OWENS Charles,MareMagnum
Ventuno aprile sotto il segno del T
Con alcune tavole in nero Stampato nell'officina d'arte grafica Lucini, Milano. 8vo. pp. 64. . Perfetto (Mint). . . .
Libreria Marini · ROMA, IT16,00 €
4 839 résultats
23.5x16.5cm. XIX+186 pages. Hardcover. Cover slightly curved, slightly bumped and slightly rubbed. Spine slightly rubbed. Spine edges slightly bumped. Pages slightly yellowing. Else in good condition.
First Edition, 4to, [iv], 17, [1]pp., without half-title, title and last leaf soiled, disbound, enclosed in custom-made folder. Johnson, Provincial Poetry. 124.
198p. Hardcover Very good condition, spine lightly faded
Con alcune tavole in nero Stampato nell'officina d'arte grafica Lucini, Milano. 8vo. pp. 64. . Perfetto (Mint). . . .
Traduzione di Olga Ceretti Borsini . 16mo. pp. 480. . Molto buono (Very Good). . Prima edizione italiana (First Italian Edition). .
Traduzione di Lucia Drudi Demby . 8vo. pp. 188. . Molto buono (Very Good). Uno strappo alla sovracoperta riparata con nastro (A tear to dust jacket, repaired). Prima edizione italiana (First Italian Edition). .
Former owner's name on titlepage. Some pencil underlinings to text and fountain pen annotations to margins of about 50 pages of text. Book is solid with edgewear to top and bottom edges of spine and hinges. Minor edgewear to corners. ; English introduction with Latin text. ; 442 pages
132 pages. Bilingual English/German. 60 color plates. Large oblong 13.5"x 11.5". "...Esser's photos of the sea, of marshlands, of rivers, or city panoramas would seem to originate in the early 19th century, if not for the fact that they are quite definitely taken in color, a medium in which Elger Esser feels at home." - from dust jacket. Clean and unmarked with light wear. A high quality copy. Book
Puntasecca a inchiostro nero su carta vergata color crema, 1926, firmata in basso a sinistra: G. Firmato, a matita, in basso a destra: Frank Gillet. Bellissima prova, in ottimo stato di conservazione. Edward Frank Gillet, spesso accreditato come Frank Gillett, è stato un artista e illustratore britannico. Gillett lavorò a penna e inchiostro, pastello, acquerello e olio e fu notato come un abile caricaturista. Era ispirato dalla vita rurale di Norfolk e il suo lavoro spesso coinvolgeva lo sport, in particolare la caccia alla volpe e la caccia alla lepre. Il suo lavoro è stato esposto dalla Royal Academy of Arts e dalla Walker Art Gallery ed è detenuto dal British Museum e dal Victoria and Albert Museum. Drypoint in black ink on cream laid paper, 1926, signed, lower left: G. Signed, in pencil, lower right: Frank Gillet. A fine impression, very good condition. Edward Frank Gillett often credited as Frank Gillett, was a British artist and illustrator. He worked in pen and ink, pastel, watercolour, and oil. Gillett worked in pen and ink, pastel, watercolour, and oil and was noted as a skillful caricaturist. He was inspired by Norfolk's rural life and his work often involved sport, particularly fox-hunting and hare-coursing. His work has been exhibited by the Royal Academy of Arts and the Walker Art Gallery and is held by the British Museum and the Victoria and Albert Museum.
Traduzione di Franca Cancogni . 8vo. pp. 312. . Molto buono (Very Good). Manca la sovracoperta (No DJ). Prima edizione italiana (First Italian Edition). .
Volume II only of two volumes. 232 pages. Front cover loose. Loss to spine at top/base - title and most gilt decoration. Text pages in good condition.
Racconti. Prefazione e cura di Mario Praz. Traduzione di P. Cacciaguerra . 8vo. pp. 502. . Molto buono (Very Good). . Prima edizione italiana (First Italian Edition). .
8vo, 182 pages, illustrations, some in colour. eng
Copenhagen. Edit. Borges Center, 2001. Algunas ilustraciones en b/n. 262 p. 8º. Rústica editorial ilustrada. Edición bilingüe. Muy buen ejemplar. Book in english.
543p., illus. Hardcover Very good condition, one corner bumped Illus. by Robert Ball
New York. Edit. Liveright Publishing Corporation, 1949. Algunas ilustraciones en b/n. 340 p. 8º. Tela editorial con sobrecubierta ilustrada. Book ion english. Muy buen ejemplar.
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.
56p. Hardcover Very good condition, corners lightly worn, short gift inscription on flyleaf
Romanzo. Traduzione di Ervino Pocar. Postfazione di Claudio Magris . 16mo. pp. 504. . Ottimo (Fine). . . .
Fine Azerbaijani Paperback. Demy 8vo. (21 x 14 cm). In Azerbaijani (Cyrillic script). 77, [3] p. Uçgarlarda inkilabimizin tarihine dair: I. V. Stalin'e mektup. First Edition. Nerimanov was first Azerbaijani SSR president. This is his letter to Stalin which is very important study on Soviet-Azerbaijani relations.
First edition, 8vo, 154pp., orig. black cloth, d.w. a very nice copy.
A guide to words and their proper use. 392pp. Black cloth covers with gilt title on spine.
VG paperback reprint. 9608. eng
84p. Hardcover Very good condition
