15 178 résultats
1877027625Paris Veuve HOUSSIAUX 1877 Vingt volumes in-8° (132 x 218mm), reliures en demi-chagrin rouge, dos à nerfs ornés, gardes de papier marbré (reliures époque). (volumes légèrement frottés, petits éclats sur quelques coiffes, un mors fendillé sur le tome 5, présence de rousseurs sur l'ensemble des volumes, un hors-texte détaché au tome premier). Ouvrage illustré d'un portrait de Balzac par Bertall gravé sur acier, d'une figure dans le texte au tome 11 et de 139 figures hors-texte (tirées sur papier fort teinté) par Bertall, T. Johannot, Meissonier, Nanteuil... 2 feuillets d'air de musique notée au tome 4 ( " chant d'une jeune fille " ). Tome 1 à 18 « La comédie humaine » ; Tome 19 « Théâtre » ; Tome 20 « Les contes drolatiques » . Ex-libris ancien (début du XXe) sur toutes les pages de gardes. Agréable ensemble en reliure uniforme.
183985626Paris: Charpentier 1839. Fine. Charpentier Paris 1839 11.20 x 18.60 cm relié First duodecimo edition and first separate edition with a revised version after the original of 1834 which appeared in volume I of Scènes de la vie de province. Concerning the Charpentier editions which form a sort of first collected edition Clouzot states: ""A collection of very great interest because for all the texts it presents a revised version often profoundly so. Increasingly sought after they have nevertheless remained for how much longer at a very affordable price."" Guide du bibliophile français. XIXe siècle. Half vermillion red glazed calf binding. Smooth spine decorated with a large rocaille tool in mirror. 2 black calf title labels. Fillets at head and tail. Light rubbing. Very fresh copy free from foxing with bright white paper. Handsome copy of this edition which is very rarely found well bound. Charpentier unknown
187652148Paris: J. Philippart 1876. Fine. J. Philippart Paris 1876 S.d. 19 x 28 cm 4 tomes en 4 volumes reliés Completely revised edition with some parts in first edition both for texts and illustrations. Introduction by Jules Janin and texts by Balzac La bedollière Charles Nodier Frédéric Soulié Petrus Borel. with in-text and full-page illustrations by Grandville Daubigny Pauquet Français Bertall Johannot Daumier Bayard. Printed in double columns. Contemporary half brown shagreen bindings. Spine with raised bands decorated with 4 fleurons. Title and volume labels in chocolate morocco. Rubbing to headcaps and raised bands boards edges and corners. Spines slightly lightened. Corners slightly bumped. Some foxing mainly in margins some signatures browned but overall paper quite white. Handsome set. J. Philippart hardcover
183288270Paris: Charles Gosselin 1832. Fine. Charles Gosselin Paris 1832 12 x 20.80 cm relié First edition with the rare statement ""Second tirage"". All the stories contained in this collection are in first edition: Maître Cornélius Madame Firmiani L'auberge rouge Louis Lambert. One frontispiece on China paper by Tony Johannot. Contemporary half-cherry red calf binding. Spine with false flat raised bands decorated with compartments formed by double fillets gilt rolls at head and tail. Brown calf title and volume labels. Rubbing and slight tear at head. Scattered pale foxing. Good copy. Charles Gosselin hardcover
16328877à Paris: Chez Toussaint du Bray 1632. Fine. Chez Toussaint du Bray à Paris 1632 17.20 x 11.50 cm relié Second edition the first edition having appeared the previous year. Contemporary limp vellum binding unlettered spine. One tear to the vellum at foot the sewing is somewhat loose. At the end of the work 10 pages folded at the corner. The book consists of a political tableau of Europe under Louis XIII tempered with examples borrowed from antiquity one notices a curious table of contents. The author establishes therein the portrait of a prince endowed with all the qualities of the 17th-century honest man whom some will designate as being a flattering portrait of Louis XIII. The work is reputed remarkable for the clarity of its language and the perfection of its eloquence. Tchemerzine I 359. The work was censored 3 years after its publication by the Sorbonne. 'This edition has undergone the cuts indicated by the faculty of the Sorbonne'. Brunet I 631 Chez Toussaint du Bray hardcover
197679371976 Paris: Gallimard, coll. Bibliothèque de la Pléiade, 1976-1981. Complet en 12 vol. Comédie humaine de Balzac complète à la Pleiade. Nouvelle édition en 12 volumes. Reliures d'éditeur en chagrin bleu. En bon état général.
