FINE Anne (Leicester 1947),MareMagnum
Villa Ventosa
Traduzione di Olivia Crosio . 8vo. pp. 212. . Molto buono (Very Good). . . .
Libreria Marini · ROMA, IT16,00 €
4 839 résultats
Small crease to front wrap and spine. Light scuffing to wraps. Small bump to bottom corner of book with light crease. ; Contents: Michael Winterbottom: Mankind and other Animals: The Georgics; W. Liebeschuetz: Cycle of Growth and Decay in Lucretius and Virgil; Niall Rudd: Idea of Empire in the Aeneid; Akbar Khan: Marriage Motifs in the Aeneid; Peter Walsh: Virgil and Medieval Epic; Peter Armour: Dante's Virgil; Brian Tate: Lusiads of Camoens and the Legacy of Virgil; Dorothy Gabe Coleman: Some Echoes of Virgil in France; J. Norton-Smith: Milton's Use of Virgilian Imagery; Elizabeth Watson-Macpherson: Virgil and T. S. Eliot; Donad Davie: Virgil's Influence on Some Modern Poets: Robert Graves, Alan Tate and Ezra Pound. ; 200 pages
Faint crease to front wrap. Light scuffing to wraps. Small bump to bottom corner of book with light creasing to a few pages. Light soiling to rear wrap. Light sunning to spine. ; Contents: Michael Winterbottom: Mankind and other Animals: The Georgics; W. Liebeschuetz: Cycle of Growth and Decay in Lucretius and Virgil; Niall Rudd: Idea of Empire in the Aeneid; Akbar Khan: Marriage Motifs in the Aeneid; Peter Walsh: Virgil and Medieval Epic; Peter Armour: Dante's Virgil; Brian Tate: Lusiads of Camoens and the Legacy of Virgil; Dorothy Gabe Coleman: Some Echoes of Virgil in France; J. Norton-Smith: Milton's Use of Virgilian Imagery; Elizabeth Watson-Macpherson: Virgil and T. S. Eliot; Donad Davie: Virgil's Influence on Some Modern Poets: Robert Graves, Alan Tate and Ezra Pound. ; 200 pages
Faint crease to rear wrap. Light scuffing to wraps. Light sunning to spine. A few corrections done in black pen to table of contents and a couple of pages. ; Contents: Michael Winterbottom: Mankind and other Animals: The Georgics; W. Liebeschuetz: Cycle of Growth and Decay in Lucretius and Virgil; Niall Rudd: Idea of Empire in the Aeneid; Akbar Khan: Marriage Motifs in the Aeneid; Peter Walsh: Virgil and Medieval Epic; Peter Armour: Dante's Virgil; Brian Tate: Lusiads of Camoens and the Legacy of Virgil; Dorothy Gabe Coleman: Some Echoes of Virgil in France; J. Norton-Smith: Milton's Use of Virgilian Imagery; Elizabeth Watson-Macpherson: Virgil and T. S. Eliot; Donad Davie: Virgil's Influence on Some Modern Poets: Robert Graves, Alan Tate and Ezra Pound. ; 146 pages
Spine very lightly sunned. Else fine. ; Gives a conspectus of violence and civil strife in classical society during the most exciting period of its development. Examines first the extent and function of violence in this form of society and then traces the development of civil strife as the cities become more powerful and politically more sophisticated. Major themes are aristocratic rivalry, the tensions between rich and poor, the link between imperialism and civil strife and the causes of constitutional revolution. ; 289 pages
Spine very lightly sunned. ; Gives a conspectus of violence and civil strife in classical society during the most exciting period of its development. Examines first the extent and function of violence in this form of society and then traces the development of civil strife as the cities become more powerful and politically more sophisticated. Major themes are aristocratic rivalry, the tensions between rich and poor, the link between imperialism and civil strife and the causes of constitutional revolution. ; 289 pages
Very light shelfwear. ; Gives a conspectus of violence and civil strife in classical society during the most exciting period of its development. Examines first the extent and function of violence in this form of society and then traces the development of civil strife as the cities become more powerful and politically more sophisticated. Major themes are aristocratic rivalry, the tensions between rich and poor, the link between imperialism and civil strife and the causes of constitutional revolution. ; 289 pages
Spine very lightly sunned. Old price sticker to rear wrap. ; Gives a conspectus of violence and civil strife in classical society during the most exciting period of its development. Examines first the extent and function of violence in this form of society and then traces the development of civil strife as the cities become more powerful and politically more sophisticated. Major themes are aristocratic rivalry, the tensions between rich and poor, the link between imperialism and civil strife and the causes of constitutional revolution. ; 289 pages
22 full colour mailablable postcards with photographs of lovely traditional English village scenes. 1p.+ 22 detachable leaves in tight card covers [NO copies found in WordCst] Postcard
First edition, 8vo (190 x 115 mm), xii, 203, [1]pp., with a list of subscribers, original boards, cloth spine, paper label (worn). Nearly 500 subscribers are listed at the end, almost all East Anglians, inclding Bernard Barton, George Crabbe the younger, Amelia Opie and J..J. Gurney. Provenance: From the Norfolk library of Ron Fiske with his bookplate. Not in Jackson; Johnson, Provincial Poetry, 963.
