PAZ, Octavio (BALTHUS)Biblio.com
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1994017972New York: Limited Editions Club 1994. First Edition. Hardcover. Fine in a Very Good folding box with dampstaining. Balthus. Nearly square large folio 22" x 24" bound with a tan goatskin spine and linen boards. Illustrated with three large multicolor woodcuts by Balthus printed on handmade Japanese paper and tipped in. This poem presented in Spanish French and English is dedicated to the artist. Copy #5 of 300 numbered copies SIGNED by the artist and by the Nobel Laureate author. <br/><br/> Limited Editions Club hardcover
197251766Paris Mercure de France 1972 In-12, reliure encadrement maroquin vert fonc, plats recouverts de papier bois dans un encadrement d'un filet dor, nom de l'auteur et titre de l'ouvrage pousss or sur le dos; doublures et gardes de papier bois, tte dore, non rogn, couverture imprime (Jean-Paul Miguet).Edition originale de cette traduction par Andr Pieyre de Mandiargues qui signe galement la prface. Ce texte est l'unique pice de thtre d'Octavio Paz, adapte d'une nouvelle d'Hawthorne. Un des 30 exemplaires numrots sur vlin pur fil Johannot, seul tirage sur grand papier.
196251765Paris Gallimard 1962 In-12, reliure encadrement maroquin vert fonc, plats recouverts de papier bois dans un encadrement d'un filet dor, nom de l'auteur et titre de l'ouvrage pousss or sur le dos; doublures et gardes de papier bois, tte dore, non rogn, couverture imprime. Etui (Jean-Paul Miguet).Edition originale de la traduction par Benjamin Pret, imprime en regard du texte en espagnol. Piedra de sol est considr comme une Suvre majeure d'Octavio Paz qui contribua tablir la rputation internationale du pote mexicain. La prsente dition est la premire publie chez Gallimard qui deviendra son principal diteur. Un des 31 exemplaires numrots sur vlin Lafuma-Navarre, seul tirage sur grand papier.
1957191420Mexico: Tezontle 1957. First appearance of the Mexican Nobel Prize winner's early masterpiece Signed limited edition number 205 of 300 copies signed by the author. Written as a single 584-line sentence the poem takes its structure from the 584-day cycle of Venus in Aztec calendrical systems. Its closing lines return to the opening creating a circular form centred on time and memory. Octavo. Head- and tailpiece. Original grey wrappers front cover lettered in red and black. Housed in custom folding paper chemise. Mexican bookseller's ticket to final blank. Minor wear to head of spine light rubbing. A very good copy. unknown
115914Santiago de Chile: Editorial Lord Cochrane 1975. Light marginal wear and chipping to edges of cover o/w in vg. b/w plates pict. wrps. First photobook by noted photographer Paz Errazuriz. Inspiring photo-book of the National Plastic Arts Awardee the renowned photographer Paz Errázuriz who reveals the everyday life of a house from the perspective of a hen called Amalia. Paz Errázuriz's b. Chile 1944 career has spanned more than 30 years. Her career began under Pinochet's dictatorship in the 1970s. Co-founder of the Independent Photographer's Association AFI she used black and white portraits to denounce the dictator as well as the social dictates which condemned individuals and groups to a marginalization that rendered them invisible. During the Pinochet dictatorship censorship and burning of books and free access to culture. In this scenario the then young primary school teacher Paz Errázuriz faced with forced confinement and limited access to books for her children dedicated herself to photographing a silky hen from Japan in her house to make a book for the children. A reflection of the dominant patriarchal system a renowned photographer a friend of her family stated that a housewife can never become