Pratt HugoLivre Rare Book
31 338 résultats
1978RO30373832Casterman. 1978. In-4. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 102 pages de Bd en noir et blanc. Couverture contrepliée, jaunie. Coins frottés.. . . . Classification Dewey : 843.06-Bande dessinée
1875R320055722HOUSSIAUX ANDRE (VEUVE). 1875. In-8. Broché. A relier, Couv. défraîchie, Dos plié, Quelques rousseurs. XVII + 400 pages augmentées de nombreuses illustrations en noir et blanc hors texte - Ouvrage pariellement desolidarisé.. . . . Classification Dewey : 809-Histoire, littérature
198824496l'Atelier Éditions Éric Seydoux 1988 Sérigraphie sur papier chiffon, signée et datée dans la planche en bas à droite, 1988, L'Atelier Éric Seydoux, 35.2 x 46.7 cm. (format de la feuille), 33 x 30 cm. (format à vue).
1942RO30343226Flammarion. 1942. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 394 pages. Rousseurs.. . . . Classification Dewey : 840.08-XIX ème siècle
1912217381912 Aquarelle sur papier greige signée en bas à droite, (1912), 32 x 29.5 cm., encadrée.
42567Gembloux (Belgique), Duculot, 1987. 16 x 24, 229 pp., broché, bon état.
R160116400KALMTHOUT ANVERS. NON DATE. In-8. Relié plein cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 317 pages.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1984R100061297Gallimard. 1984. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 441 pages.. . . . Classification Dewey : 928-Ecrivains
RO20223358Librairie Delagrave. Non daté. In-12. Relié demi-cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 504 pages. Auteur et titre en doré au dos à 4 nerfs.Plats et contre-plats jaspés. Un tampon sur la page de titre.. . . . Classification Dewey : 841-Poésie
185670986Hauteville House 11 et 13 mai 1856 | 14 x 21.50 cm | une feuille
185670986Hauteville House Hauteville House 1856. Fine. Hauteville House Hauteville House 11 et 13 mai 1856 14 x 21.50 cm une feuille Autograph letter signed by Victor Hugo dated 13 May 1856 following an unpublished letter from Madame Victor Hugo to Madame David d'Angers dated 11 May. 4 pages on a folded sheet with watermark ""Barbet Smith Street Guernesey"". Published in Correspondance de Victor Hugo Paris year 1856 p. 246 In this letter imbued with the apparitions and specters that haunt the recently published Contemplations Victor Hugo addresses the widow of his great friend the sculptor David d'Angers fervent republican and artist particularly admired by the Romantics. In the midst of a mystical crisis Hugo speaks to the shadow of the sculptor to whom he dedicated sublime poems in Les feuilles d'automne as well as Les rayons et les ombres and requests from his widow his favorite portrait a marble bust once sculpted by David d'Angers. After the expulsion of the exiles from the island of Jersey Victor Hugo purchased Hauteville House thanks to the success of Contemplations and sadly learned of the death of a dear friend. He writes to the sculptor's widow on the same sheet as his wife Adèle also connected with the family of David d'Angers creator of a medallion in her likeness: ""You are the widow of our great David d'Angers and you are his worthy widow as you were his worthy wife"". The renowned sculptor had already formed bonds at Nodier's first romantic salon at the Arsenal and visited Hugo almost daily in the late 1820s in the Bonapartist and good-natured atmosphere of rue Notre-Dame des Champs in the company of the Devéria brothers Sainte-Beuve Balzac Nanteuil and Delacroix. In 1828 the writer had happily posed in David d'Angers' studio on rue de Fleurus for a medallion then a bust which had been followed by two sublime poems celebrating the sculptor's talent in Les Feuilles d'Automne and Les rayons et les ombres. Of all his numerous portraits he cherished above all others his marble bust signed David d'Angers and does not hesitate to request it from his widow: ""Before long perhaps madame my family will ask you to return this bust which is my figure which is little but which is a masterpiece by David which is everything. It is him even more than me and that is why we want to have it among us"". From these posing sessions with the sculptor arose fruitful aesthetic and political conversations where their common aversion to the death penalty was affirmed. They witnessed the chaining of galley slaves who were joining Toulon from Paris described by Hugo in two chapters of Dernier jour d'un condamné. A victim of exile like Hugo David d'Angers had returned to Paris before joining the world of the dead: ""My exile is like neighbor to his tomb and I see distinctly his great soul outside this world as I see his great life in the stern history of our time"". The ""great life"" of David d'Angers was devoted to shaping the effigies of illustrious men through a subtle balance of resemblance and idealization. The sculptor finally takes his place in Victor Hugo's personal pantheon he who had adorned the pediment of the true Pantheon of