15 182 résultats
1840123431Paris L. Curmer 1840-1842 9 vol. reliés 9 vol. gr. in-8, demi-chagrin cerise, dos lisses ornés de faux-nerfs, caissons, filets et guirlandes dorés et à froid, 580, 576, 552, 592, 576 + 57 (table), 592, 596, VIII + 460 et 476 pp. Série complète en premier tirage de ce panorama satirique de la société française sous Louis-Philippe, sous-titré "Encyclopédie morale du dix-neuvième siècle". Cette vaste entreprise littéraire et artistique compte 422 livraisons avec de nombreux textes en édition originale par Jules Janin, Charles Nodier, Pétrus Borel, Eugénie Foa, Théophile Gautier, Honoré de Balzac, Paul de Kock, Gérard de Nerval, Mélanie Waldor, etc., illustrés de 409 gravures hors-texte par Daumier, Gavarni, Grandville, Meissonier, dont le fameux portrait de Napoléon à cheval gravé à l'eau-forte par Trimolet d'après Horace Vernet (Vicaire, III-796). Exemplaire complet des 409 gravures et de la carte dépliante en couleurs ; seuls manquent les titres gravés des deux premiers volumes. Bel ensemble en reliure uniforme d'époque et sans rousseurs.
1637CLL-633Paris, Jean Camusat, 1637 In-8 de (10) ff., 512 pp., vélin ivoire, tranches nues (reliure à l'imitation de l'époque).
201609174Dijon, Michel jeanniard, 1948 ; in-4, cartonnage de l'éditeur. Vingt-cinq lithographies originales de francois salvat, sous boitage bel état.
193311838Paris, Les Bibliophiles du papier, 1933. 1 vol. grand in-4. Plein maroquin rouge à long grains, armes dorées au centre des plats, large encadrement doré avec jeux de filets, fleurons et écoinçons d'angles, dos à nerfs orné, titre, auteur et date dorés, tranches dorées, encadrement de maroquin rouge orné de filets et fleurons dorés sur les contreplats, doubles gardes marbrées, couvertures et dos conservés. [CANAPE ET CORRIEZ].
1833179171833 Paris, Charles Gosselin, 1833, in-12 de 264 pp., rel. postérieure de style romantique signée Louis GUETANT, demi-maroquin rouge à grains longs, dos lisse orné d'un décor dans la hauteur de filets dorés se terminant par des arabesques et fleurons dorés, date en pied, entièrement non rogné, quasiment sans rousseurs, bel ex. imprimé sur beau vélin.
1928471928 Paris, René Kieffer, 1928, Reliure en plein maroquin La Vallière, plat supérieur incrusté d'un CUIVRE ORIGINAL ayant servi à l'illustration. Reliure signée André Kieffer. -
75485Hamburg Rowohlt Verlag 1953-1964 Auflage: 1. der Neuausgabe wo nicht anders vermerkt 1.-5. Tausend. Leinen gebunden; blaue Einbände Rückengoldprägung rote goldgeprägte Rückenschilder Farbschnitt Lesebändchen mit illustrierten Schutzumschlägen / 40 Bände / Anz. Seiten: je 200-800 / 97 x 147 cm / Zustand: sehr gut geringe Gebrauchsspuren; Schutzumschläge leicht berieben etwas gebräunt und teils leicht fleckig einige Bände mit 2 Schutzumschlägen in 1 Band Widmung auf Vorsatz Komplettes Exemplar der Nachkriegsausgabe. Die Ausgabe beinhaltet folgende Bände: 1. "Albert Savarus" 2. "Beatrix" 3. "Buch der Mystik" 4. "Cäsar Birotteaus Grösse und Niedergang" 5. "Der Alchimist" 6. "Der Ehekontrakt" 7. "Der Landarzt" 8. "Der Landpfarrer" 9. "Die Bauern" 10. "Die Frau von dreissig Jahren" 6. - 9. Tsd. 