a photographer. However Paz Errázzuriz was encouraged by the writer Isabel Allende then director of Paula magazine to finish and write the book herself. From the beginning her work which is in the social documentary genre expressed a creative energy and an insatiable curiosity for the human race. Her works broke many of the taboos of the society deprived of liberty that Chile was before the restoration of democracy. Over the years P. Errázuriz has turned her gaze to the most marginal who often have less access to power or even to the means to voice their discontent. Her candid yet poetic black-and-white photographs often take the form of a series at limes accompanied by the writings of other women. RARE. Only one copy in OCLC Tate. REF: https://www.academia.edu/12734527/_Amalia_de_Paz_Errázuriz_aproximación_a_un_fotolibro_infantil_durante_la_dictadura_chilena_1973_1989_. Editorial Lord Cochrane unknown
323980The Limited Editions Club 1995. Edition limited to 300 numbered copies signed by Paz and Balthus. Illustrated with 3 large multicolour woodcuts by Balthus printed on handmade Japanese paper and tipped in. Folio 24 x 22 inches. Original tan goatskin spine and linen boards clamshell case. Fine. Balthus. Edition limited to 300 numbered copies signed by Paz and Balthus. Illustrated with 3 large multicolour woodcuts by Balthus printed on handmade Japanese paper and tipped in. Folio 24 x 22 inches. "In awarding Octavio Paz the 1990 Nobel Prize for Literature the Swedish Academy said that Paz's work "seems to incorporate interpret and reconstrue major existential questions-death time love and reality." Paz dedicated his poem Sight and Touch to his dear friend the Franco-Polish artist Balthus. Balthus reciprocated with three illustrations for this Limited Editions Club book and prints. The poem is about light 'a wavering river that sketches its doubts and turns them to certainties." Writes Paz "Light is time thinking about itself.' The poem is presented in the original Spanish in English and in French" Publisher.<br /> <br /> The three Balthus paintings have been turned into multicolor woodcuts by Keiji Shinohara and printed on Kozo Uwazen paper made by hand in Japan. The text is set in a Monotype version of Lutetia. The Limited Editions Club unknown
lec-0007In awarding Octavio Paz the 1990 Nobel Prize for Literature the Swedish Academy said that Paz's work "seems to incorporate interpret and reconstrue major existential questions-death time love and reality." Paz dedicated his poem Sight and Touch to his dear friend the Franco-Polish artist Balthus. Balthus reciprocated with three illustrations for this Limited Editions Club book and prints. The poem is about light "a wavering river that sketches its doubts and turns them to certainties." Writes Paz "Light is time thinking about itself." The poem is presented in the original Spanish in English and in French.<br /><br />Three color woodcut prints by Balthus.<br /><br />Edition limited to 300 numbered copies.<br /><br />Each signed by Balthus and Octavio Paz.<br /><br />The three Balthus paintings have been turned into multicolor woodcuts by Keiji Shinohara and printed on Kozo Uwazen paper made by hand in Japan. The text is set in a Monotype version of Lutetia–sharp and brilliant in cut crisp and contemporary in feeling. The boards are covered with pure linen on the sides overlapped on the spine with Nigerian oasis goatskin. Set in a linen covered and lined case. <br /><br />One Volume 22-1/2 x 23-1/2 inches. <br /><br />As the publisher we unconditionally guarantee that all books are authentic and the condition is As New NOS. <br /><br /> Limited Editions Club hardcover
