CRAZY HORSE PARIS. KRUK (Antoine).Livre Rare Book
21 719 résultats
2024248852024 1 Ecolines et encre de Chine sur papier à grains signées en bas à droite et au verso, 2024, 29,7 x 42 cm.,
16043-0-107Frankfurt, Johann Aubry für Claude de Marne und Erben, 1604. Folio, mit mehreren, teils wiederholten Holzschnitt-Druckermarken, Holzschnittvignetten, Holzschnittbordüren und Holzschnittinitialen im Text, 21 nn. Bll., 3 Bl., 744 S., 499 (recte 491) S., 17 nn. Bl., Pgmt. d. Zt
51856Paris.11642.In-folio en demi-velin à coins.321 p.Gravures de Mellan tirées de Poussin.Bel exemplaire.
19231057601923 Moscou et St Petersburg, Gosizdat, 1923, 333x250mm, 222pp., reliure pleine toile, pièce de titre au dos, couverture illustrée originale conservée, présentant une composition constructiviste en couleurs de Nivinski (petit manque).L’illustration comprend deux portraits photographiques pleine page de Vakhtangov, 34 planches dont 12 en couleurs, 20 pages de musique et de nombreuses vignettes photographiques dans le texte.
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Sezai' by Samipasazade Sezai to Türkgeldi family. In Ottoman script. 4 p., last page has Ali Fuat Türkgeldi's autograph note on Samipasazade Sezai's death as: "[Samipasazade] Sezai Bey; 26 Nisan 1936 Pazar aksami saat dokuzu yirmi geçe [21:20] ölmüstür.". Sezai's letter starts as 'Pek muhterem kardesim'. Used blue ink with a fountain pen. Ali Fuat Türkgeldi, (1867-1935) was an Ottoman historian and politician. He is the son of Celâl Bey, the undersecretary of the Ministry of Interior and the son of Cemal Bey in the Reform period (Tanzimat - Westernization) period), the director of Translation Chamber. Sezai Turkish realist storyteller, novelist. He is the author of Sergüzest (Adventure) which is one of the first realistic novels of Turkish literature. Also he was pioneer of the modern short story in Turkish literature with Küçük seyler 'Little things' he wrote in 1892. Between 1885 and 1901 he lived in Istanbul (this letter dated probably in that period) and had a literary period. He was close friends with Abdülhak Hamit and Recaizade Ekrem. He met with Namik Kemal whom he met when he was 17-18. He did not produce many works like other Tanzimat writers; wrote one novel, two small story books, and travel memoirs. In 1888, he published a novel called Sergüzest (A story about a Pasazade and his love story), after which he became one of the first writers of Turkish literature after Semseddin Sami, Namik Kemal and Ahmet Mithat Efendi. He translated Alphonse Daudet's 'Jak' into Turkish. For thinking that he was being held under 'surveillance' for his novel, he went to Paris in 1901 and stayed there until the declaration of the Constitutional Monarchy in 1908. He met the Young Turks in Paris; He joined the Committee of Union and Progress and came to a respected place in the community in a short time. Upon the declaration of the Constitutional Monarchy, he returned to Istanbul and was appointed as ambassador to Madrid. As WW 1 began, he moved from Madrid to Switzerland, where he stayed until the end of the war. His only novel, Serguzest, was the first novel in Turkish literature to deal entirely with captivity; the novel, in which the system of concubinance and slavery was criticized, was his most famous work. It was translated into French by Besim Ömer Pasha. e combined romance and realism in her writings. He combined romanticism and realism in his writings. He gave works with the motto of "l'art pour l'art".
1921208771921 Aquarelle sur papier greige signée et datée en bas à droite, 1921, 27 x 20 cm., encadrée.
1925202551925 Aquarelle et encre de Chine avec des rehauts d'or et d'argent, signée, (1925), 26.3 x 22.5 cm.
1925218861925 Aquarelle et encre de Chine signée au milieu à droite, (1925), 21.50 x 14 cm (format à vue), 26.2 x 21.7 cm (format de la feuille).