11. "Die Geheimnisse der Fürstin Cadignan" 12. "Die Kleinbürger" 13. "Die Königstreuen" 14. "Die Lilie im Tal" 15. "Die tödlichen Wünsche" 16. "Ehefrieden" 17. "Eine dunkle Geschichte" 18. "Eugenie Grandet" 6. - 9. Tsd. 19. "Geschichte der Dreizehn" 20. "Glanz und Elend der Kurtisanen" 6. - 9. Tsd. 21. "Heimliche Könige" 22. "Honorine" 23. "Junggesellenwirtschaft" 24. "Katharina von Medici" 25. "Künstler und Narren" 26. "Maitre Cornelius Der verstoßene Sohn" 27."Modeste Mignon" 28. "Nebenbuhler" 29. "Oberst Chabert" 30. "Pariser Novellen" 31. "Pierrette" 32. "Sarrasine" 33. "Tante Lisbeth" 6. - 9. Tsd. 34. "Trollatische Geschichten" 6. - 9. Tsd. 35. "Ursula Mirouet" 36. "Vater Goriot" 6. - 9. Tsd. 37. "Verlorene Illusionen" 38. "Vetter Pons" 6. - 9. Tsd. 39. "Volksvertreter" 40. "Zwei Frauen". Hamburg, Rowohlt Verlag, 1953-1964, Auflage: 1. der Neuausgabe (wo nicht anders vermerkt), 1.-5. Tausend unknown
184484571Maresq | Paris 1844 | 17.50 x 26.50 cm | 2 volumes reliés
18361887Paris 1836 Portait lithographié et d’une note biographique Lettre autographe signée Vidocq, datée du 21 décembre 1836, in-4, adressée aux messieurs de l'administration des Dames Blanches à la Villette concernant un différent qu'il vient d'avoir avec un cocher de la société de transports de la Dame Blanche. Le cocher, décrit comme grossier et malhonnête, agressif et de mauvaise foi aurait éconduit une pauvre femme en refusant de la faire descendre à l'endroit qu'elle avait désigné. La discussion s'envenimant, ledit cocher n'obtempéra qu'avec peine aux injonctions que l'on imagine tonitruantes de Vidocq.Après avoir porté signalé le fait, à l'inspecteur du quai Pelletier, Vidocq ne sent pourtant pas lavé de cet affront et croit devoir "dans l'intérêt de votre administration (à) vous faire connaître cette conduite de cet endroit afin que vous avisiez le moyen que cela ne se renouvelle. Le conducteur en question a l'accent auvergnat et la voiture est le numéro 22. J'ai l'honneur d'être, messieurs, votre très humble serviteur, Vidocq". Qu'il signe d'une plume rageuse, provoquant une belle tâche sur le papier. Vidocq est l'un des personnages les plus hauts en couleur du XIXe siècle : voleur, forçat, déserteur, roi de l'évasion, faussaire, escroc et assassin, il devient chef de la Sûreté et se retourne contre ses anciens compagnons, revendiquant pour sa très chaotique carrière plus de 16000 arrestations. C'est dans ces circonstances qu'il crée la première officine de détective privé et à cette occasion rencontre Dumas, Balzac et Hugo, qui se nourrirent de la truculence du personnage, s'inspirèrent de sa violence pour créer les personnages de Vautrin chez Balzac et de Jean Valjean ainsi que Javert chez Victor Hugo. Le portrait de Deveria joint à la lettre autographe restitue la force du personnage, à la fois séduisant et roublard dont la postérité a jusque nos jours fait grand cas.
alba525e81576fa5475Balzac O. Father Gorio (Antique Book 1902) In Russian /Balzak O. Otets Gorio (Antikvarnaya kniga 1902g.) St. Petersburg Edition of T-va Narodnaya Upolnoe 1902. 315 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba525e81576fa5475.