18755797589Michel Levy Freres 1875. Volume 1-25. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition suitable as a reading copy. Re-bound by library. 1875 to 1879. Vols 1-24 with accompanying volume Histoire des Oeuvres de H. de Balzac. Medium 8vo. Marbled boards green leather quarter binding. Raised bands and gilt lettering on backstrip. Bumped corners some chipping to backstrip ends. A backstrips torn and damaged with sections missing. Page block of vol I. detached and split between pg 2 and 3. Half the remaining volumes have badly split hinges and several have detached page blocks. All volumes damp stained and several water damaged. Around half the vols have pencil markings. Trimmed. Please note the Image in this listing is a stock photo and may not match the covers of the actual item25900grams ISBN: Michel Levy Freres hardcover
1921109281921 P., René Kieffer, 1921, 1 vol. petit in-4° carré (230 x 210) broché sous couverture imprimée, illustrée en couleurs, et rempliée, de 82 pp. Dos très légèrement plissé, très bel exemplaire.
196519766BIBLIOPHILES DU PALAIS 1965 1 Lithographies de Léonor FINI. Paris, Les Bibliophiles du Palais, 1965, in-4, en feuilles, sous couverture rempliée, sous chemise et étui cartonnés noir, 130 pages.
197652167Nice Le Chant des Sphres 1976 2 volumes in-4, reliures en skivertex bordeaux, entirement recouvertes sur les plats de motifs gomtriques encadrant un mdaillon central, le tout pouss or et froid; rappel du dcor sur les dos quatre nerfs; doublures et gardes de soie moire bordeaux, ttes dores, non rogns. Etuis (reliures de lditeur).Cette dition est illustre par Arnaud Ansaldi de nombreuses compositions reproduites en couleurs au pochoir (dont une double planche et 15 hors-texte) et de dessins reproduits en bistre dans les marges de chaque page. Tirage limit 1.900 exemplaires numrots. Un des 300 exemplaires sur vlin de Lana comportant une aquarelle originale en couleurs et une suite en pourpre des illustrations hors texte.
197649394Nice Le Chant des Sphres 1976 2 volumes in-4, reliures en skivertex bordeaux, entirement recouvertes sur les plats de motifs gomtriques encadrant un mdaillon central, le tout pouss or et froid; rappel du dcor sur les dos quatre nerfs; doublures et gardes de soie moire bordeaux, ttes dores, non rogns. Etuis (reliures de lditeur).Cette dition est illustre par Arnaud Ansaldi de nombreuses compositions reproduites en couleurs au pochoir (dont une double planche et 15 hors-texte) et de dessins reproduits en bistre dans les marges de chaque page. Tirage limit 1.900 exemplaires numrots. Un des 100 exemplaires sur vlin de Lana comportant une aquarelle originale en couleurs, une double planche en couleurs encadre et une suite en pourpre des illustrations hors texte. Exemplaire portant sur le faux titre un envoi autographe sign de l'artiste. La double planche en couleurs encadre est manquante.
111446A Paris, Aux éditions René Kieffer, Editeur d'Art, 1921,1 volume in-4 de 280 x 195 mm environ, 317 pages, reliure signée Kieffer en plein cuir cognac avec motifs en creux sur les plats et le dos, titres dorés, tranche de tête dorée, gardes marbrées, couvertures et dos d'origine conservés. Un des 500 exemplaires sur Vélin de Cuve (exemplaire numéroté n° 149), orné de 140 compositions, ornements et sujets en couleurs de Quint. Dos légèrement insolé, bel exemplaire.
193944418Paris Librairie d'Amateurs fvrier 1939 In-4, plein vlin, dos sans nerfs orn sur le dos d'un motif peint l'encre; doublures et gardes de papier marbr, tte dore, couverture illustre.Premier tirage des 124 dessins originaux d'Albert Dubout reproduits en couleurs en hors-texte et in-texte. Tirage limit 3.000 exemplaires numrots sur vlin de Navarre.
