171 résultats
1825BOOKS071124ILondon: William Pickering. Nearly fine set in full leather. 1825. 1st. leather. 8vo 1975 pp. Bound by Zaehnsdorf with their stamp on the endpapers in full dark blue leather with gilt decorated spines with raised bands in five panels; contrasting titles volume numbers and date at the base on each volume; top edges gilt; marbled endpapers. Very minor rubbing to a bright handsome set. . William Pickering hardcover
182580273William Pickering; Nattali and Combe; Talboys and Wheeler 1825-01-01. Hardcover. Very Good. Five volume set in 3/4 gilt decorated leather 4 raised hub spines all edges marbled sewn in place markers. Tight and unmarked with frontis portrait volume 1. oversized and overweight. Please email for photos. William Pickering; Nattali and Combe; Talboys and Wheeler hardcover
1852108431London UK: William Pickering 1852. Leather Bound. Very Good. 16mo 5.75 - 6.75'' tall. Leather Bound. Condition: Very Good. William Pickering London UK 1852. Brown 5-ribbed full leather binding gold floral decor on spine marbled endpapers Double Comb Double Nonpareil ALL page ends gold gilt. Volumes IIIIV and V ONLY. Nice Firm Clean copy ! Light general wear. Volume V has some loss of spine. Slight 'leather burn' on board edge. Size: 16mo 5.75 - 6.75'' tall. William Pickering 1796-1854 was an English publisher notable for introducing cloth binding to British publishing. Pickering began working as an antiquarian bookseller before 1820 and quickly moved into publishing. In 1819 he began publishing a series of Diamond Classics- small books set in tiny type that were offered in a uniform binding of cloth or leather at an affordable price of 6 shillings. These are probably the first publishers' bindings in cloth- an innovation which had a rapid and profound impact on the publishing industry. He specialised in scholarly editions of classic authors. Poetry::Before 1900 6846 6846 William Pickering hardcover
183935683London: William Pickering 1839. Small 8vo 5 volumes Pickering's vignette anchor & dolphin device on title pages; early 20th century half brown morocco by Riviere gilt paneled spines in 6 compartments gilt lettered in 2 t.e.g.; fine set. Issued as part of the publisher's Aldine British Poets series. Contains a life of Spenser by the Rev. J. Mitford. William Pickering unknown
1839244700London: William Pickering 1839. First edition and part of the Aldine Poets series. With Portrait Frontispiece. Printed by Charles Whittingham. 5 vols. 8vo. Bound in contemporary pebbled morocco and marbled boards edges marbled. Very good. First edition and part of the Aldine Poets series. With Portrait Frontispiece. Printed by Charles Whittingham. 5 vols. 8vo. Keynes p. 48 William Pickering unknown
18259006102London: William Pickering; Nattali and Combe; Talboys and Wheeler 1825. Hardcover. Fine Condition. Bound in half brown leather and light green marlbed boards with the covers and spines stamped in gilt. Beautiful floral leaf pattern on the spines. Four raised bands on the spines. Top edges gilt. Marbled endpapers. <br/><br/> William Pickering; Nattali and Combe; Talboys and Wheeler hardcover
1839011182London: William Pickering 1839. Book. Good. Cloth. First Thus. 12mo - over 6¾" - 7¾" tall. Complete in five volumes uniformly bound in dark blue-gray cloth with paper title labels mounted on spine panels. Most bindings show light lean. Corners and spine extremities are a bit rubbed and cloth modestly spotted with some surface rubbing. Title labels toned one showing minor corner loss. Interiors clean bindings firm. Former owner signature on front flyleaf of each volume. xvilxxvi282 vi295 vi296 vi305 vi317 pp. Vol. I with engraved frontis. portrait by Aug. Fox. Includes Mitford's Life of Spenser. William Pickering Hardcover
