41 209 résultats
1949112528New York Dell Publishing 1949 1 vol. broché in-8, agrafé, couverture illustrée en couleurs, (32) p. illustrées en couleurs. Publiées en France sous le titre "Bicot et Suzy" dès 1924, les aventures de Winnie et son frère Perry parurent de 1920 à 1996 aux Etats-Unis. Si les publications européennes s'attachaient plus à son garnement de petit frère, c'est le personnage de Winnie - jeune fille indépendante et soutien de famille - qui reste central dans les "dailies" américains. Texte en anglais. Bon exemplaire. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1945112752New York Armed Services Edition Collection n° 802 1945 1 vol. broché in-12 oblong (100 x 140 mm), agrafé, couverture illustrée, 381 pp., texte sur 2 colonnes. Texte en anglais. Très bon exemplaire. La collection des Armed Services Editions (ASE), publiée de 1943 à 1946, présente des ouvrages en texte intégral mais compacts et légers à destination des soldats américains engagés dans la Seconde Guerre mondiale. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1945112752New York Armed Services Edition Collection n° 802 1945 1 vol. broché in-12 oblong (100 x 140 mm), agrafé, couverture illustrée, 381 pp., texte sur 2 colonnes. Texte en anglais. Très bon exemplaire. La collection des Armed Services Editions (ASE), publiée de 1943 à 1946, présente des ouvrages en texte intégral mais compacts et légers à destination des soldats américains engagés dans la Seconde Guerre mondiale. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1995114749New York Vintage Books 1995 1 vol. broché in-8, broché, couverture illustrée, 681 pp., quelques photos en noir, index. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1995114749New York Vintage Books 1995 1 vol. broché in-8, broché, couverture illustrée, 681 pp., quelques photos en noir, index. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
2015113741D.A.P./Distributed Art Publishers. New. 2015. Hardcover. 1938922840 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . D.A.P./Distributed Art Publishers hardcover
73-2859Saint-Paul: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint-Paul: Alain Cinquini, 1997 unknown
1990170941Paris: Galerie Alain Paviot 1990. First edition. Oblong softcover. Text in French by Francoise Leplus and Alain Paviot. Includes 26 black and white images. A clean very near fine copy in copy in spiral bound wrappers. Galerie Alain Paviot unknown books
1443859842.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1990029969New York New York U.S.A.: Harry N. Abrams Inc. 1990. Signed by the artist on a bookplate affixed to the half-title page 224pp. with b/w and colour illustrations Wegman interviewed by David Ross. Light soil to outer edges and light creasing from page handling. DJ has edge/rub wear light indentation marks a small puncture tear on the left side of the front panel and light creasing. Actual book for sale pictured. 22.2 x 28.9 x 2.3cm wt1.5KG Please note the book is oversized and it may require extra postage. Signed by Illustrator. Hard Cover. VG/VG. 4to - over 9¾" - 12" tall. Harry N. Abrams, Inc. Hardcover
2012100158Hirmer Publishers. New. 2012. Hardcover. 3777446114 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French and English. 152 pp. ; 169 illus. 156 in color. -- with a bonus offer-- . Hirmer Publishers hardcover
2005c007351Centre Pompidou 2005. Soft cover. New. Folio - over 12 - 15" tall. <br/> <br/> Centre Pompidou paperback
19822091202133203360Gruppo Editoriale Fabbri Milano 1982. Soft Cover. Fine. Volume: 1 Gruppo Editoriale Fabbri, Milano paperback
1443859834.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
73-3004Monaco: Alain Cinquini 1999. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1999 unknown
1998112065Paris Bac Films 1998 1 vol. broché plaquette in-8, agrafée, 10 pp. Plaquette promotionnelle pour la distribution du documentaire de Barbara Kopple présentant : la fiche technique, le synopsis, des notes de production et une biographie de la réalisatrice. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1998112065Paris Bac Films 1998 1 vol. broché plaquette in-8, agrafée, 10 pp. Plaquette promotionnelle pour la distribution du documentaire de Barbara Kopple présentant : la fiche technique, le synopsis, des notes de production et une biographie de la réalisatrice. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1928115416Paris Rieder, coll. "Maîtres de l'Art Moderne" 1928 1 vol. in-8, cartonnage saumon d'éditeur imprimé en noir, 63 pp. Edition originale illustrée de 40 planches en noir. Minimes rousseurs aux premiers feuillets, sinon bel exemplaire provenant de la bibliothèque d'Alain Resnais.
1928115416Paris Rieder, coll. "Maîtres de l'Art Moderne" 1928 1 vol. in-8, cartonnage saumon d'éditeur imprimé en noir, 63 pp. Edition originale illustrée de 40 planches en noir. Minimes rousseurs aux premiers feuillets, sinon bel exemplaire provenant de la bibliothèque d'Alain Resnais.
1969RO50048533LES EDITIONS PIERRE BAETZ & CIE. 1969. In-8. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Pliures. 12 pages de partitions non paginées. Pliure en coin sur la première page.. . . . Classification Dewey : 780.26-Partitions
1961113258London Ernest Benn, "The Mermaid Series" 1961 1 vol. relié in-12, cartonnage sous jaquette, 438 pp. Texte en anglais, édité par Alexander Charles Ewald. Second tirage de 1961. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1961113258London Ernest Benn, "The Mermaid Series" 1961 1 vol. relié in-12, cartonnage sous jaquette, 438 pp. Texte en anglais, édité par Alexander Charles Ewald. Second tirage de 1961. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
454290Fayard Paris 2008 In-8 ( 235 X 150 mm ) de 632 pages, broché sous couverture illustrée. Bon exemplaire.
2002112066Paris CNRS, Cinémathèque française 2002 1 vol. broché in-4, broché, couverture illustrée, 268 pp., nombreuses photos en noir, index. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
2002112066Paris CNRS, Cinémathèque française 2002 1 vol. broché in-4, broché, couverture illustrée, 268 pp., nombreuses photos en noir, index. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.