184150224Aubert Lavigne | 1841 | 8.50 x 13.50 cm | relié
192113337AB1921. Berlin Euphorion 1921. 185 : 135 cm. 3 blank leaves 58 pages 3 leaves 2 blank 6 original signed etchings by Klaus Richter and etched title-page by Jan Tschichold Illustrated original calf signed Hübel & Denck top edge gilt. One of 150 numbered copis of the deluxe edition with the signed etchings by Klaus Richter. The artist was a pupil of Lovis Corinth and member of the Berlin Secession. - Edges a bit rubbed small exlibris on front fly-leaf otherwise a fine copy. unknown
16-5225Paris: La Silhouette 1830. 4to. Original light blue wraps with wood engraving after Jean François Gérard Fontallard on the covers. 9 livraisons forom1830 each with 8 pages of text on rag paper LACKING the hors texte lithographs.2nd volume: 8th and 10th issues. 3rd volume : 3rd 4th 6th 7th 8th 9th and 13th issues.Brochés in-4 sans les illustrations. Textes sur deux colonnes. Avec tampon Timbre Royal.Revues rares dont :2ème volume : 8ème et 10ème livraisons.3ème volume : 3ème 4ème 6ème 7ème 8ème 9ème et 13ème livraisons.British Museum: La Silhouette was published from the 24 December 1829 to the 2 January 1831. Founded by Honoré de Balzac Emile de Girardin-Ratier and Victor Varaigne. It was the first weekly caricature journal published in France which valorised both text and image. The illustrations were executed by Henri Monnier Charles Philipon Grandville Daumier Devéria and Traviès.See: David S. Kerr 'Caricature and French political culture 1830-1848. Charles Philipon and the illustrated press' Oxford 2000; Judith Wechsler 'A Human Comedy.Les premières livraisons étaient plutôt littéraires et furent illustrées de lithographies très émouvantes comme celle de Johannot pour l'Eléonore de Bürger. Quand les illustrations se firent plus audacieuses et politiques notamment celle de Charles X en Jésuite la revue attira l'attention de la censure. "Rare. Cette revue fut le premier essai d'un journal de caricatures; elle eut pour fondateurs Emile de Girardin Balzac et de Varaigne; Henry Monnier et Gavarni lui consacrèrent aussi leur esprit et leur crayon" Vicaire. Elle ouvrit la voie à L'Artiste à La Caricature et au Charivari.Carteret III 563; Vicaire VII 500; Ray French illustrated Book n°146. Paris: La Silhouette, 1830 paperback
1845WRCLIT29295Paris: Publie par J. Hetzel 1845. Two volumes. Thick quarto. 19th century three quarter crimson morocco raised bands spines gilt extra t.e.g. Profusely illustrated with plates and vignettes in text the large majority being after drawings by Gavarni. Very shallow snag at crown of one spine light occasional rubbing at edges otherwise a large generally clean largely untrimmed set. First editions of this ambitious undertaking featuring contributions by Balzac Sue Sand Stendahl Musset Nodier Gautier Nerval and many others preceded by a general history of the city by Theophile Lavallee. The over two hundred wood-engraved plates are based on Gavarni's drawings and Ray lauds them as being "of even greater interest than the 320 wood engravings of his OEUVRES CHOISIES.The engraving is superior for the most part and they are new conceptions not versions of his lithographs.His designs make LE DIABLE A PARIS the culmination of the Romantic tradition of DIABLERIE which began with the lithographic albums of the 1820s. It is also the last of the big books of collaborative illustration." RAY 236. CARTERET III:203-7. Publie par J. Hetzel hardcover books
1926028182Paris: Impr. Curcros et Colas Rene Kieffer Editor 1926. Limited Edition. Octavo. No pagination. Limited to 500 copies of which this a "Reserve copy" for H. Monnier and signed by the publisher Rene Kieffer. Pochoir art was at its height in Paris in the early 20th Century and no publisher produced more of them than Rene Kieffer. One of the masters of the art form was Jean-Paul Quint 1884-1953 who used this technique in illustrating Balzac's work. The stunning pochoir are often spread out over two pages creating a "stage" for the text which is entirely in French. Custom made paper with watermark on title page and other pages with "Editions Rene Kieffer". From 1922 to 1928 La Quint and Kieffer worked together creating some of the finest books aimed at the bibliophile collector limited editions of Blaise Cendars see the Morgan copy. the Voltaire as well as the Balzac versions. The process of creating each work has been well described and today it is considered too costly both in time and materials to produce. A stunning copy bound in self jacketed wrappers lettered and decorated in red black blue olive and white. An absolute fine copy. Impr. Curcros et Colas, Rene Kieffer, Editor unknown books