1710JC013<p>NO QUAL SE EXPLICÃO BREVE E CLARAMENTE AS REGRAS FUNDAMENTAES DESTA LINGUA POR Fr. FRANCISCO DA PAZ Religioso da Congregação da Terceira Ordem de S. Francisco de Portugal Professor de Escritura e de Lingua Hebraica no Convento de N. Senhora de JESUS de Lisboa. PARA O USO DAS ESCOLAS DA MESMA CONGREGAÇÃO. Vinheta com as armas reais de Portugal. LISBOA NA REGIA OFFICINA TYPOGRAFICA. ANNO MDCCLXXIII 1773.</p>_x000d_<p>In 4º de 21x135 cm com 158 págs.</p>_x000d_<p>Encadernação da época inteira de pele com rótulo vermelho nervos e finos ferros gravados a ouro na lombada com as casas fechadas. Corte das folhas marmoreado.</p>_x000d_<p>Ilustrado com um desdobrável extratexto apresentando tabela impressa com quadrilongos tipográficos e caracteres móveis hebraicos com as sete conjugações desta língua intitulada: «Taboa em que se mostra toda a variedade que há em as conjugações dos verbos hebraicos assim perfeitos como defectivos e quiescentes para se entregarem à memória com maior facilidade».</p>_x000d_<p>1ª edição. Existem 2 exemplares na BNP.</p>_x000d_<p>Exemplar com diversos títulos de posse nomeadamente um título de posse manuscrito do Brabante na Holanda; um ex-libris armoriado com o Cruzeiro do Sul como móvel heráldico e o mote «Nomen Honor Que Meis» de Joaquim Ignacio da Cruz Sobral do Concelho de Sua Majestade do qual existe no acervo da BNP um retrato gravado por João Silvério Carpineti.</p>_x000d_<p>Origem do exemplar no espólio da Biblioteca do Palácio Sobral hoje a antiga Sede da Caixa Geral de Depósitos no Calhariz em Lisboa que foi mandado construir entre 1770 e 1780 por Joaquim Ignácio da Cruz Sobral tendo origem na compra de um velho prédio propriedade de D. Lázaro Leitão Aranha rico e erudito principal da Sé que nesse lugar fez reunir a famosa Arcádia 1764. Neste Palácio deram-se belas festas e concertos a que concorria toda a Corte. Entre elas ficou célebre a esplêndida festa dada por ocasião do nascimento da princesa da Beira D. Maria Teresa no dia 29 de Abril de 1793 onde cantaram artistas estrangeiros especialmente convidados para o evento: Todi Violanti Angelleli e Ferracuti entre outros. Isto no mesmo dia em que se inaugurava o Teatro de São Carlos também ele em homenagem à primeira filha de D. João e de D. Carlota Joaquina.</p>_x000d_<p>EN Dim. : In 4º 21x13.5 cm with 158 pp.</p>_x000d_<p>Binding: Contemporary full calf with red label raised bands and gilt tools on spine. Marbled edges.</p>_x000d_<p>Illustrated with a folded folio hors text with the table of the seven conjugations of the Hebrew verbs titled: «Taboa em que se mostra toda a variedade que há em as conjugações dos verbos hebraicos assim perfeitos como defectivos e quiescentes para se entregarem à memória com maior facilidade» Table where it is shown all the variety of the Hebrew verbs regular irregular and quiescent so that they can be better memorized.</p>_x000d_<p>First edition. There are two copies in BNP.</p>_x000d_<p>Copy with several ownership titles mainly: one handwritten from Barbant in the netherlands; an ex-libris with the Southern Cross in a coat of arms and the motto «Nomen Honor Que Meis» of Joaquim Ignacio da Cruz Sobral do Concelho de Sua Majestade member of the Council of His majesty whose portrait engraved by João Silvério Carpineti belongs to the collection of BNP.</p>_x000d_<p>Origin: This copy comes from the collection of the Library of Sobral Palce nowadays the former head-office of the bank Sede da Caixa Geral de Depósitos in Calhariz Lisbon. This Palace was built between 1770 and 1780 by order of Joaquim Ignácio da Cruz Sobral and was formerly an old building belonging to D. Lázaro Leitão Aranha who gathered there in 1764 the famous Arcádia a famous literary Academy at the time in Lisbon founded in 1759 and closing in 1776. This Palace was famous for its parties attended by the Court members. One of these parties became famous: the celebration of the birth of the Princess of Beira D. Maria Teresa on April 29 1793 with several foreigner guest singers like: Todi Violanti Angelleli and Ferracuti.