JUNIOR ETCHING CLUB [Illustrators]Biblio.com
431 résultats
187640759London: William Tegg 1876. 4to. 10 5/8 x 8 1/4 inches. 96 pp. 47 lithograph plates on 45 sheets. Publisher's red cloth gilt decoration and title on front cover and spine.<br/> <br/> A delightful volume of lithographic plates by the Junior Etching Club a prestigious organization instrumental in the revival of etching in late-Victorian England with illustrations by James McNeil Whistler and others.<br/> <br/> 'Passages from Modern English Poets was issued by Day and Son in 1862 in a large octavo. In 1876 another edition in large quarto with etchings transferred to stone and printed as lithographs was published by William Tegg. In this notable volume Millais is represented by Summer Indolence a most graceful study of a girl lying on her back in a meadow with a small child who is wearing a daisy chain seated at her side. Mr. J. McNeill Whistler contributes two delightful landscapes The Angle and A River Scene. "Summer Indolence" by famed Pre-Raphaelite artist John Everett Millais derives from a figure in Millais's painting "Spring Apple Blossoms." The Etching Revival and Pre-Raphaelite Movement shared many comonalities as new artistic forms in the Victorian Era. These groups held artists in common as well as close ties with literature especially poetry. Communing the poetry of authors Lord Byron Wordsworth Tennyson etc with new expressive etchings Passages from Modern English Poets encompasses a whimsical artistic and literary facet of the Victorian Era.<br/> <br/> Gleeson White English illustration 'The Sixties': 1855-70; "A Selection of Etchings by the Etching Club" The Met. William Tegg unknown
19841394451Novato: Presidio 1984. First edition. Hardcover. Quarto Volume One only: 464 pages. In Very Good condition with a Good dust jacket. Spine is white with black print. Dust jacket has light edge wear. Price unclipped: “$55.00â€. Boards in blue cloth with gold print. Light wear to spine caps and corners. Illustrated: chiefly b&w photographs drawings some color plates. Errata sheet laid in. Inscribed in ink by the author on the front flyleaf. <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates.<br /> <br /> <p>NOTE: Shelved in Locked Annex Area Netdesk Column QC ND-QC. 1394451. FP New Rockville Stock. Presidio hardcover
93361Eksp. zagotov. gos. bumag Skt. Peterburg 1899. . Small folio 33 x 23 cm. 6 accordion-folded leaves with a printed page as front cover and another as rear cover chromolithographed illustrations throughout; light spotting and soiling mostly on the external flaps.<br /> a fine example of one of Vasnetsov's most famous illustrated works published to commemorate the anniversary of Pushkin's birth. The Song of Wise Oleg is based on a chronicle by Nikolay Karamzin and remains one of the most well-known Russian poems of all time. <br /><br />Illustrated in the style of a medieval manuscript it is richly embellished with head and tail pieces and decorated initials. The Song became a turning point in the development of the book as an integrated art form and was presented at the International Exhibition for Book Printing and Graphics in 1914.<br /> Kilgour 897; Seslavinskiy Girlianda 189. Eksp. zagotov. gos. bumag, Skt. Peterburg, [1899]. unknown
2012471315Book1One 2012. Hardcover. Used Very Good. Front and back covers have light edge and corner wear. Spine intact with no creasing or warping. Binding is tight and intact pages clean and unmarked. We carry new and used books in our storefront. We want you to be satisfied with your purchase. Please contact us if you have questions regarding this item. Book1One hardcover
1991455712San Diego: Harcourt Children's Books 1991. 1st. Hardcover. Very Good/Very Good. Diane Leo Dillon. Hardcover. SIGNED BY AUTHOR Nancy Willard AND ILLUSTRATORS THE DILLONS on title page. Very clean and tight copy. Funny picture book about how the housekeeper of Bosch deals with his crazy personality & art. A witty tale by Willard with amusing color illustrations by the award-winning husband and wife team. Record # 455712 Harcourt Children's Books hardcover