1896GEN36-C-10London : Archibald Constable And Co. 1896. First edition. Cloth. Good. 8" by 5.5". None. A late Victorian copy of this British political work. Very scarce first edition. Wilkinson was very well connected to key figures in politics and in the armed forces as he journalist and had long hoped for an academic appointment as his interests increasingly turned toward historical study. He was elected the first Chichele Professor of Military History in the University of Oxford and Fellow of All Souls College in 1909. During World War I he becamelike Clausewitz's foremost German proponent at the time Hans Delbrück--an energetic critic of his nation's counterproductive strategy and policy. He remained an influential voice in Britain until his death in 1937. In a red cloth binding with gilt title detail to spine. Externally generally sound with bumping to extremities a little loss of cloth at the head and tail and discolouration to the spine. The hinges are slightly strained. Internally binding is strained in places. Pages are generally bright and clean with light foxing to endpapers and a small closed tear to the top right corner of the front free endpaper. Good Archibald Constable And Co. hardcover
1894916Z34London: J. M. Dent & Co. 1894. Leather. Very Good Indeed. 6" by 4". None stated. A collection of poetry by Edmund Spenser bound in a decorative vellum binding with yapp edges. A collection of poetry by Edmund Spenser. Bound in full decorative vellum with gilt details to the front and spine with Yapp edges and ribbons. Illustrated with a monochrome frontispiece portrait and an engraved title page. This work features a collection of lyrical poetry by the English poet Edmund Spenser best known for his epic poem 'The Faerie Queene'. The volume attempts to showcase Spenser's other poetical works which the editor Ernest Rhys believes to be overlooked such as 'The Shepheardes Calendar'.Undated dated by copies held institutionally. Bound in full vellum. Ribbon detached to the rear board. Externally smart with discolouration to the rear handling marks and some sunning to the spine. Internally firmly bound with bright and clean pages. Very Good Indeed J. M. Dent & Co. hardcover
189516802London: J. M. Dent & Co 1895. Hardcover. Very good. Hardcover. "Bring with you all the Nymphes that you can heare Both of the rivers and the forrests greene." to this 130-year-old celebration of the lyrical verse of Edmund Spenser. "Epithalamion" "The Shepheardes Calender" "Happy Ye Leaves" hymns in honor of love and beauty and more of Spenser's lyrical poems are collected in this 1895 nearly pocket-size tome gilt-stamped in twining Art Nouveau vines of heart-shaped leaves and butterflies and illustrated in an engraved portrait of the poet a muse-adorned title page and decorative head- and tailpieces throughout. <br /> <br /> 6 1/8" X 4". xviii 245pp. Bound in sky blue cloth over boards with Art Nouveau vines stamped in gilt to upper board and spine lettered in kind. Mild wear to binding with bumping and rubbing to corners and to head and tail of spine. Blue silk ribbon placemarker detached and laid in. Previous owner's name dated March 1895 to front free endpaper. Binding is firm and sound. Pages show an occasional blemish else unmarked. Illustrated in a tissue-guarded engraved portrait of the poet decorative title page and Art Nouveau head- and tailpieces. J. M. Dent & Co hardcover
1882342556The Author. Good. 1882. Hardcover. Spine has heavy wear to the ends a central scrape and light rubbing. Wear to the leather outer corners and to the outer edges. Front blanks and title page are loosely attached. First few leaves each have one or two small tears to the outer edge. Scattered traces of foxing very slight to the title page and first page. ; Approx. 9 1/4" wide by 11 1/4". Three-quarter leather binding. ; 144 pages . The Author hardcover
1900206084London UK: The Illustrated Londondon News 1900. 1st Edition. Hardcover. Good/No Dust Jacket Issued. Elephant Folio - over 15 - 23" tall. Record of the Transvaal or First Boer War of 1880/81. Includes 8b/w photographs and many b/w drawings. 78pp. Quarter bound in black cloth with marbled paper to remainder. Paper rubbed and scuffed heavily so at corners.Endpapers look to have been professionally replaced. Text block is in very good order though some pages are foxed and have occasional nick to edges. Book is both large and heavy so additional postage may be required. . The Illustrated Londondon News hardcover
