Louis Morin,Livre Rare Book
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014846Louis Morin, La revue des Quat'Saisons - n°1 à 4. Paris, Ollendorff, 1900-1901. 4 tomes en 1 volume in-12, 326p. Ensemble complet des 4 numéros parus, un des 150 exemplaires du tirage de tête, n°122, un des 100 japon (les 50 autres étant sur chine), chaque numéro étant justifié. Morin présent ainsi sa revue : « Cette revue ne sera ni pessimiste, ni réaliste, ni grave, comme la plupart de ses consoeurs. L'art n'est-il pas un jeu, le jeu des bons esprits, qu'il faut ranger au nombre des choses pas bien sérieuses dont parle Renan ? La fantaisiste revue des Quat'Saisons tâchera d'y jouer légèrement, pour le passe-temps des gens décidés d'y jouer légèrement, pour le passe-temps des gens décidés à lutter contre le spleen qui nous envahit, et à arrêter le moins possible leur pensée sur les misères de la vie laide que nous font les lois, les préjugés, les modes et le snobisme » (p.1). Il y évoque : Les souvenirs des deux derniers quat'zarts et d'un bal du courrier français, Le bal de l'internat, Les fantaisistes à l'Exposition (Exposition universelle de 1900), La joie d'autrefois (Le soir de Venise), l'influence du Chat Noir, La mode, Les fêtes de caractère, Les danses d'Espagne et les danses d'Orient, Mme Sada Yacco, Cléo de Mérode et les danseurs du diable, L'heure du berger Terpsichore, La rue des Enfants, Le soir de Venise, La bourgeoisie marche, L'Art moderne sculpture (Le raid Rodin), Montmartre (Histoires de modèles), L'amour de l'art, Carnaval de Nice, Les masques rouges.. L'ouvrage est illustré par Louis Morin, de 400 dessins et 28 planches, en noir et en couleurs, certaines planches sont dépliantes. Reliure signée « Reliure exécutée pour la librairie Conard » (il semble que Canape reliait pour Conard), demi-maroquin havane à coins, tête dorée, premières couvertures des quatre numéros conservées et reliées en début de chacun, second plat et dos de la couverture du numéro 4 reliée à la fin. Quelques rares rousseurs sur les gardes, quelques légers frottements à la reliure. Très bel exemplaire.
189512974Paris, Librairie Léon Conquet, 1895. 1 vol. in-8. Plein maroquin havane janséniste, dos à nerfs, titre, auteur, date et lieu dorés, dentelle intérieure dorée, tranches dorées, couvertures conservées. [CHAMBOLLE-DURU].
191415321Massachusetts ca. 1914. First Edition. Wraps. Very good . Oblong folio. Commercial string-tied album. Cloth covered limp card boards. Gilt lettering to front. 50 leaves holding a single portrait photograph and 194 clipped artwork reproductions within hand-cut corner mounts at rectos and versos. Each page with ornate outlining and calligraphic titling in white album pen. Loose tissue guards between leaves intact. Mild handling wear. One clipped element perished. Overall clean well preserved. Very good or better in a custom archival clamshell box. <br/><br/>A hand-accented gift scrapbook of religious iconography created and presented by Julia Morin to her brother Reverend William Morin upon the occasion of his ordination. Populated with reproductions of the masterworks of Christian art by Bellini Gaddi Titian Correggio Raphael Del Sarto Renni Rubens Rembrandt Hoffman among others each page is carefully engrossed with exquisite titles and borders. Plates likely clipped from THE PERRY MAGAZINE FOR SCHOOL AND HOME a Boston-based periodical of the era which reproduced fine works of art for use in education. Several instances of hand-colored covering-over an otherwise nude baby Jesus add a note of reverential modesty. Julia's inscription to the cover identifies her as a 1914 graduate of St. Ann's Convent presumably of Readville MA. Historical references cite William as having ministered to congregations near Boston Fitchburg and North Adams. A touching and lovingly-assembled folk book. paperback books
18913453Paris: Librairie L. Conquet 1891. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. Contemporary citron morocco sides elaborately gilt spine in six compartments lettered on one raised bands gilt turn-ins satin endpapers with embroidered roses a.e.g. Front joint repaired. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. With an Original Watercolor. With a charming original watercolor and pen and ink drawing of 9 characters from the book by the author/artist on the recto of the half-title inscribed beneath: "Ã mon ami Pelletan Louis Morin Librairie L. Conquet unknown books
18913453Paris: Librairie L. Conquet 1891. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. Contemporary citron morocco by Bretault sides elaborately gilt spine in six compartments lettered on one raised bands gilt turn-ins satin endpapers with embroidered roses a.e.g. Front joint repaired. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. With a charming original watercolor and pen and ink drawing of 9 characters from the book by the author/artist on the recto of the half-title inscribed beneath: "à mon ami Pelletan Louis Morin Librairie L. Conquet unknown
EXE-226Paris, Librairie Henri Floury, 1899. Grand in-4° broché, couverture rempliée illustrée. Edition Originale. Illustré de nombreuses compositions aquarellées. Tiré à 500 exemplaires, celui-ci sur Japon Impérial imprimé spécialement pour M. Jules Claretie. NOTRE EXEMPLAIRE CONTIENT : dessin original à la plumé rehaussé a l’aquarelle sur le faux-titre, 3 projets de page de titre, 5 croquis à la mine de plomb, plusieurs prospectus réalisés par Louis Morin.