</p>_x000d_<p>Ref.: Inocêncio III 30: «FR. FRANCISCO DA PAZ Franciscano da Congregação da terceira Ordem Lente de Escritura e Professor da língua hebraica que aprendera com o maronita D. Paulo Hoder. Nasceu em Aveiro em 1731. Sendo chamado pelo bispo de Beja Cenáculo para a sua diocese foi por ele empregado no magistério do Seminário ainda vivia em 1798. E. 1645</p>_x000d_<p>Compendio dos principios da grammatica hebraica no qual se explicam breve e claramente as regras fundamentaes desta lingua etc. Para uso das escholas da mesma Congregação. Lisboa na Regia Offic. Typ. 1773. 4.º de 158 pag. e no fim uma taboa de conjugações. Foi reimpresso em Coimbra na Imp. da Universidade 1826 com a indicação de «segunda edição correcta e accrescentada com muitas regras necessarias para a intelligencia da dita lingua.»</p>_x000d_<p>Esta declaração não é de todo exacta segundo acaba de constar-me por informação devida ao actual professor de hebraico no Lycêo de Coimbra o sr.dr. Joaquim Alves de Sousa de quem tratarei no lugar competente: pois que a dita segunda edição só se avantaja á primeira na correcção e esmero tipográfico na melhor redacção de algumas regras relativas á conjugação dos verbos irregulares e da tradução portuguesa de varias palavras e frases hebraicas que não vinham traduzidas na primeira. Não há porém as regras novas que parecem inculcar aquela declaração. Fr. Francisco da Paz compôs mais algumas obras em hebraico e latim as quais se podem ver mencionadas no Catalogo dos Escriptores da Ordem Terceira por Fr. Vicente Salgado manuscrito que existe na livraria do extinto convento de Jesus».</p>_x000d_<p> </p> M-15-B-24 hardcover
19891640761989. GERZSO Gunther. The Besieged/El Sitiado. By Octavio Paz translated by Eliot Weinberger. With an etching by Gunther Gerzso. 4to. cloth covered board in cloth covered slipcase. San Francisco: Limestone Press 1989. Gunther Gerzso has created a stunning frontispiece color etching for Octavio Paz's poem. Printed in letterpress Paz's poem is presented in both English and Spanish. The English is printed in black while the Spanish is printed in scarlet red creating a very dramatic visual effect since the two languages are each printed on the same page. Signed on the colophon by Gerzo and Paz. One of an edition of 200. hardcover
1957535916Paris: Falaize 1957. Softcover. Very Good. First edition. Translated by Jean-Clarence Lambert. Illustrated by Bona. Octavo. 97pp. Parallel Spanish and French text. Denise Levertov's embossed owner label inside front wrap. Wrappers modestly soiled and irregularly toned with a faint horizontal crease and a stain at the crown that only lightly affects the first and last leaves top corner a bit creased throughout just about very good. Inscribed to poet Denise Levertov on the half-title: "A Denise Levertov con la properda estimación poetica de Octavio Paz" "To Denise Levertov with the proper poetic appreciation of Octavio Paz". An unnumbered copy of a publication with a limitation of only 35 copies. A very nice association. Falaize unknown
1963535909Paris: Jean Hugues 1963. Softcover. Fine/Very Good. First edition. Translated by Carmen Figueroa. Octavo. Parallel Spanish and French translations. Tiny inked note on front blank tiny bit of wear at the corners else fine in printed French-folded wrappers and very good somewhat edgeworn glassine dust jacket with a tiny cover stain and Levertov's embossed owner label on the upper flap. Inscribed to Levertov: "A Denise Levertov Cordialmente Octavio Paz. Delhi a 10 de octubre de 1963." Number 168 of 300 copies of 325 total. A nice association between two major poets. Jean Hugues unknown