187188961Paris: s. n. 1871. Fine. ""my legs are starting to give out fast I'd be more of a burden than a help to my brave comrades-in-arms"" s. n. Paris 20 floréal an 79 19 mai 19 mai 1871 13 x 20.5 cm 3 pages sur un bifeuillet Autograph letter signed and dated ""20 floréal year 79 19 May"" 19 May 1871 3 pages on a bifolium of blue paper. Small lack of paper affecting a few letters usual folds from mailing. Rare letter by painter and illustrator Gérard-Séguin known for his portrait of Honoré de Balzac Musée des Beaux-Arts de Tours. Written in the midst of the Paris Commune as famine and fighting ravaged the capital the artist delivers a desperate yet spirited plea from the artist. This letter is one of the few surviving manuscripts by Gérard-Séguin whose biography remains largely unknown: ""Little is known about the life and work of Jean Alfred Gérard-Séguin except that he studied under Jérôme-Martin Langlois at the École des Beaux-Arts in Paris exhibited at the Salon between 1831 and 1868 andclose to publisher Pierre-Jules Hetzelprimarily worked as a book illustrator contributing drawings for various publications including Balzac's La Comédie Humaine for which he also painted a portrait of the author. Working with Prosper Mérimée and the first Monuments Historiques commissions he also copied out the church frescoes of Saint-Savin-sur-Gartempe"" Musée de Valence. Staunch Republican Gérard-Seguin supported the Commune and had previously painted a major historical canvas on the French Revolution of 1848 depicting a ""guardian of the peace and the Republic."" Severely impoverished by the siege and already 67 years old he expresses in this letter his regret at not being able to join the ranks of the Communard fighters. ""20 floréal year 79 19 May To the rescue my dear Babik to the rescue. if you can spare a moment amid your acts of heart and devotion spare a thought for a friend a quick thought for this friend. Here's the situation: you know that for lack of quibus I was not exactly forced but felt I had to clear out of the studio you know leaving behind Renaissance furniture and other trinkets. You also know that as a refugee in the home of kind Madame Colins we formed a trioshe her adopted son and myselfand we made it through the siege despite numerous privations and annoyances in a way that was not too dreadful. Our friend Édouard receives 15 francs a month from the Ministry of Public Instruction and I was getting advance payments for a painting I had previously done. We managed to eat. but everything has now changed. The young man has left for Belgium to be with Père Colins pupils and Mademoiselle Colins has just gone to join himpoor girl couldnt take it anymore. The daily slaughter of the proletariat she loves with all her soul the sorrow of being separated from her adopted son the constant cannon fireall this drove her half-mad and I took her to the Gare du Nord in a state of semi-delirium leaving her with my last coins for the journey. Now aside from a few provisions I had stocked up which allow me a meal of some kind I have absolutely nothing left nothing and I don't know what to do. And so my brave friend I turn to you without really knowing whether my letter is truly necessary today. Ah. if we were back in '48if I were 20 years youngerit would all be sorted soon enough. Three weeks spent not playing the fool but at target practice with a rifle. Id be fit for duty. But now that my legs are starting to give out fast Id be more of a burden than a help to my brave comrades-in-arms. So tell me oh Babick whether or not its really worth having a citizen of my kind lingering a few more years on this planetand if so try if you can to lend me a hundred francs just enough to hold on until my friends in Belgium can send me some funds. But dear friend the matter is urgent. desperately urgent. I am flat broke and if you dont want me starving to death. act fast. Ô Baleisko s. n. unknown