149584None Stated: None stated nd. Hardcover. Ex-library copy with usual marks. Plates mostly clean but a few have minor-to-mild foxing. Two plates have perforation stamps on lower margins not affecting plate images. Front end pages ffep detached and laid in contain 2 library plates 2 personal book plates and one additional plate. Some wear to spine mostly at head/tail and to leather corners but nothing terribly offensive. Ex-lib. sticker on back cover. Dark green 3/4 leather with complementary medium green cloth. Gilt edging lettering and 3 bands not raised. AEG. No text. 20 pp each with an individual bw etching / engraving. With bookplates by prominent people. The title page is hand-lettered and there is no printed publication information. This is a unique and important item of Cruikshankiana. Ex-library copy with minimally offensive marks given the importance of each one. This volume contains ONLY the 20 engravings used as illustrations for Eccentric Tales. The original sketches were by Alfred Henry Forrester under the pseudonym of Alfred Crowquill. The actual book illustrations then were done by George Cruikshank. This particular book contains Forrester's personal book plate. Another book plate is of Albert M. Cohn who wrote a catalogue raisonne of Cruikshank's works in 1924 a small label on the fep makes reference to this catalogue #471. And a third book plate is of William Hartman Woodin Secretary of the Treasury under Franklin D. Roosevelt in 1933. The final bookplate present is that of the Brooklyn Public Library. Plates No. 8 and 15 have remarques. The Cruikshank illustrations in Eccentric Tales were apparently hand-tinted but these images are in b/w with no tinting and appear to be etching proofs for the final illustrations. Both Crowquill's and Cruikshank's names appear under each etching. Delightful and humorous illustrations done in great detail. Unique and rare. None stated hardcover
1795ST20880London: W. Bulmer and Co. Shakspeare Printing Office 1795. 305 x 238 mm. 12 x 9 5/8". xx 76 pp. <br/> HANDSOME CONTEMPORARY SCARLET STRAIGHT-GRAIN MOROCCO ELABORATELY GILT covers framed by gilt fillets and decorative rolls smooth spine panels diapered into compartments containing annular dots gilt lettering turn-ins with gilt bead roll marbled endpapers all edges gilt. Housed in a velveteen-lined brown cloth chemise in an excellent matching morocco-backed slipcase. Engraved title page vignette five plates and seven vignettes in the text by Thomas and John Bewick. A Large Paper Copy. Front pastedown with bookseller's ticket of E. Lloyd. Hugo 87; Ray "England" 50. See also Glaister p. 75. Four small black ink spots to boards a hint of wear to corners title and dedication leaf a bit foxed occasional mild foxing elsewhere but an excellent copy--the text clean and fresh with capacious margins and the beautiful contemporary binding lustrous and virtually unworn.<br/> <br/> This extremely attractive poetic production is called by Hugo "a magnificent result of the efforts of the wood-engraver type-founder papermaker and printer" and it is offered here in a richly decorative contemporary binding. The text is composed of two poems by Oliver Goldsmith "The Traveller" and "The Deserted Village" and one poem by Thomas Parnell "The Hermit" accompanied by biographical sketches of each writer that of Parnell written by Goldsmith. The charming illustrations are the work of the Bewick brothers. More than any contemporaneous artist or printer Thomas Bewick 1753-1828 was responsible for a renewed interest in wood engraving his virtuosity and prolific output in the medium raising its reputation in book production. And here his artworks are accompanied by those of his brother John 1760-95. The large scenes which gracefully depict the figures from the poems are accompanied by the small head- and tailpiece vignettes for which Thomas Bewick is best remembered the gently sentimental scenes of rural vistas and picturesque ruins perfectly offsetting the text. Our volume was beautifully printed on heavy Whatman paper by Bewick's friend the celebrated William Bulmer who in Glaister's words was "one of the best printers of the time striving to raise the standard of English typography. To this end he perfected his own ink used good paper and specially cut types." Ray praises the printing as well as the illustrations writing that "thanks to Bulmer this is by far the handsomest of contemporary volumes containing Bewick's work." Our copy in pleasing contemporary morocco is a particularly appealing example. W. Bulmer and Co. Shakspeare Printing Office unknown
1882415057London : Ward Lock and Tyler 1882. Second Edition. Hardcover. Finely bound in the original elaborately gilt-blocked decorated cloth over bevelled boards. All edges gilt. Spine bands and panel edges slightly dulled and rubbed as with age. Remains particularly well-preserved overall; internally tight bright and clean Physical description; 287 pages : illustrations 23 cm. Notes; Date is suggested. Subjects; English poetry. English wit and humor. London : Ward, Lock and Tyler hardcover
