16 724 résultats
1937142466Berlin: Universum Film UFA 1937. Vintage French pressbook for the 1937 German film "Vor Liebe wird gewarnt" seen here as "Onny a le Beguin." <br/><br/>Anny Ondra plays a woman the youngest in a family of three sisters who can't seem to find romance and whose boss attempts to set her up. An unusual look at women's roles under the Nazi regime. <br/><br/>Two pages saddle stapled 9.5 x 12 inches. Very Good plus. Universum Film [UFA] unknown books
1957158054Los Angeles: American International Pictures AIP 1957. Draft script for the 1957 film. <br /> <br /> The members of a gold expedition in the jungle are inadvertently drawn into the evil schemes of a scientist seeking to create an indestructible being. American International Pictures recycled the monster design from their 1956 film "The She-Creature" to create the Voodoo Woman character with a redesigned face and sporting a blonde wig. The final film of actress Marla English.<br /> <br /> Red titled wrappers noted as copy No. 7. Distribution page present with receipt intact. Title page present undated with credits for director Edward Cahn and actors Marla English Tom Conway Mike Connors and others. 105 leaves with last page of text numbered 102. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with a tide mark on the top left corner bound with a silver prong. Housed in brown wrappers with the film's title lead actors and release date noted on a label. American International Pictures [AIP] unknown
1964128743Los Angeles: Twentieth Century-Fox 1964. Shooting Final script for the 1965 film. Based on the 1964 novel by David Westheimer. <br/><br/>Based on David Westheimer's 1964 novel about an American POW Sinatra who leads a group of British prisoners to escape from the Germans in World War II. Nominated for an Academy Award. <br/><br/>Tan titled wrappers noted as Shooting Final on the front wrapper production No. 15 dated August 11 1964. Title page present with credits for screenwriters Mayes and Landon. 142 leaves on pale green stock mimeograph duplication with blue revision pages throughout dated variously between 8-31-64 and 11-3-64. Pages Near Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown books
1965154952Los Angeles: Twentieth Century-Fox 1965. Vintage borderless reference photograph of director Mark Robson during filming on location for the 1965 film. Printed mimeo snipe affixed to the verso. <br /> <br /> Based on David Westheimer's 1964 novel about an American prisoner of war who leads a group of British prisoners to escape from the Germans in World War II. Nominated for an Academy Award.<br /> <br /> Shot on location in Italy.<br /> <br /> 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1984140603Culver City CA: HBO Pictures / TriStar Pictures 1984. Shooting script for the 1985 film. With a one page typescript memorandum laid in and annotated dated 11/24/85. <br/><br/>An early feature film effort from Home Box Office HBO ultimately distributed by TriStar and an early lead role for actor Tom Hanks. Lawrence Bourne Hanks is a spoiled rich kid who has just graduated from Yale University with a massive gambling debt one his father refuses to pay. When his debtors begin to come after him he hops a Peace Corps flight to Thailand assigned to build a bridge for the local villagers with Tom Tuttle from Tacoma Candy and Beth Wexler Wilson. Turns out the bridge is in the middle of a proxy war fought between the CIA communist guerilla forces and a local drug lord. <br/><br/>Set in Thailand shot on location there as well as Venezuela and New Haven CT. <br/><br/>Brown untitled wrappers. Title page present dated August 10 1984 noted as Shooting Script with credits for screenwriters Ken Levine and David Isaacs. 143 leaves with last page of text numbered 129. Later generation photocopy with revision pages throughout dated variously between August 10 1984 and January 8 1985. Pages Near Fine wrapper Near Fine bound internally with three gold brads. HBO Pictures / TriStar Pictures unknown books
1984146132Santa Monica CA: Shepherd / Walter F. Parkes 1984. Shooting script for the 1985 film with rainbow revisions.<br /> <br /> A wealthy womanizing playboy joins a Peace Corps mission to Thailand accompanied by a crew of all-American gomers as a last-minute escape from his gambling debts. The second unconventional buddy film for Tom Hanks and John Candy following Ron Howard's "Splash" 1984.<br /> <br /> Set in Connecticut and Thailand and shot on location in Mexico and Connecticut. <br /> <br /> Red untitled wrappers. Title page present dated August 10 1984 noted as SHOOTING SCRIPT with credits for screenwriters Ken Levine and David Isaacs. 135 leaves with last page of text numbered 129B. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 8/10/84 and 11/9/84. Pages Near Fine wrapper Near Fine bound with two gold brads. Shepherd / Walter F. Parkes unknown
