Grammatiki A. KarlaAntiquariat.de
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2001020889Ludwig Reichert, Wiesbaden 2001. Leinen Wie Neu
1990Q-0026893045Checkerboard Pr 1990-03-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Checkerboard Pr hardcover
06629London: George G. Harrap and Co. Ltd 1936. The Fox and the Crow - Gooden's Masterpiece of Modern Book Illustration<br /> A Signed Limited Aesop in Vellum Finely Printed at Cambridge<br /> <br /> GOODEN Stephen illustrator. AESOP. Aesop's Fables. Translated by Sir Roger L'Estrange Kt. with plates & decorations by Stephen Gooden. London: George G. Harrap & Co. Ltd. 1936. <br /> <br /> Limited to 525 numbered copies this being No. 266 signed by Stephen Gooden.<br /> <br /> Small folio 10 x 7 inches; 254 x 178 mm. 311 1 limitation pp. Finely printed letterpress by Cambridge University Press under Walter Lewis. Copper plates engraved by A. Alexander & Sons London. Illustrated with twelve superb copper-engraved plates including a vignette title-page with original tissue guard.<br /> <br /> Publisher's full cream vellum covers ruled and decorated in gilt upper cover with central gilt fox spine with five shallow bands decorated and lettered in gilt marbled endpapers top edge gilt. Housed in the original pink/gray mottled paper-covered slipcase printed spine label with matching serial number in ink. A fine copy in a near fine slipcase.<br /> <br /> This 1936 Harrap Aesop stands among the great illustrated books of the interwar period - a harmonious collaboration of classical text elegant typography and masterful copper engraving.<br /> <br /> Stephen Gooden one of the finest British engravers of his generation brings to Aesop a line that is precise yet lively<br /> classical yet modern and perfectly suited to the moral clarity and wit of the fables<br /> <br /> Gooden's animals - foxes crows lions and asses - are rendered with quiet authority and restrained humor avoiding caricature in favor of timeless archetype. London: George G. Harrap and Co. Ltd, 1936 unknown
1900044103New York: A. L. Burt 1900. Undated ca. 1900. Very good in chipped dustjacket. Illustrated with color plates and engravings. Green cloth with vivit color illustration mounted on the front cover 87 pages matching dustjacket. The book has light edge rubbing good hinges sound text block clean pages with no names or other markings. The mylar protected dustjacket has some large chips that only barely affect lettering and only a small portion of the cover design some age-toning and soil to the white background of the rear panel. Hard Cover. Very Good/Fair. 12mo - over 6¾" - 7¾" tall. A. L. Burt Hardcover
1920220081Um 1920. Signiert "Erich Glas". In der Form mit dem Monogramm und bezeichnet "Avaritia". Druck auf bräunlichem Velin. Ca. 11 x 9 cm 24 x 20 cm.
1920104556Berlin: Amsler & Ruthart. Fine. 1920. First Edition. Hardcover. Nine laid and matted wood engravings in black ink on japan paper by artist Erich Glas 1897-1973 depicting eight fables from Aesop/Phaedrus. Each engraving is signed at lower margin by the artist. Prints and tilte page / colophon page also signed by the artist are laid in publisher's portfolio bound in 1/2 linen over hand made paper cover boards. An edition of 50 copies this being #34. In fine condition. ; 4to 11" - 13" tall . Amsler & Ruthart hardcover
1900031812UK: Warne 1900. New Edition . Decorative Cloth. Very Good/No Jacket. 12mo - over 6¾" - 7¾" tall. Harrison Weir. New Edition Circa 1900. Undated. Illustrated throughout with black and white engravings. The book is very good and bright. Edges lightly rubbed. Quite a tight binding. Contents good. Endpapers darkened. More images can be taken upon request. Ref12730##014688 <br/> <br/> Warne hardcover
179319695London: John Stockdale 1793. FIRST EDITION FIRST ISSUE. Gay Vol. II includes the advertisement leaf following the title page and publisher's advertisement on verso of final text leaf for an edition of Barlow's Aesop and Stockdale fables of Aesop no dates noted. Engraved title page in each volume plus 112 plates in the Aesop and 70 plates in Gay 12 by William Blake; plates with blank leaves as guards. A large paper copy bound in polished mottled calf with matching flyleaves gilt-ruled around the edges and inner dentelles gilt decorated spine. All edges gilt. Interior has some light offsetting from plates as usual. First edition first issue of both works with the long "s" throughout. An exquisite set. John Stockdale unknown
In 16, pp. XIV + (2) + 86 + (2). D. rifatto. Gora al marg. inf. del p. ant. mancanze al p. post. Br. ed. Quarta edizione del libretto di questo melodramma, parodia del melodramma in genere e di quello del Metastasio in paricolare. L'opera mette in scena gli infelici amori di Adramiteno, generale dei Romani nella guerra di Cappadocia, con la ninfa Ciborra e le nozze di ripiego di Somarinda, innamorata di Adramiteno, con Asinio. Seguono Le Favole di Esofago da Cetego (Torino 1809), parodia della favolistica settecentesca e dell'apologo esopiano in particolare.
1992Q-0152003509Harcourt Childrens Books 1992-10-01. Library Binding. New. In shrink wrap. Looks like an interesting title! Harcourt Childrens Books unknown
1949GABERBOC001430Gaberbocchus Press London. 1949. First edition. Quarto. 36 pages. Seven full-page illustrations by Franciszka Themerson the co-founder of the Gaberbocchus Press. Printed in red and black this being the second production of the press and one of only two to be hand-printed. Card wrappers with fold-over paper covers in the French style the cover design incorporating the embossed figure of a woman with an eagle's head.Number 4 of 400 copies numbered and signed by Themerson and with the ''counterfeit signature of Aesop''. Next to her signature the artist has sketched a small self-portrait.Front cover very slightly marked. Inside the covers the glue used in producing the book has cause some staining. Very good indeed. Gaberbocchus Press, London. unknown
1885963T27London: W. Mack 1885. Cloth. Good. 6.5" by 5". F. S. Church. A very scarce collection of illustrated fables from Canadian writer George Thomas Lanigan. Very scarce work. Illustrated with a frontispiece title vignette and over twenty in-text images. A collection of parody versions of the fables attributed to Aesop a Greek fabulist and storyteller noted for his tales characterized by anthropomorphic animal characters. Many of these tales contain the typical animal characters. With titles including: The Merchant of Venice The Good Samaritan and The Wolf and the Kid amongst others. Written by George Thomas Lanigan under the pen name G. Washington Aesop a Canadian journalist and poet. Illustrated by Frederick Stuart Church an American artist and illustrator especially known for his depictions of animals. In the original pictorial paper covered boards. Externally sound with light bumping and chipping to the extremities. Loss of the paper to the spine with discolouration to the extremities and the odd mark to the boards. Internally firmly bound. Pages are bright with the odd small spot or handling mark. Library ink stamp to the front pastedown. Good W. Mack hardcover
B1276London: W. Mace. First. Hardcover. Poor. F.S. Church. George Thomas Lanigan 1845 - 5 1886 was a Canadian journalist and poet.<br /> Frederick Stuart Church 1842 –1923 was an American artist working mainly as an illustrator and especially known for his often allegorical depiction of animals.<br /> <br /> This is a quite scarce parody retelling of some of Aesop's fables. It is in poor condition in beige green and black illustrated paper-covered boards. The spine has deteriorated so that the boards and signatures have separated. The boards themselves have moderate wear primarily at the corners and some soiling. The text is slightly age-toned but is otherwise clean and unmarked.<br /> Rare. CH25. W. Mace hardcover
83537george g harrap & co 1927. First edition thus - New edition reset with new illustrations illus super octavo brown boards VGThis book has only minimal description. Please refer to our website for information on our definitions. More detail on request. george g harrap & co 1927 hardcover
14056Orléans, Couret de Villeneuve, 1750. 2 tomes en 1 vol. in-12, basane fauve jaspée, dos à nerfs sans ornementation, pièce de titre verte, tranches rouges. Reliure de l'époque, coiffes absentes, petites fentes aux mors, coins râpés. (2) ff., xxiv-252 pp.; (2) ff., 262 pp., (1) f. Petite galerie de vers dans la marge inf. des 3 premiers ff.
