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19118407Washington: Government Printing Office 1911. Hardcover 3/4 leather & maroon cloth. Near Fine Condition/No Dust Jacket. Government Printing Office Washington 1911. Hardcover 3/4 leather & maroon cloth. Near Fine Condition/No Dust Jacket. Finely bound in dark brown leather and maroon cloth. Marbled end-papers. Overall near fine condition internally and externally. 276-kb. Size: Octavo standard book size. 345 pages. Quantity Available: 1. Category: Business Finance & Marketing; Banking; Italy; 1900-1920; Pictures of this item not already displayed here available upon request. Inventory No: 8407. Government Printing Office hardcover
0000871963: Doubleday Garden City NY. First edition as stated. Hardcover. Near Fine/good. rc. Rare book. 350 pages. Book is in near fine condition. The tan boards are like new and the inside is free of any marks the binding is tight and square. It does not appear to have ever been read. The red white and green dust jacket now in a mylar covering shows modest wear along the edges and has one small rip. the price on the inside of the dust jacket has been blacked out. Photographs can be supplied to any serious buyer. <br/><br/>Part one is organized by region. Part two is more general with topics like: antipasto bread wine espresso dieting and festivals. Free USPS tracking with every US order. Ships from MA. Doubleday hardcover
19560000390Garden City: Doubleday 1956. Hardcover. Near Fine/poor. rc. Rare book. 221 pp. Light green boards with yellow and black print. A little bit of fading generally. Inside clean and tight. Dust jacket has chipped and frayed edges and is very worn. <br/><br/> Free USPS tracking with every US order. Ships from MA. Doubleday hardcover
1721146284London: Printed by John Darby for the Author 1721. Rare second English edition of Leoni's English translation of Palladio's monumental work containing new typesetting but reusing the same plates from the first edition. Folio two volumes bound in full contemporary polished calf with gilt titles and ruling to the spine in six compartments within raised bands double gilt ruling and decorative stamping to the front and rear panels engraved frontispiece portrait of Palladio illustrated with 104 numbered engraved plates on 203 leaves including 15 double-page plates as well as 12 engraved in-text plates. Armorial bookplate to the pastedown of each volume. In very good condition. One of the giants of Venetian Renaissance architecture of the 16th century Andrea Palladio based his designs on the values of Greek architecture and the traditions of Roman architecture as outlined by Vitruvius. He is regarded as one of the greatest architects in the history of Western art best known for his villas in the Veneto as well as his palaces Vicenza and churches Venice all located within the Venetian Republic. His architectural theories were laid out in his treatise Quattro Libri dell Architettura The Four Books of Architecture which had a profound impact on building design throughout Europe and America. His style of architecture - a blend of Greek Roman and Renaissance art later known as Palladianism - accorded the greatest priority to maintaining symmetry perspective and overall harmony in the manner of Greco-Roman temple architecture and was widely imitated during the 17th and 18th centuries. Printed by John Darby for the Author hardcover
323489Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
323486Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
323488Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
323487Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century . Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
336330Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century ca. 1340–43. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
336332Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century ca. 1340–43. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
336329Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century ca. 1340–43. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
336331Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century ca. 1340–43. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
0260350605.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
RGW18727etching from 'Recueil de 283 estampes gravees a l'eau forte d'apres les dessins originaux . . .que Mons. Evrard Jabach de Cologne' small tear in left margin where it was removed from album From a series of plates reproducing the drawings that used to form the Jabach collection. The original drawing is now in the Louvre. unknown
mu232Ottobre 1819. "Il Sogno d"Aristo". 8x12 inches decorative border 4 paragraphs of text in Italian with cast of characters and actors. Folded in quarters minor fraying on edges. VG. Original printing. . unknown
3384521501.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
17-3154London: 19th Century British Publisher 1800s. Original color gravure. 10 x 7 inches. Very Good. B&W gravure on verso titled “Bussanaâ€. Light matting. [London?]: [19th Century British Publisher], [1800s]. unknown
042874012X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428366929.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1969HCA-5917NY NY: Harcourt Brace & World Inc. / A Helen and Kurt Wolff Book 1969. 152 pp. red orange cloth w/ black lettering to spine & embossed design to front board; Jacket shows 1" closed tear to bottom edge of front panel w/ a very short tear & small crease nearby & a 1/2" tear next to spine; some fairly light wear to ends of spine & ends of flap folds; a little light rubbing to front panel w/ a very small rub or scrape toward top of rear panel; creases to very fore edge of front inside flap but price is un-clipped / "Brilliantly entertaining fantasies merging mathematics with poetic imagination by the author of 'Cosmicomics.'" /. First U.S. Edition. Hard Cover. Fine/Good to Very Good. Illus. by Anita Walker Scott jacket design. 8vo - over 7¾" - 9¾" tall. Harcourt, Brace & World, Inc. / A Helen and Kurt Wolff Book Hardcover
196710919Latomus. 1967. Softcover. Near Fine. Pages unopened. Very light shelfwear else fine.; En français. 20 pages of plates and 1 map at end; Collection Latomus Volume LXXXVII; 318 pages . Latomus paperback
19974308M. D'Auria. 1997. Hardcover. Near Fine in Near Fine dust jacket. Minor shelfwear.; Studi in onore di Antonio Garzya. A cura di U. Criscuolo e R. Maisano promossi da Fabrizio Conca Ugo Criscuolo Herbert Hunger Jean Irigoin Italo Lana Riccardo Maisano e Gianni Macchiavelli.; Collectanea; 1041 pages . 8870921344 . M. D'Auria hardcover
a87909Napoli 1853 1854 1854 1856. Dalla Tipografia Trani. Continuazione della soluzione de Dubbisurti nell' esecuzione delle decisioni della commissione prima e dopo del real decreto de 3 Luglio 1810. Appendice 16 e 17 del supplimento. In Italian. Hardcover. Octavo 470p. 496p. 540p. 495p. Very attractively bound with colorful marbled endpapers matching bright scarlet spine with black horizontal lines gilt lettering decoration and raised bands. VG occasional light foxing a very few pages have tiny bit of worming. No ownership marks. Text bright and clean. 4 volumes. . hardcover
169025001690. Pen and brown ink on cream laid paper 3 x 8 inches 76 x 230 mm the full sheet. In good condition with some edge wear and losses at all but the lower right corner. Adhered to a 19th century laid paper matrix at the corners. During Medici festivals it was common to have a credenza-a massive tiered sideboard displaying hundreds of pieces of silver and gold plate to signal the wealth of the family to visiting dignitaries. These objects are piled together in a "horror vacui" style filling all available space which suggests that they are either meant to be seen as a pile of "spoils" or riches on a parade float. This image may also be a pattern sheet for an engraver. unknown
169025011690. Pen and brown ink on cream laid paper 3 x 8 inches 76 x 230 mm the full sheet. In good condition with some edge wear and losses at all but the lower right corner. Adhered to a 19th century laid paper matrix at the corners. On the verso is a similar decorative design in brown ink. This work is a classic example of an "apparato" design. In the 16th and 17th centuries artists were frequently commissioned to design ephemeral architecture and "festival machines" for royal entries weddings or religious processions. These festival machines were often made of temporary materials like wood plaster and gilded papier-mâché to be used once during a city-wide celebration and then dismantled. This image may also be a pattern sheet for an engraver. unknown