2 270 résultats
19992081502112500826B4 1st printing with cover Holp Publishing 1999. Soft Cover. Fine. Number of books: 1 B4 1st printing with cover Holp Publishing paperback
19952082402113801745Sekaibunkasha 1995. Soft Cover. Fine. Number of books: 1 Sekaibunkasha paperback
20002091202132702054Gaku Yo shobo 2000. Soft Cover. Fine. The book is in fine condition. Gaku Yo shobo paperback
194034751London: Oxford University Press 1940. First Edition. Illustrated with 56 collotype plates 48 concerning paintings and represented by 36 full-page monochrome plates 3 full-page color plates 7 manifold monochrome plates and 2 manifold color plates. The remaining plates are composed of 5 full-page plates of calligraphy and 3 full-page plates of seals. The multi-folding plates provide the opportunity to view an entire painted scroll or long painting. Title-page printed in red and black. 72 paintings from pre-T'ang times into the Ch'ing dynasty are discussed. Each painting is described and the translation of its seals and inscriptions provided. Large Folio 15.25" x 11.5" publisher's original green polished buckram cloth the spine lettered in gilt the upper cover with gilt decoration of a Chinese seal. xvi 279 plates pp. A fine copy especially clean and bright the binding very strong and showing virtually no wear though with the mark of a cup which at some time was placed on the upper cover. The Supplement is in fine condition as well. FIRST EDITION SCARCE. The Moore collection contains extraordinary illustrations from some of them most important painters and calligraphers in the long history of Chinese art. The subject matter of the book is traversed by the authors of the volume with scholarship and taste their text being accompanied by the fine illustrations most of them in monochrome and some in colour. The authors are full and illuminating in their descriptions their biographical and bibliographical contributions along with their treatment of the inscriptions and seals. The reason for bringing the inscriptions and seals into the foreground is because "calligraphy has long been considered a major art by the Chinese who frequently valued the inscription on a painting as highly or even more highly than the painting itself. A number of the scrolls depicted have inscriptions which certify their authenticity and are also the calligraphy of famous scholars. These contain many valuable comments on the technique of painting and statements of historical and biographical importance. The seals on the scrolls are not only works of art in themselves but are important as a record of the painting or as an expression of appreciation of it."<br> The painters represented come from various dynasties in their noblest estate painters eloquent of the great virtues of the school--a peculiar magic in the interpretation of nature felicity in composition and linear aspect. The plates provide well the Chinese ideas of beauty and style. R. Cortissoz Oxford University Press hardcover
37010501Canton 1820-30's. A framed and glazed hand-painted color ainting frame:53.3 x 43.5 cm. matted painting: ca. 42.5 x 32.5 cm. very clean superb examplefaux bamboo wood frame cryptomeria wood mat. A METICULOUS PAINTING IN FULL COLOR . . . A STUNNING PAINTING SHOWING CHINESE CONCUBINES . . . DRESSED IN ELABORATE SILK COSTUMES . . . WITH INTERIOR VIEWS OF THEIR APARTMENTS . . . PAINTED IN THE TYPICAL MING PERIOD STYLE THE PAINTING EPOCH: . This is a superb example of later Qing dynasty painting. The work was most likely done during either the reigns of Emperor Jiaqing 1796-1820 or Emperor Daoguang 1820-1850. . The delicacy of the lines willow-like Chinese women and the background captures the essence of Chinese painting of this period. Though the scene most likely depicts and earlier period the work was done in the early to mid-19th century. . The hand-coloring is exquisite reflecting high-skill with superb composition. Clearly these artistic skills are by a famous painter of the period. Sadly this work is not signed. It is most likely one of a series of twelve scenes telling a classic story of concubine life in the Imperial palace Beijing. . THE SCENE: The central scene shows the inner apartment of beautiful Chinese women in elaborate & elegant costumes. Because of their refined surroundings furniture decorations screen ceramics lighting and the presence of hand-maids these most likely Imperial Concubines. . Three women sit at a large table. The central woman is painting a large tree. Her companion to the right points a delicate finger at the painting. The woman to the left is seated on a ceramic stool and engages in conversation with the artist. . There two hand-maids at the left who look at each other one holds a tray with two tea cups. . In the background is a very tall and wide folding screen illustrating tenderly painted bamboo sprigs with a superb border at the top and bottom edges. . The room has a beautiful stone table with a lovely flower in full blossom to the background. . The furniture is the typical "Ming" period style There is a