1894007558LONDON: SWAN SONNENSCHEIN AND CO 1894. Hardcover. Good/No Jacket. Boards rubbed and marked prelims lightly foxed. Clean throughout. Good. <br/> <br/> SWAN SONNENSCHEIN AND CO hardcover
1894423718London : Swan Sonnenschein 1894. 1st edition. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Physical description: 331 pages ; 22 cm. Subjects: Imperialism; Great Britain Foreign relations. London : Swan Sonnenschein hardcover
188943130London 1889. EDITED FROM THE BEST EDITIONS. WITH MEMOIR NOTES AND GLOSSARY. 8vo. xxvi 413pp. FROM THE LIBRARY OF W.G. GRACE jun. SIGNED INSCRIBED AND DATED BY HIM on the half-title: 'W.G. Grace Xmas 1890'. W.G. Grace jun. 1874-1905 played for Gloucestershire between 1893 and 1898 for Cambridge University between 1894 and 1896 and for London County between 1900 and 1903. He was son of the famous Gloucestershire and England cricketer and died at an early age after an appendicitis operation. A volume in the 'Chandos Classics' series. unknown
1888000420London and New York: Frederick warne & Co. 1888. No Edition Stated. . Hardcover. Good/No Jacket as Issued. 7 1/4" X 5 1/4 . No. 72 of the Chandos Classics as listed fep's. Preface by Chandos editors. Memoir of Spenser7 pp. A letter of the Author's to Sir Walter Raleigh dated 23 January 1589." The Faery Queen Disposed into Twelve Books Fashioning XII Moral Virtues" 406 pp. plus: Glossary Advertisements. Buckram covered boards feature ornate details gilt and green. ffep is loose but present. Bookseller's Inventory # 1230420. <br/> <br/> Frederick warne & Co. hardcover
1897038763London: Archibald Constable 1897. 1st Edition. Hardcover. Near Fine/No Dust Jacket. small octavo. pp All complete. 1st printing. Books I and II published 1897. Book III 1898 Book IV 1899 Book V 1898 and Book VI 1900. All block embossed presented by Archibald Constable to title page except Vol III which stamped file copy Archibald Constable to reply. An excellent set. Archibald Constable hardcover
1897186438London: J. M. Dent & Co. 1897. First Fairfax-Muckley edition one of 1250 copies printed on ordinary paper. This edition was intended as a stylistic companion to Dent's Le Morte d'Arthur 1894-95 illustrated by Aubrey Beardsley and as a competitor to the George Allen edition of The Faerie Queene illustrated by Walter Crane and published the same year. Fairfax-Muckley 1862-1926 was an influential leader of the arts and crafts Birmingham School having studied painting and drawing at the Birmingham School of Art in the early 1880s. A 1901 profile by the Society of Designers declares that he "has always had a strong bent towards the straightforward methods of the early painters. as witness the beautiful designs for his well-known edition of the 'Faerie Queene' which fully express his natural admiration of the early Italian work" p. 171. Dent commissioned Beardsley and Fairfax-Muckley to illustrate his deluxe arts and crafts publications in an effort to emulate the success of the Kelmscott Press. An additional limitation of 100 copies on handmade paper was also issued. 2 vols quarto. Woodcut frontispieces and title pages 25 woodcut illustrations 11 bifolia woodcut initials head-and tailpieces ornaments and borders throughout. Original cloth spine elaborately decorated in gilt sides decorated in gilt top edge gilt others untrimmed silk bookmarkers. Ownership stamp of one George Hallet on the half-titles and p. xi. Lightly rubbed foxing to cloth endpapers and edges bookmarkers detached: a very good copy. Society of Designers 'A Designer of the Birmingham School' The Artist: An Illustrated Monthly Record of Arts Crafts and Industries 1901. hardcover