189100007755Paris: Librairie L. Conquet 1891. First edition. Hardcover. Near Fine. 12mo. 10 1-51 9 pp. Full contemoprary red morocco with gold borders on each board spine with gold tooling gold-tooled borders around the red-silk doublures; top edge gilt. Red silk floral endpapers. Bound by the well-known French artisan and bookbinder Leon Gruel. With a light blue silk ribbon bookmark bound in. Vignette title page in color along with a frontispiece and eleven plates and numerous decorations all by the author. This is the publisher's presentation issue on vellum signed by publisher and bookseller Leon Conquet with his indication that this copy is for Monsieur Legrand. This almost certainly was the well-known French illustrator Louis Legrand. Legrand moved to Paris in 1884 and began studying printmaking with the Belgian artist Felicien Rops who was under exclusive contract to Conquet from 1883 to 1885. Conquet's bookshop in Paris was a kind of salon for Parisian bibliophiles and illustrators and Conquet Rops Morin and Legrand would have been well-acquainted by the time of this book's publication in 1891. Although there are no other ownership markings the foregoing and Conquet's eschewal of using initials or a first name to identify the intended recipient suggests that there was only one person named Legrand who could be the intended recipient of a presentation copy of this book Louis Legrand himself See W. Z. Silverman The New Bibliopolis for illuminating discussion of each of these individuals and the Parisian book world during this era. A beautiful copy of this wonderful confluence of associations in the world of late nineteenth-century French book arts and illustration. A Near Fine book with offsetting from the bound in bookmark on pages 22 - 23 where it presumably laid for many years and a faint dampspot on the endpapers. Librairie L. Conquet hardcover
756963Eyre & Spottiswoode. hardcover. Very Good. 0x0x0. Binding tight.Hardcover.Dust Jacket included and in fair condition. Minor wear to page edges and corners. No writing highlighting or marks in text. Eyre & Spottiswoode hardcover
189100007755Paris: Librairie L. Conquet 1891. First edition. Hardcover. Near Fine. Small 12mo. 10 51 9 pp. Bound by the well-known French artisan and bookbinder Leon Gruel in red Morocco top edge gilt. Stylized gilt borders and gilt rules on the boards gilt lettering and decorations on the spine red fabric with floral design on endpapers and matching fabric used on the pastedowns surrounded by elaborate gilt designed border on red Morocco with a light blue silk bookmark bound in. Vignette title page in color along with a frontispiece and eleven plates and numerous decorations all by the author. This is the publisher's presentation issue on vellum paper signed by publisher and bookseller Leon Conquet with his indication that this copy is for Monsieur Legrand. This almost certainly was the well-known French illustrator Louis Legrand. Legrand moved to Paris in 1884 and began studying printmaking with the Belgian artist Felicien Rops who was under exclusive contract to Conquet from 1883 to 1885. Conquet's bookshop in Paris was a kind of salon for Parisian bibliophiles and illustrators and Conquet Rops Morin and Legrand would have been well-acquainted by the time of this book's publication in 1891. Although there are no other ownership markings the foregoing and Conquet's eschewal of using initials or a first name to identify the intended recipient suggests that there was only one person named Legrand who could be the intended recipient of a presentation copy of this book Louis Legrand himself See W. Z. Silverman The New Bibliopolis for illuminating discussion of each of these individuals and the Parisian book world during this era. A beautiful copy of this wonderful confluence of associations in the world of late 19th century French book arts and illustration. A Near Fine book with offsetting from the bound in bookmark on pages 22 - 23 where it presumably laid for many years and a faint dampstain on the front flyleaf but otherwise a clean and attractive example. Librairie L. Conquet hardcover books