1979149429Burbank CA: Tisch-Davidson Productions 1979. First Draft script for the 1979 film. Copy belonging to uncredited cast or crew member Robert Harrison with his ownership name in holograph pencil at the top right corner of the front wrapper.<br/><br/>A young Italian American man with dreams of becoming a famous singer takes the rap for his father's arson charge and goes to prison where he is forced to navigate an enclosed world of segregation and rampant sexual violence. <br/><br/>Set and shot on location in New Jersey.<br/><br/>Goldenrod MGM titled wrappers dated October 27 1977 with credits for screenwriter John Herzfeld producer Joe Wizean and director Robert Markowitz rubber stamped copy No. 60. Title page present noted as First Draft with credits for screenwriter John Herzfeld. 135 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages and wrapper Near Fine bound with two gold brads. Tisch-Davidson Productions unknown books
1972146362London: Warden Productions 1972. Draft script for the 1973 British film with notation of underlined "A-9" in holograph ink on top right of title page. <br/><br/>Young couple Robert David Hemmings and Claire Gayle Hunnicutt tragically lose their 6-year old son David Adam Bridge in an accidental drowning. Claire traumatized breaks down and after multiple suicide attempts is committed to a mental hospital. After her release from the hospital the couple take a trip for a weekend to a secluded Georgian mansion where Claire begins to hear strange inexplicable voices.<br/><br/>Green untitled wrappers with a die-cut title window in the British style. Title page present dated 1st November 1972. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Warden Productions unknown books
1972146362London: Warden Productions 1972. Draft script for the 1973 cult British horror film with notation of underlined "A-9" in manuscript ink on top right of title page. <br /> <br /> Young couple Robert David Hemmings and Claire Gayle Hunnicutt tragically lose their 6-year old son David Adam Bridge in an accidental drowning. Claire traumatized breaks down and after multiple suicide attempts is committed to a mental hospital. After her release from the hospital the couple take a trip for a weekend to a secluded Georgian mansion where Claire begins to hear strange inexplicable voices.<br /> <br /> Green untitled wrappers with a die-cut title window in the British style. Title page present dated 1st November 1972. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Warden Productions unknown
1958145124Universal City: Universal International Pictures 1958. Two original vintage linen backed keybook photographs one of director Harry Keller producer Gordon Kay and cinematographer William Daniels the other of Harry Keller and actress Julie London on the set of the 1958 film. Mimeo snipe on the verso of each. <br/><br/>One photo shown. Please inquire to see the other.<br/><br/>Jim Burton Richard Egan has become a heavy alcoholic since his young daughter died. His wife Ellen Julie London has to take care of him and his doctor has warned him that his drinking and depression could lead to severe mental illness. He meets William Tobin Arthur O'Connell also an alcoholic and the two of them find that they help themselves by helping each other eventually they form a group like Alcoholics Anonymous . <br/><br/>10 x 8 inches. Near Fine. Universal International Pictures unknown books
1937162016Beverly Hills CA: United Artists 1937. Vintage studio still photograph from the 1937 film showing actors Warner Baxter and Joan Bennett. Mimeo snipe on the verso. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A blue-blooded but broke debutante goes to work as a model for a fashion designer and soon falls in love with him-in spite of his happy marriage to his wife. <br /> <br /> 8 x 10 inches. Very Good plus faintly foxed. United Artists unknown
200488795Paris France: Éditions du Seuil / Dictionnaires Le Robert 2004. Quarto 26cm; white paper-covered boards; 1531pp. Text in French. From the library of noted poet translator and anthropologist Nathaniel Tarn 1928-2024 with his pictorial bookplate to front pastedown. Light shelf-wear with lower corners gently nudged; Very Good. Dictionary on European philosophy terms. 88795. Éditions du Seuil / Dictionnaires Le Robert unknown
