Cinquini, AlainBiblio.com
41 209 résultats
73-2961Saint-Paul: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint-Paul: Alain Cinquini, 1998 unknown
73-2899Monaco: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1998 unknown
73-2822Saint-Laurent-du-Var: Alain Cinquini 2002. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint-Laurent-du-Var: Alain Cinquini, 2002 unknown
73-2687St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
73-2066Cannes: Alain Cinquini 2000. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 2000 unknown
73-2223St. Paul: Alain Cinquini 1999. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1999 unknown
2006RO80118364MARVEL. 2006. In-8. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. Comics d'environ 50 / 60 pages de bandes dessinées en couleurs. Accompagné d'un poster.. . . . Classification Dewey : 843.067-Comics
2001BN205887Medeis 2001. 2001. Hardcover. Wojtek Siudmak: Art fantastique. Album 5 <br/><br/>Wojtek Siudmak: Art fantastique. Album 5 Alain Coudert Preface; Andre Kowalski Introduction; Thomas Gryglewicz Analyse critique; Wojtek Siudmak Text Illustration Medeis hardcover
6209338267.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000R240015800EDITIONS SEMIC. AOUT 2000. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 64 pages, bande dessinée illustrée en couleur.. . . . Classification Dewey : 843.0692-Livres d'enfants
2010I-319-955Blacksmith Books 2010. Paperback. Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Blacksmith Books paperback
BN323488Blacksmith Books. Softcover. With Bare Hands: The True Story of Alain Robert the Real-life Spiderman <br/><br/>With Bare Hands: The True Story of Alain Robert the Real-life Spiderman Alain Robert Blacksmith Books paperback
1905379552.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
lc_67513L'Age d'Homme (15 juin 1990)
73354Coll. "Club du livre d'anticipation" n° 127, éd. Opta, 29 mai 1987, in-8, cartonnage toilé éd., jaquette ill. coul. de Alain Serruya, 448 pp, dessins et carte de Alain Serruya, chronologie, Le dernier livre de cette prestigieuse collection de Science-fiction. Très RARE avec la jaquette de Serruya. Très bon état
66728L'Âge d'Homme, Slavica, 1971, 386 pp., broché, couverture un peu défraîchie, plis de lecture sur le dos, annotation en première page, état convenable.
1988113103London Faber and Faber 1988 1 vol. broché in-8, broché, 75 pp., quelques photos en noir. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1988113103London Faber and Faber 1988 1 vol. broché in-8, broché, 75 pp., quelques photos en noir. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1971BN59515Boje Verlag 1971. Hardcover/gebunden. vordere obere Ecke minimal bestoßen fast neuwertig! Nummern und Kärtchen zum Ausschneiden vorhanden! Boje Verlag hardcover
20102-2705669620Editions Hermann 2010. Paperback. New. 387 pages. French language. 8.82x5.91x1.26 inches. Editions Hermann paperback
2002004974Fernwood Press 2002 A photographic extravaganza featuring individual estates and the natural beauty of the Cape Winelands. Excellent clean and tightly bound coffee table book. Dust jacket slightly shelf worn. Size: Approx 11" Wide - 12" Tall Fernwood Press hardcover
187495061X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1938113827London John Lane, The Bodley Head 1938 1 vol. relié in-12, cartonnage sous jaquette, 134 pp. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1938113827London John Lane, The Bodley Head 1938 1 vol. relié in-12, cartonnage sous jaquette, 134 pp. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1949112528New York Dell Publishing 1949 1 vol. broché in-8, agrafé, couverture illustrée en couleurs, (32) p. illustrées en couleurs. Publiées en France sous le titre "Bicot et Suzy" dès 1924, les aventures de Winnie et son frère Perry parurent de 1920 à 1996 aux Etats-Unis. Si les publications européennes s'attachaient plus à son garnement de petit frère, c'est le personnage de Winnie - jeune fille indépendante et soutien de famille - qui reste central dans les "dailies" américains. Texte en anglais. Bon exemplaire. Exemplaire provenant de la bibliothèque d'Alain Resnais.
