OPERA DE PARIS. DUCREUX (Louis). WAKHEVITCH (Georges).Livre Rare Book
21 719 résultats
231293 Aquarelles et gouaches signées et datées en bas à droite, annotations en bas des dessins, 1975, 41.5 x 25.5 cm., 41 x 26 cm., 42 x 26 cm., cadres dorés.
1972AG-10057<p><b><i>The Red Lantern Script</i></b><b><i>红ç¯è®°</i></b><b><i> Hong Deng Ji</i></b><br /></p><p>Beijing: Published by People's Publishing House printed by Beijing Xinhua Printing Factory distributed by Xinhua Bookstore Beijing Distributing Agency February 1972 <b>FIRST EDITION</b> 8vo. The May 1970 Script Revised Collectively by the China Peking Opera Troupe. iv374 pp. colophon consists of scripts stage photos selected theme score stage action instructions and designs beginning with quotations from Chairman Mao on the second and third pages printed pictorial stiff cover wrappers <i>fine condition.</i></p><p>京剧《红ç¯è®°ã€‹å‰§æœ¬</p><p>北京：人民出版社出版，ä¸å›½äº¬å‰§å›¢é›†ä½“制作，基于1970年五月演出本，1970å¹´12月第一版，书的å‰ä¸¤é¡µæœ‰æ¯›ä¸»å¸è¯å½•ï¼Œå…±374页主体内容。精装，å“相éžå¸¸å¥½ã€‚</p> People’s Publishing House hardcover
1818D7301Leipzig: Breitkopf & Härtel 1818. Hardcover. Very Good. Oblong folio 330 x 240mm. 184 pages. Complete vocal score. Notated music. Added engraved title page: Il dissoluto punito; osia Il Don Giovanni. Dramma giocoso in due Atti posto in Musica da Wolfgang Amadeus Mozart. Ridotto per il Pianoforte da A.E. Müller with vignette of Don Giovanni scene by Fr. Bolt after Kininger Pr. 4 Rthlr. Italian-German text. Richly bound in crushed green morocco handsomely gilt with device of lyre and central lozenge on front and rear covers spine done in the same and lettered in gilt Don Juan Mozart speckled edges; toned and only lightly foxed few pages margins lightly torn or with paper repairs not frequent good with all with engraved music otherwise. <br/><br/>1818 Leipzig printing for the vocal score of Mozarts famous opera Don Giovanni. Italian librettos were translated into German owing to the growing popularity of opera in Germany during the last decade of the 18th century; contemporary to Mozarts death in 1791. Mozart immediately accepted at least the title under which on of his works would become known in the German-speaking countries: writing home on 3 October 1790 he reported on Tuesday the theatrical company of the elector of Mainz are performing my Don Juan. German communities variously received Mozarts operas; the battle between the aristocratic and bourgeois audiences raged to and fro. When Don Juan played for the first time in the Frankfurt theater it was deemed suitable for the general public but not for its educated section. Yet the critics could all concede of Mozarts popularity and that the subject matter turned the heads of the public. This fine well-preserved dual text is an early and complete keyboard transcription of the opera. It gives Lorenzo da Ponte's original Italian with the German translation by Schröder underneath. Excellent piece of music history and staple of the standard operatic repertoire. Breitkopf & Härtel hardcover books
1818D7301Leipzig: Breitkopf & Härtel 1818. Hardcover. Very Good. Oblong folio 330 x 240mm. 184 pages. Complete vocal score. Notated music. Added engraved title page: Il dissoluto punito; osia Il Don Giovanni. Dramma giocoso in due Atti posto in Musica da Wolfgang Amadeus Mozart. Ridotto per il Pianoforte da A.E. Müller with vignette of Don Giovanni scene by Fr. Bolt after Kininger Pr. 4 Rthlr. Italian-German text. Richly bound in crushed green morocco handsomely gilt with device of lyre and central lozenge on front and rear covers spine done in the same and lettered in gilt Don Juan Mozart speckled edges; toned and only lightly foxed few pages margins lightly torn or with paper repairs not frequent good with all with engraved music otherwise. <br/><br/>1818 Leipzig printing for the vocal score of Mozarts famous opera Don Giovanni. Italian librettos were translated into German owing to the growing popularity of opera in Germany during the last decade of the 18th century; contemporary to Mozarts death in 1791. Mozart immediately accepted at least the title under which on of his works would become known in the German-speaking countries: writing home on 3 October 1790 he reported on Tuesday the theatrical company of the elector of Mainz are performing my Don Juan. German communities variously received Mozarts operas; the battle between the aristocratic and bourgeois audiences raged to and fro. When Don Juan played for the first time in the Frankfurt theater it was deemed suitable for the general public but not for its educated section. Yet the critics could all concede of Mozarts popularity and that the subject matter turned the heads of the public. This fine well-preserved dual text is an early and complete keyboard transcription of the opera. It gives Lorenzo da Ponte's original Italian with the German translation by Schröder underneath. Excellent piece of music history and staple of the standard operatic repertoire. Breitkopf & Härtel hardcover
20112081502111901247Chinese Encyclopedia Publishing House 2011. Soft Cover. Fine. Number of books: 2 hardcovers Chinese Encyclopedia Publishing House paperback
2024248832024 1 Ecolines et encre de Chine, spray d'encres sur papier à grains signées en bas à droite et au verso, 2024, 29,7 x 21 cm.,
19392091202133104999Takarazuka Girls Opera Company 1939. Soft Cover. Fine. Volume: 1 Takarazuka Girls Opera Company paperback