191441582Massachusetts: n.p. 1914. Very good plus. Hand-accented gift scrapbook of religious iconography created and presented by Julia Morin to her brother Reverend William Morin upon the occasion of his ordination. Populated with reproductions of the masterworks of Christian art by Bellini Gaddi Titian Correggio Raphael Del Sarto Renni Rubens Rembrandt Hoffman among others each page is carefully engrossed with exquisite titles and borders. Plates likely clipped from THE PERRY MAGAZINE FOR SCHOOL AND HOME a Boston-based periodical of the era which reproduced fine works of art for use in education. Several instances of hand-colored covering-over an otherwise nude baby Jesus add a note of reverential modesty. Julia's inscription to the cover identifies her as a 1914 graduate of St. Ann's Convent presumably of Readville MA. Historical references cite William as having ministered to congregations near Boston Fitchburg and North Adams. A touching and lovingly-assembled folk book. Commercial string-tied album. Cloth covered limp card boards. Gilt lettering to front. 50 leaves holding a single portrait photograph and 194 clipped artwork reproductions within hand-cut corner mounts at rectos and versos. Each page with ornate outlining and calligraphic titling in white album pen. Loose tissue guards between leaves intact. Mild handling wear. One clipped element perished. Overall clean well preserved. In a custom archival clamshell box. n.p. hardcover
19132384Paris: Bibliotheque de l'Art Culinaire 1913. Quarto xxix 3 48 pages. Text illustrations. Index. First edition. A monument to French culinary excess with illustrations of elaborate sculptural presentations suitable for royal banquets and other formal occasions. Includes instructions for dishes such as "Tonneau Abondance" and "Volcan Norwegien".Original pictorial wrappers bound into contemporary half leather and marbled paper-covered boards with raised band and gilt-lettered spine. Some wear to edges and corners. A bit of discoloration to the bottoms of a few pages otherwise near fine. Rare. No institutional copies found OCLC or BN; not in Bitting Cagle Vicaire Oberlé etc. Bibliotheque de l'Art Culinaire hardcover books
189874875Paris: Librairie L. Conquet 1898. Fine. Librairie L. Conquet Paris 1898 18 x 26.50 cm relié Edition illustrated with 41 original etchings by Auguste Lepère including a frontispiece 20 headpieces 20 tailpieces as well as 20 historiated initials printed in two colors The work is printed in 250 numbered copies on vélin du Marais justified by the publisher. Half chocolate brown morocco binding with corners spine with five raised bands gilt date at foot marbled paper boards endpapers and pastedowns of pebbled paper covers and spine preserved top edge gilt retaining deckled edges contemporary binding signed by Stroobants. Some minor foxing affecting mainly the last leaves at head. Handsome copy perfectly established. Librairie L. Conquet hardcover
10485En feuilles sous emboitage, 31X22 cm, 1947, non paginé, exemplaire nominatif, tirage strictement limité à 25 exemplaires, chaque exemplaire est écrit par Paul Fort lui-même à l'encre de chine, les trentes illustrations de Jorge Morin (Jorj Morin) ont été recomposées à la gouache sur chaque exemplaire par l'artiste lui-même et constituent autant d'originaux, le papier de l'ouvrage est le vergé pur fil "au fou" fabriqué à la main spécialement pour cette édition par le maitre-papetier Henri Lacombe au moulin à papier du Verger de Puymoyen en Angoumois. Etui avec quelques frottements sans gravité, rare ouvrage en très bon état.
