Yeo, RichardMareMagnum
48 779 résultats
280 pages. References. Index. "William Whewell is now recognized as the first systematic writer on the history and philosophy of science. This book shows how he engaged in metascientific criticism in the early Victorian period, when the social and intellectual status of science and scientists were still matters of contention." Clean, bright and unmarked with very light wear. Dust jacket now preserved in archival-grade Brodart. A high-quality copy. Book
64 pages. A collection based on the tumultuous and brave history of the Chinese immigrants to Canada. Drawing upon the real background of the Chinese role in the gold rush, the building of the Canadian Pacific Railway and the settling of the west coast in the nineteenth century, Yee has created eight original stories that combine the rough-and-tumble adventure of frontier life with the rich folk traditions that these immigrants brought from China. Prior owner's name upon front endpaper. Very light wear. Lovely copy of this attractive volume. Book
1999498EBKöln / Bonn., Rheinland-Verlag / Landschaftsverband Rheinland., 1999. 21 x 30 cm. 24 unpaginierte S. Illustrierter OPappband., 498E 1. Auflage. Einbandkanten mit minimalen Bereibungen, sonst sehr gutes Exemplar.
48059, Brepols - Harvey Miller, 2015 Hardcover with dusjacket, 340 p., 58 b/w ill. + 42 colour ill., 216 x 280 mm, 2015 Languages: English. FINE CONDITION . ISBN 9782503555300.
Hardcover with dusjacket, 340 p., 58 b/w ill. + 42 colour ill., 216 x 280 mm, 2015 Languages: English. FINE CONDITION . ISBN 9782503555300. This book examines the career of the Brussels artist Michael Sweerts through an examination of the artistic, intellectual and cultural contexts that shaped his work and academy in the Netherlands and Italy in the seventeenth century. The Flemish artist Michael Sweerts has long been considered one of the most fascinating and enigmatic painters of the seventeenth century. His peripatetic career, which stretched from his native Brussels to Rome, and later Amsterdam and the Far East, included work for the papal family and the foundation of a drawing academy in the Southern Netherlands. Despite this rich and varied career, Sweerts has yet to be fully examined within the artistic, intellectual and cultural contexts of Brussels and Rome in the seventeenth century. This book aims to retrace the artistic traditions that shaped Sweerts? development and evolution as a painter, etcher and teacher, firmly situating him at the crossroads of artistic exchange between the Netherlands and Italy. The author demonstrates how Sweerts responded to contemporary notions of artistic practice and pedagogy in his work, and how he played a critical role in the formation of a Netherlandish academic tradition. Approaching Sweerts from these new perspectives, this book examines the classicizing and artistic contexts of Brussels as a center of tapestry production, and reconstructs Sweerts? familial and social networks in the Netherlands and Rome. The artist emerges as a sophisticated figure amongst his contemporaries, including the French painter Nicholas Poussin (1594-1665), his patron, Camillo Pamphilj (1622-1666), nephew of Pope Innocent X, and the Flemish sculptor Francois Duquesnoy (1597-1643). Alongside a consideration of his sensitive scenes of peasants and artists in Rome?s urban landscape and strikingly life-like portraits and head studies, Sweerts? remarkable depictions of artists learning and practicing their profession are contextualized within the evolving conceptions of the academy in the early modern period. The author provides the first inclusive investigation of the artistic and socioeconomic frameworks that surrounded Sweerts? establishment of a drawing academy for artists and tapestry designers in Brussels in the 1650s. She brings to light the academy?s significance as a site of artistic learning and innovation, and the importance of working directly from life, while ultimately redefining Sweerts? place in the history of Flemish art.
Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In English and Turkish. 47 p. The nineteenth century Balkanic church.= Ondokuzuncu yüzyilda Balkanlarda kilise.
Fingermarks to a few pages. No other marks or inscriptions. No creasing to covers or to spine. Dusty pages in a very tight binding with unmarked maroon boards and minor bumping to corners. Tissue-guarded frontispiece photograph of (presumably) Peter and Ann foxed around edges. 95pp. The story of Peter and Ann from a midlands mining community. Very scarce.
