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187734876Albert Heitz. 1877. Hardcover. Very Good in No Dust Jacket dust jacket. Scholar's stamp to vol. 1: Gilbert Bagnani. Bound in half-vellum. Boards a bit rubbed. Spine label of vol 2 is detached. Books very solid. Still very attractive.; Vol. 1: 1877 xvi 512 pp; Vol. 2: 1877 viii 560 pp; 4 Books Bound in 2 Volumes; 1-2; 1072 pages . Albert Heitz hardcover
19301308070007Touring Club Italiano 1/1/1930. Hardcover. Good. 18 volume set. 1930-1952. Hardcover. Good bindings and covers. Clean unmarked pages. Minor wear to spines. Small tear on back cover of volume 18. Minor chipping damage to front cover of volume 10. A brilliant set from the Touring Club Italiano. Set includes: Vol 1-Piemonte 2-Lombardia 3-Lombardia pt.2 4-Sicilia 5-Toscana 6-Toscana pt.2 7-Campania 8-Puglia Lucania Calabria 9-Roma 10-Roma pt.2 11-Lazio 12-Umbria 13-Venezia 14-Abruzzo e Molise 15-Liguria 16-Emilia e Romagna 17-Venezia Tridentina 18-Veneto. Ships daily. Touring Club Italiano hardcover
196315003new oversize hc poster of the exhibit tipped in SIGNED BY GUARNIERI expedited & international shipping not available Leo S. Olschki Editore hardcover
2026__153151359XFordham University Press 2026. Hardcover. New. 432 pages. 9.00x7.00 inches. Fordham University Press hardcover
4-41908Milano 1911 16° legatura originale tutta tela con bella copertina illustrata a col. tagli rossi pp. 212 con numerose illustrazioni n.t. e in tav. f.t. Numerose le pubblicità n.t. e nelle pag. finali. hardcover
2007x-3540695060Springer-Verlag New York Inc 2007. Paperback. New. 1st edition. 937 pages. 9.00x6.00x1.25 inches. Springer-Verlag New York Inc paperback
20406ITALIAN WINE MAKING DISCIPLINARI DI PRODUZIONE VINI A DENOMINAZIONE DI ORIGINE "CONTROLLATA". Two volumes. Conegliano: Casa Editrice Scarpis 1968 and 1971. 4to. Cloth. 303; 433 pages and numerous maps in color. First edition thus. The complete text of the incredibly complicated DOC regulations which governe and stifled Italian wine makers for a generation. Very good. unknown
1978ZB394093Comitato italiano per lo studio dei problemi della popolazione 1978-1994. volumes 34 43 46-50 1978-1994 complete volumes partly bound library markings textually clean & tight PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Comitato italiano per lo studio dei problemi della popolazione unknown
199216144The Johns Hopkins University Press. 1992. Hardcover. Very Good in Very Good dust jacket. Gift inscription to ffep in pen from author: "Robin with warmest greetings Nigel". Else book is fine. Dustjacket has minor edgewear and rubbing.; Having all but disappeared from western literacy during the Middle Ages classical Greek would recover a position of importance--eventually equal to that of classical Latin--only after a series of surprising failures chance encounters and false starts. Continuing the story he began in his acclaimed study Scholars of Byzantium N. G. Wilson describes how the classical heritage preserved by the Byzantines was transmitted to a vigorous culture first in fourteenth-century Florence and then throughout Italy.; 200 pages; Signed by Author . 0801845637 . The Johns Hopkins University Press hardcover
Foreword by Leila Krogh,Not in perfect condition. unknown
2016AME_9781783478453Edward Elgar 2016. 1. Hardcover. New/New. Edward Elgar hardcover
1802678352.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3-49306Perugia 1969 8vo con pagine forate ad un lato per viti a fermaglio pp. nn. 120 circa con ill. fot. unknown
1979100093327Presso la sede del centro 1979. bords frottés tranche fanée intérieur propre pages non coupées étiquette collée dans le dernier plat. in8. 1979. Broché. 2 volumes. Presso la sede del centro unknown
189210431<p>London Printed at Chiswick Press 1892. HB NODJ ISSUED 1892 1st edition with colophon on Last pageSoft Light Brown Tweed with White Vellum Leather Spine with Gold Gilt Decorations & Titles NF/VG AS-IS NODJ Minor Cover Rub & Scuff Minor Soil Spine Some Fox 194 pgs Interior Nice Tight Clean . First Edition. Hard Cover.</p> London Printed at Chiswick Press hardcover
199122491Rome: L'Erma Di Bretschneider. 1991. Softcover. Very Good in Very Good- dust jacket. DJs are browned in places with some minor shelfwear. Books have minor shelfwear.; Complete in 2 volumes. Li 1322pp well illustrated. Contributors include G. Colonna D. Ridgway Mansuelli Guarducci Rix L. Bonfante del Chiaro et al. 71 contributions; 2 Volume Set COMPLETE. Archeologia Classica Vol. XLIII: 1-2 1991; 8vo - over 7¾" - 9¾" tall; 1322 pages . L'Erma Di Bretschneider paperback