1980191171980 Gouache, crayon gras et encre de Chine sur papier cartonné, deux photographies en couleurs insérées sous la Marie-Louise, échantillons de tissu, signée en bas au milieu, 1970, 50 x 32 cm.
157750686Frankfurt a. M., Andreas Wechel, 1577. Fol. (34 x 22,5 cm). Mit 2 Holzschn.-Druckermarken u. einigen Holzschn.-Initialen. 6 Bll., 313 (1) S., 9 Bll.; 383 S., 12 Bll. - Angeb. - Pigna, Giovanni Battista. Poetica Horatiana. Ad Franciscum Gonzagam Cardinalem ampliss. Venedig, Vincent Valgrisi, 1561. Mit 2 Holzschn.-Druckermarken. 14 Bll., 90 S., 16 Bll., S. 17-28, Blindgepr. HSchweinsldr. d. Zt. m. handschriftl. Rückentitel, grün gefärbten Pergamentdeckeln sowie vergoldetem Wappensupralibros des Christoph Reinhar[d]t aus Mühlhausen auf dem Vorderdeckel u. einem weiteren Wappen auf dem Rückdeckel.
192218955Paris M. DE BRUNHOFF 1922 1 Peintures, sanguines et croquis d'Alexandre IACOVLEFF. Texte de TCHOU-KIA-KIEN. Paris, M. de Brunhoff, 1922, in-4., broché, couverture cartonnée ornée d'une figure contrecollée, 30 pages, 6 planches titrées "Les Images populaires théâtrales", ornées de 10 figures.
1656195531656. Paris Robert Ballard Seul Imprimeur du Roy pour la Musique 1656 - Reliure modeste XIXème 16 5 cm x 21 5 cm 40 pages - Livret de Isaac Bensérade - Quelques rousseurs sinon bon état - Programme et livret de ce ballet en deux parties présenté au Louvre sur une musique de Jean-Baptiste Lully et Jean-Baptiste Boësset ( la partition a été perdu).Toute la distribution y est indiquée. Louis XIV y jouait trois rôles: Le Printemps un Follet et Pluton ; les rôles des quatre allégories la Crainte le Soupçon le Désespoir et la Jalousie étaient tenues par Anna Bergerotti Tagliavacca Munier Saint-Helme et la signora Tondi. On trouvait dans la distribution Monsieur frère unique du Roy le Duc de Guise le Marquis de Genlis Mademoiselle de la Barre Mademoiselle de Mancini le Conte de Guiche le Marquis de Villéquier ... Pinelle Grenerin Itier Couperin et Genay appartenaient à l'orchestre - cf « Opéra Baroque.com »
174845274Venedig, Gasparis Ghirardi, 1748. Fol. Mit zahlr. Holzschn.-Vignetten u. -Initialen. 4 Bll., LXX, CXXVII, XLI, 707 S.; 2 Bll., 924 S., Pgmt.-Bde. d. Zt. m. goldgepr. Rückenschildern u. dreiseitig gespränkeltemem Rotschnitt.
1670195541670. Paris Robert Ballard Seul Imprimeur du Roy pour la Musique 1670 - Reliure demi-bradel XIXème 17 cm x 23 cm 30 pages - Texte de Molière musique de Jean-Baptiste Lully - Très bon état Programme et texte de ce divertissement en quatre actes présenté à Saint-Germain en Laye pour la seconde fois (création en 1662) .Toute la distribution y est indiquée. Louis XIV y jouait Neptune et le Soleil à la dernière scène le décor était de Carlo Vigarani les costumes de Henri de Gisseyet et la chorégraphie de Pierre Beauchamps et Dolivet. - cf « Philidor »
2023247112023 1 Gouache et encre de Chine sur papier signée du monogramme en bas à droite, 2023, 41.5 x 29 cm., cadre argenté.
