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200310522NY: Knopf 2003. First trade edition first prnt. 1st issue dustjacket. Preceded by a self-published paperback edition. Signed and dated "'03" by Paolini on the title page. A 4 x 6 inch color digital photograph of Paolini at the booksigning laid in. One dustjacket corner just touched not immediately apparent; otherwise an unread copy in Fine condition in a Fine dustjacket with an archival cover. Volume 1 in Paolini's Inheritance trilogy. Paolini's first novel. Signed & Dated by Author. First Edition. Hardcovers. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Knopf Hardcover
184450909London: Longman Brown Green and Longmans 1844. Hardcover. Fair/No Jacket. Half-leather 21 cm 69 ff. tp chromolithographic page and illustration boarders etc. designed by Owen Jones. Scarce. Fair copy but for light foxing throughout; leather spine deteriorating at edges. Longman, Brown, Green, and Longmans hardcover
1824SZEPEBKS007288IMilano: Presso Gli Editore 1824 1825 1824. Hardcover. Good. 8vo. - Four volumes in original printed yellow wrappers color of Volume 3 is somewhat lighter than the other three with decorative borders. - On each front cover in additon to the information provided on the title page the following is printed in Italics under Verri's name: "Co' testi latini tradotti dal Conte Bossi". - Each volume with printed price information on back cover. - Uncut. - Spines worn else very good. - Volume 1 with numerous annotations on front endpaper. - At end of Volume 3 engraved city plan of Milano folded. - Pagination: 3522;3022;2511 plus folding map;319 pp. - No 1824 copies in WorldCat <br/> <br/> Presso Gli Editore 1824, 1825 hardcover
193172023Indianapolis: Popular Fiction Publishing 1931. Pulp Magazine Near Fine. Indianapolis: Popular Fiction Publishing: 1931. Pulp Magazine Near Fine 432 pp.<br/> Remarkably incredibly and amazingly well-preserved. Clean and tight with covers still somewhat glossy. Modest rippling and with very light wear and toning to extremities. Maybe you've heard of some of the contributors to this issie: H.P. Lovecraft Robert E. Howard Edmond Hamilton Henry Whitehead Otis Albert Kline. It's a privilege and a thrill to have something like this pass over my desk. Jeepers! Popular Fiction Publishing unknown
192731649Indianapolis IN: Popular Fiction Publishing Company 1927. Text paper tanned but supple edges trimmed cover creases a very good copy. 31649. Octavo single issue cover art by C. C. Senf pictorial wrappers. Pulp Magazine. Includes stories by Ray Cummings Flavia Richardson pseudonym for Christine Campbell Thompson; her first appearance in WTs Arthur J. Burks and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
192727867Indianapolis IN: Popular Fiction Publishing Company 1927. Text paper tanned but supple clear tape over spine a very good to nearly fine copy. 27867. Octavo single issue cover art by C. C. Senf pictorial wrappers. Pulp Magazine. Includes stories by Arthur J. Burks Clare Winger Harris G. G. Pendarves Manly Wade Wellman his first published story Edmond Hamilton and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
192727651Indianapolis IN: Popular Fiction Publishing Company 1927. Text paper tanned but supple mild edge wear closed edge tears creasing small chip lower right front corner slight loss at head of spine rear cover soiled a very good copy. 27651. Octavo single issue cover art by C. C. Senf. pictorial wrappers. Pulp Magazine. Includes stories by Seabury Quinn H. P. Lovecraft "The White Ship" Edmond Hamilton Eli Colter and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
192827664Indianapolis IN: Popular Fiction Publishing Company 1928. Text paper tanned but supple clear tape over spine a nearly fine copy. 27664. Octavo single issue cover art by C. C. Senf pictorial wrappers. Pulp Magazine. Includes stories by Seabury Quinn Donald Wandrei Edmond Hamilton "Crashing Suns" conclusion Robert E. Howard verse Clark Ashton Smith Everil Worrell and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
192827665Indianapolis IN: Popular Fiction Publishing Company 1928. Text paper tanned but supple several tiny tears to right front edge upper left corner slightly overtrimmed clear tape over spine a nearly fine copy. 27665. Octavo single issue cover art by C. C. Senf pictorial wrappers. Pulp Magazine. Includes stories by H. Warner Munn Paul Ernst Seabury Quinn Donald Wandrei verse Clark Ashton Smith verse Genevieve Larson and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
193527877Indianapolis IN: Popular Fiction Publishing Company 1935. Text paper tanned tanned but supple slight edge wear clear tape over spine a nearly fine copy. 27877. Octavo single issue cover art by Margaret Brundage pictorial wrappers. Pulp Magazine. Includes stories by Arthur B. Reeve Craig Kennedy Robert E. Howard "Beyond the Black River" p. 1 - Conan Clark Ashton Smith Robert Bloch August Derleth and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
