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4to., First Edition, with fine coloured frontispiece and 18 fine full-page coloured facsimiles in the text; original printed wrappers, a fine copy. The Parsons fragment of the Leiden Christi [c.1462-63?] is unique. It is the only known example of the FIRST BOOK PRINTED IN ITALY, as well as being the FIRST BOOK PRINTED IN ITALIAN, and employing a UNIQUE TYPE FOUNT.
Ln. d. Zt. mit Goldprägung. Teils gestochene Noten. Kl. Bleistift-Eintragungen. Enthält (falls nicht erwähnt ist das Lied verlegt von Ricordi): 1) Luigi Ricci: Ti sovvien 2) Campana: Te rammenti? Per l`aure tacite (Lucca), Giura amor mio, Dimmi che m`ami, Addio (Lucca), Maria e Rizzio, Guarda che bianca Luza, Una sera d`amore (Napoli: Cottrau) 3) Donizetti: L`addio (Duett), L`addido (Soprano), Il giuramento.
Very Good Turkish, Ottoman (1500-1928) Paperback. Folio. (33 x 24 cm). In Ottoman script (Turkish with Arabic letters), and bilingual text in French and Ottoman Turkish on the cover. [4] p. Paul Lange was a German musician, teacher, orchestra, and choir leader living and working in Istanbul. Lange "Europeanized" Turkish military music and was one of the pioneers to bring German and European classical music to the Ottoman capital in the years between 1880 and 1920. Lange was born in Kartzow, Prussia, the descendant of an old Prussian teacher family. He was trained at the teacher's college in Neuruppin to become a school teacher. He graduated from that college in 1879 with honors. Because of his high musical skills, he was then admitted to the "Royal Academic Institute for Church Music" in Berlin, where he received training as a church organist. In 1880, Lange moved to Constantinople, where he assumed a position as a music teacher at the German School (Alman Lisesi) as well as organist of the Chapel of the German Embassy. Subsequently, Lange also became a music teacher at various other institutes of higher education in Constantinople, including several Greek and Armenian high schools (lycées) as well as American colleges such as Robert College and American College for Girls. Lange became a successful piano teacher and subsequently also formed his private conservatory, which however had to declare bankruptcy after two years. He transformed an existing Italian orchestra into a large German-style symphony orchestra with which he conducted the first performances ever of Beethoven symphonies and Wagner operas in the Ottoman Empire, with enormous success. Finally, during his visit to Constantinople in 1898, Kaiser Wilhelm II, who had already appointed him a "Kaiserlicher Musikdirektor" in 1894, became aware of Lange and helped him gain a position as head of a naval military orchestra of the Ottoman Navy. Subsequently, he took over several other military ensembles, before finally being appointed Director of the Sultan's music after the revolution in 1908. Since then Lange carried the Ottoman Court title "Bey". As a member of the Ottoman court, Lange was allowed to stay in Istanbul by the Allied Military Administration when all other Germans and Austrians were deported from the city. When Lange died in Üsküdar, Ottoman Empire, in December 1919, he received a state funeral, and the British Embassy chaplain performed the funeral at Feriköy Protestant Cemetery. However, his widow and his youngest daughter, who had stayed with him in Istanbul, were deported to Germany only a few months later in May 1920. The German-American conductor Hans Lange (assistant of Arturo Toscanini in New York City, later conductor at the Chicago Symphony Orchestra, best known for numerous recordings with the Wagner soprano Kirsten Flagstad) was the oldest son of Paul Lange. Paul Lange was a close friend of fellow German lecturer, Dr. Friedrich Schrader, also a faculty member at Robert College in the 1890s.
Very Good Turkish, Ottoman (1500-1928) Paperback. Folio. (33 x 24 cm). In Ottoman script (Turkish with Arabic letters), and bilingual text in French and Ottoman Turkish on the cover. [4] p. Görög was a Hungarian composer of Hidîv [i.e. Khedive] Abbas Hilmi Pasha Anthem in Buselik, which was played in Egypt between 1892-1914. Not in OCLC. Extremely rare.
Very Good French Paperback. Folio. (33 x 24 cm). In French. [3], [1] p. With a fine decorative and illustrative borders in Art-Nouveau style. Jules Émile Frédéric Massenet was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. J. D. Andria is one of the best known music publishers among the Ottoman Empire mionrities. According to he documents in hand, it can be estimated that he began musical score publication in the year of 1904. Andria dealt with music publication at the address of Beyoglu, Istiklal Street (Near Agha Mosque) at 68 no. Andria also published four pieces of Turkish marche parties for piano as far as we know; besides his big sized west music works, which were published in general by him. Donizetti's 'Marche' is one of them as well besides Halit Recep Arman's, Milok's, and Orente's ones. It is known when publishing life of Andria ended. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
910910CGRom. Kupferstiche ca. 14 x 16 cm, Blattgröße 26 x 39,5 cm. [2 Warenabbildungen]
1650910935CG[Um 1650]. Radierung 13 x 19,5 cm, Blattgröße 15 x 21 cm.
19234076-11[ca. 1923]. Orig.-Farbradierung, v. Künstler eh. signiert. 46 x 59 cm. (Bildausschn.). In ausgezeichnetem Zustand.
1862340BGHildburghausen, Bibliogr.Inst., 1862-1864. Stahlstich. ca. 10 x 15 cm., Abbildung Im Passepartout.
