31 338 résultats
1928M4103Munich:: medizinischen Wochenschrift 1928. 1928. 220 x 145 mm. 8vo. 24 pp. 5 figs.; occasional marginalia. Self-wraps. Ownership signature. Very good. SchottmUller is known for having isolated Streptothrix Actimoncyes muris ratti from human patients bitten by rats. See: Garrison and Morton 5325 not this item. medizinischen Wochenschrift, 1928. paperback books
2000197385-1Freiburg, Rombach 2000. 581 S. Mit 124 Abb. Original-Kartonband
40134Paris, Jules Rouff, s.d. (ca 1880). "10 x 15, 95 + 101 + 85 + 85 pages, reliure dos/coins cuir, bon état (couverture état d'usage; papier légèrement jauni)."
1997104952Würzburg: Königshausen & Neumann 1997. 308 Seiten. Gr. 8° (22,5-25 cm). Illustrierte Orig.-Broschur. [Softcover / Paperback].
RO40265070OLLENDORFF. NON DATE . In-4. Relié demi-cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 396 ++ 348 pages augmentées de nombreuses illustrations en noir et blanc hors texte - auteur , titres , tomaisons , filets , caissons dorés au dos - signet conservé -. . . . Classification Dewey : 840.08-XIX ème siècle
RO20262976HEMMA. NON DATE. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 123 pages - quelques planches illustrées en couleur. . . . Classification Dewey : 843.0692-Livres d'enfants
189874591Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Octobre 1898 24 x 33 cm une feuille Rare original lithograph executed by Louise Breslau for L'Estampe Moderne series number 18 published in October 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe issue on verso pale marginal foxing. Lithograph inspired by three stanzas of a poem by Victor Hugo. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other reviews such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe issue: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft at the same time is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters grew in the early 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Fine copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1946RO40023696Gutenberg. 1946. In-12. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Intérieur frais. 300 pages,. . . . Classification Dewey : 860-Littératures espagnole et portugaise
ROD0111093JULES ROUFF ET CIE. NON DATE. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 126+94+86 pages. Quelques dessins en noir et blanc dans texte. Etiquette numérotée collée sur la coiffe en pied.. . . . Classification Dewey : 910.4-Voyages
1941RO30343228Flammarion. 1941. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 398 pages. Rousseurs.. . . . Classification Dewey : 840.08-XIX ème siècle
1930R320009766FASQUELLE. 1930. In-12. Relié toilé. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 199 pages - Tampon sur les 2ERES pages et dernière.. . . . Classification Dewey : 840.08-XIX ème siècle
1944RO30343237Flammarion. 1944. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 326 pages. Rousseurs.. . . . Classification Dewey : 840.08-XIX ème siècle
79377Paris, Jules Tallandier/Le Trésor des Lettres Françaises, 1972. 14 x 21, 283 pp., reliure d'édition simili-cuir bordeaux, tête dorée, très bon état.
105.202Paris, Emile Testard, 1887. 23 x 28, 631 pp., demi-reliure larges dos/coins cuir à 4 nerfs, dos : 2 pièces de titre, filets et riche décor doré, plats: papier marbré, cuir bordé d'un double liseret doré, couverture rempliée conservée, pages de garde papier marbré, tête dorée, tranche transversale mouchetée, très bon état (sauf quelques très rares et très légères rousseurs).
RO20227526Walter Beckers. Non daté. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 269 + 286 pages. Signets conservés. Premiers plats et dos illustrés en doré et noir. Une pliure au dos du Tome 2.. . . . Classification Dewey : 840.091-XX ème siècle
RO20232660Jules Rouff et Cie. Non daté. In-12. Broché. Etat passable, 1er plat abîmé, Dos abîmé, Fortes mouillures. 108 pages. Bandeaux, lettrines et culs-de-lampe illustrés en noir et blanc. Premier plat partiellement déchiré. . . . Classification Dewey : 840.08-XIX ème siècle
1879R200120228Eugène Hugues. 1879. In-4. Relié. Etat d'usage, Coins frottés, Dos fané, Quelques rousseurs. 468 + 387 pages. Nombreuses gravures en noir et blanc, dans et hors texte, dont un portrait de Vicotr Hugo. Couverture partiellement désolidarisée du reste de l'ouvrage. Contreplats jaspés + filets, titres et auteur dorés au dos. 5 photos disponibles.. . . . Classification Dewey : 840.08-XIX ème siècle
63891Lausanne, La Guide du Livre, 1963. 15 x 22, 464 pp., reliure d'édition pleine toile, très bon état.
1877R240004979J. HETZEL & CIE / MAISON QUANTIN. 1877. In-12. Relié demi-cuir. Bon état, Coins frottés, Dos satisfaisant, Quelques rousseurs. 243 pages. Dos cuir rouge à 5 nerfs, avec auteur, titre, tomaison, fleurons doré. Plat marbrée. Epidermures sur les nerfs et sur les mors.. . . . Classification Dewey : 840.05-XVIII ème siècle
1958R260130660CLUB DES AMIS DU LIVRE PROGRESSISTE. 1958. In-8. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 477 pages. Toilé noir, titres oranges et bleus. Quelques illustrations en noir et blanc hors texte.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
183087775Paris s. d. [ca 1830] | 12 x 18.50 cm | 1 page
183087775Paris 1830. Fine. Paris s. d. ca 1830 12 x 18.50 cm 1 page Autograph letter signed by Victor Hugo to his friend H. de Cambier 20 lines written in black ink on a bifolium autograph address on the verso of the final leaf. Splendid and likely unpublished letter from Victor Hugo inviting his correspondent to the famed Romantic 'Cénacle' gatherings at the Bibliothèque de l'Arsenal a veritable literary institution in the 1830's. ""This Saturday the 6th I noticed the other evening Sir that you expressed with some regret not having a ball to attend on Sunday tomorrow. Now I have managed to arrange my guard duty so as to be free tomorrow from nine o'clock to midnight alas I could not obtain more than six hours and I am taking advantage of it to take my wife to a small masquerade party at Nodier's. If you would like to come with us we would be delighted and Nodier too. To do so you would need to be at my home at nine o'clock the hour I myself will return. Answer me this morning and believe in all my friendship. Vr Hugo."" ""In the drawing room of the Arsenal library where he had been head librarian since 1824 Charles Nodier hosted every Sunday evening the entire Romantic literary and artistic elite during the final years of the Restoration and the early years of the July Monarchy. In addition to Hugo one of the most regular attendees and later Musset Dumas and Balzac the salon gathered ""representatives of all the book professions from conception to illustration publication and criticism . in a friendly and convivial atmosphere"" Marta Sukiennicka. Hugo invites his correspondent to a masked ball held on one of those celebrated Sundays. Far from being a mere social occasion the 'Cénacle of the Arsenal' salon was one of the most vibrant centers of the Romantic movement. Having succeeded in excusing himself from his National Guard duties he was a sub-lieutenant in 1830 Hugo had likely arranged for a replacement to take his watch that evening; even the most illustrious of writers were not exempt from such military service. A few years later Balzac dodged his National Guard shifts and was imprisoned twice in 1836 and 1839. unknown
199718234Paris La Maison de Poésie 1997
15943Mine de plomb signée en bas à gauche, (1930), 28.7 x 25 cm.
1968RO30341994Odège. 1968. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 124 pages. Quelques illustrations en couleur et en noir et blanc, dans et hors texte. Nombreux bandeaux en noir et blanc. Rousseurs. Jaquette en bon état.. Avec Jaquette. . . Classification Dewey : 840.08-XIX ème siècle