192827883Indianapolis IN: Popular Fiction Publishing Company 1928. Text paper tanned but supple light edge wear with tiny tears to yapp edges some rubs to upper right corner a very good to nearly fine copy. 27883. Octavo single issue cover art by C. C. Senf pictorial wrappers. Pulp Magazine. Includes stories by H. Warner Munn Paul Ernst Seabury Quinn Donald Wandrei verse Clark Ashton Smith verse Genevieve Larson and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
1914027029London 1914 MacMillan and Co Hardcover 1st Edition
19621242801962 Editions d'Art Les Heures Claires, Paris - 1962/1966 ( Quarante quatre mois de travail ont été nécessaires à la réalisation de cet oiuvrage)) - 3 volumes in-8 en feuillets sous chemise et étui cartonné illustrés de l'éditeur. 194 + 165 + 209 pages - Illustrations en couleur dans le texte gravées par Jean Tarico (travail ayant requis deux mille deux cents bois nécessaires à la reproduction des aquarelles)- Exemplaire bien complet du fac-similé de la lettre d'Henri Lemarié
182436381Milano: Dalla Societa Tipog. De' Classici Italiani 1824. Hardbound. VG Ex archival library copy with letters at base of spine. A beautiful copy with a hint of foxing at front end papers. Green library buckram. 142 pp. 27 engravings printed on recto only. Tissue guards over plates. A superb example of this rare title. The book measures 11" x 15". Beautiful collection of the main painters in Cremona during the Renaissance as well study of some of their works and their relevant illustrations: Bonifacio and Gianfrancesco Bembo Cristoforo Moretto Boccaccio and Camillo Boccaccino Altobello Melone Bernardino Gatti Tommaso Alessi the "Campi Brothers" Galeazzo Giulio Antonio Vincenzo Bernardino Sofonisba Angussola Giambattista Trotti et al. Text in Italian in lovely large font on soft rag paper. Dalla Societa Tipog. De' Classici Italiani hardcover books
Two Volumes. With 10 hand-coloured aquatint plates "Drawn by H. Repton. Engraved by Stadler.", title vignettes signed "H. Repton inv. & delin. H. R.Cook sculpsit." Offsetting. Plates age stained especially on verso. Decorated title pages. 185mm. Disbound. Early inked ownership of E.W. Spangler in both volumes and scratched out ownership on title pages. Edward Webster Spangler. (1846-1907) was from York, PA. During the Civil War he was a member of Company K, 130th Regiment PA Volunteers, Second Brigade, Third Division, Second Corps, Army of the Potomac. After the War he was a lawyer in York for more than 40 years, president of the Spangler Manufacturing Company, and for a time publisher of the York Daily (Record). .Humphry Repton (1752-1818) was a great English landscape designer, and illustrator. These 'Odd Whims' were dedicated to his neighbour William Windham of Felbrigg Hall. Repton served as Windham's confidential secretary during Windham's very brief stint as Secretary to the Lord Lieutenant of Ireland. **PRICE JUST REDUCED! ENGSETS BX 5
20041107050106Torino: Regione Piemonte:Fond. Antonio Maria/Mariella Marocco 2004. Hardcover. Like New. 36 99 p. XXVII i.e. 43 35 leaves of plates some folded : ill. plans ; 29 cm. Facsimile reprint with a new introduction. Bound in red leather. Gilt spine and boards. Marbled end pages. Fine binding and cover. Light wear. Some of the numbered plates are bound out of order e.g. IV VI V. Clean unmarked pages. <br><br>The book one of the most prestigious publishing initiatives of 1600s Turin describes in detail the magnificent Royal Palace historically artistically and traditionally. Beautiful illustrations and engraved plates from Tasna are reproduced here in the original complex foliation. Includes an introduction by Andreina Griseri followed by the facsimile edition of Bartholomew Zapatta in Turin in 1674. The care taken with its presentation as well as the dozens and dozens of plates within text make this volume a true work of art.<br><br> Torino: Regione Piemonte:Fond. Antonio Maria/Mariella Marocco hardcover
179466455Londra 1794. First edition 8vo pp. 116; later hand-made paper-covered boards; fine. The eulogy on Machiavelli is by one of the 18th-century editors of Machiavelli's works the Count Baldelli-Boni. It was read at the Florentine Royal Academy on August 7 1794 and published the same year. A second edition was printed in 1796 and it was included in the 1796 edition of Opere di Niccolò Machiavelli printed in Livorno. The British Library Catalogue notes that "the imprint is probably false: printed in Leghorn unknown
Foreword by Dr. Brittay SIn Pristine Condition. unknown
Huge book: 15" w x 22" h, in Near Fine condition with a bumped lower back corner, small tear at front lower corner, small impact mark at bottom spine with very small tear, some light scuffing. Otherwise Fine. Contents include: stories from Weird Fantasy #12, 13, 17; Weird Science #13, (two stories) 16, 18, 22, Weird Science-Fantasy, #23, 24,, 27 with three previously unpublished works from Spawn of Venus, one a "splash page pencil rough." Shock and War Stories (pp. 98 -- 133): Shock Suspenstories, Frontline Combat, #15, Two-Fisted Tales #13, 33, 34, 41, with (13) full page cover art prints from other editions of the above publications. 152 pages. This is a very large object and will require special shipping to be arranged by seller at time of purchase.
