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1964R160214016Union Latine d'Editions. 1964. In-8. Relié plein cuir. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 10+295+317+323+339+295+258+257+304 pages - nombreuses planches d'illustrations en couleur - tranches en tête dorées - dos à 2 nerfs (frottés) - sous emboîtage rigide cartoné rouge en état d'usage. . Sous Emboitage. . Classification Dewey : 398.2-Conte populaire
Very Good Russian Rare second edition of Nazim Hikmet Ran's 'Cloud in love' in Russian as well as in any Slavic languages, translated by Russian Turcolog and philologist Lely Nikolayeviç Starostov, (1924-1985). It's an allegorical story about an evil desert spirit who tries to destroy an oasis that is tendered by beautiful Aishe. Luckily, a Cloud falls in love with her and protects the oasis, although it costs him a life. This script also was used as it was for Soviet animation with the same title 'Vlyublennoye oblako', which was made in 1959 by Roman Kachanov, one of the pioneers of Soviet stop motion animation. Paperback. Cr. 8vo. (20 x 14 cm). In Russian. 118, [1] p., b/w ills.
180925343Paris: Imprimerie Impériale 1809. Fine. Imprimerie Impériale Paris 1809-1829 53.50 x 70 cm une feuille Original unshaved full-page etching from the Imperial edition of the Description de l'Égypte or Recueil des observations et recherches faites en Égypte pendant l'expédition française publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand A Collection of the observations and research carried out in Egypt during the French expedition published on the orders of his Majesty the Emperor Napoleon the Great'.Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828 1000 copies were printed and distributed to institutions on vergé paper with an 'Égypte ancienne et moderne' watermark visible when held up to the light. Light marginal spotting not touching image otherwise in very fresh fine condition. An engraving from the Description de l'Egypte one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799 the work is divided into 13 volumes of engravings making up 892 plates of which 72 colored as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The Egyptian campaign' militarily a disaster demonstrates through the engravings of the Description d'Egypte the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte Egyptian Institute who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge the chemist Berthollet the naturalist Geoffroy Saint-Hilaire as well as numerous artists engineers architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants.This edition the so-called Imperial edition of the plates for the Description de l'Egypte was printed in four large formats two of which were specially created for it and christened Moyen-Egypte and Grand-Egypte. A special press was built to print it the process extending over 20 years from 1809 to 1829. The Imperial edition proved so popular that a second edition this time in black and white and without the Egypte ancienne et moderne watermark known as the Royal Edition was published during the Restoration by the printing house of C.-L.-F. Panckoucke Paris.The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon illustrator diplomat collector and later Director of the Musée Napoléon the Louvre. His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte.Denon embarked on this story of archeological exploration at the age of 51 reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte the Natural History Museum's painter H.J. Redouté brother of Pierre-Joseph Redouté author of Roses the mineralogist Dolomiue and the draughtsman Joly Denon then explored the Nile Delta and Lower Egypt. When however he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798 he found himself the only civilian. In the very midst of the battle itself he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed a country that is apart from its name entirely unknown to Europeans and therefore everything was worth describing Voyages dans la Basse et la Haute Egypte pendant les campagnes Imprimerie Impériale unknown
180926294Paris: Imprimerie Impériale 1809. Fine. Imprimerie Impériale Paris 1809-1829 71 x 53.50 cm une feuille Original unshaved full-page etching from the Imperial edition of the Description de l'Égypte or Recueil des observations et recherches faites en Égypte pendant l'expédition française publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand A Collection of the observations and research carried out in Egypt during the French expedition published on the orders of his Majesty the Emperor Napoleon the Great'.Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828 1000 copies were printed and distributed to institutions on vergé paper with an 'Égypte ancienne et moderne' watermark visible when held up to the light. Light marginal spotting not touching image otherwise in very fresh fine condition. An engraving from the Description de l'Egypte one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799 the work is divided into 13 volumes of engravings making up 892 plates of which 72 colored as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The Egyptian campaign' militarily a disaster demonstrates through the engravings of the Description d'Egypte the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte Egyptian Institute who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge the chemist Berthollet the naturalist Geoffroy Saint-Hilaire as well as numerous artists engineers architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants.This edition the so-called Imperial edition of the plates for the Description de l'Egypte was printed in four large formats two of which were specially created for it and christened Moyen-Egypte and Grand-Egypte. A special press was built to print it the process extending over 20 years from 1809 to 1829. The Imperial edition proved so popular that a second edition this time in black and white and without the Egypte ancienne et moderne watermark known as the Royal Edition was published during the Restoration by the printing house of C.-L.-F. Panckoucke Paris.The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon illustrator diplomat collector and later Director of the Musée Napoléon the Louvre. His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte.Denon embarked on this story of archeological exploration at the age of 51 reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte the Natural History Museum's painter H.J. Redouté brother of Pierre-Joseph Redouté author of Roses the mineralogist Dolomiue and the draughtsman Joly Denon then explored the Nile Delta and Lower Egypt. When however he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798 he found himself the only civilian. In the very midst of the battle itself he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed a country that is apart from its name entirely unknown to Europeans and therefore everything was worth describing Voyages dans la Basse et la Haute Egypte pendant les campagnes Imprimerie Impériale unknown
180925348Paris: Imprimerie Impériale 1809. Fine. Imprimerie Impériale Paris 1809-1829 53.50 x 70.50 cm une feuille Original unshaved full-page etching from the Imperial edition of the Description de l'Égypte or Recueil des observations et recherches faites en Égypte pendant l'expédition française publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand A Collection of the observations and research carried out in Egypt during the French expedition published on the orders of his Majesty the Emperor Napoleon the Great'.Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828 1000 copies were printed and distributed to institutions on vergé paper with an 'Égypte ancienne et moderne' watermark visible when held up to the light. Light marginal spotting not touching image otherwise in very fresh fine condition. An engraving from the Description de l'Egypte one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799 the work is divided into 13 volumes of engravings making up 892 plates of which 72 colored as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The Egyptian campaign' militarily a disaster demonstrates through the engravings of the Description d'Egypte the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte Egyptian Institute who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge the chemist Berthollet the naturalist Geoffroy Saint-Hilaire as well as numerous artists engineers architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants.This edition the so-called Imperial edition of the plates for the Description de l'Egypte was printed in four large formats two of which were specially created for it and christened Moyen-Egypte and Grand-Egypte. A special press was built to print it the process extending over 20 years from 1809 to 1829. The Imperial edition proved so popular that a second edition this time in black and white and without the Egypte ancienne et moderne watermark known as the Royal Edition was published during the Restoration by the printing house of C.-L.-F. Panckoucke Paris.The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon illustrator diplomat collector and later Director of the Musée Napoléon the Louvre. His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte.Denon embarked on this story of archeological exploration at the age of 51 reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte the Natural History Museum's painter H.J. Redouté brother of Pierre-Joseph Redouté author of Roses the mineralogist Dolomiue and the draughtsman Joly Denon then explored the Nile Delta and Lower Egypt. When however he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798 he found himself the only civilian. In the very midst of the battle itself he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed a country that is apart from its name entirely unknown to Europeans and therefore everything was worth describing Voyages dans la Basse et la Haute Egypte pendant les campag Imprimerie Impériale unknown
1995x-1857283058Ucl Pr Ltd 1995. Hardcover. New. 1st edition. 302 pages. 9.00x5.75x1.00 inches. Ucl Pr Ltd hardcover
19761831A Nice, Le Chant des Sphères Éditions Sefer, 1976-1978.