Traduzione di Olivia Crosio . 8vo. pp. 212. . Molto buono (Very Good). . . .
Acquaforte, 1913, firmata in lastra in basso a sinistra R. Goff 1913. Firmata a matita in basso a destra R. Goff. Più in basso, sempre a matita, troviamo l’iscrizione “Studi – Borghese Gardens. Rome”. Bellissima prova, impressa su carta coeva, con margini, in ottimo stato di conservazione. Robert Charles Goff (1837-1922) fu un incisore e pittore specializzato in scene topografiche. Come incisore fu fortemente influenzato dal lavoro di James McNeill Whistler. Goff visse a Londra e Brighton ma viaggiò molto. Si trasferì negli anni 1890 in una villa con vista su Firenze e lui e la sua seconda moglie scrissero sulla zona. Il Brighton and Hove Museum and Art Gallery possiede una grande collezione di opere di Goff, che furono esposte nella mostra del 2011, dal titolo Robert Goff: An Etcher in the Wake of Whistler. La mostra comprendeva circa 50 opere di Goff, soprattutto acqueforti e alcune altre opere su carta. In mostra c'erano vedute locali di Brighton, Hove e Sussex, così come immagini dai suoi viaggi in altre parti della Gran Bretagna, Italia, Egitto e Giappone. Etching, 1913, signed in plate at lower left R. Goff 1913. Signed in pencil at lower right R. Goff. Further down, also in pencil, is the inscription "Studi - Borghese Gardens. Rome". Beautiful proof, printed on contemporary paper, with margins, in excellent condition. Robert Charles Goff (1837-1922) was an engraver and painter specialized in topographical scenes. As an engraver he was strongly influenced by the work of James McNeill Whistler. Goff lived in London and Brighton but traveled extensively. He moved in the 1890s to a villa overlooking Florence and he and his second wife wrote about the area. The Brighton and Hove Museum and Art Gallery has a large collection of Goff's work, which was displayed in the 2011 exhibition entitled Robert Goff: An Etcher in the Wake of Whistler. The exhibition included about 50 works by Goff, mostly etchings and a few other works on paper. On display were local views of Brighton, Hove and Sussex, as well as images from his travels to other parts of Britain, Italy, Egypt and Japan.
New York, Edit. LM Museum-Gallery, 1977. Numerosas ilustraciones en color y negro. 65p. 4t. Rústica editorial ilustrada. Muy buen ejemplar. Libro en inglés. Book in English.
First and only edition of this collection of carefully rendered yet somewhat naive lithographic views of York churches. 23 plates, including the frontispiece, each accompanied by a page of letterpress description. Complete with the 24th and final plate, which was published as an afterthought and thus is not included in the list of plates. A LARGE-PAPER COPY, WITH THE PLATES IN INDIA PROOF STATE. With the bookplate of John Tricks Spalding. 4to. Attractively bound in 19th century half crushed morocco and cloth, WITH SPALDING'S INITIALS, IN STYLIZED LETTERS, BEAUTIFULLY LAID INTO THE FRONT COVER IN MOROCCO. Light wear to extremities of binding, light occasional internal spotting. Plates bright and fine. A very good copy of a rare book.
Folio, 26 plates followed by 8 pages of descriptive text and 2 page biography of Flower, orig. calf-backed boards, leather label lettered in gilt on upper cover.