184578382s. l. Paris: Chez Chlendowski 1845. Fine. Chez Chlendowski s. l. Paris 1845 S.d. 16.50 x 25 cm relié First and only edition of this wonderful romantic illustrated book. It is profusely illustrated with woodcuts after Bertall 50 hors-texte including the frontispiece and 310 vignettes. Modern cloth boards inspired by romantic bindings signed at the top of the title page by A. Lavaux. Romantic-style gilt spine. Title label in orange shagreen. Top edge gilt. Very rare illustrated covers and the spine preserved restored to the corners spine with missing parts has been strenghtened. Spine slightly lightened. One leaf at the beginning and one at the end half-title page and p. 332 have a slight restoration to the spine in the margin. Perfectly white immaculate paper. Uncut copy with all margins. Superb copy very rare in this condition. ""Book illustrated with spirit by Bertall whose compositions wonderfully complement a text full of humor. There was only one edition which is very rare."" Carteret III 48. Balzac would be sketched three times in this work which received the wrath of the female readership for its mysogyny. Chez Chlendowski hardcover
184279089Paris: J. Hetzelet Paulin 1842. Fine. J. Hetzel et Paulin Paris 1842 18.50 x 27 cm 2 volumes reliés First edition illustrated with 200 plates and 120 vignettes by Grandville engraved by Brévière. One plate missing from volume 2 ""Tous l'aimaient éperdument."" in the chapter entitled ""Les peines de coeur d'une chatte française"". In volume 1 the plates from pages 241 and 378 are incorrectly bound at pages 140 and 275. The frontispiece of the first volume is different in the first volume from most other copies however the usual frontispiece has been placed further along. Contemporary half red calf bindings smooth spines decorated with large uniformly faded gilt tools marbled paper boards with some minor rubbing as well as on the bindings overall pebbled paper endpapers and pastedowns. A few very rare foxing spots. Pleasant copy of this satire of society under the Second Empire. J. Hetzelet Paulin hardcover
183811071Paris, H. Delloye - Victor Lecou, 1838. In-4 de [4]-402-[2] pages, demi maroquin à grains longs à coins, dos à 5 nerfs orné de fleurons mosaïqués, de filets, encadrements, roulettes et titre dorés, tête dorée. Dos un peu passé, reliure très légèrement frottée.
166522021665 Paris, Louis Billaine, 1665. 2 vol. in-fol: 23 x 36 cm. I/[26] ff., [12]-1059-[1] pp.; II/ [6] ff., 717 pp., [3] ff., 218 pp., [1] f. Édition en partie originale et seule édition des oeuvres complètes. Volumes rares et recherchés d'après Brunet. Avec un portrait de l'auteur en frontispice du 1er vol. gravé par G. Vallet. Édition dirigée par Valentin Conrart où on y trouve un certain nombre de pièces inédites. Reliures de l'époque en plein veau moucheté. Dos à 6 nerfs, ornés de caissons dorés. Titre et tomaison en lettres dorées. Papier légèrement et uniformément bruni par endroit. Reliures frottées, ensemble solide et agréable à consulter.
191119244Par Honoré de Balzac (1799-1950). 26 compositions par Auguste Leroux, gravées sur bois par E. Florian, Froment et Duplessis.Édition tirée à 60 exemplaires sur japon impérial contenant 3 états des bois sur chine et sur japon. Celui-ci N°40.Paris, Librairie des Amateurs A Ferroud - F. Ferroud, Successeur, 1911. 264 pages.Très belle reliure plein maroquin noir à grain long. Dos à nerfs avec titre et auteur dorés. Date en pied. Tranches dorées. Large débordement de maroquin sur les contre-plats. Couverture de protection en demi maroquin à rabat titrée au dos. Étui à liseré, doublé à l'intérieur de feutrine. Couverture et dos conservés illustrés en couleurs. Pas de rousseur. Parfait état. Format in-8°(26x18).Avec Eugénie Grandet parue en 1833, il aborde les scènes de la vie de province.