26383Bruxelles, Academie Royale de Belgique, 1866 Broche,1 sous jacuqette originale d'editeur, 16x24.2cm., respect. xxxii + 540 pp., 462 pp. et xxii + 416 pp., coupe et non-coupe.
elala5757Paris: Guillaumin Et Cie. 1859. First Edition of the Second French Translation by M.Barneaud from the enlarged fourth Italian edition with an introduction by Louis Wolowski. cfCoquelin & Guillaumin I p. 364. cfEinaudi 1095. 2 Volumes. 8vo. pp. 1 p.l. xlv 362; 1 p.l. 354. index. A near fine copy in contemporary half calf occasional light spotting. elala5757 Paris: Guillaumin Et Cie., 1859 unknown
1939009767London: Hatchard & Co 1939 190 pgs. Vellum backed cloth boards blue spine label. a tiny bit of wear to edge of spine label else fine and clean housed in a later slip case which has a long abrasion to one panel. Illustrated with 2 color plates there would have been more if the book had not been rushed to publication to avoid WWII paper restrictions. Limited Edition #371/500 signed by Dulac and Crary on the limitation page. A delightful modern fairy tale. Hughey 91a. . Signed by Author & Illustrator. First Limited Edition. Hard Cover. Near Fine/No Jacket. Illus. by Edmund Dulac. 4to. Hatchard & Co hardcover
192030412New York: E.P. Dutton & Co 1920. 1st edition US. Hardcover. Fine. Rackham Arthur. 1st separate US ed. a subset of the complete tales issued in 1909. 4to full red cloth decorated gilt spine and cover illustrated with 20 mounted tissue guarded color plates by Arthur Rackham plus 29 line drawings. Ink 1924 gift inscription to front free endpaper darker thread across front board else fine. E.P. Dutton & Co hardcover
192230401New York: Doran 1922. 1st ed. Hardcover. Rackham Arthur. 1st US edition. 4to full red cloth with pictorial gilt cover design.16 tipped in color plates and 8 additional pastel colored illustrations by Arthur Rackham. 208pp. A fine bright copy no previous owner's marks. Doran hardcover
19921121 O42<p>SIGNED LIMITED FIRST EDITION FIRST PRINTING stated complete number line to 1 Cambridge Candlewick Press 1992 ISBN #156402072X. Deluxe Limited Slipcased Edition #7 of 350 numbered copies. Signed by Sendak and Iona Opie. New and includes publishers paper with original price of $75 and Limitation Number No. 7 on the label. A collection of traditional children's poems and riddles illustrated by Maurice Sendak mostly in color. Books are Carefully Packed and Shipped Daily with Delivery Confirmation from Dry Smoke-Free shop. Complete Satisfaction Guaranteed.</p> Candlewick Press hardcover
1935003221Los Angeles: Suttonhouse 1935 181 pgs. Blue cloth hardcover titled in gilt mild discoloration of cloth near spine else fine in color pictorial dust jacket with wear at folds small chips to spine ends and corners spine slightly darkened slip case is wornand dusted. A collection of seven prize winning stories illustrated by Pogany with 7 full page color plates and small b&w drawings on almost every page. Uncommon with wrapper and slipcase. First Trade. Hard Cover. Very Good to Near Fine/Very Good. Illus. by Willy Pogany. 4to. Suttonhouse hardcover
1926010499Philadelphia & London: J B Lippincott Co 1926 229 pgs. Top edge stained red. Burgundy cloth pictorially stamped and titled in gilt minor wear to extremities; pictorial dust jacket sunned and worn with small losses price-clipped. A selection of folk and fairy tales from India retold for a modern audience. Illustrated with 12 full-page color plates. . First Edition. Cloth Hard Cover. Near Fine/Fair. Illus. by Katharine Pyle. Large 8vo. J B Lippincott Co hardcover
1963166166London: Parroch-McCallum Productions 1963. Draft script for the 1964 UK-US film copy belong to Art Director George Provis with manuscript pencil and ink annotations on eight pages. Laid in are two copies of a carbon typescript copy set listing dated "19.3.1963" one with manuscript pencil annotations listing costs and a "With Compliments" slip on Shepperton Studio letterhead. Provenance available upon request.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> When a wealthy family member goes missing the family seeks the help of a sullen teenage orphan played by Francesca Annis who is said to have psychic powers. Inspiration for the 1978 film "Eyes of Laura Mars" directed by Irvin Kershner and starring Faye Dunaway and Tommy Lee Jones.<br /> <br /> Gray titled wrappers. Title page present. 111 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two flat metal brads.<br /> <br /> Laid in pages Near Fine bound with a paper clip. Parroch-McCallum Productions unknown