lovely table in the right front foreground with three flower vases. . The floor tile are drawn in "Western" perspective showing the lines diminish in size showing the depth of the room. . In the left background is a round door leading to another room. In this room is an elaborately furnished table with comb brush and mirror. Before the mirror is a young & beautiful Chinese women arranging her coiffure. The room is decorated with flower vases ceramic stool wooden table a table cloth and a screened window. . From the activities of the artist its clear that some of the Imperial Concubines were gifted and talented painters. . CONDITION: The Painting: This work is painted in fine laid paper. The painting is in excellent condition there are no marks or defects of any consequence. There is a small lift of the paper in the upper left approximately x cm.xxxxxxxxxxx else the work is immaculate. . The Frame: The wood frame is in excellent condition the cryptomeria wood mat is excellent with a beveled edge in red as issued. . A NOTE ABOUT THE PHOTOS POSTED TO OUR WEBSITE: We post several photos of this painting as the camera light and colors vary in the photos. There are some unavoidable reflections from the lighting above. All discoloration marks and bright spots are reflections on the glass only they are NOT on the actual painting. . REFERENCES: . BERTHOLET Ferry M.: CONCUBINES AND COURTESANS WOMEN IN CHINESE EROTIC ART YIMEN Rev.: DREAMS OF SPRING: EROTIC ART IN CHINA. The Bertholet Collection. VAN GULIK R.H.: SEXUAL LIFE IN ANCIENT CHINA: A Preliminary Survey of Chinese Sex and Society from ca. 1500 B.C. Till 1644 A.D. . --. EROTIC COLOUR PRINTS OF THE MING PERIOD: With An Essay on Chinese Sex Life From the Han to The Ch'ing Dyansty B.C. 206 Chinese Title Ahead of Title PI-HSI TIU KIAO. FRANZBLAU Abraham N.:EROTIC ART OF CHINA: A Unique Collection of Chinese Prints And Items Devoted to The Art of Love. HUMANA Charles. et al.: CHINESE SEX SECRETS: A Look Behind the Screen. . --. THE CHINESE WAY OF LOVE. . --. THE YIN-YANG: The Chinese Way of Love. DE SMEDT Marc.: CHINESE EROTISM. FANG Ru Ruan. et al.: SEX IN CHINA: Studies in Sexology in Chinese Culture. See our listing: CHINESE EROTIC PAINTED SCROLL. A SUITE OF TWELVE UNIQUE EROTIC PAINTED CHINESE SCENES: From the Ch'ing Ping Mei or Erotic Adventures of Hsi-men. JASCHOK Maria.: CONCUBINES AND BONDSERVANTS: A SOCIAL HISTORY STANDAERT Nicolas.: The Intercultural Weaving of Historical Texts: Chinese and European Stories about Emperor Ku and His Concubines. Qing Dynasty Emperor Reign Names & Dates: dynasty . . unknown
19772111902156101358Iwanamishoten 1977. Soft Cover. Fine. Number of books: 1 Iwanamishoten paperback
133429318X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18852110502150909050Hyoyoshi Matsuki version 1885. Soft Cover. Fine. Number of books: 3 discs (Hyoyoshi Matsuki version) paperback
19912081502112400076Iwasaki shoten 1991. Soft Cover. Fine. Number of pages: 27p Size: 25cm Iwasaki shoten paperback
19732083002116202926Iwasaki Bookstore Takuya Hamano Genjiro Minoda painting 1973. Soft Cover. Fine. The book is in fine condition. Iwasaki Bookstore Takuya Hamano Genjiro Minoda painting paperback
2092902140601422Hikari no Kuni Showa Publishing N.A. Soft Cover. Fine. The book is in fine condition. Hikari no Kuni Showa Publishing paperback
19842081002108803134Kashima shubbansha 1984. Soft Cover. Fine. Number of books: 1 Kashima shubbansha paperback
185012846London: printed for Houlston and Stoneman 1850. Eighth edition. Engraved frontispiece of a perfect mother with 2 young children. Pp. viii 183. 16.5 x 10.7 cm. 8vo. contemporary tan russia elaborately stamped in gilt on both sides spine in compartments with raised bands wach panel with a detailed design second panel lettered in gilt all edges gilt with an erotic image of a young couple in bed on the fore-edge. Darkening and a little rubbing to the spine and edges.The fore-edge painting was probably done in the second half of the 20th century and compliments the subject matter of the book perfectly if rather graphically.<br>The book seems to be the usual plea for decorum and modesty from the wife and the joys of subservience to her husband and making a comfortable home. Erotic fore-edge painting - clearly a tip for newly weds printed for Houlston and Stoneman hardcover
