Italian School, 18th centuryBiblio.com
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209Etching on light cream laid paper 8 x 5 1/2 inches 200 x 138 mm 1/8-inch margins. Minor repairs including expertly repaired lower right corner and minor light in-painting at lower center area beneath the lion's head. All consistent with age. unknown
0430F849856Hardcover. Good. Good blue cloth in no DJ as issued. Putnam's 1883 first ed. first printing. Gilt title bright on gilt decor. spine with "JARVIS" stet listed as the author. front cover shows two fowl drinking wine gilt in compartment with star above and the words "O Che Vin O Che Bon" what wine how good!. Bevelled edges thick 12mo. floral endpapers 1.5" closed tear at foot of spine inside front cover. Minor rubbing to corners No readers' marks except Lydia Pearson STICKNEY's Nov. 1883 signature on FFEP. 446 pps. 2pps. publisher's ads. Remarkably tight clean free of foxing. hardcover
303770Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 16th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
303769Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 16th century. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
303767Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 16th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
303768Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 16th century. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2001BN80790Edizioni Scelte 2001. 2001. Kartoniert. Studi Vivaldiani 1 - 2001 <br/><br/> Edizioni Scelte unknown
188926328Firenze: A cura del Municipio 1889. First edition. Decorated paper-covered boards. Binding cracked some tape repairs to spine and interior small tear to map about good. 133 pp. Illus. with 4 of 6 plates some folding. 26 cm. Contains the maps including the large 29 x 27 inches colored map of central Florence. A cura del Municipio hardcover
196220184Sassari: Gallizzi. 1962. Softcover. Very Good. Some creasing to wraps. Pages tanned. Bump to base of spine.; 663pp numerous plates and diagrams.; Università Degli Studi Di Cagliari - Istituto Per Gli Studi Sardi Vol. XVII 1959-1961; 663 pages . Gallizzi paperback
1979100093327Presso la sede del centro 1979. bords frottés tranche fanée intérieur propre pages non coupées étiquette collée dans le dernier plat. in8. 1979. Broché. 2 volumes. Presso la sede del centro unknown
1983190715Spoleto Italy: Presso La Sede del Centro 1983. Paperback. Slight cover wear else very good plus condition with text clean and binding sound. In Italian. Wraps. 467pp. Presso La Sede del Centro paperback
1980190714Spoleto Italy: Presso la Sede del Centro 1980. Paperback. Both Volumes: Some wear to covers else very good plus condition with text clean and binding sound. In Italian. Wraps. 999pp. Presso la Sede del Centro paperback
1977190713Spoleto Italy: Presso la Sede del Centro 1977. Paperback. Both volumes: Some wear to cover else very good plus condition with text clean and binding sound. Wraps. 565pp 743pp 23 figures. Presso la Sede del Centro, paperback
199723140Torino: Centro Italiano di Studi Svll'Altomedio Evo 1997. First edition. Softcover. vg. 4to. 495 pp. Original illustrated wrappers. Illustrated with b/w reproductions of paintings and drawings. Slight creasing to edges of wraps pages 467 to end 4" crease at middle. Pages unopened. Text in Italian. Wraps in good to very good interior in very good to near fine condition. Centro Italiano di Studi Svll'Altomedio Evo unknown
306280Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
306282Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
306279Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
306281Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1984LAIT00003Torino: Giulio Einaudi 1984 WYSIWYG pricing--no added shipping charge for standard shipping within USA. Signed by Author. White pictorial covers with titles in black iii 121 pp. Small tear to bottom of front joint else very good SIAC sticker on final blank. Author's signature is dated in October 1984. Contains short shorts in Italian with many black & white drawings. Shipping weight 1 lb. First Edition. Wraps. VG-/No dj. Illus. by Adriano Zannino. 24 X 17 cm. Giulio Einaudi Paperback
1977LAIT00002Torino: Giulio Einaudi 1977 WYSIWYG pricing--no added shipping charge for standard shipping within USA. Inscribed by author. White pictorial covers with titles in black & green iii 96 pp. Slight shelf wear & browning to spine blind SIAC stamp on title page. Author's inscription is dated in 1977. Contains short shorts in Italian with many black & white drawings. Shipping weight 1 lb. Wraps. Near Fine/No dj. Illus. by Adriano Zannino. 24 X 17 cm. Giulio Einaudi Paperback
183915692Torino: Alessandro Fontana 1839. believed first edition. . Hardcover. Good. Orazio Vernet. 4to A good copy for its age leather spine rubbed at edges bumping to cloth cover corners. Some foxing. Very heavy book may incur additional postage charge. <br/> <br/> Alessandro Fontana hardcover
182612695Napoli: Dalla Tipografia Della Biblioteca Cattolica. Napoli: Italy 1826 First Italian Edition:This is a Very Good Copy of this Book in Contemporary Quarter Tan Calfover marbled boardsplain cream endpapersno half title with title lettering in gilt to spinewith elaborate floral gilt decoration to spine alsono raised bands.William Cobbett Son of a farmer and innkeeper Cobbett joined the army when he was 21 but had to flee to America in 1791 after making accusations of military corruption. There he was stung into action in 1794 by the visit of Joseph Priestley the scientist and radical. Convinced that Priestley was a traitor Cobbett wrote the pamphlet that launched his journalistic career. For the next six years he published 12 volumes of diatribes against American democracy his style securing him many enemies and the nickname 'Peter Porcupine'. After paying a heavy fine in a libel judgement Cobbett returned to England in 1800.This title from Cobbett contains information relative to the brewing of Beermaking of breadkeeping of cowsPisBeesEwesGoatsPoultry and Rabbitsand relative to other matters deemed useful in the conducting of the affairs of a Labourer's family;to which are addedinstructions relative to the selectingthe cutting and the bleaching of the plants of English Grass and Grainfor the purpose of making Hats and Bonnets.Their are no previous inscriptions presentwith occasional foxing internally8vo 562pp First Italian Edition of this Famous Text . Very Good. Half-Leather. First Edition. 1826. Dalla Tipografia Della Biblioteca Cattolica hardcover
187233482Tipografia Di Giulio Speirani E Figli. Good with no dust jacket. 1872. Hardcover. 12mo 7" - 7½" tall; 303 135 38 pages; STORIA DELLA VITA DI S. STANISLAO KOSTKA VITA DEL SERVO DI DIO P. SIMONE RODRIGUEZ La Vita Di San Antono Recata 3 books bound in one. Vita del servo di Dio P. Simone Rodriguez della Compagnia di Gesu uno dei primi compagni di S. Ignazio di Loiola by Giuseppe Boero - Dated 1880 by Tipografia della SS. Concezione - This text is bound with "Vita del servo di Dio P. Simone Rodriguez" see accompanying entry. - Storia della vita di S. Stanislao Kostka della Compagnia di Gesu compilata sulle testimonianze giuridiche dei processi fommatisi per la sua canonizzazione - Edited by Giuseppe Boero - Dated 1872 by Tipografia di Giulio Speirani e Figli - This text is bound with "Viita del servo di Dio P. Simone Rodriguez" and La Vita Di San Antono Recata In Italiano Sul Testo Greco Di Sant Atanasio index page for this work is present but detached 1887. Volume lacks blank end papers. . Tipografia Di Giulio Speirani E Figli hardcover
139004856X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
71-1104Munich: Johann Baptist Stuntz circa 1810-1816. Lithograph. 24.3 x 14.1 cm. image. 33.5 x 22 cm. sheet. Very Good. Light surface soiling a few specks of foxing a tear in the right margin not extending into the image. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