1923840T70Paris: Marcel Bourteron 1923-1928. First edition. Paperback. Very Good. 8.5" by 5.5". None. A limited copy of the first edition of these volumes containing previously unpublished works by Balzac. First edition. Limited to five hundred copies on laid paper. Signed to justify. With the original slip cases. French language. Set of eight volumes with soft cover and individual slip cases. Works by Honoré de Balzac a French novelist playwright and one of the founders of Realism in European Literature. Volume One: unpublished correspondence between Honoré de Balzac and Lieutenant-Colonel L.-N. Periolas. With four plates including a portrait. Volume Two: La Gina's fantasies by Honoré de Balzac. Unpublished news. With eight plates. Volume Three: Letters from women addressed to Honoré de Balzac. First series 1832-1836. With four plates. Volume Four: The Hundred Funny Tales. Brought to light by the Sieur de Balzac. Fourth ten. Unpublished fragments. With four plates. Volume Five: Letters from women addressed to Honoré de Balzac. Second series 1837-1840. With seven plates. Volume Six: Unpublished correspondence between Honoré de Balzac and the Duchess of Castries 1831-1848. With six plates. Volume Seven: Letter on Kiew by Honoré de Balzac. Unpublished fragment. Adorned with seven plates. Volume Eight: Unpublished correspondence between Honoré de Balzac and Doctor Nacquart. Collated complete. In the original brown laid paper binding. Each volume has its own brown card slip case. Externally each volume is very smart with light shelf wear to the extremities. Volume One: slip case disbound. Front board has separated with loss of top and rear seam. Volume Two: slip case disbound. Separate front and rear boards only. Volumes Three to Five: slip case very smart with the odd mark to the board and light shelf wear to the extremities. Internally firmly bound. Pages are bright and clean with age toning to the edges. Volumes Five Six and Eight have some text block unopened. Very Good Marcel Bourteron paperback
1915933Z21London: The Home Library Book Co c1915. Cloth. Near Fine. 8" by 5.5". W. Boucher. A twenty volume collection of the literary works of the noted French novelist Honore de Balzac with etchings by W. Boucher. Illustrated with monochrome frontispieces to all and three plates to all volumes engraved by W. Boucher D Murray Smith and others. Collated complete. This set includes; 'Lost Illusions' 'The Atheist's Mass' 'The Rise and Fall of Cesar Birotteau' 'About Catherine De Medici' 'Cousin Betty' 'Eugenie Grandet' 'The Wild Ass's Skin' 'The Unknown Masterpiece' 'The Quest of the Absolute' 'The Chouans' 'The Lily of the Valley' 'The Unconscious Mummers' 'Modeste Mignon' 'Cousin Pons' 'Pierrette And The Abbe Birotteau' 'A Daughter of Eve' 'Old Goriot' 'La Grande Breteche and Other Stories' 'The Country Doctor' and 'Ursule Mirouet'. This set features a collection of works by the French novelist and playwright Honore de Balzac. The works have been translated from the original French to English. Undated dated by copies held on Jisc. In the publisher's original cloth. Externally excellent with only very slight bumping and rubbing to the extremities. Internally firmly bound with generally bright and clean pages with occasional light spotting bookseller's blind stamps to the blanks and owner's signatures to the half titles. Near Fine The Home Library Book Co hardcover
1855860M18Paris: Ez Bureaux de la Societe Generale de Libraire 1855. Leather. Very Good Indeed. 