63-1110ca. 1864. Hand-Colored Lithograph mounted on textured paper. Image size: 15 x 24.5 cm. Good with marginal small tears & creasing. Text in Italian. [ca. 1864]. unknown
51-3290Ventimiglia: 19th Century. Silver photograph. 21 x 27.5 cm. Ttile and name of photographer beneath the image.No. 2171. Ventimiglia: 19th Century. unknown
1933053161Pera Istanbul: Kaza D'Italya = Casa D'Italia. c. 1933 1933. No Binding. Very Good. Original autograph concert program signed by Carlo Zecchi as 'Carlo Zecchi 17-4-33'. 21x145 cm. Bilingual in Italian and Turkish. 3 1 p. signature on cover. Program of Zecchi as a pianist and Nerio Brunelli as a violoncellist which was performed in Constantinople Istanbul Beyoglu in 1933 Lunedi 17 Aprile alle ore 2130. The program has a decorative cover with its decorative borders and has a couple of postal stamps on its second page One is Ottoman one is the Republican Turkey stamp. According to the program Zecchi and Brunelli performed Mozart Scarlatti Beethoven Varacini Boccherini Respighi Casella Chopin Dunkler Brunelli and R. Strauss. Carlo Zecchi was an Italian pianist music teacher and conductor. Zecchi was born in Rome. In Berlin he studied piano with Ferruccio Busoni and Artur Schnabel. He led pianistic courses in Accademia Nazionale di Santa Cecilia Rome and in Salzburg. He was a highly acclaimed performer of the works of Domenico Scarlatti Wolfgang Amadeus Mozart Claude Debussy and other Romantic music. Carlo Zecchi made his Italian debut in 1920 first performed abroad in 1922 and made his first tour of the USA in 1931. In 1939 he had a car accident which obliged him to abandon work as a soloist although he continued playing the most demanding chamber music and conducting. He played as only as of the duo partner of the cellist Enrico Mainardi. He toured America with the Florence May Festival Orchestra in 1957 and was the permanent conductor of the Vienna Chamber Orchestra from 1964 to 1976. In his last years two fingers on his left hand were paralyzed yet he performed Schubert's Trout Quintet. He also taught mostly at the S. Cecilia Academy in Rome and the Salzburg Mozarteum. Luckily several hours of Carlo Zecchi's playing were recorded and he also made several recordings shortly before his death. His Robert Schumann Franz Liszt and pieces from the Baroque era such as Antonio Vivaldi-J.S. Bach Concerto Scarlatti and Galilei remain unparalleled. While Arturo Benedetti Michelangeli was better known and often recorded Zecchi represents the height of pianism to emerge from Italy. Source: Bach Cantatas. <br/> <br/> Kaza D'Italya = Casa D'Italia., [c. 1933] unknown
196439480Roma: C.O.N.I. Comitato Olimpico Nazionale Italiano 1964. First edition. Softcover. g to vg. Small octavo. 111 1pp. Original printed wrappers. This booklet introduces the names of all the Italian athletes competing at the XVIIIth Olympic Games in Tokyo. On page 5 features the official stamp of Giordano Bruno Fabjan the Italian Chef de Mission. Minor shelf wear and sporadic creasing along edges of wrappers. Text in Italian. Wrappers in overall good to good interior in very good condition. C.O.N.I. (Comitato Olimpico Nazionale Italiano) unknown
dola764Milan: 1920. First Edition. 2 Volumes. 8vo. pp. xiv 238 4; xiv 2. 39 folding plates in Vol. I each with tipped-in modern birds' eye view on recto with decorative frame & old woodcut view on verso with decorative frame; Volume II with folding plate within decorative frame & 255 tipped-in photographic mostly industrial images within decorative frames. imitation vellum with yapp edges & cloth ties soiled extremities ends of joints frayed Milan: 1920 hardcover
71-1090Munich: Johann Baptist Stuntz circa 1810-1816. Lithograph. 17.5 x 13 cm. image. 27.7 x 22.3 cm. sheet. Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
71-1085Munich: Johann Baptist Stuntz circa 1810-1816. Lithograph. 38 x 28.1 cm. sheet. Very Good. Two specks of foxing in upper left quadrant. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
71-1086Munich: Johann Baptist Stuntz circa 1810-1816. Lithograph. 38 x 26.4 cm. sheet. Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
71-1087Munich: Johann Baptist Stuntz circa 1810-1816. Lithograph. 36.5 x 27.5 cm. sheet. Very Good. Light surface soiling a few specks of foxing. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown