Annelida 1-4
2025__3112220617De Gruyter 2025. Hardcover. New. 1955 pages. 8.98x5.39x11.42 inches. De Gruyter hardcover
Revaluation Books · Royaume-Uni746,77 £GB≈ 852,66 €
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1913POGANYWI001722Harrap London. 1913. First edition. Small quarto. pp xii 362. Numerous tipped-in colour plates as well as illustrations in the text pictorial endpapers and cover design by Willy Pogany. Buckram covers decorated with Turkish motifs. Top edge gilt.Small ownership signature on front free endpaper. Fore-edge lightly spotted. Near fine in very good dustwrapper with a few nicks. Possibly the scarcest of Pogany's books and especially so in the dustwrapper. Harrap, London. hardcover
2025__3112220617De Gruyter 2025. Hardcover. New. 1955 pages. 8.98x5.39x11.42 inches. De Gruyter hardcover
192828945New York: Nelson 1928. Near fine. Signed limited first edition one of 500 numbered copies signed by Pogany. One of the most outstanding editions of Mother Goose illustrated by Pogany with unique full page color illustrations as well as many half-page color illustrations marvelous black and whites and silhouettes all in classic Art Deco style. Quite rare in the limited edition. 9'' x 7''. Original quarter cloth blue boards. Illustrated by Pogany in color and black-and-white cw: includes "Ten Little" rhyme with caricatured images of Black figures. Signed by Pogany on limitation page. A touch of wear to extremities faintest soil to top edge of front board. Nelson unknown
193957932Paris:: Editions de Cluny 1939. First edition; No. 100 of 100 copies on special paper with an extra suite of the illustrations in black total edition 1525 plus 60 hors commerce. publisher's 3/4 morocco over marbled boards t.e.g. in slipcase. A fine set in a rubbed and worn slipcase. 8vo. Illustrations de Mariette Lydis. Editions de Cluny, hardcover
OTF-S-9781568330594Madison Books. New. BRAND NEW GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER! Madison Books unknown
191124698London: Harrap & Co 1911. leather_bound. Full brown leather front cover decorated in blind. Teg. Very good. Unpaginated. 29 x 20 cm. Limited edition copy 160 of 525 signed by Pogany. With 16 full page tipped-in color plates and numerous intertextual plates in rose and black on light gray stock. Within the later are full page and myriad accompanying illustrations. This work is based on two German legends: Tannhäuser the mythologized medieval German Minnesänger and poet and the tale of the Wartburg Song Contest. Decorated endpapers. Small owner inscription dated 1918 front cover pastedown. Interior contents brilliant and clean. Harrap & Co unknown
1862370171862. Leipzig Wilhelm Engelmann 1862 4° VIII 38 pp. 1 Blatt Inhalt 5 feine lith. Tafeln Pappband der Zeit; Titel montiert. Selten! Willy Kühne 1837-1900 described the neuromuscular end organ Kühne spindle and introduced the term 'telolemma' for the outer covering of its sheath." Clarke and O'Mailey Human Brian and Spinal Cord pp.75-78.<T>NUC NK 0319696 locates 5 copies. Garrison & Morton No. 1269 unknown
BN90575Springer Berlin. Flugzeugtriebwerke: Grundlagen Aero-Thermodynamik Kreisprozesse Thermische Turbomaschinen Komponenten- und Emissionen VDI-Buch <br/><br/>Flugzeugtriebwerke: Grundlagen Aero-Thermodynamik Kreisprozesse Thermische Turbomaschinen Komponenten- und Emissionen VDI-Buch Bräunling Willy J.G. Springer Berlin unknown
22542n.d. 205 mm x 135mm Original watercolour mounted framed and glazed. unknown
198523817Zurich, Les éditions d'architecture Artémis, 1985-1986. Complet en 8 volumes in-4 à l'italienne, pleine toile titrée, jaquettes. Quelques défauts aux jaquettes (frottements en bords et petites déchirures), quelques feuillets de certains volumes légèrement gondolés.
