Multiple ContributorsMareMagnum
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64 pages. Features: A Glimpse into the Colorful Past of the Ontario-Minnesota Border Lakes - by Ernest C. Oberholtzer - article with wonderful photos; The Search for 11-year-old Jimmy Blake in Arizona's Blue Range - article with photos; The Huge Tulip Trees of North Carolina - photo-illustrated article by Orpheus Moyer Schantz; The Murmer of the Forest - by John L. Coontz; The Chippewa National Forest - photo-illustrated article by H.H. Chapman; The Farmer and Game Conservation - photo-illustrated article by James F. Hoge; The First Year of the Association's Southern Forestry Educational Project; "Old Yolla Bolly" the Bear - photo-illustrated article by Allen H. Hodgson; Two-pages of photos of bizarre trees; George P. Brett (President of Macmillan Publishing) and his foremost private Pinetum in the country - photos and article by Erle Kauffman; Water-Cress - article by Rachel M. Hutchinson; The Hall of Fame for Trees - photos and captions; The Care of Young Forests - photo-illustrated article by G.H. Collingwood; Full-page ad for 4 Square Lumber; White-Pine Blister-Rust Quarantine, by R.A. Sheals; Nice ad for Pacific Pumpers on back cover. Average wear. Unmarked. A sound vintage copy. Book
47. Druck der Edition Tiessen, eines von 45 Exemplaren der Vorzugsausgabe mit 4 zusätzlichen signierten Orig.-Radierungen von Wong Moo Chew. Die Radierungen wurden im Atelier Lacourière et Frélaut, Paris, gedruckt. Das Impressum vom Künstler signiert. Tadellos erhalten. - Spindler 41,47.
[Incunabolo-Raro] (cm. 26) solida piena pergamena sec. XIX.-- consta di 18 carte nn. con registro A,B,C, tutti terni. 40 linee, con autore e titolo ripetuti in cima ad ogni carta. Carattere rotondo. Al recto della prima carta su due linee è: "Orphei Argonautica latina". Al verso, la dedica di Joannes Baptista Pius: "Ad clarissimum.senatorem D. franciscum elephantutium bonon.". A carta 2 recto inizia il testo che termina a carta 18 verso e finisce col: "Regestum Aiii Biii Ciii". Nonostante accurate ricerche su tutte le edizioni di orfeo della fine del '400 e i primi del '500, non abbiamo trovato alcun riferimento di questo forse incunabolo apparentemente sconosciuto. I fogli sono filigranati con: "monte a 3 cime sormontato da una croce". Simile ai n° 11711-2-3 del Briquet "Les Filigranes" vol. III che a pag. 591 dichiara di Bologna 1480-1485 circa. Margine in basso corto che alle ultime 6 cc. tocca il testo. Altrimenti esemplare bellissimo, nitido e marginoso di questa edizione forse impressa a Bologna intorno al 1500. Il Census, Iccu, non registra alcun esemplare presente nelle biblioteche italiane il che fa supporre un' edizione del XV secolo.[f46] Libro
8vo., First Edition, text in French, with 62 pages of full-page photographs from the film; grey tweed boards, upper board with mounted photograph [of Maria Casares] lettered in red, backstrip lettered in black, a near fine copy. A PRESENTATION COPY FROM THE AUTHOR TO LOUIS PAUWELS WITH THE FORMER'S SIGNED HOLOGRAPH INSCRIPTION ON HALF-TITLE. With two copies of Rocher's flier, printed in pink and black and listing Cocteau' available works, loosely inserted. 'Le Testament d'Orphee' (1959) is the third film in Cocteau's Orphic trilogy, following 'Blood of a Poet' (1930) and 'Orphee' (1950). In addition to the author himself, the cast includes many leading theatrical and literary figures of the period, including Jean-Pierre Leaud, Maria Casares, Francoise Arnoul, Yul Brynner, Claudine Augier, Pablo Picasso, Charles Aznavour and Jean Marais. The screenplay with stills was published two years later; this copy is inscribed by Cocteau ('Jean') to Louis Pauwels, the eminent French journalist and author of 'The Morning of the Magicians' (1960). SIGNED COPIES ARE EXTREMELY SCARCE.