0851478905.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19907800Mike Richardson Dark Horse Comics 1990. HBDJ Beautiful Red Beige & Possible Red Leather at Spine Cover Sept 1990 stated 1st Limited Numbered Signed #2262/2500 copies Small FolioF/F. Signed by Author. First Edition. Hard Cover. Fine/Fine. Mike Richardson, Dark Horse Comics hardcover
1914mon0000950371Hodder & Stoughton 1914. Hardcover. Very Good. in x in x in. Hodder & Stoughton 1914. Binding firm. Pages clean and bright no markings. Fine illustrations. Hodder & Stoughton hardcover
19143708London: Hodder and Stoughton 1914. First edition. Finely bound ca. 1914 by Sangorski & Sutcliffe stamp-signed on rear turn-in in full dark blue morocco covers decoratively paneled in gilt with inlaid red morocco floral corner-pieces and in the center in gilt the Royal stamp of Princess Mary. Spine with five raised bands paneled and lettered in gilt in compartments all edges gilt cream watered silk liners and endleaves.Quarto 9 7/8 x 7 5/16 inches; 251 x 186 mm. vi 140 pp. Fourteen color plates tipped-in to captioned tan stock with brown line frame many black and white text drawings. Four figure ink number upside down on verso of rear blank leaf. An exceptional copy.<br /> <br /> A relatively common book but scarce in fine condition. This may well be a special presentation binding that was done at the time of publication. "This was the first of a group of wartime books sponsored by prominent people and sold to raise money for worthy causes. The most popular it sold 604884 copies during the two years 1914-1916 that is was in print. The Times in an article November 21 1914 sought to promote the cause "The Queen's Fund" by directing the public to the display of the original drawings at the Leicester Galleries" Hughey.<br /> <br /> The fourteen tipped-in color plates include:<br /> <br /> "So nobody can quite explain Exactly where the rainbows end" Arthur Rackham "True Spartan Hearts" Edmund Dulac<br /> "The Ant Lion" E.J. Detmold<br /> "A Holiday in Bed" W. Russell Flint<br /> <br /> There are also many black & white drawings by C.E. Brock; E.J. Detmold; Arthur Rackham; Byam Shaw; H. M. Brock; Lewis Baumer and Edmund J. Sullivan.<br /> <br /> Arthur Rackham 1867-1939 is perhaps the most acclaimed and influential illustrators of the Golden Age of Illustration. A prolific artist even from his youth Rackham got his start as an illustrator working for the Westminster Budget Newspaper 1892. Over the next few years he took on more and more commissions for children's books hitting his career high in the first three decades of the twentieth century. Rackham turned his imaginative pen to every classic-from Shakespeare to Dickens to Poe.<br /> <br /> Latimore and Haskell 93. Riall 120. Hughey 34. Hodder and Stoughton unknown
1967008463Berkeley: Bill Donaho 1967. Brochure. Fine. Pamphlet. First Printing. 8vo - over 7¾" - 9¾" tall. Progress Report 1 September 1967 illustrations by Johnny Chambers 8 unnumbered pages in stapled illustrated wrappers. Mostly containing the schedule for the upcoming convention. With Anthony Boucher listed as Toastmaster and Parliamentarian significant because inside rear cover of Progress Report 3 contains memorial tribute to Boucher. Progress Report 3 June 1968 cover illustrations by Vaughan Bode 28 unnumbered pages stapled illustrated wrappers full page map of Berkeley. From the collection of noted science fiction artist illustrator and writer Henry M. Eichner with original mailing envelope addressed to him. Both Reports are Fine. RARE Baycon ephemera with excellent sci-fi provenance. Bill Donaho Paperback
18754786London: Punch Office. 1875. Hardcover. Good. Boards rubbed especially spine. Most of the pages loose but present. Hinges cracked. Light foxing to endpapers ; Extremely scarce. Bound in dark blue leather boards with a closing flap. All edges gilt; 24mo; 192 pages . Punch Office hardcover
1962ABE-1659815591504The Push Pin Graphic 1962 Softcover 8vo. 1st edition. Unpaginated. Illustrated staple-bound wraps. Sepia tone & B&W photo illustrations. Scarce. 1st Edition. Soft cover. Near Fine. The Push Pin Graphic paperback