83473Leder etwas berieben sonst gutes Exemplar. Konstruktion aus Nussbaum masssiv Sitzfläche und Rückenstütze mit Lederbespannung schwarz. In dieser Ausführung selten. Design Willy Guhl 1959. Hergestellt ca 1965 vermutlich Fa. Röthlisberger.Muss abgeholt werden. 010 unknown
189643069Leipzig, Johann Ambrosius Barth, 1896. 8vo. Contemporary half cloth with gilt title to spine. Band 58 of ""Annalen der Physik und Chemie"". Library stamp to verso of title-page. Light wear to edges and capitals and a damp-stain to the lower part of the last three leaves. Otherwise a clean and well preserved copy. The entire volume offered. Pp. 662-669. [Entire volume: VIII, 776 pp. + 6 folded plates].
189643069Leipzig Johann Ambrosius Barth 1896. 8vo. Contemporary half cloth with gilt title to spine. Band 58 of "Annalen der Physik und Chemie". Library stamp to verso of title-page. Light wear to edges and capitals and a damp-stain to the lower part of the last three leaves. Otherwise a clean and well preserved copy. The entire volume offered. Pp. 662-669. Entire volume: VIII 776 pp. 6 folded plates. <br/><br/><em>First edition of Wilhelm Wien's highly influential paper on the phenomenon of radiation also known as Wien's displacement law. Wien followed Ludwig Boltzmann's approach when incorporating electrodynamics and thermodynamics in investigating radiation and its characteristics. "He argued that if a system reaches the same temperature by the increase of temperature or by the adiabatic compression of the volume containing heat radiation it should yield the same energy distribution. Considering also the Doppler effect of the radiation Wien arrived at an expression for energy distribution that states that the product of temperature and the wave length is a constant". Mathew Chandrankunnel Philosophy of physics 2000 4 p.Wien's empirical observations functioned as a starting point for Max Planck who wanted prove the theoretical foundation for Wien's wishing thus to justify the entropy law. Today Wien's approximation is also known as Wien-Planck law.This phenomenon was coined "Wien's displacement law" because the energy density curve is displaced correspondingly to the temperature; it implies that the hotter an object is the shorter the wavelength at which it will release most of its radiation. Wien's description of radiation awarded him the Nobel Prize in Physics in 1911. Wien's constant is today used in a wide range of different aspects of physics e.g. cosmic microwave background and the determination of how much energy is emitted from a light bulb. Magie "A Source Book in Physics". Pp. 597-600.Other papers of interest contained in the present volume:KOHLRAUSCH F. Ueber Widerstandsmessungen von Electrolyten mit Wechselströmen durch das Dynamometer. Pp. 514-516.BOLTZMANN L. Zur Energetik. Pp. 595-598.RYDBERG J. J. Die Neuen Grundstoffe des Cleveïtgases. Pp. 674-679.WIEN W. Ueber die auf einer schweren Flüssigkeit möglichen Wellen von sehr Höhe. Pp. 729-735.Etc. </em> hardcover
19288288New York. Thomas Nelson and Sons. 1928. Bound in elaborate high art deco pictorial gilt decorated cloth. Pictorial endsheets depicting stylized alphabet. t.e.g. 8vo 8.5" x 6". First Edition. This copy signed in ink by Pogany to half title page. This copy also includes a nine page publishers publicity insert and titled "Willy Pogany and His Work". Marvelously Illustrated throughout with high art deco colour and monochrome plates drawings vignettes and decorations by Pogany. Widely regarded as the quintessential example of high art deco illustration Pogany's Mother Goose has delighted collectors of this genre for many years. Signed first edition copies have grown exceedingly scarce. A true delight of art deco extravagance. Some light staining to covers. Sporadic light water staining to edge of front pastedown and several pages. Mild sporadic foxing throughout. A slight hint of storage mustiness. A Very Good tight bright copy in a somewhat chipped Very Good rare original dustwrapper. Thomas Nelson and Sons. hardcover
192025924New York:: George H. Doran ca. 1920. Early edition. publisher's full pictorial gilt leather t.e.g. in publisher's plain box with printed paper label on one edge. A few light smudges to the binding; else fresh bright and unworn. The slipcase is rubbed at the joints but intact. Folio. Presented by Willy Pogany throughout including tipped-in color plates. George H. Doran, hardcover