2015115858Gingko Press Inc. New. 2015. Hardcover. 1584236132 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Gingko Press Inc. hardcover
2016116212Ediciones Poligrafa. New. 2016. Hardcover. 8434313502 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and Spanish. -- with a bonus offer-- . Ediciones Poligrafa hardcover
2012104593Hirmer Verlag. New. 2012. Hardcover. 3777454311 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 196 pages; many illustrations most in color. -- with a bonus offer-- . Hirmer Verlag hardcover
2014109216Arcade Publishing. New. 2014. Paperback. 1628723750 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Arcade Publishing paperback
199420993New York: Limited Editions Club 1994. Hardcover. Orig. boards covered with pure linen on the sides overlapped at the spine with goatskin front cover paper label. Fine in fine matching clam shell box with beige goatskin front cover label printed in brown. Balthus. Unpaginated. Elephant folio 59.5 x 56.5 cm. Limited edition copy 89 of 300 signed by Paz and Balthus printed in Lutetia type designed by Jan van Krimpen printed at Wild Carrot Press; the three Balthus multi-color woodcuts editioned by Keiji Shinohara and printed on handmade Kozo Uwazen paper from Japan. The English translation by Elbert Weinberger French translation by Claude Esteban. Paz received the Nobel Prize for literature in 1990. Laid-in the LEC Newsletter. Limited Editions Club hardcover books
09-0467Madrid: Forum Artis 1994-2002. 16 Vols. 4to. 6000 pp. Ill. full color 7800 plates. Biographies and critical essays covering 22742 Spanish painters sculptors and engravers of the 20th century and today. 16 Volúmenes. Recoge la biografía y el estudio crítico de un total de 22.742 artistas entre los que figuran pintores escultores dibujantes y grabadores españoles que han realizado su obra durante el siglo XX así como jóvenes artistas que hoy están iniciando el arte del nuevo milenio. Obra en 15 volúmenes y un apéndice escrita por 123 expertos escritores historiadores y catedráticos de arte. 22x30 cm. 6.000 pp.7.800 illustr. Madrid: Forum Artis, 1994-2002. unknown
062347New York: The Limited Editions Club 1994. Limited Edition 300 copies. Hardcover. Fine. 22 1/2" x 23 1/2. Balthus. Signed by author and artist. Signed by Octavio Paz and Balthus. This work was designed by Dan Carr and printed in an edition of 300 on handmade Kozo Uwazen paper of which this is copy number 23. Beige linen cloth boards with a tan goatskin spine. Paper label on front board printed in brown. Three large multi-color woodcuts tipped in. Poem is presented in the original Spanish English and French. Book is set in a linen-covered and lined clamshell box paper label on spine printed in brown. The Limited Editions Club newsletter laid in box. Book and box are both in fine condition. Beautiful copy. Due to this book's size additional shipping may be needed. Full refund if not satisfied. The Limited Editions Club hardcover
25686Revues Candide et Ric et Rac, catalogue spécial " Humour 41 " de 1941 au profit du " Secours National ". In-8 agrafé de 22 pages au format 13,5 x 21 cm. Couverture illustrée par Robert Carrizey. Textes et dessins inédits par Albert Dubout, Robert Carrizey, Jo Paz, Bernard Aldebert, Raymond Peynet, Jean-Albert Carlotti, Jean Nohain, Max Favalelli, G. Colin, Tom Pouce. Liste des dessinateurs. Superbe état, proche du parfait. Rarissime édition originale en tirage hors commerce. Précieux exemplaire enrichi de 6 dessins originaux signés par Albert Dubout, Robert Carrizey, Jo Paz, Bernard Aldebert,Raymond Peynet, Jean-Albert Carlotti, situés au verso des couvertures.
