72 780 résultats
7238CB28 x 21,5 cm. 1 S.
8901199DGFrankreich, 1890 – 1920 Hohlguss aus Bronze (12 kg). 50 cm (Länge), 15 cm (Breite), 34 cm (Höhe). Sehr gut erhaltenes Bronze-Figur.
449-Eo.J. Bleistift, braun laviert, mit schwarzer Tuschlinie umrandet, auf Bütten, rechts unten signiert und datiert ?Hetsch. 1820.?. 15:20,7 cm.
1824154197Paris, Didot, 1824. Gr.-Fol. M. 77 Kpfr.-Taf. u. 18 gest. Vign. 2 Bl., 72 S. Spät. roter Hldrbd. m. goldgepr. Rtit. Teils gering fleckig. Papier partiell etwas wellig. Einige Bl. m. leichten Randläsuren. Unbeschn. Exemplar.
0830-Bo.J. Radierung, 1769, auf Bütten. 39:53,5 cm, Blattgröße 58,2:86,2 cm.- Unten auf einer Kartusche bezeichnet, links unten signiert ?Cavalier Piranesi delin. e inc.?. Literatur: Focillon 784; Hind 91, II (v.IV); Ficacci 962; Wilton-Ely 224. ? Kräftiger Abdruck mit dem vollen Rand, mit vereinzelten Stockflecken, rechte untere Ecke mit kleinem Papierverlust.
Very Good Turkish, Ottoman (1500-1928) In contemporary Ottoman quarter burgundy leather bdg. with red boards. Gilt lettering of the title with some decorative elements and four raised bands to the spine. Large roy. 8vo. (25 x 16 cm). In Ottoman script. 2 volumes set: (310 p.; 264 p). Hadikatû'-l cevâmî. 2 volumes set. [= Hadiqatul-gewami = The garden of the mosques]. Occasionally foxing on boards, slight stains on paper. Otherwise a very good copy. First edition of this rare monumental two-volume set in which an inventory is kept of almost all architectural buildings such as mosques, masjids, fountains, schools, and lodges in Ottoman Istanbul and its surroundings, built since Sultan Mehmet II up to 1768, in a traveler style, by Ayvansarayî, who was hafiz and janissary sekban who lived in the 18th century. "This excellent book has an extremely important place in the literature not only in terms of architectural works and topography but also as a historical source of Constantinople". (Hammer). Long recognized by Turkish scholars as a unique source of Istanbul's architecture and urban form, the text, which was started in 1182 (1768-69) and completed in 1195/1780 and revised and enlarged between 1248/1832-33 and 1253/1838 by Ali Sati, son of Mahmud Efendi, one of the judges of Medina, contains separate descriptions of each of Istanbul's more than 800 mosques, plus accounts of its madrasahs, tombs, tekkes and other monuments. The annotations place each of these buildings within the city's urban plan and provide biographical information about the patrons, architects, and other personalities mentioned in the text. Ayvansarayi's original text, which survives in a number of manuscript copies, was enlarged in the 1830s by Ali Sati Efendi, whose reworking was published in print in 1865 and has thus become the best-known version of the Hadika. (Crane). The author, who first visited the mosques and masjids inside the city walls in a topographic order, then examined the ones outside the city walls, then discussed Eyüp, Galata, both sides of the Bosphorus, Üsküdar (Scutari), Kadiköy (Khalkedon) mosques and masjids. After giving the name of the building in each article, if a mosque was transformed from the church, he noted this issue and recorded the name of the person who had it built. If known, he also indicates where this person's grave is located. Detailed info about the restoration of the architectural building has been restored. And he gives detailed information on additional facilities such as a public fountain, sebil, school, madrasah, and in some cases the people who lie in its burial ground, with brief information about the foundation of this charitable building. Hegira 1281 = Gregorian 1865. Özege 6565.; Thirteen copies in the US libraries according to the OCLC.