697771552Springer pp. 310 . Papeback. New. Springer unknown
63072069Springer pp. 308 . Hardback. New. Springer hardcover
198957058Springer. 1989. Hardcover. Very Good. Hardcover; fading and light shelf wear to exterior; light fading to page ed ges; otherwise in very good condition with clean text firm binding. . Springer hardcover
1989SONG0792390547Springer 1989-11-30. 1990. hardcover. Used: Good. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
1989DADAX0792390547Springer 1989-11-30. 1990. hardcover. New. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
ria9781461288169_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; One of the keys to success in the IC industry is getting a new product to market in a timely fashion and being able to produce that product with sufficient yield to be profitable. There are two ways to increase yield: by improving the c paperback
1968139327California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br/><br/>"Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br/><br/>Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br/><br/>8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. <br/><br/>Complete collation details available on request. Eve Productions unknown books
1968139327California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown
1969139328Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. <br/><br/>"Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br/><br/>Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br/><br/>8 x 10 inches. Very Good plus with edge creasing and a single short tear. <br/><br/>Complete collation details available on request. Eve Productions Cinecenta unknown books
1969139328Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown
51-3231Bruxelles: Columbia Pictures 1955. Original poster for the French language version. Mounted on cardboard. 53 x 35 cm. Parfois maladroite notamment dans sa présentation des personnages cette œuvre vaut surtout pour sa dernière heure proprement bouleversante sans être mélodramatique et pour son interprétation haut de gamme. Le fade Van Johnson y trouve ici son meilleur rôle lui qui fut toujours voué aux compositions de gentils garçons insouciants tandis que Peter Cushing se révèle terriblement touchant en cocu magnifique fonctionnaire ennuyeux et conscient de l’être. Mal reçu aux Etats-Unis où les ligues puritaines ont crié au scandale Vivre un grand amour a été bien accueilli en Europe et est encore considéré comme une excellente adaptation du roman de Graham Greene à l’instar de la nouvelle version de Neil Jordan La fin d’une liaison en 1999 avec Julianne Moore et Ralph Fiennes.From the collection of Herbert C.V. Feinstein Ph.D. San Francisco State University Professor of English; B.A. 1948 Columbia University; J.D. 1951 Harvard University; M.A. 1959 Ph.D. 1968 University of California Berkeley advanced study Indiana University. Professor since 1959. Emeritus since 2002. Died 2018. Bruxelles: Columbia Pictures, 1955. unknown
1962144425Paris: Les Films de la Pleiade 1962. Collection of four vintage borderless photographs from the 1962 film. With holograph annotations and rubber stamps on the versos. <br/><br/>Based in part on the nonfiction study "Ou en est la prostitution" by Marcel Sacotte who also contributed to the screenplay. Godard's least "intellectual" film is also one of his finest a touching drama about a college-educated woman who drifts into prostitution out of boredom with the working world to tragic consequences. The third of the seven highly influential films directed by Godard between 1960 and 1965 starring his then-wife and muse Anna Karina. <br/><br/>Shot on location in Paris. <br/><br/>5 x 7 inches. Near Fine. <br/><br/>BFI 2055. Criterion Collection 512. Ebert I. Les Films de la Pleiade unknown books
1962163800N.p.: N.p. 1962. Two vintage borderless oversize reference photographs from the 1962 film both showing actress Anna Karina. Annotations in manuscript pencil and ink on the versos.<br /> <br /> Director Jean-Luc Godard's least "intellectual" film and also one of his finest a drama about a well-educated Parisian woman who drifts into prostitution out of boredom with the working world. The third of seven influential films between 1960 and 1965 directed by Godard and starring his then-wife and muse Anna Karina. <br /> <br /> Shot on location in Paris. <br /> <br /> 11.75 x 9.5 inches. Very Good moderately edgeworn.<br /> <br /> BFI 2055. Criterion Collection 512. Ebert I. N.p. unknown