1954325131954. FRASCONI Antonio. Twelve Fables of Aesop Newly Narrated by Glenway Wescott. 17 pp. Includes 19 linoleum cuts by Frasconi. 4to. original linen-backed boards and slipcase with linoleum cut. New York: The Museum of Modern Art 1954. One of the most delightful illustrated books to have been printed in America. Monroe Wheeler conceived the project and Glenway Wescott produced the text which Frasconi illustrated. The whole was put into the hands of the printer Joseph Blumenthal with exceptional results. One of 975 copies signed by Frasconi Wescott and Blumenthal. The Artist and the Book 111. A Century of Artists Books p.121 hardcover books
17441163571744. FOSSATI Giorgio. Raccolta di Varie Favole delineate ed incise in Rame. Six volumes in two. 16 44; 16 48; 8 76; 8 59; 8 59; 8 36 pp. Title-pages in vol. I with engraved ornamental borders printed in red. Illustrated with 3 engraved headpieces and 216 engraved plates printed in red green blue brown and black. 4to. 295 x 205 mm bound in full Venetian contemporary vellum boards. Venice: Carlo Pecora 1744. First Edition of one of the most sought-after Venetian eighteenth-century colour-printed works. The two hundred plus engravings are printed in the following colour inks: blue olive green sepia madder rose chocolate brown yellow brown Payne's grey reddish brown cadmium orange black and blue-grey. This scarce Venetian edition of classical fables with coloured engravings was designed and executed by the architect Giorgio Fossati. Birds beasts plants and humans are placed in Venetian pastoral or architectural settings. The latter are especially noteworthy and reveal the practiced hand and eye of their author; in plate XXXIII "The Gentleman and the Ape" the grand illusionistic stage setting recalls the work of the Bibiena. The Swiss-born Giorgio Fossati 1705-1785 designer of the facade of the Scuola and church of San Rocco in Venice was an important promulgator of architectural history theory and practice through his many sumptuous publications including new editions of Vignola Palladio and Félibien. Fossati specialized in books with illustrations printed in colour. The colour-technique he employed involved no overprinting or mixing just pure colour printed on heavy white Italian paper giving his books an extravagant Venetian character. Copies of the Favole that were bound in six volumes sometimes manifest additional engraved title-pages preceding each volume of text; the present copy like that of the Spencer Collection NYPL has the two engraved title-pages preceding vol. I. In our copy the allegorical explications of the fables in the first two volumes 8 8 pp. are bound before their respective texts. Fine copies in contemporary Venetian bindings are very rare on the market. This is a fresh fine and attractive copy in its contemporary Venetian binding. PROVENANCE: With later bookplate bearing a crossed monogram "L.L." surrounded in each corner by the emblem of medicine a serpent entwining the staff of Asclepius. Cohen-Ricci 410. Lewine 192. Sander 727. Morazzoni 232. Lanckoronska 108. Rosenwald 1570. Pedrocco The Glory of Venice Art in the Eighteenth Century 1994 ch. VIII p. 290 & fig. 190. hardcover books
172816041Amsterdam, Zacharias Chatelain, 1728. 2 Frontispices (Porträt des Autors von B. Picart und allegorische Musendarstellung mit dem Autor inmitten, von Romeyn de Hooghe), eine Titel-, zwei Kopfvignetten, Titel in rot/schwarz, 19 Bll., 123 SS., 2 Bll., SS. 141 - 268. 1 Bl., 117 (1) SS., 2 Bll., SS. 119 - 233, 2 Bll., 123 (1) SS., 1 Bl. Kl.-8°, etw. späteres Pergament, Vorsätze erneuert.