196411526Paris, J. Vrin, 1964-1974. 2. Auflage "Gr.-8° (22,5-25 cm). CV, 677; XXIII, 741; 889; 825; 823; XII, 737; XVIII, 614; XVIII, 353; XIII, 380; X, 248; XX, 352; 701; XXIV, 734 SS." Private Halbleinwand der Zeit mit montierten Rückenschildern
16855141046Amstelodami, Ex Typographia Blaviana (Amsterdam: Blaeu) 1685. (42), 222; (2) weiße, (16), 248; (24), 92, (4) Seiten. Mit gestochenem Portrait und zahlreichen, teils ganzseitigen Textholzschnitten. 4° (21 x 17 cm). Pergamentband der Zeit mit durchgezogenen Bünden, handschriftlichem Rückentitel (berieben) und gesprenkeltem Schnitt.
2013235102013 1 Aquarelle sur papier, signée en haut à droite, titrée et datée au verso, 2013, 28 x 21 cm., encadrée, sous Marie-Louise.
1923370639New York 1923. Mounted photograph of the Opera House. Calligraphic presentation leaf extracts from programs inlaid in large folio leaves 120 2 index ff. 1 vols. Folio. Full deep red morocco gilt spine with five raised bands boards with triple fillet borders navy blue doublures silk flyleaves t.e.g. Faintest traces of rubbing. Fine. Mounted photograph of the Opera House. Calligraphic presentation leaf extracts from programs inlaid in large folio leaves 120 2 index ff. 1 vols. Folio. Elaborate and attractive album of extracts from the printed programs of the Metropolitan Opera House in New York a record of opera productions from 1915 to 1922 listing the principal performances and also retaining the lists of box holders which functions as a who's-who of New York society. There are several newspaper clippings including an account of the farewell performance of Mrs. Geraldine Farrar in Tosca.<br /> <br /> Presented to Henry Fletcher by his wife Ethel née Thompson on the tenth anniversary of their wedding. Henry Fletcher 1877-1953 of Greenwich Connecticut was a member of the Grolier Club until his death and a major benefactor of the Yale libraries. unknown
192451696New York NY; Hollywood CA; Taos NM: Underwood & Underwood Anderson Lumiere Guard Vitaphone Studios Metropolitan Music Bureau 1924-1927. Twenty seven items. With 24 photographs 3 sized 3.5 x 5.5 in.; 6 sized 5 x 7.75 in.; 1 w/ colour-tinted blue sized 7.25 x 9.5 in.; 16 sized 8 x 10 in.; many w/ annotations dating the photos in pencil some of the press photos and studio photos stamped on versos with attached newsreel information blurbs many w/ text in negative at lower corner of image; 1 very large colour lithograph poster printed on linen showing the young opera star seated and colours of pink gold and black sized 40 x 80 in. w/ wood bars at upper & lower for hanging some minor creasing from rolling but in Fine condition; and TLS from Lawrence H. Smith at Underwood & Underwood Inc. News Picture Division to Miss Marion Talley. These photographs and giant lobby poster provide splendid artifacts for the lavish attention paid to a young star at the beginning of her career during the Jazz Age. The very large poster is a beautiful example of colour lithography showing her demurely seated against a pink lozenge background with advertisements at the foot of the poster for Steinway Piano and Victor Records. Marion Talley 1906-1983 was the daughter of a telegraph operator for the Missouri Pacific Railroad and by 15 she was appearing in the Kansas City Grand Opera Company of Mignon by Abroise Thomas and quickly became a local celebrity often performing benefit concerts. She studied with music teacher Frank LaForge famed soprano composer who maintained a close relationship with the Metropolitan Opera and was placed under contract in 1925 by Giulio Gatti-Casazza at age 19 becoming the youngest principal female performer in the Met’s history to that point. Her debut performance was Feb. 17 1926 as Gilda the daughter of the title character in Verdi’s Rigoletto. The press photos show her surrounded by the many flowers she received in the 18 encores her performance on stage meeting the opera diva Ernestine Schumann-Heinck d. 1936 as well as her appearance on radio with Marguerite D’Alvarez and Giovanni Martinelli singing Home! Sweet Home!. In addition she also starred in the first Vitaphone short sound films