COLLECTIF. AGULLO, Guillaume, ALAUZET, Colette, CAMPOURCI, Alain, DURAND, Jean, FONVIEILLE, Patrick, ...Livre Rare Book
41 308 résultats
1994R300263612. 1994. in-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Toulouse, Conseil Général, 1994, grand in 8, broché, photos, 69 pp.. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
1993R300262444Perrin. 1993. in-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paris, Perrin, 1993, in 4, reliure éditeur, très nombreuses photographies, 143 pp. . . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
RO20174810HEIMDAL. NON DATE. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 80 pages - nombreuses photos, plans et cartes en noir et blanc dans et hors texte - 1 etiquette collée au dos.. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
201930339Editions Casterman 2008. In-8 cartonnage éditeur carré de 82 pages au format 20 x 19,5 cm. Couverture illustrée. Dos carré avec petit tassement sur le haut. Plats et intérieur frais. Textes et chansons de Dominique Grange, préfacés par Alain Badiou et illustrés par Jacques Tardi. Complet du Cd de Dominique Grange. Edition originale, scellée sous blister, en état superbe de fraicheur.
201931914Editions Casterman 2008. In-8 cartonnage éditeur carré de 82 pages au format 20 x 19,5 cm. Couverture illustrée. Dos carré avec petit tassement sur le haut. Plats et intérieur frais. Textes et chansons de Dominique Grange, préfacés par Alain Badiou et illustrés par Jacques Tardi. Complet du Cd de Dominique Grange. Edition originale en superbe état général. Micro-traces sur le CD qui ne gênent en rien l'écoute.
101474disque Disque vinyle LP 33 tours 30cm, Paris, Editions Claude Givaudan 1968. Alain Krivine : Comités d’action lycéens, Rédaction de « Rouge », Option libertaire. Paul Virilio parle du Mouvement Anomiste en relation avec l’urbanisme contemporain : l’apparition de nouvelles formes de déplacements dans la ville, vient remettre en question la mise en scène et l’aménagement des espaces publics urbains. En effet, cette nouvelle pratique qui consiste à tracer son chemin en étant capable de dépasser certains obstacles, met en scène la liberté de mouvement dans des espaces contraignants.(101474)
19751931<p>This is a package of 10 un-used post cards in their original cardboard envelope. Purchased in Paris in 1975; only #10 is dated '75'. Nine are of Notre-Dame and the 10th is of the Arc. There is a small tear in the cardboard envelope; otherwise everything is in mint condition.</p><p>Production Leconte Andre Editions Guy</p><p>Series: Paris et ses Merveilles</p><p>5166 – Fleche de Notre-Dame et panorama de la Seine en amont. No photo credit.</p><p>5249 - La cathedrale Notre-Dame 1163-1330: la choeur et la nef centrale; au fond le grand orgue de Cavaille-Coll 1863. No photo credit.</p><p>5250 - La cathedrale Notre-Dame 1163-1330: la statue de Notre-Dame de Paris XIV e siècle. No photo credit.</p><p>5273 - La Cathedrale Notre-Dame: la rose norde. No photo credit.</p><p>5446 – La place de Parvis Notre-Dame et la cathedrale Notre-Dame 1163-1260. Photo Credit Gerard Chardonnet</p><p>5453 – La Seine et le chevet de la cathedrale Notre-Dame de Paris 1163-12</p><p>60. No photo credit. There are two of these.</p><p>5506 – La cathedrale Notre-Dame 1163-1330: la rosace ouest et les grandes orgues. No photo credit.</p><p>Production Leconte Andre Editions Guy</p><p>Series: En Avion sur Paris…</p><p>Pilot-operateur R. Henrard Roger Henrard</p><p>5512 – L'arc de triomphe de l'Etoile 1806-1836. A droite l'avenue des Champs-Elysees.</p><p>Editions d'art Yvon Paris</p><p>Series: Couleurs et Lumiere de France</p><p>75 – En survolant Paris</p><p>La Basilique du Sacre-Coeur et ses jardins</p><p>Photo aerienne Alain Perceval</p><p>10 5603</p><p><br /><br /></p><p><em>If you buy more than one item I am happy to combine shipping.</em></p> Production Leconte & Editions d'art Yvon
73-2081Monte-Carlo: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1996 unknown
73-2082Monte-Carlo: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1996 unknown
73-2079Monte-Carlo: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1996 unknown
73-2080Monte-Carlo: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1996 unknown
73-2078Monte-Carlo: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1996 unknown
1992113407Casterman, Methuen Children's Books 1992 1 vol. broché calendrier mural au format in-4 (29 x 29 cm), agrafé, couverture illustrée, 12 feuillets illustrés en couleurs. Verso de la couverture jauni, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1992113407Casterman, Methuen Children's Books 1992 1 vol. broché calendrier mural au format in-4 (29 x 29 cm), agrafé, couverture illustrée, 12 feuillets illustrés en couleurs. Verso de la couverture jauni, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1999R300013872HACHETTE. 1999. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 352 pages illustrées de figures dans le texte.. . . . Classification Dewey : 634.8-Viticulture, vin
1982008896: milupa diététique 1982. Hardcover. As New. BooK: As New/ 1982 . BooK: As New/ $140.12 1er symposium international d'echocardioulgie; French Edition SAVARY Alain; RALITE Jack; DELLENBACH P.; KIENY R.; LEROY B. milupa diététique 1982 Strasbourg 23 et 24 avril Probably 1st Edition Golden Colored Spine With Title In Brown Letters Tall And Wide Hard Cover BooK: As New/ Slightest Shelf Edge And Corner Wear. 304 Numbered Pages That Were Lightly Read Or Not Read At All And Are In As New/ Condition And Are Clean And Tight To The Spine. Corners Are Square. Printed On Off White Paper. D/J: None. Acquired From The Estate Of Dr. Bharat Shah Who Was Downsizing And Written Twice In The Front. Description Applies To This BooK ONLY. This Book Is Hard To Find Will Be Packaged And Shipped Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift. World Wide Shipping AVAILABLE. <br/> <br/> milupa diététique hardcover
1983RO80146317FRANCE NUMISMATIQUE. 1983. In-4. Broché. Bon état, Couv. fraîche, Dos satisfaisant, Intérieur acceptable. 96 pages, illustrées en noir et blanc, dans le texte et hors-texte. Quelques notes au stylo, en marges.. . . . Classification Dewey : 737-Numismatique
201212533Paris, Arthaud, 1975 ; in-8, 189 pp., cartonnage de l'éditeur. Avec jaquette 5 cartes et 4 plans.
1994R200085738DROUOT RICHELIEU. 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 129 pages. Nombreuses photos en couleurs et noir et blanc,dans et hors texte.. . . . Classification Dewey : 56-Catalogue
1979RO70244039non précisé. 1979. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 Disques vinyle 33t - pochette ouvrante en couleurs. . . . Classification : 410-33 Tours
R130001851CARABINE. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Photos de la pochette par J.E.P. MASO ATELIER.. . . . Classification : 410-33 Tours
1998R100068978Presses Universitaires du Septentrion. 1998. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 150 pages + 111 pages - premier ouvrage augmenté d'une disquette - couverture contrepliée.. . . . Classification Dewey : 4-Traitement des données. Informatique
1960ROD0037422Imprimerie Paquereau. 1960. In-12. Broché. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. sans pagination.. . . . Classification Dewey : 841-Poésie
196028178Couverture souple. Broché. Environ 100 pages.
196028179Couverture souple. Broché. Environ 100 pages.