042234New York : The Limited Editions Club 1994. Limited Edition. Hardcover. Near Fine. Balthus. Signed by the author and illustrator. Limited Editions Club #87 of 300 copies. Signed by both the author and illustrator. First Edition. Large folio 22" x 24" bound with a tan goatskin spine and linen boards. Illustrated with three large multicolor woodcuts by Balthus printed on handmade Japanese paper and tipped in. This poem presented in Spanish French and English is dedicated to the artist. Slight stain inside front cover of clamshell case. Copy #87 of 300 numbered copies. Signed by the artist and by the Nobel Laureate author. LEC Monthly Newsletter laid in. Several small stains on clamshell case front and rear cover. Full refund if not satisfied. The Limited Editions Club hardcover
20993New York: Limited Editions Club 1994. Hardcover. Orig. boards covered with pure linen on the sides overlapped at the spine with goatskin front cover paper label. Fine in fine matching clam shell box with beige goatskin front cover label printed in brown. Balthus. Unpaginated. Elephant folio 59.5 x 56.5 cm. Limited edition copy 89 of 300 signed by Paz and Balthus printed in Lutetia type designed by Jan van Krimpen printed at Wild Carrot Press; the three Balthus multi-color woodcuts editioned by Keiji Shinohara and printed on handmade Kozo Uwazen paper from Japan. The English translation by Elbert Weinberger French translation by Claude Esteban. Paz received the Nobel Prize for literature in 1990. Laid-in the LEC Newsletter. Limited Editions Club hardcover
197416567Cambridge MA: Carpenter Center for the Visual Arts Harvard University 1974. Boards. Near Fine. Toshi Katayama. #22 OF ONLY 150 COPIES within a larger limitation of 1000 copies SIGNED BY BOTH THE POET OCTAVIO PAZ AND THE ARTIST TOSHI KATAYAMA. 3 brightly-colored laminate geometric boards plus one board containing the signatures and limitation the copyright information and a brief background to this project are sandwiched between 2 blank pieces of cardboard. They all measure 11 1/4" x 11 1/4" and are housed inside of a printed white laminate box. The 3 geometric boards with their moveable parts are designed by Toshi Katayama and each includes cryptic Octavio Paz text. These boards are titled "Bread or Riddle" "Two in One" and "Portrait" and along with the "copyright" or "signed/limited" board are in bright Near Fine condition. Just a touch of very light soiling to the "copyright" board otherwise they're all as clean as could be. The fragile publisher's box is very presentable as well but does show some spotting and soiling to the front panel and edges. A bit of clear tape as well discreetly reinforces all of the corners. The background offered on the "copyright" board: "The interrelatedness of form and meaning in art has been a special concern of several major writers. Octavio Paz first explored the effect of visible shape on verse in BLANCO. Written in India in 1966 this poem is composed of words arrayed in columns which the author intended to be read independently and in combination. The idea derives he has told me partly from admiration for Mallarme but mainly from pondering on permutation integration continuity and other aspects of Tantric thought to which his mind had recently turned. In 1968 he wrote the TOPOEMS a sequence of six more explicitly concrete poems. Whereas the effect of BLANCO's design is conveyed typographically in these the words are manipulated topographically. Later the same year Paz decided to see how movement might affect a poem's purpose. The idea came as he played with a timetable made of two superimposed and rotating discs which divulged through slotted openings flights distances and time between the world's major cities. These experiments led to the design and publication of DISCOS VISUALES. During his stay at Harvard in 1971/72 Paz met Toshihiro Katayama the graphic artist who had joined the faculty of Visual and Environmental Studies at rhe Carpenter Center in 1966." This wonderful collaboration of poet and artist not only yielded an important example of early 70s graphic design but also an ambitious artist's book that resonates on a number of levels. <br/><br/> Carpenter Center for the Visual Arts, Harvard University hardcover books
HER 275Limited Editions Club Book. Fine. Hardcover. Signed by Authors. FIRST. A FIRST IN FINE SLIPCASE. ONE OF 300 SIGNED BY BALTHUS Nearly square large folio 22" x 24" bound with a tan goatskin spine and linen boards. Illustrated with three large multicolor woodcuts by Balthus printed on handmade Japanese paper and tipped in. This poem presented in Spanish French and English is dedicated to the artist. One of 300 numbered copies SIGNED by the artist and by the Nobel Laureate author. Fine. Limited Editions Club Hardcover
9998Reliure d’époque en demi-chagrin, dos à nerf, coiffe supérieure arrachée.