19349441New York: Blue Ribbon Press 1934. Illustrated pop-up edition. Original Wraps. Very Good. Illustrated pop-up edition. Original Wraps. Classic story of Puss in Boots illustrated by Harold Lentz in pop-up form and black and white text with illustrations. Harold Lentz was an advertising and children's pop-up book illustrator also the paper engineer for other books as "Pinocchio" "Jack the Giant Killer" and "Little Red Riding Hood." Bound in original illustrated boards with pop-up end pages 1 volume unpaged 8 vo some edge wear little soiling else tight bright and unmarred. All paper engineering in excellent condition. Inscription on title page. No dust jacket as issued. Blue Ribbon Press unknown
2019641294Hornsea: PS Publishing 2019. Limited Edition. Hardcover. Near Fine/Near Fine. octavo super. Deluxe signed edition and the first edition w/ these illustrations. Lettered Edition. Letter "U" of 26 lettered copies. Signed by author and illustrators. Signed by Ray Bradbury who died in 2012 in red ink to pre-existing bound in limitation page separate from the illustrators own special limitation page. Pictorial boards w/ Illustrated endpapers and illustrated throughout in black and white by Tikulin and Chadbourne. A beautiful item clean and bright in near mint condition. Housed in a special solander box. Near Fine PS Publishing hardcover
1981312289NY: MARVEL COMICS GROUP. Near Fine with no dust jacket. 1981. First Edition; First Printing. Softcover. First edition. About fine in stapled pictorial printed wrappers. Slight hint of shelf wear Official graphic adaptation of the film. . MARVEL COMICS GROUP. paperback
182154180London: Printed for Jones & Co. Oxford Arms Passage Paternoster-Row 1821. First. Hardcover. Very good. Two volumes octavo published in 1821 and 1822. 2: title verso blank iii-x 3-656; 2: title verso blank i-ix 1: blank 3-668 pp. Hand-colored engraved frontispiece and pictorial hand-colored title in each volume plus 30 hand-colored aquatint plates in the text. Later full crimson morocco triple-ruled in gilt; spine with raised bands lettered in gilt; gilt turn-ins; all edges gilt. Spine extremities and bands rubbed. Occasional mild toning and smudges. Complete with all 28 text plates called for in the Directions to the Binder along with an additional two plates "Tom and Bob Catching a Charley Napping" Abbey no. 34 and "St. George's Day Presentation at the Levee" Abbey no. 31. A very good or better set in a handsome signed binding by Riviere and Son.<br /> <br /> First edition later issue of this imitation of Pierce Egan's Life in London 1821. While sometimes attributed to Egan the work was possibly written by John Badcock. "Out of the sixty-five imitations of it which Egan stated that he had reckoned the most important was Real Life in London. which was published in sixpenny numbers in 1821 with excellent illustrations by Heath Alken Dighton Rowlandson and others. Real Life in London is a pleasanter book than its prototype. Some have held that Egan wrote it; but the author had a purer style a cleaner mind and a wider knowledge of London than Egan" The Cambridge History of English and American Literature. "From a bibliographical point of view one of the most complicated and bewildering books ever published rivaling Pickwick in the tangle of variant states that exist both in text and plates. The work had a tremendous success probably out-rivaling in popularity its prototype. A difficult feature of the book is that two printers. printed copies textually the same page by page with only minor variations in the settings and this coupled with the fact that during the eight or nine years it was being reprinted makes the whole vast output all 'first editions' but with innumerable states and variants that continually overlap one with the other" Abbey. "Originally published in 56 parts on completion the work was issued in boards. Later copies were bound in publisher's cloth. A book full of contrarities and difficulties for the bibliographer there being innumerable variations of the plates. The difficulties are further increased by many copies in modern bindings having been completed or made up of different issues giving combinations that are not true variations" Tooley. <br /> <br /> Printers: R. Bensley Bolt Court Fleet Street vol. 1; A. Applegath Stamford-street vol. 2. Second volume title and imprint: Real Life in London; or The Further Rambles and Adventures etc. - Printed for Jones & Co. 3 Warwick Square. 1822. References: Abbey Life 280 1821-22 first edition; J. H. Slater Illustrated Sporting Books 1899 p. 96; Tooley 198 1821-22 first edition. Printed for Jones & Co. Oxford Arms Passage, Paternoster-Row hardcover