20221-195225115XParagon Pr 2022. Hardcover. New. 248 pages. 11.00x9.00x1.00 inches. Paragon Pr hardcover
17004112Venice and Bassano: Gio. Antonio Remondini 1700. 12mo 134 x 67 mm. Collation: A-R12. 394 14 pp. 2 parts separately titled second title-page on F5r. Woodcut printer’s device on titles 120 text woodcuts a very few repeated. A few cuts with black dots e.g. on p. 257 apparently from wormed blocks. Fol. K12 with short closed tear touching a woodcut a few headlines shaved; some light discoloration. Late 18th-century English green calf covers with gilt intertwining feather and pointillé border smooth spine gold-paneled and tooled with 3 different all-over patterns red calf lettering piece gilt edges marbled endleaves worn: spine cracked headcaps gone. Provenance: a member of the Fletcher family: engraved armorial bookplate two gryphons as supporters motto “Dieu pour nous†the shield described by Burke as “sable a cross flory argent between four escallops. Crest a bloodhound azure ducally gorged or.â€<br/> <br/> An illustrated pocket edition of 400 fables from Aesop and other traditions specifically intended for children preceded by Giulio Landi’s life of the semi-mythic fabulist. The charming simple but decisively cut woodcut illustrations are typical of the early productions of the Remondini firm who used the blocks as well in several Latin editions of the fables.<br/> <br/> Giovanni Antonio Remondini 1634-1711 an enterprising businessman whose earliest commercial successes were in wool production was the founder of the long-lived Bassano print publishing firm later known for its paper production. Specialized at first in the production of popular prints mainly engravings the firm’s typographic activities were circumscribed until the mid-18th century by the Venetian monopoly of book production; thus the Remondinis’ earlier typographical output was limited to popular chapbooks and devotional works for a local readership usually in small formats and often illustrated with quickly but skillfully cut woodcuts as here. <br/> <br/> This undated edition corresponds with the below-cited ICCU record in its pagination and fingerprints but several mispaginations described in ICCU were here corrected. The ICCU editors note two variants one with the place of publication given as Bassano only and this state or issue with imprint “In Venetia et in Bassano†dubbed variant B. ICCU ITICCULO1E04628; cf. M. Infelise I Remondini di Bassano 1980 pp. 23-33 and 132-3. Gio. Antonio Remondini unknown
18656735New York: printed at The Riverside Press for Hurd and Houghton 1865. 130 engravings based on designs by Herrick. 8vo. original brown cloth decorated in gilt. Top of spine rather worn and front hinge split. printed at The Riverside Press for Hurd and Houghton hardcover
17936744London: John Stockdale 1793. Two volumes. 112 engraved plates with protective tissue by Thomas Stothard J. Landseer Hunt Medland Lovegrove Skelton Powell Eastgate W. Grainger Clarke L. Chapman A. Smith J. Saunders Audinet et al. Pp. lxi publisher’s ad. leaf 198; xii 248. Large 8vo. original cloth backed marbled paper covered board with printed paper spine labels. Some rubbing light browning to end of volume II and a bit shaken.An excellent untrimmed copy pretty well preserved in the original binding of Stockdale’s well printed and deliciously illustrated Aesop. This is a true first of the great 1793 Stockdale edition with the advertisement leaf for Stockdale’s Gay’s Fables and the misprinted p.891 for p.198 of the first vol. The text is by Samuel Croxall. Booklabels of Carleton Richmond. In the original publisher’s binding John Stockdale hardcover
16-5874Paris: Pierre Rocolet 1659. 8vo. 11 x 18.2cm. Contemporary calf with gilt spine unrestored. Engraved frontispiece from the 1631 du Bray edition; 22712 8112pp.Pages 206-210 with Fable XXXVI have been removed. 118 full page engravings. .Frontispice et 120 figures gravés en taille douce dont quelquesunes signées Isaac Briot ou de sa fille Marie Briot. Les autres sontcopiées pat un anonyme sur Corneille Galle. Les Fables de Philelpheont un titre séparé.OCLC Number / Unique Identifier:491695286Notes:Les fables de Philelphe ont une p. de titre particulièreSig. ã8 ẽ4 a-f8 g6 A-Z8 Aa-Yy8 Zz2 ; ã4 A-G8118 gravures sur cuivre 1 par fable d'EsoExpertise by Jean-François Bétis1 rue de l'Eglise Donzacq F-40360 Paris: Pierre Rocolet, 1659. unknown
16-5882Paris: P. Mongie aiÌ‚neÌ 1826. Oblong 8vo. 20.5 x 22.5cm. Contemporary qtr. coth and marbled boards urestored. viii 208pp. and14 lithographs hors texte. OCLC Number / Unique Identifier:763198381. Morgan Library Accession number: PML 87033. Expertise by : Amaury BONNETAIN. Paris: P. Mongie aiÌ‚neÌ ,1826 hardcover
132069Na livraria portugueza de J. P. Aillaud 1837 Paris. 13x21. 1/2 piel. 202 pgs. Texto en portugués. Ilustraciones. Texto enmarcado en cenefa. Puntos de óxido. Una de las láminas desprendida y con algunas faltas. Q9503 Na livraria portugueza de J. P. Aillaud, 1837, Paris. unknown