03820Philadelphia: David McKay Co. 1942. A Finely Bound Rubaiyat<br/>Illustrated by Willy Pogany<br/><br/>POGANY Willy illustrator. Rubáiyát of Omar Khayyám in English Verse by Edward Fitzgerald. Illustrations by Willy Pogany. Philadelphia: David McKay Co. 1942. <br/><br/>Small folio 9 7/8 x 7 1/16 inches; 250 x 180 mm. vii 1-101 1 printers mark pp. Sixteen full-page and four smaller black & white drawings all with decorative borders.<br/><br/>Bound ca 1942 by Maurin stamp-signed in gilt on front turn-in. Full orange-brown morocco covers ruled in gilt with a central 'arabesque' design surrounded by four richly gilt decorated corner pieces. Spine with four raised bands decoratively tooled and lettered in gilt gilt-ruled board edges elaborate gilt turn-ins marbled end-papers top edge gilt.<br/>Very slight crack but perfectly sound at top of front joint otherwise near fine.<br/><br/>First published in 1859 Edward FitzGerald's version of Omar Khayyam's quatrains was widely read only after it was taken up by the Pre-Raphaelites in 1861. The height of the poem's popularity corresponded with the heyday of the illustrated book and such well-known illustrators as Willy Pogany Edmund Dulac René Bull and Frank Brangwyn received commissions to illustrate the poem. The drive to illustrate the Rubáiyat was given extra impetus first by the development from the 1860s onwards of wood-engraved colour illustrations and later around the end of the century by the coming of color halftone printing. The lushly exotic and sentimental colored illustrations enabled by Victorian print technology matched the melancholy hedonism of FitzGerald's version of the Rubaiyat. Apart from the vast number of illustrated Rubáiyats the proliferation of Omar Khayyam clubs was another manifestation of the cult. Their meetings furnished excuses for rumbustious drinking and the composition of appalling doggerel. The membership of London's Omar Khayyam Club included an impressive number of convivial bookmen including Andrew Lang Arthur Pinero Arthur Conan Doyle and Edmund Gosse. Justin McCarthy the politician and prolific hack novelist presided. The literary dinners and the pastiches of Khayyam's quatrains tended to stress the heedless bibulousness of the original work. But there is another aspect to the appeal of Khayyam to the Victorian and Edwardian reading public. The first version of the Rubáiyat had been published in 1859 the same year that Darwin's Origin of the Species had appeared. A few years later Matthew Arnold would publish "Dover Beach" in which the melancholy long retreat of the "Sea of Faith" left humanity on a "darkling plain". Already in 1850 in "In Memoriam" Tennyson had raised questions about Christian doctrine and the immortality of the soul only to dismiss them with suspicious glibness. The doubts and fears of the twelfth-century Persian philosopher were shared by many of his English and American readers. In the Rubáiyat as the day wears on its mostly agnostic protagonist becomes increasingly preoccupied by thoughts of mortality and judgment in a possible afterlife and this too perfectly matched the Victorian preoccupation with death. Deathbed scenes were a popular staple of fiction and the cowled figure stalked through quite a few novels. Philadelphia: David McKay Co., 1942 unknown books
19541163Paris: B. Artaud 1954. First Edition First Printing. Hardcover. Near fine/near fine. Belleville Ménilmontant. Photographs by Willy Ronis. Claud Arthaud editor. Type design by Roger Excoffon. B. Arthaud Paris 1954. 96 pp. Quarto 11 x 9 in./28 x 23 cm First edition. Vol. II in the collection "Les Imaginaires". Hardbound with illustrated boards. Original acetate jacket and printed belly band. 93 gravure reproductions printed by Braun & Co. BOOK CONDITION: Near Fine; a solid tight clean copy with light wear to edges and corners; in a Near Fine dust jacket with slight wear at crown of spine including a tiny chip and tear to acetate; in a Near Fine yellow belly band with signs of uneven fading.