set of "Young Cassidy."<br /> <br /> Biographical drama based upon the life of playwright Sean O'Casey John Cassidy Taylor in the film. Following the 1911 protest against British rule in Ireland a young laborer-turned-playwrite combats the regime with his artistic practice. <br /> <br /> John Ford was originally slated to direct but fell ill early in the shooting.<br /> <br /> Set in and shot on location in Ireland and England. <br /> <br /> 10 x 8 inches. Very Good Plus some light corner creasing and edgewear. Metro-Goldwyn-Mayer [MGM] unknown
1965170551Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Vintage reference photograph from the 1965 film showing Julie Christie smiling. Mimeo snipe and provenance label on the verso.<br /> <br /> A biographical drama based upon the life of playwright Sean O'Casey about a young laborer who becomes a playwright combatting the regime with his artistic practice. John Ford was originally slated to direct but fell ill early in the shooting.<br /> <br /> Shot on location in Ireland and England. <br /> <br /> 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1954169564N.p.: N.p. 1954. Vintage publicity photograph from the 1954 film showing actor Frank Sinatra at the piano. Provenance label and annotations in manuscript pencil on the verso.<br /> <br /> A nihilistic self-destructive piano player begins a romance with the chipper youngest daughter of a middle-class family. The first of five film collaborations between Sinatra and director Gordon Douglas followed by "Robin and the 7 Hoods" 1964 "Tony Rome" 1967 "The Detective" 1968 and "Lady in Cement" 1968.<br /> <br /> Set in the fictional town of Strafford Connecticut.<br /> <br /> 10 x 8 inches. Very Good plus. N.p. unknown
1954149578Burbank CA: Warner Brothers 1954. Vintage reference photograph from the 1954 film showing actors Frank Sinatra and Cliff Ferre.<br /> <br /> A nihilistic self-destructive piano player begins a romance with the chipper youngest daughter of a middle-class family. The first of five film collaborations between Sinatra and director Gordon Douglas followed by "Robin and the 7 Hoods" 1964 "Tony Rome" 1967 "The Detective" 1968 and "Lady in Cement" 1968.<br /> <br /> Set in the fictional town of Strafford Connecticut.<br /> <br /> 10 x 8 inches. Very Good plus with a light crease to the bottom left corner. Warner Brothers unknown
1954144878Los Angeles: Arwin Productions 1954. Vintage photograph of director and key Sinatra arranger Gordon Douglas and Frank Sinatra on the set of the 1954 film. Mimeo snipe and an studio stamp on the verso. <br /> <br /> A remake of the 1938 film "Four Daughters" directed by Michael Curtiz. Alex Burke Gig Young comes into the lives of the musical Tuttle Family and charms the three sisters though he and Laurie Doris Day seem to be a perfect match and the two strike up a relationship. Matters are complicated when Alex brings his friend Barney Frank Sinatra to the Tuttle home to help with some musical arrangements and he quickly grows feelings for Laurie as well meanwhile her sister Amy longs to be with Alex. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Olive Films. Arwin Productions unknown
1931154507N.p.: N.p. 1931. Vintage reference photograph from the 1931 pre-Code film showing actors Will Rogers and Fifi D'Orsay. <br /> <br /> A French singer helps an older serious-minded businessman loosen up but his sons decide to intervene afraid that she is taking advantage of his largesse. <br /> <br /> Set in Chicago. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1931135170Los Angeles: Fox Film Corporation 1931. Post-production Screen Continuity script for the 1931 film. Based on the 1908 play "Father and the Boys" by George Ade. <br /> <br /> A comedy of errors in which a wealthy meatpacking company owner in Chicago has two sons both who treat their father's company as a means to their own extravagant ends. When he turns the tables evading his work responsibilities and traveling around with a French singer they fear that the singer is out to blackmail him. <br /> <br /> Pale blue studio wrappers dated April 27 1931 noting footage of 7000 feet. Mimeograph duplication. Very Good plus condition. Fox Film Corporation unknown
1937162314N.p.: Filmprogramm 1937. Vintage program for the German release of the 1937 American film. Text and titles in German.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Based on Josephine Tey's 1936 novel "A Shilling for Candles" about a young woman who agrees to help a man escape a wrongful murder charge. <br /> <br /> 5.75 x 8.25 inches. Four leaves printed on rectos and versos. Saddle stapled. About Fine. Filmprogramm unknown
194731365Richmond VA: National Publishing Co. Very Good with No dust jacket as issued. 1947. First Edition. Hardcover. Illus. very clean covers and contents. Very heavy book. ; 1175 pages . National Publishing Co. hardcover
1936143033New York: Gaumont British Picture Corporation 1936. Draft script for the 1937 film. Specially bound copy bound in green cloth with title in gilt. <br /> <br /> An American gangster joins the British Army in order to evade the police. Released in Great Britain under the title O.H.M.S. which signifies "On His Majesty's Service." Military propaganda from Britain's War Office made with full Army Council cooperation. American director Raoul Walsh was chosen after his success with "What Price Glory" in 1926 which helped boost recruiting for the US Marine Corps. <br /> <br /> Set in New York and London shot on location in London. <br /> <br /> Green cloth covered boards with gilt titles with stamped production No. 69 in gilt. Title page present dated 31st July 1936 noted as screenplay. 116 leaves. Mimeograph duplication. Pages Near Fine with dampstaining on open edge binding Very Good plus. Gaumont British Picture Corporation unknown