released in 1926 with Don Juan starring John Barrymore and another Vitaphone short performing “Bella figlia dell’amore†from Rigoletto but the critics were savage criticizing her performances and her lack of appeal on camera. During this period she traveled extensively to Europe and through the southwest as evidenced by the series of photos showing her in Taos with the burros young Native American children and adults in regalia as well as her automobile. The photo of the young star by Samuel Lumiere 1878-1971 is a very nice example of his portrait work during the height of the 1920s when he was under contract to shoot celebrities for the Chicago Tribune. See: Barrios A Song in the Dark: The Birth of the Musical Film pp. 20-29; Vitaphone Marks 80th Anniversary Vitaphone News The Vitaphone Project Vol. 8 No. 1 2006; Crafton The Talkies: American Cinema’s Transition to Sound 1926-1931 1999. Underwood & Underwood, Anderson, Lumiere, Guard, Vitaphone Studios, Metropolitan Music Bureau, unknown
WALTER-FILM004294No binding. Very Good. FIne Art Print Scott Joplin book music Washington D.C. 1975. Vintage original 22 x 14"" 56 x 36 cm. window card poster some wear and handling at edges some light creases but VERY GOOD or better with bright colors. Scott Joplin master of ragtime music wrote this opera in 1911 a celebration of African-American life and culture set on an Arkansas plantation in a variety of musical styles. It never got a full performance in his lifetime. In the 1970s the opera began to be rediscovered. This poster is for a Washington tryout of a Houston Grand Opera production prior to a Broadway run. unknown books
1911000291London: G.G. Harrap & Co. 1911. First Edition. . Limp Leather. See Description. Willy Pogany. First regular edition. 4to. 223 unnumbered pages printed on stiff gray paper with numerous illustrations in black and red. Includes 16 tipped in color plates. The colophon states: "The letterpress and fine illustrations lithographed by Vincent Brooks Day and Sons Ltd. London the four-colour plates printed by Henry Stone and Son Ltd. Banbury. A.D. MCMXI." Pages are clean Bound in limp gray suede binding with gilt illustration on front cover - in a superb state of preservation. Illustrations by Willy Pogany. <br/> <br/> G.G. Harrap & Co. hardcover
169723479Oxford: Etheatro Sheldoniano 1697. leather_bound. Contemporary cambridge style binding in full brown calf. Very good. Folio6 A4-Ppp4 Qqq-Pppp Qqqq2-Zzzz2 Aaaaa-Mmmmm. The first English edition of the Greek text edited by Richard West & Robert Welsted. Engraved portrait of Pindar by M. Burghers facing the title page. DIBDIN II 289. "a beautiful and celebrated edition. on the whole we must allow that the editors of this magnificent work have taken infinite pains to bring together every thing which could illustrate and improve the reading of the poet". The editors compared the Mss held by the Bodleian with that of the Biblioteca Palatina. Engraved portrait of Pindar and large title page vignette by M. Burghers. Pindar c. 522 – c. 443 BC was an Ancient Greek lyric poet of the classical period from Thebes and the first Greek poet to reflect on the nature of poetry and on the poet's role. Errata. BRUNET IV p.659. Armorial bookplate. Raised bands spines richly gilt small front cover nick scrape lower front cover corner binding tight with leaves at end of text of Pindari Opera Omnia leaves Oooo-Mmmm toned. Etheatro Sheldoniano unknown
1976171236Various cities: Various 1976. First Edition. Collection of material relating to the seminal 1976 opera including a First Edition copy of the 1976 EOS Enterprises publication a circa 1976 program for two Dutch stagings of the opera at Rotterdamse Schouwburg and Theater Carré and a program for a 1976 German staging of the opera at Deutsches Schauspielhaus in Hamburg. Text variously in English Dutch and German.<br /> <br /> Book Near Fine in perfect-bound wrappers with light rubbing and toning to the spine and wrapper extremities.<br /> <br /> Programs Near Fine one unbound and measuring 8.25 x 11.25 inches the other saddle-stapled and measuring 6.25 x 8.25 inches. Various unknown