18978274<p>Archibald Constable & Co. Westminster. London. 1897-1900. SIX VOLUMES. FIRST KATE WARREN EDITION. 8vo.6.8 x 4.4 inches. Illustrated frontis to each volume - 3 portraits and 3 sepia photographic views River Blackwater County Cork ; Ruins of Kilcolman Spenser's home in Ireland ; Glengarriff County Cork. each with a tissue guard. Each volume with an extra decorative title page. A fine and clean set with a few of the gatherings still unopened. Finely bound by Riviere in early twentieth century quarter vellum with single raised bands. Green title labels ruled and lettered in gilt. Arts and Crafts style tall flower design with stems leaves and flower in gilt to each spine. Blue cloth on boards. Top edges gilt others untrimmed. Some minor marks to the cloth on a few of the boards but the spines all clean and the gilt bright so the set looks great on the shelf. A very attractive set of vellum bindings.</p> Archibald Constable & Co. Westminster. London. 1897-1900 hardcover
189745367London: J. M. Dent. Very Good with no dust jacket. 1897. Hardcover. Oversized two volume set. Half vellum with marbled boards morocco/gilt spine labels marbled endpages TEG ribbon marker. Limited to 100 copies on handmade paper and 1250 copies on ordinary paper. Fairfax-Muckley edition. Pp. Lii 1156 continuous pagination Inner hinges have been reinforced. Minimal foxing/soil/rubbing. ; quarto . J. M. Dent hardcover
18974803London: George Allen 1897. Six volumes. Limited first book-form edition. Edited by Thomas J. Wise and with the fabulous arts and crafts illustrations of Walter Crane. One of 1000 unnumbered copies on handmade paper printed by Charles Whittingham & Co. at the Chiswick Press. The original soft covers of the parts have been retained and bound in to the rear. Recently repaired / re-spined in red leather with the original red leather boards. Some of the boards have some darkening / staining but overall in very attractive condition. Internally the books are sound but slightly darkened to the edges. A decent copy. lxxxvii 1-248 i covers. viii 251-528 covers. viii 529-806 covers. viii 807-1044 covers. viii 1045-1276 covers. viii 1277-1546 8 covers. . Très bel exemplaire de la première édition. Six volumes. Édité par Thomas J. Wise et avec les fabuleuses illustrations art nouveau de Walter Crane. Un des 1000 exemplaires non numérotés sur papier fait main imprimés par Charles Whittingham & Co. à la presse de Chiswick. Les couvertures souples originales des parties ont été conservées et reliées à l'arrière. Récemment réparé / ré-épinglé en cuir rouge avec les planches d'origine en cuir rouge. Certaines planches présentent quelques taches mais dans l'ensemble elles sont en très bon état. A l'intérieur les livres sont sains mais les bords sont légèrement assombris. Un bon exemplaire. lxxxvii 1-248 i couvertures viii 251-528 couvertures viii 529-806 couvertures viii 807-1044 couvertures viii 1045-1276 couvertures viii 1277-1546 8 couvertures. George Allen paperback
18972945London: J.M. Dent 1897. Chivers bindings. Fine. STUNNING CHIVERS VELLUCENT BINDINGS. One of 100 large-paper copies illustrated by Louis Fairfax Muckley. The three thick quarto volumes are elegantly printed on handmade paper and illustrated throughout with images and designs by the British artist and illustrator Louis Fairfax Muckley. The illustrations are magnificent and feature the plates in two states red and black.<br /> <br /> The bindings by Chivers however are the star of the show and perfectly complement the text. For the front boards Muckley has created an intricate design featuring a knight and lady on galloping horses surrounded by decorative borders and gilt titling. Each spine depicts a lady emerging from a colorful background while each rear board has a stylized dragon seemingly jumping out from the binding. While the outlines of the designs are the same on each volume they are each painted with different colors creating a unique look and mood for each.<br /> <br /> On Cedric Chivers’s “vellucent†bindings:<br /> <br /> Chivers created a masterful binding technique in the late 19th century he called “vellucent†– a portmanteau combining “vellum†and “translucentâ€. The process was arduous but the results were stunning with artwork seeming to glow under a layer of thin protective vellum.