1932175321932 Aquarelle, encre de Chine et lavis sur papier cartonné, s.d. (1933), 21 x 40 cm.
19651031851965 Paris, Centre Américain des Artistes 261 Bd Raspail, affichette 550x319mm sur papier saumon.Organisation Jean Jacques Lebel.Participation de Alain Jouffroy, Henri Kréa, Serge Sautereau et André Velter pour la poésie ; Ben, Robert Filliou et Emmett Williams pour les happenings ; Nam June Paik et Charlotte Moorman pour le Robot Opera ; du groupe Panique avec Roland Topor, Arrabal, Jodorowsky, Alain le Yaouanc et Vince Taylor.Joint :PROGRAMME DU WORKSHOP DE LA LIBRE EXPRESSION1ère Manifestation Internationale organisée par Jean-Jacques Lebel et Marc'oUn carton 240x180mm imprimé recto-verso comportant le programme des manifestations sises au Centre Américain des Artistes 261 Boulevard Raspail Paris 14 (actuellement Fondation Cartier) du lundi 25 mai au samedi 30 mai 1964.Deux documents. (103185)
13103Il Crociato in Egitto. Opéra seria in du Alti Ridotta per il cembalo. Composta da G. MEYERBEER. Nuova edizione. Parigi Maurice SCHLESINGER éditeur. 1825. (Le croisé en Egypte) In 4 demi-cuir noir, initiales dorées sur le premier plat. Titre t filets dorés. Titre gravé, portait lithographié de l’auteur, 275 pages. Ouvrage entièrement gravé. Création à la FENICE de Venise le 7 mai 1824. , présenté au théâtre Italien à Paris le 25 septembre 1825.Livret de Gaétano ROSSI.
366322 ouvrages reliés en un volume in-8, plein veau de l'époque, dos à 5 nerfs fleuronné et cloisonné, tranches rouges.
2 ouvrages reliés en un volume in-8, plein veau de l'époque, dos à 5 nerfs fleuronné et cloisonné, tranches rouges. 1- Edition originale. La réponse de Rousseau à l'article "Genève" qui venait de paraître dans l'Encyclopédie, dans lequel D'Alembert suggérait des réformes pour la ville de Genève: projet pour une "cité philosophe" de liberté politique et culturelle, notamment par la levée de l'interdiction d'un théâtre permanent. Rousseau résume dans sa critique tout ce qu'il dénonçait déjà comme une illusion: "le théâtre comme école de l'hypocrisie, le bel esprit, la civilité telle qu'on la conçoit à Paris sont inconciliables avec les mœurs de véritables citoyens. Ses thèses sur les spectacles ne sont qu'un aspect de sa réflexion sur la modernité: à quelles conditions la république est-elle possible ? Comment lier adéquatement morale, esthétique et politique" (B. Bachefen, ENS éditions). (Gagnebin, V, 1812. Tchemerzine-Scheler, V, 535). 2- Edition originale et unique de cet ouvrage composé par Paul-Antoine Nolivos de Saint-Cyr, qui rencontra Rousseau à Venise. Membre de la "coterie holbachique", l'auteur était un proche de madame d'Holbach. Devenu "Laval", comédien aux portes de Genève, il mène ici une polémique ardente pour "venger" d'Alembert et Voltaire de la 'Lettre sur les spectacles' de Rousseau. "Apologie de la comédie et des comédiens en réponse à Rousseau. C'est sans contredit le meilleur de tous les ouvrages qui parurent en réplique à cette lettre" (Quérard, 'Supercheries littéraires', 1847, II, n°3889). (Conlon, 'Ouvrages relatifs à J.-J. Rousseau', n°87. Soleinne, 'Bibliothèque dramatique', V, I, n°674). Quelques épidermures. Coiffes restaurées. Mors frottés et fendillés. Intérieur frais.
1925125061925 1 Gouache originale, rehauts d'or, mine de plomb, signée en bas à droite, (1925), 27 x 18.5 cm.
