Edmund SpenserBiblio.com
171 résultats
18891696New York: Thomas Y. Crowell c. 1889. Maroon cloth binding w/ gilt lettering & Deco cover beveled boards 715 gilt edge pgs Ads w/red outline each page. Clean Tight Copy has the slightest bit of top & bottom spine edge wear; faint water damage on back panel see pics. Size: 12mo - over 6¾" - 7¾" tall. Hard Cover.<br /> Thomas Y. Crowell & Co. hardcover
181966274London: Suttaby Evance & Fox 1819. Hardcover. Very Good. Two Volume Set. 3/4 brown leather over marble paper-covered boards with 6 bands lined in gilt gilt titling and gilt decorations to spine. Top corner creased at pages 107-143 of volume one and light scattered foxing to margins of a few pages throughout but are otherwise clean and unamrked. Marbled endpages have previous owner's sticker to top edge of front pastedown and light sunning to edges. Text block has light sunning to fore edge and top edge light scuffing to lower edge and light soiling to lower edge of volume two. All edges marbled. Boards are clean with light cracking and chipping to leather at spine bumping and moderate rubbing to corners and light rubbing to edges. Binding is tight boards slightly bow outward at fore edge. Suttaby, Evance & Fox hardcover
1810tom337John Sharpe London 1810 John Sharpe London 1810 rebound hardback gilt title to black cloth lxxxvii glossary 246 pp with monochrome frontispiece has light tanning and ex library book GWR Literary Society with usual label markings and stamp. Otherwise in GOOD CLEAN TIGHT READING ORDER. Full refund if not satisfied. 24 hour despatch. If not pictured in this listing a scan of the actual book is available on request. Hardcover. Good/No Jacket. John Sharpe London hardcover
181924570Suttaby Evance & Fox 1819. Tall 16mo. with engraved frontispiece and engraved title; attractively bound in contemporary full burgundy roan sides with frame border enclosing geometric design all in gilt stopped at corners by arabesques in blind; back with four raised bands second compartment lettered and ruled in gilt all other compartments elaborately tooled in gilt and blind all edges gilt gilt dentelles gilt doublures blue endpapers covers very lightly age-scuffed extremities lightly rubbed else a very good bright clean copy. The frontispiece is engraved by Raimbach after Westall; the title by Rhodes after Westall. A remarkably well-preserved copy of a scarce and most attractive edition. Suttaby Evance & Fox, hardcover
182512196William Pickering 1825. 5 vols. sm. 8vo. on laid paper dated 1824 with engraved portrait frontispiece 'wreath' titles some very light spotting and dust-soiling to text fore-edges dusty neat and uniform nineteenth century signature on front paste-downs; original brown puce cloth backstrips with original paper labels lettered in black uncut and partially unopened first volume expertly recased third volume with small 'pull' at headband else a very good firm set in minimally restored early cloth binding. THE SET IS COMPLETE WITH ALL HALF-TITLES. It includes Philip Masterman's 'Essay on the Life and Writings of Edmund Spenser' and an extensive glossary. The portrait is engraved by Worthington. The titles carry Pickering's distinctive 'wreath'. 'The books of Pickering's Wreath Series possess in common an exceedingly pleasant format and on their title-pages is his beautiful and individual wreath ornament usually as here with the motto 'Perennis et frgrans'. This ornament served to all intents and purposes as Pickering's 'device' in the books which he published in the years 1825 and 1826' Keynes pp.16-17. The work was an early product of his collaboration with co-publisher Talboys and Wheeler of Oxford. Pickering produced his first commercial cloth binding for his 'Diamond Classics' series of the early 1820s. 'He was afterwards imitated by other publishers but the smooth red magenta puce or dark blue cloth used by Pickering remained for many years the distinguishing mark of his books. The innovation thus quietly made by Pickering in 1820 has had its effect on the whole subsequent history of the publishing trade in England and but for him boards or paper covers for books might now be considered to be just as inevitable in this country as they still appear to be on the continent of Europe' Keynes pp.14-15. A MOST ATTRACTIVE COPY IN SPLENDID MINIMALLY RESTORED BINDING FROM ONE OF THE FOUNDERS OF PUBLISHER'S CLOTH. This copy is bound in Pickering's characteristic dark brown 'puce' shade rather than the red cloth seen by Keynes. Keynes p.90 with asterisk denoting 'special merit'. William Pickering, hardcover
