NAZIM HIKMET [RAN], (1902-1963).MareMagnum
180 résultats
Very Good Russian Rare second edition of Nazim Hikmet Ran's 'Cloud in love' in Russian as well as in any Slavic languages, translated by Russian Turcolog and philologist Lely Nikolayeviç Starostov, (1924-1985). It's an allegorical story about an evil desert spirit who tries to destroy an oasis that is tendered by beautiful Aishe. Luckily, a Cloud falls in love with her and protects the oasis, although it costs him a life. This script also was used as it was for Soviet animation with the same title 'Vlyublennoye oblako', which was made in 1959 by Roman Kachanov, one of the pioneers of Soviet stop motion animation. Paperback. Cr. 8vo. (20 x 14 cm). In Russian. 118, [1] p., b/w ills.
Very Good German Original wrappers. 12mo. (16 x 11 cm). In German. 71, [1] p., [12] unnumbered b/w plates. Very rare first edition (from first 1st-5th thousand impressions and both in scarce institutional holdings and market rarity) of this fourth book of "A thousand and one nights" series, titled 'The Caliph Harun Al-Rashid' with fine illustrations edited by Heinrich Wolgast, (1860-1920), a German educator and pedagogue. Close to social democratic ideology, Heinrich Wolgast became known as a literary pedagogue. He criticized a "specific" juvenile literature which, as trivial mass literature, only satisfies the need for entertainment, and called for an artistic education of the youth through aesthetically demanding literature. In 1888 Wolgast became a co-founder of the "Youth Writings Committee" of the "Association of Hamburg Elementary School Teachers". As a co-founder of the "United German Examination Committees for Youth Writings", he acted from 1896 to 1912 as the editor of the magazine "Jugendschriften-Warte". This small and very collectible book published by Otto Zimmermann reflects the pedagogical concerns rather than the true harsh, erotic, and imaginary atmosphere of the Arabian Nights. Only one printed copy in OCLC 76105214 (German National Library, Leipzig = Deutsche Nationalbibliothek, Leipzig).
Very Good Russian Original orange cloth bdg. The illustration depicted hunting Zulus between the titles of Cyrillic and Latin ones. Demy 8vo. (22,5 x 15 cm). The text is fully in Russian. Fading on cloth. Otherwise a good copy. [iii], 246, [2] p., 10 color plates and many unnumbered illustrations (b/w and color). First edition of the first-ever comprehensive compilation of Zulu tales in the Soviet Union, printed as the first volume in the African Literature Series. The book contains 43 selected tales of Zulus, with an index and "with an introductory article, translated and annotated by I. L. Snegireva; illustrated by N. A. Ushin [OCLC]". Nikolai Alexeyevich Ushin (1898-1942) was a Soviet graphic artist, theatre designer, and book illustrator. In the 1920s, Ushin began designing theatrical decorations for stage performances. He creatively adapted the themes of medieval Russian painting and Palekh miniature. As a particularly recognized work by him, Ushin illustrated the Russian translation of One Thousand and One Nights published in eight volumes by Academia. His illustrations for One Thousand and One Nights were awarded the gold medal at the 1937 Paris Exposition. Ushin also made lithographs and bookplates. OCLC 869825603 / 28384126.
New Persian, Old(ca. 600-400 B.C.) Original bdg. HC. Demy 8vo. (21 x 14 cm). In Persian and Pahlavi. 63 p. [A]Yâdgâr-i Zarîrân: Matn-i hamâsî az dawrân-i kuhan. [= Ayâdgâr-e Zârêrân]. Ayâdgâr-e Zârêrân, or 'Memorial of Zarer', a short Pahlavi text which is the only surviving specimen in that language of ancient Iranian epic poetry. It is preserved in a unique manuscript, written in A.D. 1322. The chief editions are those of J. M. Jamasp-Asana, The Pahlavi Texts Contained in the Codex MK II, Bombay, 1913, repr. Tehran, [1971-72], pp. 1-16; Pagliaro, Il testo pahlavico Ayâtkâr-i Zarêrân, Rome, 1925; and D. Monchi-Zadeh, Die Geschichte Zarêr's, Uppsala, 1981 (reviewed by D. N. MacKenzie, IIJ 27, 1984, pp. 155-63). It celebrates an event in the early history of Zoroastrianism. Wistâsp, having accepted the "pure religion of the Mazda-worshippers" (dên î abêzag i mâzdesnân)), is challenged on this account by Ardjâsp, lord of the Hyôns. The wise Jâmâsp foretells that Wistâsp's brother Zarêr and many others of his kin will die in the coming encounter. Nevertheless battle is joined. Zarêr, after fighting heroically, is foully slain by a Hyôn, Wîdraf the sorcerer. His son Bastwar, forbidden by Wistâsp to go to the battle-field because of his youth, flouts this command, finds his father's body, and utters a moving lament over it. He slays many Hyons in revenge, and shoots an arrow through Wîdrafs' heart. His cousin Spandyâd, Wistâsp's son, ends the battle by capturing Ardjâsp, mutilating him, and sending him abject away. There are numerous traces in the Pahlavi text of an older Parthian version, with Parthian words, phrases and grammatical usages scattered through it (for these see most fully MacKenzie, loc. cit.). Parthian, and other apparently archaic, certainly obscure, elements are most concentrated in passages of reported speech, notably par. 92, Bastwar's incantation over the arrow with which he is to shoot Wîdrafs; par. 41, an oath-taking formula; and pars. 84-87, Bastwar's elegy for his father... (Encyclopediae Iranica).
2 ouvrages reliés en un volume in-4 (254 x 193 mm), plein veau marbré de l'époque, dos à 5 nerfs guillochés or, orné de compartiments fleuronnés et cloisonnés, pièce de titre de maroquin bordeaux, plats encadrés de filets à froid, filet doré sur les coupes, tranches rouges. 1- Edition originale de ce recueil qui contient la première édition de deux célèbres contes de Denis Diderot: "Les Deux Amis de Bourbonne" et "Entretien d’un Père avec ses Enfants". Ils sont suivis des "Idylles" de l’écrivain suisse Salomon Gessner, dans la traduction française de Jakob Heinrich Meister et de la "Lettre de Mr Gessner à Mr Fuslin, Auteur de l’histoire des peintres suisses sur le paysage". Cette édition de luxe, imprimée sur grand papier, est illustrée d’un titre, de 10 belles planches gravées en taille-douce, de 3 bandeaux et de 6 culs-de-lampe dessinés et gravés par Salomon Gessner lui-même. On y trouve également la liste des souscripteurs, véritable gotha de l'aristocratie européenne du moment, mais aussi du monde du livre, éditeurs et imprimeurs, ainsi que les auteurs en vue, le comte de Caylus ou Voltaire. Exemplaire bien complet du feuillet d'errata qui manque à la plupart des exemplaires. (Adams, 'Bibliogr. des œuvres de Diderot', DD1). Cohen, col. 432. Tchemerzine- Scheler, II, 959). 2- Edition originale illustrée d'une page de titre illustrée d'un portrait de Pierre Corneille en médaillon à sa devise et de trois figures imprimées sur papier fort, gravées par B. L. Prévost, N. Ponce, Aug. De St Aubin, d'après les dessins de C. N. Cochin fils. Très bel exemplaire, très frais, très bien relié à l'époque, de la bibliothèque du baron de Chapuys-Montlaville avec son timbre humide armorié au titre.