193830284Philadelphia: David McKay 1938. 1st ed. Hardcover. Near Fine. Marge. 4to full red cloth with color cover plate and interior color plates and line drawings by Marge of Littel Lulu fame. Ogres pirates robbers and wizards in the vein of Thompson's Oz continuation tales. Sticker from Green Dolphin Bookshop affixed to rear pastedown. Fine no dj or previous owner's marks. David McKay hardcover
U00A-03454Academic Press. Collectible - Good. Collectible - Good. Acceptable dust jacket. 14 Volume Set: Volumes 1-11 in 14 Volumes. Volumes 1-6 have dust jackets 7-11 are lacking jackets. Writing inside Vol. 3. Fishes Physiology Biology NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Academic Press unknown
1913700006Macmillan 1913. This is the scarce and desireable edition that contains 32 full color illustrations by Warwick Goble. This book is a former library copy and does not have the original binding. It has a library binding in red with black designs. Simple black text on spine. Original book has no library markings new rear endpaper attached to library binding show some remnants of card slot removal. No other markings that I can find. 32 colour illustrations by Warwick Goble with captioned tissue-guards all present. List of illustrations indicated that there should be a plate on page 299 "They were very friendly however and inquired her name. Snowdrop' answered she." is actually bound in at page 304. Pages show some soil and foxing wear at edges a few pages have small closed tears. All illustrations were printed on glossy stock paper and show much less soil. 7 inches by 9 inches with 379 pages. Ex-Library. Hard Cover. Good/No Jacket. Illus. by WARWICK GOBLE. Macmillan Hardcover
192315408Paris, Chuliat, 1923. In-4, relié en demi-chagrin bleu à coins, tête dorée, premier plat de couverture conservé.
1913EXE-431Paris, Hachette et Cie, 1913. In-4° broché, reliure de toile de l’édition illustrée, chemise. Illustré de 15 planches en couleurs hors-texte par Arthur Rackham, et de nombreuses illustrations dans le texte.
2009Atlantic-9781405190251Wiley-Blac 2009. 3rd Ed. Hardcover. New. Wiley-Blac hardcover
2009Atlantic-9781405190251Wiley-Blac 2009. 3rd Ed. Hardcover. New. Wiley-Blac hardcover
17057Paris Union Litteraire et Artistique, sans date (vers 1950) 0 grand in 4 (32,5x23) 2 volumes reliures plein chagrin rouge de l'éditeur, dos à 5 nerfs, très richement orné de fleurons dorés, triple filets d'encadrement et large dentelle dorée aux petits fers sur les plats, tranches dorées, étuis assortis bordés de chagrin rouge, texte en 2 couleurs, entouré d'un double filet vert, 337 et 353 pages. 57 illustrations en sépia pleine page montées, d'après Fragonard; bandeaux & culs-de-lampe. Introduction de R. Escolier. Exemplaire numéroté sur vélin de Renage. État de neuf
218340Japan. No date. Late Edo. Seven attractive colour manuscript ink and watercolour images 23.5 x 17cm 55 double-folded leaves 4-hole string binding paper title label upper cover. A little occasional worming contents paper on card covers insect damaged particularly on lower cover. This manuscript likely made in the late Edo period is a collection of samurai tales of revenge loyalty and self-sacrifice. The first story features Watanabe Kazuma 渡邊数馬 who avenged his brother Gentaro's death by pursuing and killing Kawai Matagorō. The book includes manuscript colour illustrations of the seven main figures involved in this vendetta—a story widely revered as a testament to loyalty and tenacity often portrayed in stage performances for the public. <br><br>Another account in the collection details Ikeda Tsuneoki also known as Shōnyū and his son who perished in the Battle of Nagakute near Nagoya. . unknown