1820P1324Paris 1820. Excellent. Notes: Published in the important and comprehensive work on Egypt commissioned by Napoleon: "Description de l’Egypte ou recueil des observations et des recherches qui ont ete faites en Egypte pendant l’expedition de l’armee Francaise." Image Size : 287x440 mm 11.25x17.25 Inches Platemark Size : 385x535 mm 15.125x21 Inches Paper Size : 520x692 mm 20.5x27.25 Inches Coloring: Black & White Medium: Copper Engraving Categories: Crafts & Trades unknown
1928011137<p>London: Cassell & Company 1928 251 pgs. TEG. Blue cloth with parchment spine titled and ruled in gilt some fraying and soil to cloth occasional light foxing but clean overall. 12 wonderful color illustrations by Dulac in the style he adopted later in his career. Tales by Charles Perrault Mme. D'Aulnoy Ct. Anthony Hamilton. Copy #389 / 1000 signed by Edmund Dulac. . Signed by Illustrator. Signed Limited Edition. Cloth Hard Cover. Very Good/No Jacket. Illus. by Edmund Dulac. 8vo.</p> Cassell & Company hardcover
1911011154<p>London: Macmillan 1911 Red cloth pictorially stamped and titled in gilt gilt bright spine slightly sunned front and rear pasted down endpapers with adhesive residue else clean and bright internally. A selection of folk tales collected primarily from Italy and Greece in the 17th Century. Illustrated here with 32 beautiful color plates by Warwick Goble. Uncommon in such lovely condition. First Trade Edition. Pictorial Cloth. Near Fine/No Jacket. Illus. by Warwick Goble. Thick 4to.</p> Macmillan hardcover
169821457Paris, Michel Brunet, 1698 ; in-12, veau fauve, dos à nerfs très décoré et doré, pièce de titre grenat, roulette sur les coupes, tranches rouges (reliure de l’époque) ; VIII, 285, [11] pp. Table et Privilège. Imprimerie de Gilles Paulus-Du-Mesnil ; [8] pp. de Catalogue du libraire.
2 tomes reliés en un volume in-12, plein veau marbré de l'époque, dos à nerfs ornés de compartiments fleuronnés et cloisonnés, pièce de titre de maroquin bordeaux, tranches rouges, (2) f., iv, 117 p. et (1) f., 140 p., portrait frontispice et 5 figures hors texte. Edition bien complète de la seconde partie, ensemble traduit de l'espagnol par l'abbé Jean Antoine de Charnes, revue pour le style par George de Backer. Elle est illustrée d'un portrait frontispice, de deux titres gravés et de 5 figures non signées imprimées sur papier fort. Les pages de titre sont encadrées d'un important motif architectural et illustrées d'une grande vignette sur bois. Les vignettes et figures ont un caractère bizarre, voire fantastique. La préface annonce une nouvelle traduction établie "avec soin" sur le "véritable original espagnol", préservant également les intitulés. Pour plusieurs siècles, cette édition demeurera la version française de référence du premier et de l’un des meilleurs romans du genre picaresque, fondateur du genre. Cette édition est rare. WorldCat ne recense que 5 exemplaires dans le monde. Elle manque à la BnF et à l'ensemble des bibliothèques françaises en ligne (CCFr). (France littéraire, IV, p. 168. Palau y Dulcet (2ª edición), n°133483). La page de faux-titre du premier volume est placée en tête du second. Quelques piqûres éparses. Bel exemplaire, bien relié à l'époque.
194724381947 Montrouge, Théo et Florence Schmied, 1947. 34 x 25,5 cm, in-4, 66 (3) pp., orné de 64 compositions gravées sur bois en couleurs (couverture, 12 à pleine page, 36 grandes lettrines et 15 dans le texte, parfois presque à pleine page ou en encadrement), en feuilles sous couverture blanche à rabats illustrée au premier plat, chemise et étui de l'éditeur.