1919MONROHAR015345The Poetry Bookshop London. 1919-1925. Twenty-five broadsheets each measuring about 35 x 17.5 cm. Several were printed at the Curwen Press. The last in the series no. 25 is rare and Woolmer was able to locate only the copy in the Bodleian Library.1. BROWN T.E. Vespers. Ninth thousand. 9-line poem with two illustrations by C. Lovat Fraser.2. NOEL Roden. The Old. First edition. 4-stanza poem illustrated by Paul Nash.3. ANONYMOUS. There is a Lady Sweet and Kind. Fifth thousand. 3-stanza poem illustrated by C. Lovat Fraser.4. POPE Alexander. On a Certain Lady at Court. First edition. 3-stanza poem illustrated by John Nash.5. ALLINGHAM William. A Memory. Fifth thousand. 7-line poem illustrated by John Nash.6. CAMPION Thomas. Song. Third thousand. 3-stanza poem illustrated by C. Lovart Fraser.7. DRAYTON Michael. The Parting. First edition. A sonnet illustrated by C. Lovat Fraser.8. DRUMMOND William. For the Baptist. First edition. A sonnet illustrated by Charles Winzer.9. FLETCHER John. Melancholy. First edition. 3-stanza poem illustrated by Rupert Lee.10. FLATMAN Thomas. The Sad Day. First edition. 19-line poem illustrated by C. Lovat Fraser.11. LESLIE Shane. Bog Love. First edition. 4-stanza poem illustrated by C. Lovat Fraser.12. DRINKWATER John. For a Guest Room. Eighth thousand. 3-stanza poem illustrated by C. Lovat Fraser.13. BLAKE William. Love's Secret. First edition. 3-stanza poem illustrated by C. Lovat Fraser.14. WORDSWORTH William. To a Butterfly. First edition. A 19-line poem illustrated by John Nash.15. MONRO Harold. The Rebellious Vine. 16-line poem illustrated by James Guthrie.16. COTTON Charles. Epigramme. First edition. 10-line poem illustrated by C. Lovat Fraser.17. FRASER C. Lovat. The Wind. Ninth thousand. 7-line poem illustrated by the poet.18. DAVIES W.H. Leisure. Fifth thousand. Sonnet illustrated by John Nash.19. FRASER C. Lovat. Summer. First edition. 14-line poem illustrated by the poet.20. FARJEON Eleanor. Meeting Mary. First edition. 5-stanza poem illustrated by C. Lovat Fraser.21. HONEYWOORD Richard. The Robin's Song. First edition. 19-line poem illustrated by C. Lovat Fraser.22. DAVIES Oliver. Staffordshire. First edition.16-line poem illustrated by C. Lovat Fraser.23. STEPHENS James. The White Window. Sixth thousand. 2-stanza poem illustrated by Philip Hagreen.24. HODGSON Ralph. A Song. First edition. 8-line poem illustrated by C. Lovat Fraser.25. MONRO Harold. Overheard on a Salt Marsh. First edition. 19-line poem illustrated by Charles Winzer. The Poetry Bookshop, London. unknown
2017FLAHIVE-2603Oni Press Portland 2017 First edition. First printing of the special hardcover deluxe edition with full number line. A brand-new copy without a jacket as issued. A clean unmarked copy. Features an exclusive sound chip of Rick and Morty. Issues 11-20 of the comic book series. Art-F. 1st Edition Special Edition. Hardcover. As New/No Jacket. Oni Press, Portland hardcover
199511159COSMIC COMICS. LOS ANGELES April 1995. Fine. 1995. First Edition. Softcover. Premier Issue. One of 500 numbered copies. INSCRIBED by Producer Roger Corman & director Paul Bartel & actress Mary Woronov on front inside cover. Fine in stapled pictorial printed wrappers. A graphic novel. . COSMIC COMICS. LOS ANGELES April, 1995 paperback
1970298276New York: Rough Trade 1970. Magazine. 64p. includes covers 8.5x11 inches erotic stories illustrated with explicit drawings by Esposito Rex and Michael personal ads very good magazine in stapled pictorial wraps. Centerfold spread by Rex of 12 small explicit drawings as if from a film strip. Michael's work appears to be emulating if not ripping of Tom of Finland and Kake. Rough Trade unknown
19953194Canberra ACT: Aerospace Publications 1995. Quarto printed wrappers 210 pp. profusely illustrated with photographs maps and diagrams. Light shelf wear otherwise a near-fine copy. The first in the Legends of the Air series presents a broad history of three of the classic fighter aircraft of the 1950s and beyond the North American F-886 Sabre MiG-15 and Hawker Hunter. Each played a significant role in the history and development of the jet fighter these are the most important fighters of their era serving with some 100 nations around the world. Aerospace Publications unknown
1900232828Sampson Low Marston & Company London 1900. 1900. 1st Edition. Hardcover. 1st edition hardback 8vo xvi294pp illustarted page edges gilt pages browning otherwise clean and sound no inscriptions internal binding shaken but holding red printed cloth slightly frayed at top of spine spine titles faded Good condition . Sampson Low, Marston & Company, London, 1900, hardcover