Paperback, 144 pages, NL / FR, 295 x 210 mm, illustr. in colour / b/w, in goede staat, . Artists : John Davies Richard Deacon Ian Hamilton Finlay Antony Gormley Anish Kapoor Christopher Le Brun Stephen McKenna Bruce McLean Alison Wilding
Veduta panoramica di Roma presa da Ponte Milvio, tratta dal celebre dipinto di Richard Wilson, finemente incisa da Thomas Hasting nel 1824. Wilson (Montgomeryshire, 1º agosto 1714 – Denbighshire, 15 maggio 1782) è stato un pittore gallese e uno dei membri fondatori della Royal Academy nel 1768. Thomas Hastings era un pittore dilettante, disegnatore, acquerellista e incisore di paesaggi, vedute topografiche, soggetti marini e scene della costa. Nato Thomas Barnett; cambiò il suo cognome in Hastings nel 1812, con il quale espose e pubblicò dopo questa data. Ufficiale dell'esercito britannico 1795-1811, capitano dal 1799. Ufficiale di dogana dal 1819. Esposto alla Royal Academy of Arts, Society of Painters in Watercolours, British Institution, Liverpool Academy e Hibernian Academy. Socio dell'Accademia di Liverpool. Uno dei fondatori della Società degli Arcieri di Carisbrooke nel 1829. Incisione in rame, in ottimo stato di conservazione. Bibliografia Marianne A Yule, Captain Thomas Hastings (1778–1854): His full identity revealed, in “The British Art Journal”, Vol. 16, No. 2 (Autumn 2015), pp. 56-69. A panoramic view of Rome taken from Ponte Milvio, on the Tiber. After a painting of Richard Wilson and engraved by Thomas Hastings. Richard Wilson RA (1 August 1714 – 15 May 1782) was an influential Welsh landscape painter, who worked in Britain and Italy. With George Lambert he is recognised as a pioneer in British art of landscape for its own sake. Thomas Hastings was an amateur painter, draughtsman, watercolour artist and etcher of landscapes, topographical views, marine subjects and coast scenes. Born Thomas Barnett; changed his surname to Hastings in 1812, under which name he exhibited and published after this date. Officer in the British Army 1795-1811, Captain from 1799. Customs Officer from 1819. Exhibited at the Royal Academy of Arts, Society of Painters in Watercolours, British Institution, Liverpool Academy and Hibernian Academy. Associate of the Liverpool Academy. One of the founders of the Society of Carisbrooke Archers in 1829. A fine impression, printed on contemporary laid paper, good condition. Bibliografia Marianne A Yule, Captain Thomas Hastings (1778–1854): His full identity revealed, in “The British Art Journal”, Vol. 16, No. 2 (Autumn 2015), pp. 56-69.
205pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Grades eines Doktors der Philosophie der Philosophischen Fakultät der Freien Universität Berlin), stamp at verso of title page, text is clean and bright, good condition, T110885
37p. Decorated title page. Inked presentation "William J. Phillips from Cornelius Weygandt, July 1, 1952" on title page. Penciled notations. Uncut. 8vo. Original full blue cloth binding, decorated and lettered in gold. Original dust jacket, chipped and soiled. Hardbound. First American Edition? "Passionate poem dealing with the betrayal and murder of the Viennese Socialists in January, 1934." Cornelius Weygandt (1871-1957) was employed as journalist for the Philadelphia Record and the Philadelphia Evening Telegraph; and later as Professor of English at the University of Pennsylvania. He was the author of over eighteen books. POETRY/W40
17.5x10.5 cm. 37+1334 pages. Gilt hardcover with dust jacket and plastic jacket. Spine is slightly scuffed. Edges of book are slightly dirty. Pages are slightly yellowing. Else in good condition.
A clean, unmarked copy with a tight binding. 176 pages. Exhibition catalog for ArtFutura show 22, 23 April, 1993 in Barcelona. Artists included: Xavier Berenguer, Karl Sims, William Latham, Jacques Ninio, Stelarc, Peter Dougherty, Mariscal, Hipolito Vivar, Josep Gimenez Noguera, Cecile Babiole, Xaos, Peter Gabriel, Stephen Johnson, Nadia M. Thalmann, Fantome, Veronique Reato, Beriou, Pacific Data Images/David Byrne, Eran Barnea, Yoichiro Kawaguchi, Jerome Lefdup/Brian Eno, Joan Bueyo, Shigeru Tamura, Jean-Michel Ponzio, HD/CG New York, Medialab, Little Big One, Ex machina/Pascal Roulin, Moebius. Text in English, Spanish and Catalan.
viii, 261 p. 22 cm. Hardcover Very good condition
xli, 228 p. front., illus., plates. 24 cm. Hardcover Very good condition, in decorative green cloth
187 p. People's Library series. Hardcover Good condition Inscribed by the author, Christmas 1923.
Folio, First Edition, with coloured frontispiece and numerous photographs in monochrome throughout; pictorial wrappers, a very good, bright, clean copy. Detailed catalogue of a major and comprehensive exhibition.
Relie l'epoque, 8x14cm. 446 pages,. Leroy-Berger printer.