great men where the writer rests today: ""David is today a figure of memory a renown of marble an inhabitant of the pedestal after having been its craftsman. Today death has consecrated the man and the sculptor is statue. The shadow he casts upon you madame gives your life the form of glory"". It was indeed in the shadow of great men that Hugo lived his exile in Jersey far from the tumult of the capital and in the silence punctuated by sea spray striking the windowpanes. Hugo had plunged into the occult and spoke to the departed: ""David is one of the shadows to whom I speak most often shadow myself"" he declares recalling the final poem of Contemplations ""Ce que dit la bouche d'ombre"" dictated to the poet through the spiritualist process of ""turning tables"". Then at the height of their popularity the tables were practice unknown
1220180Berlin : Lukas Verlag, 2021. 237 Seiten : Ill. Festeinband
1947R320067461VAUTRAIN JACQUES. 1947. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 227 + 270 pages - quelques illustrations en noir et blanc hors texte - coiffe en pied légèrement abimée en Tome I EXEMPLAIRE N°1215.. . . . Classification Dewey : 840.091-XX ème siècle
1955ROD0117539LE CLUB FRANCAIS DU LIVRE. 1955. In-8. Relié plein cuir. Bon état, Coins frottés, Dos frotté, Intérieur frais. 520 pages. Frontispice en noir et blanc. Plein cuir maroquin. Nombreuses planches en noir et blanc. Quelques épidermures sur le dos et les coins. Titre doré sur le dos et les plats. Signet conservé.. . . . Classification Dewey : 840.091-XX ème siècle
2010R200084088ROUGE ET OR. VERS 2010. In-12. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 181 pages. Quelques illustrations en noir et blanc,dans le texte.. . . . Classification Dewey : 840.092-XXI ème siècle
1997RO20213719Jean Claude Lattès. 1997. In-18. Broché. Bon état, Couv. convenable, Dos frotté, Intérieur frais. 661 pages augmentées de quelques illustrations en noir et blanc hors texte.Tampon sur la page de garde.. . . . Classification Dewey : 840.08-XIX ème siècle
1947RO30325723Jacques Vautrain. 1947. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Non coupé. 227+270 pages. Nombreuse illustrations en noir et blanc, hors texte. Papier légèrement jauni. Couverture contrepliée.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1956RO40017748Panthéon. 1956. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 487 pages. Bandeaux, lettrines et culs-de-lampe illustrés en rouge. Nombreuses planches illustrées en couleurs. Plats contrepliés en trois rabats. Frontispice illustré en couleurs. Traits au stylo au dos.. . . . Classification Dewey : 840.08-XIX ème siècle
1942RO30343241Flammarion. 1942. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 479 pages. Rousseurs.. . . . Classification Dewey : 840.08-XIX ème siècle
1973R300315081Bellevue-Capitol. 1973. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Papier jauni. 654 pages. Signature à l'encre en page de garde.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1836HNCHBCK1836<p>"Notre-Dame de Paris" by Victor Hugo Eugene Renduel 1836. 8th edition; very early illustrated edition. Modern rebind in burgundy leather with gilt spine titling and tooling. New gilt on page edges and new marbled cream endpapers & FFE. Half title engraved title and typographical title pages all present 631 pps 11 full page illustrations. Significant foxing small tear in tissue preceding engraved title. Otherwise condition is Very Good- due to rebind.</p><p>Rebound by Arno Werner Bookbinders of Maine per the binder's ticket in the back. From the binder:</p><p>Hand Bound Books and Restorations are handcrafted by a Master Bookbinder Arno Werner Bookbinders from the highest quality skins available and heavy weight full cotton rag paper Linen threads and cords marble paper or silk end papers hand sewn silk head bands gold tooled or blind tooled. All restoration work is done with appropriate materials to match the original state of the period and binding style to the best of our ability. All the books are created with 100% acid free presentation grade materials "Red Label" binders board linen thread linen cords linen ribbons silk threads and ribbons.</p> Eugene Renduel hardcover
1988P38732Verlags-Anstalt Bayerland:Dachau.1988. 60 Seiten.22 x 23 cm. Original-Karton
1942RO30343240Flammarion. 1942. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 435 pages. Rousseurs.. . . . Classification Dewey : 840.08-XIX ème siècle
91301Paris, Société d'Editions Littéraires et Artistiques, Librairie Paul Ollendorff, s.d. (ca 1900). 15 x 24, 48 volumes, de 400 à 600 pages par volume, plusieurs gravures protégées de serpentes par volume, reliure larges dos/coins cuir à 5 nerfs, tête doréelats et pages de garde couleurs marbrés, très bon état.
104.509Paris, Gallimard/La Pléiade, 1978. 11 x 18, cviii-1792 pages, reliure d'édition plein cuir + 2 demi-jaquettes + rhodoïd, sous étui carton gris, très bon état.