<br /> <br /> His process began with a decorative design—in the case of these volumes artwork by Louis Fairfax Murray – created on paper or thin parchment. The artwork was then placed underneath a sheet of vellum that was extremely thin and specially treated to be translucent allowing the colors to almost shine like a stained glass window. The final step was particularly tricky – since vellum is not particularly flexible it required expert craftsmanship to lay it smoothly over the book's boards and spine without wrinkles or bubbles. The result is a binding that doubles as a work of fine art.<br /> <br /> The bindings are stamped “Bound by Cedric Chivers†in gilt on the rear dentelles and decoratively written on the rear endpaper of volume 1 likely by Chivers is the note: “THIS BOOK IS BOUND BY / CEDRIC CHIVERS BATH / 2 COPIES ONLY WITH THIS DESIGN / THIS IS NO 1â€. Anecdotally however we are aware of three copies that have been bound with this design although without the written limitation.<br /> <br /> Provenance: There is a note in pencil in the first volume that these are from the Robert Hoe collection but we have not been able to confirm this.<br /> <br /> London: J.M. Dent 1897. Thick octavos 258 x 197 mm vellucent bindings by Chivers. Text nearly pristine. A touch of bowing to bindings.<br /> <br /> AN OUTSTANDING EXAMPLE OF CHIVERS BINDINGS IN UNUSUALLY FINE CONDITION. J.M. Dent unknown
18971401574London: J.M. Dent 1897. Limited Edition 1/1250 Copies. Hardcover. Quartos Two Volumes 1153 2 pages continuous pagination. In Very Good minus condition. <br /> <br /> Bound in tan cloth with gilt lettering and decoration to spines and boards gilt tops deckled fore-edges and bottoms. Mild shelf wear to boards including bumping with fraying to head tail and corners; sun-fading to spines and tops gilt affected lettering remains legible; rubbing with material loss to front board of Vol. I and spine of Vol. II; evidence of water damage to boards and paste-downs; adhesive residue from removed bookplates on front paste-downs; age-toning to text blocks; light age-toning to interior pages illustrations and text remains clear and legible. <br /> <br /> Shelved Above U.S. Political Bio. 1401574. Shelved Dupont Bookstore. J.M. Dent hardcover
1856176846London: G. Routledge & Co. 1856. Fourth Corbould edition presented here in an attractive morocco binding. Edward Corbould 1815-1905 was a watercolourist and prolific book and magazine illustrator who produced illustrated editions of Chaucer Spenser and Walter Scott. First published in 1595 Epithalamion was written by Spenser as an ode for his bride on their wedding day. Octavo 162 x 102 mm. Engraved frontispiece and 7 full-page plates with tissue guards all wood engraving by Dalziel after Edward Corbould. Contemporary green morocco spine lettered and decorated in gilt covers with gilt rules and frame floral gilt roll to board edges and turn-ins edges gilt blue silk bookmarker. Early gift inscriptions to front free endpaper and first blank. Spine a little darkened gilt bright foxing to outer leaves. A near-fine copy. unknown
1897028708J.M. Dent: London 1897. Limited Edition. Quarto. In two volumes limited to 1250 copies after which the type was distributed. Continuous pagination. This beautiful set was published by J.M. Dent in 1897 following their 1893 edition of Malory's Morte D'Arthur illustrated by Aubrey Beardsley. This was a major work issued as a companion to the Beardsley Malory which was now pictured and decorated by Louis Fairfax-Muckley whose magnificent illustrations recall Beardsley's though lacking the erotic images in the borders. Some of the decorative vegetation Faix fax-Muckley used for instance is reminiscent of that found in Dent's Morte D'Arthur though his illustrations are also more consistent with the depiction of the characters in the text see the image of the Redcross Knight as he fights the dragon. In addition to the border nicely populated by dragons the image is partially enclosed by a form of the Gothic bracket that the manuals describe. Bound by Birdsall in ¾ brown Morocco over cloth raised bands lettered and fully decorated in gilt top edges gilt all others uncut. The original gilt decorated covers were bound in at the rear of the book. London unknown