191368<p>First Edition. Quarto 28 x19 cm xvi 48 xvii-xxix 3 pp. 48. index original printed wrappers "all rights reserved" discreetly stamped to the bottom of the front wrapper and title page possibly by the Publisher profusely illustrated throughout text in french. Published by Bibliothèque de L'Art Culinaire Paris 1913. A little wear to the wrappers some gentle spotting internally. A very good copy. A stunning work on the art of food presentation containing detailed illustrations of dishes fit for a King's Banquet. Exceptionally rare in the original printed wrappers. No Institutional holdings located at the time of cataloguing and this work not referred to in Bitting Cagle Vicaire Oberlé etc. Please contact us for shipping costs if ordering from outside the UK.</p> Bibliothèque de L'Art Culinaire paperback
1825elala1112Montreal: James Lane 1825. 1825. 8vo. pp. 16. original plain blue wrs. removed from a bound volume. Inscribed on front wr.: from the author M. Morin & with early ownership entry illegible. First Edition. Morin a seventh generation Canadian was still a law student when he wrote the present work assailing Judge Bowens refusal of a writ of summons drawn up in French and reminding him of French language rights in Lower Canadian courts. Morin went on to practise law and journalism and entered politics in 1830 becoming a supporter of Louis Joseph Papineau. He was the author in 1834 of the Ninety-Two Resolutions and the same year was deputed with Denis Benjamin Viger to lay before the British parliament the views of the Lower Canadian Assembly. A warrant was issued for his arrest for his involvement in the Rebellion but the charges of high treason were so ill-founded that he was not brought to trial. He remained active in politics until his appointment in 1855 as a judge of the Superior Court of Lower Canada.TPL 1360. Casey I 1185. Dionne I 163. Gagnon I 2107. Lande 661. 1st Edition. Montreal: James Lane, 1825. unknown
13374Le Figaro. Boussod, Valadon & Cie, éditeurs, 1891. In-folio, reliure de l’éditeur.
189874875Librairie L. Conquet | Paris 1898 | 18 x 26.50 cm | relié
191876960Sous étui bordé. Reliure plein maroquin brun. Encadrement de doubles filets à froid entrelacés aux angles et soulignés sur les côtés de deux filets dorés. Dos lisse orné de même, triple filet intérieur, doublure de maroquin marron. Gardes de moire chocolat. Tranches dorées sur témoins, couverture conservée. Reliure signée Yseux sr. de Thierry-Simier. Illustré par 10 dessins de Louis MORIN. Dos légèrement éclairci.
175897090Paris, Le Breton, Durand, Pissot, Lambert, 1758, in-12, XVI-194-[5] pp, 1 tabl. depl, Demi-toile chagrinée noire moderne, dos fileté, Première édition de ce recueil des diverses publications anglaises, suédoises, allemandes et italiennes, sur le platine. Avec une table dépliante des gravités spécifiques. L'auteur l'appelle le "huitième métal, quoique proprement dit il ne soit que le septième ; & cela pour me conformer au langage ordinaire & aux idées du plus grand nombre, qui par une ancienne erreur, compte le Vif-argent au nombre des Métaux" (pp. VIII-IX). L'ouvrage traite des expériences relatives au platine (cristallisation, traitements au feu, aux sels, aux acides, alliages, etc.). Il comprend plusieurs lettres, expériences et descriptions de scientifiques étrangers, ainsi que quatre mémoires du chimiste anglais William Lewis (1708-1781) : "Qui présente ce métal examiné en lui-même, & par rapport au Feu"; "La platine traitée avec les différens sels"; "La platine combinée aux métaux"; "La platine combinée avec les demi-métaux & les alliages". Dans la première partie de l'ouvrage, on retrouve la "Description de l'Or blanc ou huitième métal... par Théodore Scheffer", tirée des Mémoires de l'Académie Royale de Suède. On ne connaît presque rien de l'auteur, sinon qu'il était avocat au parlement de Dijon et qu'il mourut à la fin du XVIIIe siècle. Schuh lui attribue le prénom de Jean, les catalogues de bibliothèque, Claude. Étiquette ex-libris J[oseph] Laissus (1900-1969), directeur-fondateur de l'École technique supérieure du Laboratoire. Incomplet du feuillet liminaire a3, comme c'est presque toujours le cas. Reliure moderne. Rousseurs sur le premier et le dernier feuillets, pages jaunies. Duveen p. 414. Sabin XV, n° 63350. Schuh, Mineralogical Record [en ligne]. Couverture rigide