88p. Profusely illustrated. Text in Japanese and English. Oblong 4to. Original glossy pictorial binding. Original dust jacket. Hardbound. NAVAL BOX 2
20017903DBKassel., Kasseler Kunstverein., 2001. 26 x 21 cm. 64 S. Illustrierter OPappband., 7903D Auflage 1000 Exemplare. Sehr gutes Exemplar.
199394866Rheda-Wiedenbrück, Bertelsmann-Club, (1993). 395 S. (= Jahrhundert-Edition). 21 cm + Beiheft (14 S. mit s/w Abb.). 21 cm. OSeide mit SU und Klarsichthülle im OSchuber mit Lesebändchen.
pp. x, 221 + Plus numerous photographs and drawings. XLib. Tall 8vo. Original full cloth binding. Original dust jacket with library plastic wraps. ARCH 1
199552928BBDüsseldorf., Kunstpalast Düsseldorf, 1995. gr. 4°. 70 S. OKarton. Erste Ausgabe. Gutes Exemplar.
199522248ABDüsseldorf., Kunstpalast Düsseldorf., 1995. 28 x 24 cm. 70 S. OKarton., 22248AB Erste Auflage. Sehr gutes Exemplar.
199560309BBDüsseldorf., Kunstpalast Düsseldorf., 1995. 28 x 24 cm. 70 S. OKarton., 60309BB Erste Auflage. Gutes Exemplar.
199560310BBDüsseldorf., Kunstpalast Düsseldorf., 1995. 28 x 24 cm. 70 S. OKarton., 60310BB Erste Auflage. Kapital minimal bestoßen, sonst gutes Exemplar.
201213089DBPotsdam., H.F. Ullmann., 2012. 27 x 20 cm 800 S. OPappband mit illustriertem OUmschlag., 13089D Tadelloses Exemplar - originalverschweisst.
199154568BBTokyo., Seibu Department Stores, Ltd., 1991. 26 x 22 cm. 24 unpaginierte S. OKarton., 54568BB Einband etwas lichtrandig, sonst gutes Exemplar.
A clean, unmarked copy with a tight binding. Full page black and white photos.
201316787DBBerlin., Wiens Verlag., 2013. 24 x 17 cm. 16 unpaginierte S. OBroschur mit Leinenstreifenrücken., 16787D.jpg Erste Auflage: 330 nummerierte Exemplare. Sehr gutes Exemplar. How to write 4.
69162BBBerlin., Wiens Verlag., 2016. 32 x 30 cm. 48 Blatt. OKarton., 69162BB Auflage: 800 Exemplare. Sehr gutes Exemplar.
201369161BBBerlin., Wiens Verlag / Bom Dia Boa Tarde Boa Noite., 2013. 42 x 29,8 cm. 48 Blatt. OKarton., 69161BB Auflage: 1000 Exemplare (Neue Ausgabe). Rücken mittig leicht angeplatzt, sonst gutes Exemplar.
68085BBBerlin., Wiens Verlag., 2016. 23 x 17 cm. 76 Seiten. OKarton mit OUmschlag., 68085B 1. Auflage. Knickspur an derr vorderen Innenklappe des Umschlags, sonst sehr gutes Exemplar.
69158BBSharjah / Berlin., Sharjah Art Foundation / Wiens Verlag., 2016. 23 x 17 cm. 76 S. OKarton mit OUmschlag., 69158B 1. Auflage. Neuwertiges Exemplar, inklusive dem eingestreuten Sand (OVerschweißt).
200769155BBUtrecht / Frankfurt am Main., BAK, basis voor actuele kunst / Revolver, Archiv für aktuelle Kunst., 2007. 29,8 x 21 cm. 92 S. OKarton., 69155BB Auflage: 1000 Exemplare. Einband etwas angestaubt, Rücken teilweise gestaucht bzw. angeplatzt, sonst gutes Exemplar.
200069157BBOtto Lembeck., 2000. 29,8 x 21 cm. 13 Blatt. OKarton., 69157BB Auflage: 500 Exemplare. Sehr gutes Exemplar.