190028568Udine, A. Peressini, 1900. Querformat
1975129164Paris, Maeght, 1975. 21, [7] S. [9] Bll., mit 2 farbigen Originallithographien doppelblattgross, 2 farbigen Abbildungen und 11 Faksimile. Original kartoniert, 2°. Mit einem Text von Jacques Derrida "Le voyage du dessin". Softcover Gutes Exemplar. Derrière le Miroir, N° 214, Februar 1975
1873A151-1648Wien, Kaiserlich-K?nigliches Milit?r-Geographisches Institut, 1873. Heliogravure in Kupfer vervielf?ltigt durch Umdruck vom Steine., Blatt ca. 51x 45 cm, Kartenbild; ca. 48 x 42 zu 6 Segmenten auf Leinen aufgezogen; Zustand: sehr gut
1873A151-2255Wien, Kaiserlich und K?nigliches Milit?r-Geographisches Institut, 1873. Heliogravure in Kupfer vervielf?ltigt durch Umdruck vom Steine., Blatt ca. 51x 45 cm, Kartenbild; ca. 48 x 42 zu 6 Segmenten auf Leinen aufgezogen; Zustand: sehr gut - gut, teilkoloriert
1873A151-1476Wien, Kaiserlich und K?nigliches Milit?r-Geographisches Institut, 1873. Heliogravure in Kupfer vervielf?ltigt durch Umdruck vom Steine., Blatt ca. 51x 45 cm, Kartenbild; ca. 48 x 42 zu 6 Segmenten auf Leinen aufgezogen; Zustand: sehr gut - gut, teilkoloriert
1650910934CG[Um 1650]. Radierung 13 x 19,5 cm, Blattgröße 15 x 21 cm.
Very Good Italian Original autograph concert program signed by Carlo Zecchi as 'Carlo Zecchi, 17-4-33'. 21x14,5 cm. Bilingual in Italian and Turkish. 3, [1] p., signature on cover. Program of Zecchi (as a pianist) and Nerio Brunelli (as a violoncellist) which was performed in Constantinople (Istanbul), Beyoglu in 1933 (Lunedi17 Aprile, alle ore 21,30). The program has a decorative cover with its decorative borders and has a couple of postal stamps on its second page (One is Ottoman, one is the Republican Turkey stamp). According to the program, Zecchi and Brunelli performed Mozart, Scarlatti, Beethoven, Varacini, Boccherini, Respighi, Casella, Chopin, Dunkler Brunelli, and R. Strauss. Carlo Zecchi was an Italian pianist, music teacher, and conductor. Zecchi was born in Rome. In Berlin, he studied piano with Ferruccio Busoni and Artur Schnabel. He led pianistic courses in Accademia Nazionale di Santa Cecilia, Rome, and in Salzburg. He was a highly acclaimed performer of the works of Domenico Scarlatti, Wolfgang Amadeus Mozart, Claude Debussy, and other Romantic music. Carlo Zecchi made his Italian debut in 1920, first performed abroad in 1922, and made his first tour of the USA in 1931. In 1939 he had a car accident, which obliged him to abandon work as a soloist, although he continued playing the most demanding chamber music and conducting. He played as only as of the duo partner of the cellist Enrico Mainardi. He toured America with the Florence May Festival Orchestra in 1957 and was the permanent conductor of the Vienna Chamber Orchestra from 1964 to 1976. In his last years, two fingers on his left hand were paralyzed, yet he performed Schubert's Trout Quintet. He also taught, mostly at the S. Cecilia Academy in Rome and the Salzburg Mozarteum. Luckily several hours of Carlo Zecchi's playing were recorded, and he also made several recordings shortly before his death. His Robert Schumann, Franz Liszt, and pieces from the Baroque era, such as Antonio Vivaldi-J.S. Bach Concerto, Scarlatti, and Galilei remain unparalleled. While Arturo Benedetti Michelangeli was better known and often recorded, Zecchi represents the height of pianism to emerge from Italy. (Source: Bach Cantatas).
Traduzione: Cicogna Enrico dall'inglese . Pagine: 224 . Formato: 16° . Rilegatura: Cartonato telato marrone con piatto superiore decorato con le classiche 3 scimmiette gialle . Stato: Buono . Caratteristiche: Bruniture . Collana: Serie gialla 262 .
Diary of important events in Athens from the invasion of Greece by the Italians in October 1940 to the arrival of Nazi German forces in spring 1941. 234p. Crisp copy, paper age toned, else fas new Book
2003111164Harry N. Abrams. Inc 2003 Livre en anglais. In-4 cartonnage éditeur 29 cm sur 21,5. 174 pages. Nombreuses photographies en couleurs et en noir et blanc. Jaquette en bon état. Bon état d’occasion.
RO60015169***. sans date. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 24 pagine. Illustrazioni in nero & bianco e in colori.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pagine: 220 . Formato: 16° . Ex libris: Si appartenente a Cazzamini Mussi . Rilegatura: Brossura . Stato: Discreto . Caratteristiche: Bruniture .
87419aafNew York, Cornell University Press, 1984, in-4to, 294 p., with 60 colour plates and 140 b/w ill., copy from the archives of the publisher with stamp ‘Exemplaire d’Archive’, else fine, original clothbound with jacket.
1991RO60114004Arnoldo Mondadori. 1991. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 143 pages. Texte sur 2 colonnes.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
1987RO60121192Arnoldo Mondadori. 1987. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 602 pages. Quelques annotations en page de garde et dans le texte. Page de garde légèrement déchirée.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
1992RO60113908Arnoldo Mondadori. 1992. In-12. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur acceptable. 171 pages.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