First and only edition, large landscape folio (565 x 430 mm), engraved title page (a little dust soiled), engraved portrait of Conte Ferdinando del Maestro, 52 engraved plates of ceilings each with corresponding leaf of letterpress text with historiated initial, the plates by P. A. Pazzi, J. Papini and F. Zucchi, in general the plates and text a clean and bright, cont. quarter calf, marbled boards, rubbed, joints cracked, spine worn. The engravings represent frescoes from some of the rooms in the Galleria degli Uffizi. After the disastrous fire of 1762 in which large parts of the roof collapsed, the illustration from this book were used as a reference guide to the ceiling frescoes when restored by Giuseppe del Moro, Giuliano Traballesi and Giuseppe Terreni. Berlin Catalogue, 4103; Brunet I, 595.
1928058483London: John Tiranti & Co 1928. 1st Edition 1st Printing. Hardcover. Near Fine. Viii 75 Pp. 13" X 10 1/2" The Library Edition Is 12 3/4" X 9 3/4" The Edition De Luxe In Full Niger Morocco With Five Faux-Gold Medallions Inset Into Five Deep Recesses In The Front Cove; Top Edge Gilt Deckled Edges Grey Endpapers. 33 Plates With 44 Drawings And Photographs Including Two Double-Page And 23 Other Colored Reproductions. With The 8 Page Prospectus Finely Printed On Apparently Hand-Made Paper. Inscribed By The Author To Robert Ladd Gifford Of Pasadena. Villa Madama Sometimes Considered The Finest Decorated Villa Of The Renaissance Was Highly Influential For Subsequent Architects Of The High Renaissance. Cardinal Giulio De' Medici Commissioned The Initial Design Of The Villa From Raphael; Raphael Died At The Age Of 37 In 1520 With Work At The Villa Far From Completed And Construction Passed On To His Disciples. After The Sack Of Rome In 1527 By A Ragtag Starving Multinational Army See The Excellent Book "The Sack Of Rome" The Villa Was Never Completed. The Villa Madama Was One Of The First Of The Revived Roman Type Of Suburban Villas Designed For Parties And Entertainment Built In 16Th Century Rome And It Was Consciously Conceived To Rival Descriptions Of The Villas Of Antiquity Like Pliny's Famous Description Of His Own. The Villa Later Passed Into Private Hands Later To Mussolini And Is Now Owned By The Italian State And Used Occasionally For Official Events. William Ernest Greenwood The Author Of This Book Was A Fellow And A Member Of The Council Of "The Institute Of British Decorators." He Later Moved To Pasadena And Worked As An Artist And Later As A Teacher. Robert Ladd Gifford Was The Son-In-Law Of Mrs. Everett Wellington Brooks For Whom Brookside Park Home Of The Rose Bowl Is Named. Brooks And His Son-In-Law Robert Ladd Gifford Built A Massive Home In 1910 As A "Double Residence" For Their Families Designed By Frederick L. Roehrig To Design The Home In The Late 19Th Century English Arts And Crafts Style. Roehrig Designed Several Nearby Homes And Public Buildings Including The Green Hotel Distinguished For Its 1898 Moorish-Style Section Featuring Cylindrical Turrets And Ornate Cornices. The Home Has 11 Bedrooms And 10 Bathrooms In Slightly More Than 13000 Square Feet On 1.7 Acres. <br/> <br/> John Tiranti & Co hardcover
166129314Milano: Stampa Archiepiscopale. Very Good with no dust jacket. 1661. Second Edition. Hardcover. Architecture; Geometry; woodcuts Engravings; Folio 13" - 23" tal; xii 406 vi pages; Architettura Civile Demostrativemente Proportionata et Accresciuta di Nuove Regole. Plain vellum probably original backed with plain paper later hand-lettered spine title. This book has been restored and conserved by David Donahue of Philadelphia. This consisted primarily of rebacking. A detailed Treatment Report from him is included. Custom made titled clamshell case Fine. Pages complete with elaborate engraved extra allegorical title but lacking frontis engraved portrait losses to front free blank leaf text with several hundred geometricals worked into the text plus scattered engraved decorations and some textural plates. Text quite solid and clean brief aging several leaves folded at fore-edge margin to incorporate engraved designs which extend into margins. Berlin Katalog 589. Riccardi II 222. Graesse V 58. Not in Fowler and many other standard references. Quite scarce contemporary publication of Osio's simplified method for the construction of the orders of architecture through angles alone without arithmetic divisions and without modules. Initially published in Milan in 1641 of the greatest scarcity. In fact any early editions are excessively difficult to encounter for Osio represents a Neanderthal line of architectural reasoning. He was a principal source for the writings of Guarini but his approach ultimately proved to be unproductive as architecture developed according to strict measured drawings based upon mathematics and other sciences. Imagine the Hoover Dam built in the method of the pyramids with someone standing on an adjacent hill and giving instructions based on what he saw instead of relying on the physics of poured concrete knowledge of the pressure of water and an understanding of the geological features. WorldCat locates but 6 copies. AE locates none at auction. Architecture -- Architectural drawing. Architecture -- Domestic. Drawing -- TechniqueArchitectural orders. Geometry and geometrical drawing. Drawing -- Technique -- Materials. Proportion. Treatises watermark anchor ; printed marginalia ; ill. Engravings and woodcuts ; woodcut decorated initials and ornaments ; engraved frontispiece with title. . Stampa Archiepiscopale hardcover
165451762No place, No date, (Paris around 1654). 4to. (275 x 210 mm). Contemp. full mottled calf. Raised bands. Richly gilt spine. Titlelabel with gilt lettering. Corners neathly restored. 2 stamps on foot of titlepage (ouside engraving). With engraved ornamental title-page and 113 engravings on 107 (of 122 ??) sheets. Most of the plates signed (I. or J. or Ian, or Jean) Marot sculp. Wide-margined and internally clean.
19413728Kbhvn. 1941. Folio. Orig.papbd.m.shirtryg. i Kassette. Kassetten lettere slidt. Fremstillet i 25 eksemplarer - hvoraf dette er No 19. Litograf.titelblad, raderet indholdsfortegnelse. 11 raderinger samt 8 litograferede blade.Orig. clothbacked cased boards in slipcase. Limited to 25 copies, of which this is no. 19. Lithographed titlepage, etched contents page. 11 etchings and 8 lithographs.
168454913Paris, Jean Baptiste Coignard, 1684. Folio. (44 x 30 cm.). Contemp. full calf. 6 raised bands. Compartments with blindtooling. remains of titlelabel with lettering. Spine-ends worn. Some cracking of leather on hinges at upper and lower compartments. Still holding. Corners bumped. Some wear to edges. A stamp on topmargin of frontispiece and on top of title-page. Engraved frontispiece. (16),354,(16) pp., profusely textillustrated with textfigs., textillustrations, engraved vignettes, 68 plates in the text (numb. I-LXV + 3 extra), mostly full-page, sometimes double-page. Wide-margined, clean and printed on good paper.
No place, No date, (Paris around 1654). 4to. (275 x 210 mm). Contemp. full mottled calf. Raised bands. Richly gilt spine. Titlelabel with gilt lettering. Corners neathly restored. 2 stamps on foot of titlepage (ouside engraving). With engraved ornamental title-page and 113 engravings on 107 (of 122 ??) sheets. Most of the plates signed (I. or J. or Ian, or Jean) Marot sculp. Wide-margined and internally clean.
Kbhvn. 1941. Folio. Orig.papbd.m.shirtryg. i Kassette. Kassetten lettere slidt. Fremstillet i 25 eksemplarer - hvoraf dette er No 19. Litograf.titelblad, raderet indholdsfortegnelse. 11 raderinger samt 8 litograferede blade.Orig. clothbacked cased boards in slipcase. Limited to 25 copies, of which this is no. 19. Lithographed titlepage, etched contents page. 11 etchings and 8 lithographs.
Paris, Jean Baptiste Coignard, 1684. Folio. (44 x 30 cm.). Contemp. full calf. 6 raised bands. Compartments with blindtooling. remains of titlelabel with lettering. Spine-ends worn. Some cracking of leather on hinges at upper and lower compartments. Still holding. Corners bumped. Some wear to edges. A stamp on topmargin of frontispiece and on top of title-page. Engraved frontispiece. (16),354,(16) pp., profusely textillustrated with textfigs., textillustrations, engraved vignettes, 68 plates in the text (numb. I-LXV + 3 extra), mostly full-page, sometimes double-page. Wide-margined, clean and printed on good paper.
183512468P., 1835 in-folio oblong demi-chagrin à coins, dos lisse orné. Cent planches sous serpente tirées sur chine. Rares rousseurs marginales. Bon exemplaire.