1910228731910 Aquarelle et encre de Chine signée en bas à droite, Draeger, (1910), 35.5 x 25 cm.
186361653Paris: Truchy 1863. Fine. Truchy Paris 1863 18.50 x 28 cm relié First edition illustrated with in-text drawings by Edmond Morin. Full midnight blue morocco binding spine with five raised bands decorated with triple gilt compartments gilt roulettes on headcaps triple gilt fillets frame with gilt floral corner motifs on covers marbled endpapers and pastedowns gilt dentelle frame on pastedowns original wrappers preserved all edges gilt double gilt fillets on leading edges superb binding signed Marius Michel. Bookplate pasted on one endpaper a shadow on the same endpaper and on the facing page. Very fine copy elegantly bound. Truchy hardcover
1993mon0000068105Sixty-Ninth Street Zoo 1993-01-01. Paperback. New. 0.7283 in x 8.4291 in x 5.8504 in. Sixty-Ninth Street Zoo paperback
18233Paris Georges Decaux, éditeur - Maurice Dreyfous, éditeur 1879 in 4 (30x22) 1 volume reliure plein maroquin, plats mosaïqués bleu, beige, et rouge, fers dorés au N dans couronne de lauriers, dos à nerfs orné, titre mosaïqué, tranches dorées, double filet doré sur les coupes, dentelle intérieure ornée de fers dorés aux abeilles, couverture conservée, portrait gravé en frontispice, 106 pages (rousseurs éparses), étui bordé. Reliure signée Thierry, Successeur de Petit-Simier. Edition illustrée de gravures hors-texte, par A. de Neuville, de gravures sur bois, d'aprés les dessins de Edmond Morin, et du portrait de l'auteur gravé à l'eau-forte, par A. Gilbert. Exemplaire de présent portant en lettres dorées sur les plats: garde impériale, l'Empereur Napoléon au 1er régiment des grenadiers à pied. Bel exemplaire (photographies sur demande)
1682118718Antuerpiae I. E. Amsterdam : Ex Officina Frederici A` Metelen Sub Signo Quatuor Euangelistarum. M. DC. LXXXII - Place Of Publication Fictitious Metelen Worked From Amsterdam Cf. Gruys & Wolf. The 1682. First Edition. Hardback. A very good copy in the full contemporary aniline calf. The spine's top compartment has been recased in an impressively period-sympathetic fashion. Scans and additional bibliographic detail on request. ; 819 pages; Physical desc. : 40 819 1; 159 1 p. ; fol. Subject: Penance - History. Judaism - Customs and practices - Works to 1900. Signatures: 6 e-6 i-o-4 A-3X6 3Y-3Z4 ²A-²M6 ²N-²O4. Title page printed in red and black with engraved printer's device. Tail-pieces initials. Antuerpiae [I. E. Amsterdam?], : Ex Officina Frederici A` Metelen, Sub Signo Quatuor Euangelistarum. , M. DC. LXXXII - Place Of hardcover
186346789Paris, L. Hachette, 1863, in-8, 2 forts vol. , T.I: (4), III, (1bl), 610pp.; T.II: (4), 407, (1)pp, 16pl, demi-chagrin bronze, dos à nerfs ornés de compartiments et de fleurons dorés. (Rel. de l'ép.), PREMIERE EDITION. Rare. 16 planches dépl. h.t. représentant des plans de ventilation des bâtiments: hôpitaux (Lariboisière, Hôpitaux militaires de Vincennes et du Gros Caillou), théâtres ( de la Gaité, du Lyrique) et des écoles; nombreuses figures dans le texte. Ouvrage très complet sur le sujet : chauffage et ventilation des bâtiments en Angleterre; renouvellement de l'air dans les lieux habités, circulation de l'air dans les conduits; ventilation par insufflation (hôpital Lariboisière, asile du Vésinet, salles d'écoles, chambres des casernes); systèmes de calorifères employés dans les appareils de ventilation; dispositions particulières des édifices (hôpitaux, prisons, casernes, écoles, églises, théâtres, ateliers, écuries, etc.). Le mathématicien Arthur Morin (1795-1880) fut directeur du Conservatoire national des Arts & Métiers. Ses recherches sur les turbines et les systèmes de ventilation sont parmi les meilleurs et lui valurent d'être admis à l'Académie des Sciences. Rousseurs habituelles. Léger accroc à la coiffe sup. du second volume Couverture rigide