1860023316Boston: Little Brown and Co 1860. 12mo. In five volumes. Portrait frontispiece in volume 1. These volumes were at first intended to be a little more than a reprint of the edition published in 1839. But the necessity of reducing the annotations to a more compact form and the hope of making some improvements led to alterations becoming more extensive as it progressed. The glossary had been entirely reconstructed. The life of the Poet is believed to be more complete and more correct than any former biography. A very good set bound in full contemporary calf boards triple ruled in blind slightly raised bands gilt with compartments fully gilt decorated red morocco spine labels gilt all edges marbled with matching endpapers Bookplate belonging to Minot Volume 4 with chip to head some light chipping to foot of volume 3 and wear through to corners a few spots of rubbing internally clean and bright without foxing. Little, Brown and Co unknown
18392127London: William Pickering/ The Aldine Edition of the British Poets 1839. FIRST ALDINE EDITION. 8vos engraved portrait frontis and Pickering catalogue to vol. I Pickering's dolphin and anchor device to title pages engraved headpieces. Original blue cloth paper title labels to spines lettered in black. Spines darkened losses to labels extremities bumped edgewear some chipping. Toned occasional pencil scoring some spotting POI 'E. Cathcart./ Auchendrane' to ffeps 'W. F. Watson Bookseller' labels to front pastedowns. Else clean. A good set with interesting Scottish provenance. William Pickering's The Aldine Edition of the British Poets was a reprint series of classic literature printed by his close collaborator Charles Whittingham. Pickering 1796-1854 is remembered for "the introduction of cloth binding leading to the wider availability of books at lower prices 5 shillings per cloth volume as here; the publication of reputable editions of both standard and neglected works; and a close attention to book design which had a lasting influence" ODNB. And for his friendly manner and fondness for maroon waistcoats apparently. Elias Cathcart 1817-1877 of Auchendrane was a Scottish Advocate and a Fellow of the Royal Society of Edinburgh 1826–39. He translated Friedrich Carl von Savigny's The History of the Roman Law during the Middle Ages 1829 to the admiration of its author and contemporary critics. W. F. Watson was located at 52 Princes Street Edinburgh. William Pickering/ The Aldine Edition of the British Poets hardcover
1839036937London: William Pickering 1839. Meia de Amador / Half-Leather. Bom / Good / Bon. In-12º170x110. 3 volumes de 282 / 305 /317 pp. São apenas os volumes I IV e V faltam os volumes II e III desta edição muito cuidada e bem impressa com o retrato do autor bo frontispício do primeiro volume. Encadernações em meia de amador com lombada e cantos de chagrin. <br/> <br/> William Pickering hardcover
1859320589Edinburgh: James Nichol 1859. hardcover. near fine. 5 volumes. slim 8vo 3/4 decorative green morocco evenly faded to brown top edges gilt light scattered foxing. Edinburgh: James Nichol 1859. A very handsome set.<br/> <br/> James Nichol unknown
183924247London: William Pickering 1839. leather_bound. Decorated full polished green calf. Top edges gilt. Near fine. 5 Vols. 282 295 296 303 317 pages 16.5 x 10.5 cm. The Aldine Edition. One of the great poets of the English Renaissance. Spenser was well-read in classical literature scholars have noted that his poetry does not rehash tradition but rather is distinctly his. Walter Raleigh wrote a commendatory poem to The Faerie Queene in 1590 in which he claims to admire and value Spenser's work more so than any other in the English language. Bright fresh set with the memorable gilt Aldine anchor front covers and bound by Bartlett. Raised bands panels decorated in gilt brown spine labels gilt lettered marbled endpapers gilt turn-ins. One volume with slight sunning front cover head. William Pickering unknown
1874038786Covent Garden London: Bell and Daldy 1874. Book. Near Fine. Hardcover. First Edition. 8vo. c 1874 five volumes of the Aldine edition. Bound in handsome half calf blue leather with matching marbled paper covered boards red spine labels and gilt decoration fore-edges marbled. Bindings very good with a little general wear. Contents clean and tight no inscriptions no spotting marbled endpapers present in all. A very good set. Bell and Daldy Hardcover
1839154546London: William Pickering 1839. First Edition. Hardcover. Good. Part of Pickering's Aldine Poets series. 5 vols.: viii lxxvi 282; vi 295; 296; vi 305; vi 317 p. 17 cm. Frontispiece portrait in vol. I printed by Charles Whittingham. Burgundy leather. All edges gilt. Bindings signed by Hayday. Light wear to edges. Vol. III has hole in spine. Vols. II & III have chipped front boards. Bookplates for Mooresfort with initials C.C.M. on front pastedowns. Blind stamps for Ernest Sirluck on front free endpapers. Dampstain to frontispiece portrait in vol. I. Vol. IV has a few dogeared top corners affecting text block edge. <br/><br/>Books were bound by James Hayday 1796-1872. According to Wikipedia works bound by Hayday became famous and his name attached to a book raised its value twenty-five per cent. William Pickering whose anchor and dolphin device appears on the titles introduced him to many wealthy patrons. Despite this Hayday was unable to compete with cheaper binders and was bankrupt in 1861. Note bookplates for Field Marshall Charles Moore 1st Marquess of Drogheda and blind stamp of Prof. Ernest Sirluck 1918-2013 who taught in the University of Toronto's English department. William Pickering hardcover