17218[Paris, Guérinet, sans date (vers 1890-1900)], réimpression "anastatique" de l'édition de Paris, 1757-1780, 8 tomes et un supplément reliés en 6 volumes in folio, demi chagrin, dos à nerfs, avec au total 9 feuillets de titre, 2 feuillets de tables et bien complet des 906 planches montées sur onglets ; quelques piqûres éparses ; menus frottis d'usage, une coiffe usée.
200631142ABGraz, Akademische Druck- u. Verlagsanstalt, 2006. Folio. LXXXII Blatt mit farbigen Illustrationen, 397 (Text) und 413 Seiten (Kommentar). Ledereinband mit zwei Messingschließen im Holzschuber, Leinenbände. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C 3 Bände. [3 Warenabbildungen]
19893551DBParis., Editions Michele Trinckvel., 1989. Gr.-Folio. 252 S., mit signiertem Original Aquarell, signierter Illustration als Frontispiece, mit 31, davon 20 ganzseitigen, farbigen und schwarzweiss Lithographien. Und einer Suite der Lithographien signiert und numeriert. - Alles in losen Bogen. Original grüne Leinenbox. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B Neuwertig.
190330151ABVeveiy, Imprimerie Säuberlin & Pfeiffer, 1903. Quer-4°. (2), 192, (4) S. Mit 10 farb. Holschnitttafeln und 100 farb. Holzschnitte und Initialen im Text. Grüner illustr. Orig.-Leinenhandeinband mit farb. illustr. Vorsätzen. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C
1795W90390Paris, Regent et Bernard an III-VII (1795-1799) 6 cahiers (1 à 6) reliés dans 3 volumes: viii,189,[ii] + viii,xvi,[ii], xxviii,744, [iii] + iv,iv,456 pp., illustré de quelques figures dans le texte et complet avec ses planches hors-texte (dont la plupart des grandes planches dépliantes), 26cm., reliures cart. uniformes d'époque, dos en parchemin, peu de taches vagues et quelques rousseurs occasionelles, bon état, rare, [Contient des contributions sur l'architecture, les mathématiques, la chémie, la physique, la technique, etc., par J.L. Lagrange, Laplace, Prony, Barruel, Berthollet, e.a.], W90390
6 cahiers (1 à 6) reliés dans 3 volumes: viii,189,[ii] + viii,xvi,[ii], xxviii,744, [iii] + iv,iv,456 pp., illustré de quelques figures dans le texte et complet avec ses planches hors-texte (dont la plupart des grandes planches dépliantes), 26cm., reliures cart. uniformes d'époque, dos en parchemin, peu de taches vagues et quelques rousseurs occasionelles, bon état, rare, [Contient des contributions sur l'architecture, les mathématiques, la chémie, la physique, la technique, etc., par J.L. Lagrange, Laplace, Prony, Barruel, Berthollet, e.a.], W90390
2 volumes in-8 de I. (6), 510 pages et 26 planches ; et de II. (4), 428 pages et 6 planches demi-toile à coins postérieure, dos lisse muet (premières de couverture conservées sur les premiers plats) 1864, 1864, , 2 volumes in-8 de I. (6), 510 pages et 26 planches ; et de II. (4), 428 pages et 6 planches, demi-toile à coins postérieure, dos lisse muet (premières de couverture conservées sur les premiers plats), Trés rare édition des Oeuvres complètes de desargues procurée par l'histoire et spécialiste de l'historie des mathématiques, Noel Poudra. Précieux exemplaire de Paul Tannery avec ex-libris autographe sur la page de titre. Celui-ci participa à plusieurs éditions modernes de textes anciens de science et avait un attrait certain pour l'histoire des mathématiques. Quelques notes manuscrites au crayon de papier ou de couleurs dans le texte, probablement de la main de Paul Tannery. Exemplaire uniformément roussi sur les deux volumes
200531118ABLuzern, Faksimile Verlag, 2005. Folio. 128 faksimilierte Seiten. Orig.-Halbpergamentband mit Seidenbezug und dreiseitigem Goldschnitt. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B
164741681In's Graven Haghe, sans nom, 1647. In-folio de (26) pp., vélin semi-rigide (reliure de l'époque).