194564014San Francisco CA: Carl Frederick Hobby 1211 Jackson Street ca. 1945. One large oil painting on canvas sized 11 x 14 in. preserved as original stretched canvas within the frame as presented to the artist’s niece and with the original green & gilt frame sized 14.5 x 17.5 in. now professionally cleaned and w/ artist’s pencil numbering on verso of frame and apparently executed about the same time as his “Produce Stand†painting. Signed in lower corner this painting was presented by the artist following the War to his niece and held in the family until 2025. This original oil painting depicts a young Chinese-American child drinking from a bottle of orange soda in traditional Chinese hat and high-collared cloak with rain falling around the subject as well as brick wall and cityscape faintly in the background. Chinese-American children were frequent subjects along with their families for the artist as he often featured them with parents marketing or in their everyday lives on the teeming streets of San Francisco. This close large portrait represents an unusual format for the artist as he tended to paint and draw group scenes.Hobby 1886-1964 was the son of an Iowa City IA ophthalmologist and moved with the family as a teenager to San Diego CA about 1900 where he began working at 14 as a sketch artist and later published a book in San Diego in 1919 with his artwork. He studied art at the Cumming School of Art in Des Moines the Art Students League in New York and became portrait and landscape painter in San Diego until 1923. After a divorce from Plooma Crowther he settled in San Francisco in Chinatown where he became an instructor at the Art Center while also painting and sketching the densely populated area publishing “The Street of Dragon Lanterns Chinatown of San Francisco†in 1936 while contracting with the Madison & Burke Agency through World War II. Exhibits of his paintings and pen & ink sketches were displayed at the Oakland Art Gallery in 1928 and the Society for Sanity in Art in 1945. See: Maud McB. Maywood Palm City The Chula Vista Star July 9 1937 p. 6; Sketches of San Diego 1919. Carl Frederick Hobby, 1211 Jackson Street, unknown
6371893083Trine Day pp. 480 . Papeback. New. Trine Day unknown
18042110502150901305Not Available 1804. Soft Cover. Fine. Volume: 1 Not Available paperback
2091502135300209Not Available N.A. Soft Cover. Fine. Number of books: 1 Not Available paperback
1801FF2530London:: Printed for T. Cadell Jun. and W. Davies by G.R. Clarke 1801. 1801. Small 8vo. xx ii 232 pp. Original full dark navy blue straight-grained morocco gilt Greek-key tooling surround five raised bands elaborate gilt compartments all edges gilt. Very good . With a fine fore-edge painting under the gilt showing "Christchurch in Hampshire here James Fordyce lived" inscribed in the artist's hand note somewhat unusual handwriting style and the use of parenthesis. With an early typed note in ALL CAPS relating to the painting take note of the sheet being hand-outlined in red. The artist possibly copied the engraving "Christchurch Hampshire" from the print by E. Finden after a picture by W. Westall published in Great Britain Illustrated 1830. This view shows the single rowboat in the foreground similar to the image with this fore-edge painting. Artist unknown; painted ca. 1900-1955. This scene is delicately and skillfully painted. The painting suggests early 20th century work though it is not signed and there are not yet any recognizable characteristics yet to suggest the artist's identity. Very finely painted view. / "Fordyce's delivery and gestures were studied and he drew crowds to Monkwell Street. His topics were didactic but he also satisfied cultured tastes and dealt with the ethics of actual life. David Garrick was impressed; Fordyce associated with Samuel Johnson and introduced him to Blair. He gave sympathetic account in Addresses to the Deity 1785 of Johnson's religious character speaking as an evangelical moderate." DNB. Printed for T. Cadell, Jun. and W. Davies, by G.R. Clarke, 1801. hardcover
18-8556Cleveland OH: Harold Wise Gallery of Present Day Painting 1959. . Exhibition announcement. 8vo. 4 pp. Single soft color illustrated sheet folded into halves. Very good with marginal creasing from age. 1 color plate on front page. Includes brief artist biography. Created to announce the exhibition “Adja Yunkers†held from March 22 through April 18 1959 at the Harold Wise Gallery of Present Day Painting in Cleveland OH. Exhibition arranged in cooperation with the Andre Emmerich Gallery in New York NY. Verso of second page includes mailing label addressed to “Mr. James Thrall Soby Museum of Modern Art.†Scarce. From the Collection of the Art Historian Peter Selz. Cleveland, OH: Harold Wise Gallery of Present Day Painting, 1959. unknown
2091502133520543Fusosha N.A. Soft Cover. Fine. Number of books: 1 Fusosha paperback
19722082702114906696Maki shoten 1972. Soft Cover. Fine. Number of pages: 372 pages Size: 22cm Maki shoten paperback
19802092902140313001Horupushuppan 1980. Soft Cover. Fine. Number of books: 1 Horupushuppan paperback
19562090202120410805Kodansha 1956. Soft Cover. Fine. Number of books: 1 Kodansha paperback
19742092902137302713Bijutsu shubbansha 1974. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
19953115050New York: Penguin USA. Fine with no dust jacket. 1995. Poster. Promotional poster of painter Archibald. J. Motley Jr.' s 1929 painting "Blues." . Fine in full-color on single folded sheet folded in quarters as received from publisher's publicity department. 17 1/2" X 21" Laid-into folder with point-of-sale printed material. Cover matches image on poster. Hint of mild rubbing at upper edge of folder. Uncommon ephemeral piece. Suitable for framing. ; 17 1/2" X 21" . Penguin USA. unknown