1852456017London : William Pickering 1852. First Edition. Hardcover. Very good copies all in full gilt-blocked green aniline calf boards with inner gilt dentelles and all edges gilt. Faintly scuffed covers slightly rubbed along the board edges. Spines somewhat more worn with minor cracks at joint ends; bottom two compartments lifting on v.1 and top compartment pivoting on rear joint. Marble endpapers; contemporary owner's autograph to flyleaves. Tight bright and clean internally with surprisingly sharp corners. A remarkably well-preserved and complete set. Series; The Aldine edition of the British poets. Physical description; complete in 5 volumes : portrait ; 17 cm. Notes; This edition originally published 1839. Includes a life of the poet by John Mitford. Contents; v. 1. Introductory sonnets ; The life of Edmund Spenser / by the Rev. J. Mitford ; The faerie queene. Author's preliminaries ; Book I-II -- v. 2. The faerie queene. Book II continued-IV -- v. 3. The faerie queene. Book IV continued-VI -- v. 4. The faerie queene. Book VI continued ; Miscellanies. Colin Clouts come home againe ; Virgils gnat ; The shepheards calendar : containing twelve aeglogues proportionable to the twelve months -- v. 5. Fowre hymnes ; Three visions ; Prosopoia or Mother Hubbafds tale ; Prothalamoin or A spousall verse ; Epithalamion ; Poems ; Amoretti or sonnets ; Daphnaida ; The doleful lay of Clorinda ; The mourning music of Thestylis ; A pastoral eglogue upon the death of Sir Phillip Sidney ; An elegie or Friends passion for his Astrophil ; An epitaph upon the Right Honourable Sir Phillip Sidney ; Another of the same ; The teares of the Muses ; The ruines of Rome ; The ruines of time ; Muipotmos or The fate of the butterflie ; Brittain's Ida. Subjects; English poetry - Early modern 1500-1700. London : William Pickering hardcover
1852008305London: William Pickering 1852. Book. Near Fine. Hardcover. Later Edition. 12mo - over 6¾" - 7¾" tall. Five volumes in contemporary pebbled brown morocco gilt lettering tooled in blind all edges gilt marbled end papers. Near Fine light rubibing light toning at end pages occasional scattered toning. A well-bound set. . William Pickering Hardcover
18258321London: Pickering; Nattali and Combe; Talboys and Wheeler. Very Good. 1825. Hardcover. Rubbing to top of spine. Offset to title page volume one from portrait frontis otherwise a very clean set. ; 5 vols; 12mo; engraved portrait frontis of Spenser in volume 1. Rebound in green library cloth spines lettered in gilt; hinges expertly reinforced with cloth tape; Bookplate of George Waddington on front pastedown each volume. . Pickering; Nattali and Combe; Talboys and Wheeler hardcover
1862299359Edinburgh London : J. Nichol ; J. Nisbet & Co. 1862. First Edition. Hardcover. Poor copy bound in half leather over stained cloth boards with leather gilt blocked labels to the spines. Some wear and tear as with age. Remains well preserved overall; tight bright clean and sharp-cornered. Physical description; vol. V only: 330 pages ; 24 cm. Subjects; Spenser Edmund 1552-1599. English poetry Early modern 1500-1700. Edinburgh London : J. Nichol ; J. Nisbet & Co. hardcover
1859465027James Nichol Edinburgh 1859. Very Good. 1859. Hardcover. hardback 8vo complete in 5 volumes xviii304;359;255;318;330pp inscription on flyleaf 'James P. Holden from.Robert Lewis and Francis Edward Cunningham on his leaving Eton July 1862' red edges marbled endpapers slight foxing in places full leather bindings blindstamped boards gilt spine decorations and titles spines darkened corners and board edges rubbed Very Good condition . James Nichol, Edinburgh, 1859. hardcover
1839003045William Pickering 1839 This the first printing of the Aldine edition published by Pickering with Charles Whittingham being the printer. These volumes bound in polished calf with red and black morocco spine labels. Endpapers and all edges marbeled. Contents mostly unread There is some wear to the extremities with part of the black spine label of volume 1 missing and the front board of volume 2 is detached. Volumes are 6 1/2" tall. William Pickering hardcover
1839159411London: William Pickering 1839. An attractively bound set published for the Aldine Edition of the British Poets renowned for its elegant typography and for the diligence of its editors. Spenser's poetry influenced "virtually all major poets writing in English before the twentieth century" and his The Faerie Queene is one that "any aspiring English poet has felt obliged to read carefully and imitate" ODNB. The publisher Pickering's "achievements are now well acknowledged: the introduction of cloth binding leading to the wider availability of books at lower prices; the publication of reputable editions of both standard and neglected works; and a close attention to book design which had a lasting influence" ODNB. 5 vols small octavo 158 x 199 mm. Engraved frontispiece to vol. 1 publisher's anchor device to title pages woodcut headpieces. Early 20th-century tan calf for Hatchards Piccadilly spines with gilt-dotted raised bands green morocco labels elaborate floral decoration in gilt to compartments covers bordered with a triple gilt fillet board edges and turn-ins tooled in gilt grey endpapers edges gilt green silk bookmarkers. Early 20th-century bookplate to front pastedowns of Margaret Elizabeth Holland Dewar 1873-1940 Lady Forteviot; a most attractive pseudo-Expressionist linocut design depicting Dupplin Castle - residence of the Barons Forteviot from 1911 - the fish-filled River Earn flowing beneath the banks decked with rose bushes the variety "Lady Forteviot" being named in her honour. A very good set bright and square some minor scuffs to covers light scratch to leather on front cover of vol. II book block of vol. I cracked before half-title remaining firm contents crisp and clean. hardcover
1839160090London: William Pickering 1839. An attractively bound set published for the Aldine Edition of the British Poets renowned for its elegant typography and for the diligence of its editors. Spenser's poetry influenced "virtually all major poets writing in English before the twentieth century" ODNB. The publisher Pickering's "achievements are now well acknowledged: the introduction of cloth binding leading to the wider availability of books at lower prices; the publication of reputable editions of both standard and neglected works; and a close attention to book design which had a lasting influence" ibid. 5 vols small octavo 158 x 199 mm. Engraved frontispiece to vol. 1 publisher's anchor device to title pages woodcut headpieces. Contemporary red morocco spine with raised bands lettering and intricate gilt decoration in compartments covers elaborately framed in gilt and in blind floral gilt decoration to board edges and turn-ins yellow coated endpapers edges gilt. Spines uniformly faintly toned trivial rubbing to extremities sides bright minor loss to a few endbands headband of vol. I missing short superficial split to rear inner hinge of vol. I but firm foxing to endpapers and a couple of initial and final leaves in each volume short closed tear to rear free endpaper in vol. IV sporadic marks to contents otherwise clean. A very good set presenting handsomely in the binding. hardcover
183930438London 1839. Maroquin-Einbd.goldgeprägt.Eingebundener Begleitbrief v. 1841 signiert von W. Wordsworth.Guter Zustand William Pickering Kl.-8°. Ldr.m.Prg. Literatur unknown
187068407London Paris & New York: Cassell Petter & Galpin Circa 1870. 8vo. xix 355; 330 pp. Brown half morocco binding with grey cloth boards. Slight wear to the binding and bumping to the corners. Binding firm with occasional minor spotting and small mark to the fore edge. 5 volumes in 2. . Very Good. Half Morocco. 1870. Cassell , Petter & Galpin Circa 1870 unknown
1802162693London: J. Heath and G. Kearsley 1802. In handsome contemporary tree calf First Aikin edition in a very attractive contemporary binding and with pleasing engravings by James Heath 1757-1834 "one of the leading line engravers of his time" ODNB. The illustrations are after Thomas Stothard; in "making this artist his especial study Heath gained a great reputation and by is talent and tasteful execution gave a great impulse to book illustration" Redgrave p. 199. The text is a revision of that used by Samuel Johnson in his Works of the English Poets 1799-81. The editor John Aikin 1747-1822 was a surgeon and literary biographer who found in London "a warm welcome and became a minor literary success. His circle of friends included Thomas Pennant the naturalist; Erasmus Darwin; James Montgomery; John Howard the philanthropist; and for a time Robert Southey" ODNB. 6 vols octavo 207 x 124 mm. Frontispiece and 12 steel-engraved plates by James Heath after Thomas Stothard. Contemporary tree calf red and green spine labels smooth spines decorated in gilt board edges gilt edges sprinkled dark green. Calf lightly mottled partial splits to inner hinges bindings remaining sound sporadic internal foxing. A very good set indeed. Samuel Redgrave A Dictionary of Artists of the English School 1874. unknown
1859248899James Nichol Edinburg/James Nisbet London/ W. Robertson Dublin 1859. First of this edition. Hardcover. Very Good. 5 volumes. First Gilfillan edition. 3/4 fine brown morocco with marbled boards and endpapers. Raised bands. Gilt spine title reads British Poets Spenser I-V. Very good condition. Minor rubbing at edges. No former owner marks. Ships from Dinkytown in Minneapolis Minnesota. Due to the size/weight of this set extra charges may apply for international shipping. James Nichol, Edinburg/James Nisbet, London/ W. Robertson, Dublin hardcover
184573339lviii 1-371 pages portrait frontispiece; 1-450 pages; 1-430 pages; 1-399 pages; 1-430 pages Published by Henry G. Bohn hardcover