17913005370Paris: l'Auteur 1791. Some small tears and damage. A very good copy. Octavo; original condition stitched in plain blue-grey wrappers. <p><p>First edition of one of the most popular operas of the Revolution depicting the down-trodden villagers of the Moon after the arrival of the glamorous aviator Nicodème bringing news of events in France via Montgolfier balloon. Although this was an era of tremendous advances in stagecraft as the theatres of Paris and London vied with each other for the most stupendous effects Beffroy's lunar setting and the use of space travel by hot-air balloon was highly unusual. </p> <p>Beffroy de Reigny 1757-1811 was a successful journalist and dramatist usually writing under the nom-de-plume of "Cousin Jacques." His most important works were written in the period immediately following the French Revolution and he was fond of using lunar society to satirise the French as can be seen in his burlesque journal Les Lunes and its successor the Courrier des planètes.</p> <p>This is one of several Paris editions of the same year another appeared in Avignon and a "third" edition of 1797 is also recorded the last with subtle but pessimistic changes to the text. As the title confirms the opera was first performed in November 1790 running for over four hundred performances.</p> </p> . l'Auteur unknown
18448333London. David Bogue. 1844. Lavishly bound in sumptuous tri-gilt ruled full crimson calfskin. Gilt tooled fleurette motifs to corners of front and rear covers. Elaborate gilt ruled spine compartments with intensely ornate gilt tooled fleural vignettes. Gilt tooled raised bands. Decorative gilt tooled and titled morocco label. Elaborate and ornate paneled turn-ins. Marbled endsheets. a.e.g. 4to. 7.25" x 10.75". The First Edition. Illustrated with ten full page illuminated steel plate engravings and further throughout by various wood engravings en texte. Elaborate multi-chromatic decorative borders to each page. A Fabulous production detailing the mid-Victorian Opera and Ballet featuring plate engravings of notable singers dancers and productions. With its high gloss engravings whimsical en texte woodcuts and highly stylized colour page borders this volume represents one of the finest examples of Victorian book design. Niles and Leslie V1-225; Moroda-1272. Some darkening and/or mild scuffing to covers. Hinges present previous repairs but are tight and firm. Corners gently bumped. Head and tail pieces lightly chipped. A very Good copy of this breathtaking work. David Bogue. hardcover
18448333London. David Bogue. 1844. Lavishly bound in sumptuous tri-gilt ruled full crimson calfskin. Gilt tooled fleurette motifs to corners of front and rear covers. Elaborate gilt ruled spine compartments with intensely ornate gilt tooled fleural vignettes. Gilt tooled raised bands. Decorative gilt tooled and titled morocco label. Elaborate and ornate paneled turn-ins. Marbled endsheets. a.e.g. 4to. 7.25" x 10.75". The First Edition. Illustrated with ten full page illuminated steel plate engravings and further throughout by various wood engravings en texte. Elaborate multi-chromatic decorative borders to each page. A Fabulous production detailing the mid-Victorian Opera and Ballet featuring plate engravings of notable singers dancers and productions. With its high gloss engravings whimsical en texte woodcuts and highly stylized colour page borders this volume represents one of the finest examples of Victorian book design. Niles and Leslie V1-225; Moroda-1272. Some darkening and/or mild scuffing to covers. Hinges present previous repairs but are tight and firm. Corners gently bumped. Head and tail pieces lightly chipped. A very Good copy of this breathtaking work. David Bogue. hardcover books
1977163168N.p.: N.p. 1977. Vintage oversize satin finish photograph from the 1977 production of the beloved 1892 ballet showing dancers Mikhail Baryshnikov and Gelsey Kirkland. Camera 5 stamp on the verso crediting photographer and Camera 5 founder Ken Regan. <br /> <br /> The 1977 production was staged by the American Ballet Theatre at the Kennedy Center and marked Baryshnikov's debut as choreographer. The ballet was adapted for television the same year directed by Tony Charmoli. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 9.25 x 14 inches archivally matted in a 14 x 18 inch 8-ply white mat. About Near Fine slightly wavy at the top and bottom edges. N.p. unknown
2000159893N.p.: N.p. 2000. Three vintage photographs of director Werner Herzog taken by noted jazz photographer Jeffrey Kliman during choir rehearsals for his staging of Richard Wagner's "Tannhäuser" held at The Lyric Opera House in Baltimore in March 2000. <br /> <br /> These prints are unique struck from the original negative by the photographer. Full provenance available.<br /> <br /> 8 x 10 inches. Fine. N.p. unknown
76966aafCa. 1925, in-4to, Titel + 39 S. (ca. 25 Zeilen/S.), in schöner deutscher Kurrentschrift auf senkrecht liniertem Papier, Personennamen und Bühnenanweisungen sind in roter Tinte unterstrichen, dazu: das Programm für eine Aufführung der gleichnamigen Oper, guter Zustand, Besitzerstempel auf Titel: 'Walter Wyss Vikar', dunkelroter Hableineneinb. mit Ecken und goldgepr. Titel, an den Kanten leicht berieben, schönes Exemplar.
In 8, pp. 41 + (1) + (2b) con 2 tavv. f.t. inc. all'acq. di cui una funge da front. con ill. dell'Annunciazione e stemmi. La seconda tav. presenta l'inc. del grande stemma di Alessandro VII, di Roma e del cardinale Barberini. Le ultime 2 cc. (indice e carta bianca) presentano nel marg. inf. una mancanza dovuta a bruciatura. Cart. coeva. Statuti della confraternita della Nunziata, importante opera pia romana che, fra i vari suoi scopi, aveva quello di dare ogni anno la dote a ragazze povere. Cat. Bibl. Senato, VI; 229-30. Rossetti, 9996.
39083In-12 (182 x 102 mm), toile éditeur préservée sous rhodoïd transparent, pièce de titre dorée sur bleu, 366, (2) pages. Berlin und Frankfurt am Main, Suhrkamp Verlag, [1959]
2 ouvrages reliés en un volume in-8, demi-basane vert bronze, dos lisse orné de filets et palettes dorés (rel. ca 1850). 1- Edition augmentée de l'important "Discours préliminaire", bien complète des 10 planches hors-texte de musique. Sur cet ouvrage et la rupture introduite par le 'Discours préliminaire' cf. F. Escal, 'D'Alembert et la théorie harmonique de Rameau', revue Dix-huitième siècle, n°16 - "D’Alembert", p. 151 sq. (Gregory, p. 11. Cette édition manque à Cortot et à Fétis). 2- Deuxième édition, à la date de l'originale, avec les fautes corrigées. "Le traité de l’abbé Roussier décrit la formation des accords, donc de l’harmonie, qu’il convient de maîtriser parfaitement pour jouer une partie de basse continue" (Expo. virtuelle, Bibliothèque de Toulouse). "As a proponent of Rameau's theorie, his goal was to reduce fundamental bass rules to a rigorous system that avoided speculative propositions. This 'Traité des accords' is a compendium of chords and laws: thoroughbass chords are methodically described, related to three basic fundamental chords, and then labelled by a letter-plus-number notational system that indicates a chord's root and hierarchy in the scale. Roussier diverged from Rameau on the issue of double emploi" (Grove Music Online). (Cortot, p. 173. Gregory, p. 238. Cette édition manque à Fétis).
Folio piccolo, pp. (4), iv, 126, 1 c.b. e 77 tavole di musica. Legatura in carta azzurrina.the Traité de mélodie (1814) was being examined for the Académie by Méhul at the time of his death. Concerned primarily with melodic phraseology, this treatise examines melody apart from its relation to harmony. It distinguishes rhythm from metre, differentiates among cadential goals of unequal strength (using the analogues of 18th-century grammar and rhetoric) and supplies one of the first descriptions of sonata form that emphasizes thematic rather than tonal aspects. Comments on singers’ embellishments and the use of national airs to impart local colour round out the treatise.
In 8 (cm 18 x 22,5), pp. 18 + (2). Firma al frontespizio "Sig. Puzzi" (si tratta di Giovanni Puzzi, il celebre virtuoso nello strumento del corno che si trasferi' in Inghilterra e il cui nome compare anche nella pubblicazione tra i musicisti presenti). Brossura rifatta con carta d'epoca. Programma del Grand Musical Festival, tenutosi presso l'Abbazia di Westminster il 2 luglio 1838, per celebrare l'incoronazione della regina Vittoria avvenuta il 28 giugno di quell'anno. I proventi andarono al Westminster Hospital. Tra i cantanti presenti figurano Giulia Grisi, regina dell'opera italiana, verso la quale la regina Vittoria nutriva una vera passione - cosi' come per la musica lirica italiana in generale - Giovanni Battista Rubini, Antonio Tamburini, Anna Bishop, Mary Shaw, Puzzi, e altri. Il gruppo vocale e strumentale presente era costituito da oltre 400 performers. Rarissimo (una sola copia presente alla Pierpont Morgan Library di New York).
18692677DBLeipzig und Winterthur, Rieter-Biedermann, (1869). Folio. (6) Bl., XXXI, 269 Seiten (gestochene Noten). Mit 1 gest. Portrait von C. Gonzenbach, 4 Stahlstichtafeln von Heinr. Merz und 2 Seiten Notenhandschrift-Faksimile. Blind- und goldgeprägter Original Leinenband mit Goldprägunge und -verzierungen. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C