1937164626Universal City: Universal Pictures 1937. Three vintage photographs a portrait photograph of Alice Faye a double weight publicity photograph of Alice Faye and George Murphy and a studio still photograph of a vocal chorus from the 1937 film. <br /> <br /> The portrait photograph of Faye has three stamps on the verso two studio stamps one crediting photographer Ray Jones and one noting Faye. The publicity photograph has a mimeo snipe and an Advertising Advisory Council stamp on the verso.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Alice Faye is a Broadway star who falls for George Murphy unaware he is posing as an Oklahoma millionaire for a PR stunt. Nominated for an Academy Award.<br /> <br /> 7.5 x 9.25 inches and 8 x 9.75 inches. Very Good plus. Universal Pictures unknown
1940150156N.p.: N.p. 1940. Vintage reference photograph from the 1940 film showing actors Bela Lugosi Boris Karloff and Peter Lorre.<br /> <br /> A popular band takes on a job performing at a wealthy heiress' birthday bash in her large haunted mansion. <br /> <br /> 10 x 8 inches. Very Good plus with light adhesive residue and wear to the corners. N.p. unknown
1997163268N.p.: Michael Jacobs Productions / Touchstone Television 1997. Archive of eleven original scripts for two episodes of the 1997-1998 ABC television series housed in a large generic three-ring binder. Archive includes eight scripts for the fourth episode "Mind Games" which aired on October 8 1997 and the ninth episode "All in the Family Room" which aired on May 29 1998. Bound in with the scripts are six "Rehearsal and Shooting Schedules" six "Cast List Guest List and Sets" and twelve pages of "Table Draft Short Rundowns."<br /> <br /> The archive includes: <br /> <br /> Eight drafts for "Mind Games:" <br /> <br /> - A 2nd Draft dated August 24 1997.<br /> <br /> - An "Alternate" 2nd Draft dated August 24 1997.<br /> <br /> - A Revised 2nd Draft dated August 26 1997.<br /> <br /> - A Draft script with a manuscript pencil annotation of the date "8-28-97" on the top of the first page.<br /> <br /> - A Table Draft dated September 3 1997.<br /> <br /> - A Table Draft of Act Two dated 9/3/97. <br /> <br /> - A Revised Table Draft dated September 4 1997.<br /> <br /> - And a Shooting Draft dated September 8 1997. <br /> <br /> And three drafts for "All in the Family Room:"<br /> <br /> - A Table Draft dated 9/10/97. <br /> <br /> - A Revised Table Draft dated September 11 1997 with 3rd Revised Table Draft revision pages dated September 12 1997.<br /> <br /> - And a Shooting Draft on yellow leaves dated September 15 1997.<br /> <br /> A single mom Gillian and her two children Mickey and Travis reluctantly accept the help of "Genie" a genie whose been imprisoned in a magic carpet for 2000 years. ABC canceled the series after seven episodes in November 1997 and aired the remaining six episodes the following summer in 1988.<br /> <br /> In the fourth episode "Mind Games" Genie grants Gillian the power to read minds and discovers her daughter Mickey is hiding a pack of cigarettes.<br /> <br /> In the ninth episode "All in the Family Room" Gillian decorates the family room with momentos while Travis uses Genie to abscond to a pirate ship centuries earlier.<br /> <br /> "Mind Games" 2nd Draft on white leaves dated August 24 1997:<br /> Title page present dated August 24 1997 noted as 2nd Draft with credits for screenwriters David Silverman and Stephen Sustarsic. 42 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> "Mind Games" "Alternate" 2nd Draft on white leaves dated August 24 1997:<br /> Title page present dated August 24 1997 noted as Alternative 2nd Draft with credits for screenwriters David Silverman and Stephen Sustarsic. 41 leaves with last page of text numbered 40. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> "Mind Games" Revised 2nd Draft on white leaves dated August 26 1997:<br /> Title page present dated August 26 1997 noted as REVISED 2ND DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 48 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> "Mind Games" Draft script on white leaves with a manuscript pencil annotation of the date "8-28-97":<br /> 41 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> "Mind Games" Table Draft on white leaves dated September 3 1997:<br /> Title page present dated September 3 1997 noted as TABLE DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 47 leaves with last page of text numbered 42. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> "Mind Games" Table Draft of "Act Two" on white leaves dated 9/3/97:<br /> 19 leaves with last page of text numbered 43. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> "Mind Games" Revised Table Draft on pink leaves dated September 4 1997:<br /> Title page present dated September 4 1997 noted as REVISED TABLE DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 46 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> "Mind Games" Shooting Draft on yellow leaves dated September 8 1997: <br /> Title page present dated September 8 1997 noted as SHOOTING DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 47 leaves with last page of text numbered 42. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> "All in the Family Room" Table Draft on white leaves dated 9/10/97:<br /> 52 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> "All in the Family Room" Revised Table Draft on pink leaves dated September 11 1997:<br /> Title page present dated September 11 1997 noted as REVISED TABLE DRAFT with credits for screenwriters Linda Mathious and Heather MacGillvray. 50 leaves with last page of text numbered 43. Xerographic duplication rectos only with lilac revision pages throughout dated 9/12/97. Pages Near Fine.<br /> <br /> "All in the Family Room" Shooting Draft on yellow leaves dated September 15 1997:<br /> Title page present dated September 15 1997 noted as SHOOTING DRAFT with credits for screenwriters Linda Mathious and Heather MacGillvray. 46 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> All scripts bound in a Very Good plus generic three-ring binder. Michael Jacobs Productions / Touchstone Television unknown