8.5" by 5.5". Gustave Doré. The first illustrated edition of these funny tales by Balzac with 425 drawings by Gustave Doré in a beautiful Sotheran binding. The fifth edition of this work the first to be illustrated in a full morocco binding with intricate gilt decoration to the boards spine and square and sumptuous silk end papers. With the binder's label of Henry Sotheran & Co. to the verso of the front free end paper.A collection of 30 subversive and satirical short stories by renowned French novelist and playwright Honoré de Balzac 1799-1850 created to resemble Boccaccio's Decameron. The tales are separated into three sections and include La Belle Impéria Les trois Clercs de Saint-Nicholas and Persévérance d'amour. This fifth edition - the first illustrated edition - is accompanied by 425 vignettes and woodcuts by Gustave Doré 1832-1883 and was considered to be Doré's masterpiece. A variety of engravers such as Lavieille Rouget Pisan Brévière and Piaud engraved Doré's illustrations for this work. Bookplate to the front paste down. In a full morocco binding. Externally very smart with some fading to spine and a little shelf wear to the boards and extremities. Gilt remains bright. Internally firmly bound. Pages are bright but spotted throughout with some age toning to the first and last few pages. Very Good Indeed Ez Bureaux de la Societe Generale de Libraire hardcover
1900814J55Paris: Societe d'Editions Litteraires et Artistiques 1900. Fine Binding. Very Good Indeed. 8.5" by 6". Gaston Bussiere; Robaudi; Pierre Vidal; Albert Lynch. Four works of Honore de Balzac beautifully bound in five volumes illustrated throughout with numerous plates. Four works of noted French writer Honore de Balzac sumptuously bound in five uniform volumes. This set comprises of: Splendeurs et Miseres des Courtisanes in two volumes containing fourteen illustrations by Gaston Bussiere. Le Cousin Pons containing seven illustrations by Robaudi.Histoire de la Grandeur et de la Decadence de Cesar Birotteau including seven illustrations by Pierre Vidal.Le Pere Goriot including eleven illustrations by Albert Lynch. Each volume contains the original paper wraps bound in. Honore de Balzac 1799-1850 was a nineteenth-century French writer. His works are fine examples of works of realism due to his keep representation of society and norms. His magnum opus is widely considered to be La Comedie Humaine which presented France its post-Napoleonic days. Handsomely bound in half morocco with gilt detailing to the spine. Externally lovely with just a touch of shelf wear. Original paper wraps bound in. Internally firmly bound. Light spotting to the pages. Very Good Indeed Societe d'Editions Litteraires et Artistiques unknown
191413200Paris, Georges Crès & Cie, 1914. 1 vol. in-8. 51pp, [1]f. Plein maroquin brun éditeur, décor mosaiqué représentant le vieux contant fleurette à une jeune paysanne, large encadrement floral en noir, fer à l’oiseau en noir au centre du second plat, titre et auteur dorés dans la longueur du dos, deux nerfs saillants aux extrémités du dos, tête dorée, maroquin brun encadrant les contreplats avec deux filets noirs et fleurons d’angles, couvertures et dos conservés, sous étui [KIEFFER].
1911LCI-3488, Paris Librairie des Amateurs, Ferroud 1911 1 in -8 Plein maroquin doublé estampé, dos à nerfs 264 [pp] Tirage justifié sur Velin d'Arches Exemplaire #187Exceptionnelle "reliure parlante" cuir estampé sur les deux plats intérieurs,
15482 tomes en un volume in 8 demi-cuir rouge d’époque, titre filets dorés, larges filets à froid. Tome premier faux-titre-au verso publicité pour le Figaro et l’Estafette. Association de la Librairie et de la Presse quotidienne, titre,un feuillet de préface,354 pages,2 feuillet d’errata, 1feuillet de table des matières. Tome deuxième faux-titre,au verso,publicité association de la Librairie et de la Presse Quotidienne.Le Figaro- l’Estafette titre,337 pages,1 feuillet de table des matières,errata.Chez l’éditeur,3 rue du Coq Héron 1838.Imprimé par les presses mécaniques de Boulé & Cie Rue du Coq Héron,3.Edition originale;rousseurs éparses habituelles.A signaler un petit petit manque page 149 du tome premier au niveau de "cette offre"ainsi qu'une faute faite,par le doreur:BALZAC Rare.
191129211911 Paris, Société du Livre Moderne, 1911, In 4 plein maroquin vert à longs grains mosaïqué sur les plats et le dos de bandes de maroquin ivoire et vert, soutenues par des filets d’or, dos à cinq nerfs daté en queue paris 1911, doublure de bandes de maroquin vert et ivoire en encadrement d’une garde de soie moirée vert bouteille, doublé d’un papier à la cuve, doré sur tranches. Emboîtage. Reliure signée Joly Fils.