1921627111Berlin: Euphorion Verlag 1921. 58 pp. 19 x 13.5 cm. Black full leather covered boards with blind stamped design on inlaid blue and red leather gilt titling to spine top edge gilt and blue ribbon bound in. Illustrated with six etchings by Klaus Richter. Copy number 35 of 150 copies on Zanders laid paper with each etching signed by Richter in a binding by Hubel & Denck of Leipzig. Sunning to spine with rubbing to spine edges and extremities of boards. Some light pressure marks to front board. Some toning to edges of endpapers from turn-ins. All plates present and signed in pencil by Richter. Limitation page hand-numbered in ink. Binding firm. A lovely copy of this limited edition by Euphorion in an uncommon binding. . Signed by Artist. Limited Numbered. Hard Cover. Very Good. Illus. by Richter Klaus. Euphorion Verlag Hardcover
1926028182Paris: Impr. Curcros et Colas Rene Kieffer Editor 1926. Limited Edition. Octavo. No pagination. Limited to 50 copies on vintage vellum of which this copy M which is a "Reserve copy" for artist H. Monnier signed by hime and signed by the publisher Rene Kieffer. Pochoir art was at its height in Paris in the early 20th Century and no publisher produced more of them than Rene Kieffer. One of the masters of the art form was Jean-Paul Quint 1884-1953 who used this technique in illustrating Balzac's work. The stunning pochoir are often spread out over two pages creating a "stage" for the text which is entirely in French. Custom made paper with watermark on title page and other pages with "Editions Rene Kieffer". From 1922 to 1928 La Quint and Kieffer worked together creating some of the finest books aimed at the bibliophile collector limited editions of Blaise Cendars see the Morgan copy. the Voltaire as well as the Balzac versions. The process of creating each work has been well described and today it is considered too costly both in time and materials to produce. A stunning copy bound in self jacketed wrappers lettered and decorated in red black blue olive and white. An absolute fine copy. Impr. Curcros et Colas, Rene Kieffer, Editor unknown
342652The Caxton Press 1895-1900. VERY HEAVY 53 VOL SET- EXTRA SHIPPING REQ'D! Octavo green buckram boards gilt lettering to spines teg deckled page edges frontispieces mixed pagination some illus VG mostly light rubbing & bruising to extrems light chafing & soiling to boards light tanning & foxing to page edges some minor discolouration to boards occasional cracking to gutters some minor tanning to eps & prelims prelims to The Village Cure have multiple closed tears & points of loss with ffep missing moderate water damage to boards of The Poor Relations 1cm chip to top of spine of The Unknown Masterpiece please contact us directly for photos The Caxton Press 1895-1900 hardcover
18373000Paris, Werdet, 1837. 1 vol. in-8 de 359 p. Demi-basane verte, dos lisse orné. Coiffes frottées, avec minime manque en tête, rousseurs.
18373001Paris, Werdet, 1837. 1 vol. in-8 de 357-[2] pages. Demi-basane verte, dos lisse orné. Reliure romantique. Coiffes frottées, rousseurs.
EXE-175Paris, La nouvelle Société d’Edition, 1944. Grand in-8, broché, cartonnage de l’éditeur. Nombreuses illustrations colorées au pochoir par Ch. Richard. Tiré à 800 exemplaires, un des exemplaires sur vélin d’Arches imprimé pour les amis et les collaborateurs des éditeurs (P). Notre exemplaire est enrichi d'une suite de 25 aquarelles originales inédites en feuilles, d'une aquarelle originale de Ch. A. Edelmann et d'un état des dessins en couleurs.
165070737Paris: Augustin Courbé 1650. Fine. Augustin Courbé Paris 1650 17.50 x 24 cm relié First edition. A handsome allegorical frontispiece by François Chauveau engraved by Regnesson a title vignette by Picart and various very beautiful engraved ornaments: headpieces tailpieces initials. Contemporary full speckled brown sheep binding. Richly decorated spine with raised bands. Brown morocco title label. Head of spine split. Foot with lack. Joint cracked at foot. Corners very bumped. Works of Latin poetry by Guez de Balzac the edition prepared by Gilles Ménage. In appendix a selection of letters. Augustin Courbé hardcover