<br /> <br /> The scarce hardbound issue of Ronis's classic! Before his death in 2009 Willy Ronis was one of the last of the surviving documentary photographers in the humanist tradition of Kertesz and Cartier-Bresson. During the 40s and 50s he was a prolific chronicler of many corners of French social life especially the working people of Paris. He tended to wear his politics on his sleeve often photographing strikes demonstrations occupations of factories and the like. For this reason he also kept his distance from the American and British press. In this scarce volume Pierre Mac Orlan offers his paean to the authenticity of these working class neighborhoods of Belleville-Menilmontant. Ronis discovered the area through Daniel Pipart a painter and friend of his wife who kept a studio there. He visited and photographed regularly from 1947-1950 with the aim of one day making a book from the images. Ronis's images like countless Realist artists before him aim to capture the poetry of the streets. Ever respectful of his subjects Ronis's gaze is always affectionate and discrete. Unlike many documentary photographers who search out freaks and weirdoes Ronis seeks out the typical and the ordinary. Yet beneath the surface one senses a subtle sense of melancholy and muted nostalgia. A masterpiece of book design and typography! The images contained in Belleville-Menilmontant are certainly among Ronis's finest and provide an essential point of entry into his work. Included in MM. Auer: 802 Photo Books. B. Artaud hardcover
19288288New York. Thomas Nelson and Sons. 1928. Bound in elaborate high art deco pictorial gilt decorated cloth. Pictorial endsheets depicting stylized alphabet. t.e.g. 8vo 8.5" x 6". First Edition. This copy signed in ink by Pogany to half title page. This copy also includes a nine page publishers publicity insert and titled "Willy Pogany and His Work". Marvelously Illustrated throughout with high art deco colour and monochrome plates drawings vignettes and decorations by Pogany. Widely regarded as the quintessential example of high art deco illustration Pogany's Mother Goose has delighted collectors of this genre for many years. Signed first edition copies have grown exceedingly scarce. A true delight of art deco extravagance. Some light staining to covers. Sporadic light water staining to edge of front pastedown and several pages. Mild sporadic foxing throughout. A slight hint of storage mustiness. A Very Good tight bright copy in a somewhat chipped Very Good rare original dustwrapper. Thomas Nelson and Sons. hardcover books
1926113130Excelsior 1926 Editions Excelsior, Paris, 1926, 191 p., broché, environ 33x26cm, exemplaire numéroté 482 (l'un des 425 sur vergé à la forme de Rives BFK), complet des 20 eaux-fortes de Louis Icart et de la lettre de Colette en fac-simile. Couverture insolée et frottée, dos froissé avec une déchirure sur le bas, débuts de fente sur les mors, serpentes jaunies. Quelques rousseurs. Bon état pour le reste.
1913145831913 Paris, Librairie des Lettres, 1913, 1 vol. in-18° (189 x 120 mm) broché sous couverture crème rempliée, imprimée en rouge et gris, de (2) ff . (faux-titre et titre) 307 pp.Très bel exemplaire.
23918Paris, Arthème Fayard & Cie, 1919. In-8; [2] ff bl-251-[3] pp. Demi-maroquin lavallière, dos à nerfs, tête dorée sur témoins, couvertures et dos conservés (Reliure Signée Yseux sr de Thierry-Simier), étui.
1970257121964 und 1970. Insel, Frankfurt. Sarkowski 498. Mit Abbildungen aus der Handschrift aus der Bibliotheque Nationale Paris, MS. fr. 12400. Originalpergamentbände mit vergoldetem Rückentitel und blindgeprägter Deckelvignette. 278, [2] - 294, ([2] - [XII], 405, [5] Seiten. [2 Warenabbildungen]
3949Paris, Tresse et Stock, 1894. 19 x 12 cm, 360 pp. Relié demi percaline orange, dos lisse, pièce de titre marron, couverture ill. par Guillaume conservée. Bon exemplaire.Édition originale, envoi a.s. de Willy à son éditeur Victor Stock. Insérées trois belles lettres a.s. de Willy à Victor Stock, dont une rédigée au dos d'une page d'épreuves du livre. Deux lettres sont datées de 1893 à Lons-le-Saunier et la dernière de 1894 à Belle-Isle en Mer. Et insérée de plus le prospectus d'annonce du livre de 4 pages.
3949Paris, Tresse et Stock, 1894. 19 x 12 cm, 360 pp. Relié demi percaline orange, dos lisse, pièce de titre marron, couverture ill. par Guillaume conservée. Bon exemplaire.Édition originale, envoi a.s. de Willy à son éditeur Victor Stock. Insérées trois belles lettres a.s. de Willy à Victor Stock, dont une rédigée au dos d'une page d'épreuves du livre. Deux lettres sont datées de 1893 à Lons-le-Saunier et la dernière de 1894 à Belle-Isle en Mer. Et insérée de plus le prospectus d'annonce du livre de 4 pages.
TAB0000017"Non Renseigné. XXème siècle. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pastel sans titre sur carton sous vitre. Oeuvre représentant le Pont des Invalides (Paris) et un aperçu du Pont Alexandre III. Dimensions : 38 x 47 cm. Signature ""W.Worms"" en bas à droite. XXème siècle.. . . . Classification : 910.3-Pastels"
