3 880 résultats
1658LBW-51971652 [1658]. 313 x 457 mm.
1656LBW-6504Paris, Pierre Mariette, 1656. 402 x 545 mm.
1676LBW-7221Paris, Pierre Mariette, 1676. 327 x 475 mm.
1700LBW-5427[1700]. 202 x 266 mm.
1660LBW-5437[circa 1660]. 195 x 247 mm.
1680LBW-5478[Paris, circa 1680]. 187 x 245 mm.
1703LBW02524Paris chez l'autheur 1703 417 x 560 mm.
1650LBW-4944Paris, chez l'auteur et chez Pierre Mariette, 1650. 393 x 553 mm.
169998233Paris chez l'auteur 1699-1690 1 vol. relié 2 parties reliées en un vol. in-18, basane havane écailles de tortue, dos à nerfs, pièces de titre de basane bordeaux, caissons ornés de fleurons et dentelles dorées, tranches rouges, (22) + 144 et 178 + (12) + 48 pp. (cat. éd.), 4 cartes dépliantes sur les 6 (reliure de l'époque usée mais solide). Nicolas Sanson (1600-1667) né à Abbeville est cartographe célèbre du XVIIe siècle. Sa première carte importante est "Les Postes de France", en 1632.
169998233Paris chez l'auteur 1699-1690 1 vol. relié 2 parties reliées en un vol. in-18, basane havane écailles de tortue, dos à nerfs, pièces de titre de basane bordeaux, caissons ornés de fleurons et dentelles dorées, tranches rouges, (22) + 144 et 178 + (12) + 48 pp. (cat. éd.), 4 cartes dépliantes sur les 6 (reliure de l'époque usée mais solide). Nicolas Sanson (1600-1667) né à Abbeville est cartographe célèbre du XVIIe siècle. Sa première carte importante est "Les Postes de France", en 1632.
1655LBW-7677Paris, Pierre Mariette, 1655. 342 x 547 mm.
1683LBW-6981683 197 x 269 mm.
1652LBW-656Paris, Pierre Mariette, 1652. 404 x 533 mm.
1700LBW-4948[1700]. 185 x 239 mm.
3253Americas: Amsterdam Francois Halma 1705. Copper engraved map of Peru by N. Sanson from Halma's Algemeene Werelde Beschryving Vol. 3 Black and white; title in Dutch; verso blank; strapwork title cartouche. Small map of Tierra del Fuego showing both the Strait of Magellan and Le Maire Strait. Inland detail is confined to a mountain range and several rivers and the mythical Destroit de Browers is labeled at far right. This map appeared in Algemeene Weereld-Beschryving nae de Rechte Verdeeling der Landschappen Plaetsen Zeeën Rivieren &c. Geographisch Politisch Historisch Chronologisch en Genealogisch a Dutch edition of A. Phérotée de la Croix's Nouvelle Methode Pour Apprendre Facilement la Geographie Universelle which first appeared in 1690. Dark impression. Nicolas Sanson d'Abbeville.1600-67 ' father of the French cartography' and founder of the Sanson firm. Atlas ' Cartes générales de toutes les parties du Monde' 1658-70 and a pocket atlas in 4 parts 1652-1705. Sanson's small maps from A. Phérotée de la Croix's Nouvelle Methode Pour Apprendre Facilement la Geographie Universelle. first published in 1652 and engraved by A. Peyrounin were copied several times by various map publishers. Johann David Zunners made copies of Sanson's maps for his German translation of Die Gantze Erd-Kugel in 1679. Johannes Ribbius and Simon de Vries published copies in 1682 and 1683 with new maps engraved by Antoine d'Winter. The plates were later sold to Francois Halma who used them in 1699 and then again in 1705 with the titles re-engraved in Dutch. François Halma 1653 - 1722 Dutch publisher/printer; dealer/auction house. Cartographer and publisher of maps active in Utrecht Amsterdam Franeker and Leeuwarden. Published 'Description de l'Univers' 1700; 'Algemene Wereldtbescrijving' 1705; 'Corpus Inscriptionum' 1707 and 'Lexicon Philosophicum' 1713. Halma acquired many of the plates for Algemeene Weereld-Beschryving from Joannes Ribbius who had enlisted the services of engraver Antoine de Winter to make copies of the maps in Nicolas Sanson's quarto atlases of the four continents. De Winter made very few geographical changes and maintained the attribution to Sanson on the newly engraved plates. Halma supplemented the Sanson maps with about a dozen new maps engraved in the same style as Sanson's without any attribution on the maps as well as 23 panoramic views of famous cities around the world. Keoman: Hal 1; Phillips 528. Americas South America Tierra del Fuego Magellanica Strait of Magellan Amsterdam Francois Halma 1705 unknown
1986x-0306422220Springer 1986. Hardcover. New. 1st edition. 483 pages. 10.00x6.75x1.25 inches. Springer hardcover
2011x-1441932046Springer Verlag 2011. Paperback. New. 493 pages. 10.00x7.01x1.12 inches. Springer Verlag paperback
2014x-1349113026Palgrave Macmillan 2014. Paperback. New. 463 pages. 9.02x5.98x1.06 inches. Palgrave Macmillan paperback
1997x-0896034534Humana Pr Inc 1997. Hardcover. New. 1st edition. 352 pages. 10.50x7.50x0.75 inches. Humana Pr Inc hardcover
202148315Irvine CA: Suntup Editions 2021. Near Fine. Irvine CA: Suntup Editions 2021. Limited Edition of 250 copies of which this is no. 111. Octavo 23.5cm; quarter cloth flatback binding; handmade Indiana Wheatstraw paper boards with foil stamped cover; 314pp; six b&w illustrations by Dave Christensen with two-page color reproduction of the original first edition jacket art by Wendell Minor; housed in publisher's slipcase with custom-designed paper covering; publisher's bookmark laid in. Board sturdy and square; binding sound and pages unmarked. Slipcase solid and clean with no splits or bumps. <br /> <br /> Signed by Warren C. Carberg Jr. Dave Christensen Grady Hendrix and Wendell Minor on colophon at rear. A bestseller upon release Samson's only novel fell out of print and into relative obscurity after her death from brain cancer shortly after publication but has seen a bit of a resurgence in recent years with its inclusion in Hendrix's Paperbacks from Hell series from Valancourt and this subsequent Suntup edition. An allegory for facism landing somewhere between Shirley Jackson and Stephen King the novel watches a small rural New Hampshire town whose inhabitants slowly lose themselves in their donations when the titular charismatic auctioneer comes to town. Suntup Editions unknown
179164149London: Printed for James Ridgway No.1 York Street St. James's Square 1791. 8vo. 21 cm. 4 v-vi iii-iv 186pp. Three quarter red leather with marbled boards. Black leather label raised bands with gilt tooling on spine. Elaborate hand-painted illustrated title page not called for tipped in as a frontis. Last page edge border trimmed attempt to wash previous names from title page. <br/><br/> Printed for James Ridgway, No.1, York Street, St. James's Square hardcover books
16709482<p>Scarce map engraving outlined in original color from Sanson's <em>Cartes Generales de Toutes les Parties du Monde. </em>The image measures approximately 19.75 x 16.5 in 50 x 42 cm; page measures 23.25 x 17.5 in 59 x 44.5 cm.</p> Pierre Mariette
184514113Paris 1845. Pen ink and watercolour. Very good condition apart from some mild creasing and a few small brownish spots in the bottom margin. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184514112Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. and a few orange marks left by paper clips in the left margin. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184514107Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling a couple of small water stains at the right edge of the image and a few organge marks in the top margin. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown