72 résultats
198668394Erlangen, Karl Müller Verlag, 1986, Auflage: Sonderausgabe. Leinen, gebunden; blauer, goldgeprägter, illustrierter Einband, mit farbig illustriertem Schutzumschlag / Anz. Seiten: 367 / 25,5 x 30,5 cm / mit 180 teils doppelseitigen Farbtafeln und zahlreichen Abbildungen im Text / Zustand: gut, leichte Gebrauchsspuren; Schutzumschlag geringfügig berieben und etwas gebräunt, Widmung auf Vorsatz
19322004270356xbvkParis, Éditions du Trianon, MCMXXXII (1932). Frontispice-plate in original-etching with aquatinta, 89 (1) pages on thick uncut Japan-paper. - Publisher's Japan-paper-wraps with blue-grey dustjacket; 8vo.(ca. 17,5 x 11 cm).
1992JARDINS1212120624Paris, Editions de le Réunion des Musées Nationaux, 1992, 22 x 24, 128 pages cousues sous couverture souple illustrée. Iconographie noir & blanc (et couleurs). Catalogue p ublié à l'occasion de l'exposition présentée au Musée national des châteaux de Versailles et de Trianon du 15 juin au 27 septembre 1992.
1999GITc328Paris Editions du Chêne, Hachette Livres 1999. Grand in-8 carré 295pp imprimées sur 2 colonnes. reliure éditeur papier toilé bleu roi bradel, titre doré sur le dos, sous jaquette illustrée. Abondante illustration en couleurs d'après les photographies de Nicholas d'Archambaud. Bel exemplaire.
1999PMV501504ZParis: Association française d'action artistique ; Réunion des musées nationaux 1999. Trade paperback. Good/Not issued. 240 x 300 x 20 cm. Paperback • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b>. Association française d'action artistique ; Réunion des musées nationaux paperback
1993PMV529004QParis: Ed. de la Réunion des musées nationaux 1993. Hardcover. Good/Good. 250 x 310 x 34 cm. Hardcover • Illustrations en noir et en couleurs • <b><i>French text original</i></b>. Ed. de la Réunion des musées nationaux hardcover
19865004778MD: Trianon Pub. 1986. This is the scarce early second volume of this series -- this one has nude and cheesecake photos of TV stars of the day: Jamie Lee Curtis Sally Field Jane Seymor Goldie Hawn Julie Newmar et al. Scarce edition of this interesting magazine. 96 pp. First Edition. Soft Cover. Near Fine/No Jacket. Magazine. Trianon Pub. Paperback
19701079804to. London: Trianon Press 1970. 4to 10 facsimile leaves and 5 pp. of commentary. Original quarter green morocco backstrip browned marbled boards with slipcase. § 351 of 662 copies including 36 de luxe copies numbered I-XXXVI 600 regular copies numbered 1-600 and 26 copies lettered A-Z reserved for the trustees of the William Blake Trust and the Publishers. This is copy 351. Bentley Blake Books 5. All Religions are One c. 1788 is “a small tractate perhaps Blake’s first experiment in his illuminated printing it exists in only one copy. It affirms that the Imagination ‘is the true man’. and thus early Blake had completed his revolutionary theory of the nature of man and proclaimed the unity of all true religions.†Damon Blake Dictionary. Trianon Press hardcover books
19731080364to. London: Trianon Press 1973. 4to 6 color facsimile leaves 5 pp. of commentary. Quarter black morocco with marble boards. Black mockup slipcase with edge wear and splitting that has been partially repaired with tape. Notes at front in pencil. Book is in fine condition. § Unnumbered maquette. Trianon Press hardcover books
192921473Grenoble, éditions B. Arthaud Succr de J.REY 1929 In-4 relié 27,5 cm sur 26. Bon état d’occasion.
1978107359Oblong folio. London: Trianon Press 1978. Oblong folio unlettered quarter morocco cloth worn. § The Trianon Press mock-up for the published edition which was limited to 376 copies. The first accurate reproduction of Blake’s seven engravings for the Divine Comedy first published in 1838. This new edition has an introduction and commentary by Geoffrey Keynes; three facsimiles of early states and monochrome reproductions of Blake’s watercolor designs for the plates. Bentley Blake Books Supplement 208. Trianon Press hardcover books
1929feb1037761929. Used. 1929; French Edition of SUPLIMENT A DE L'ESPIRIT DE FACTION DE SAINT EVREMOND ; For more details please contact me unknown
1930118374editions du trianon 1930 2 Paris, Editions du Trianon, 1930, 2 volumes de 165x220 mm environ, 241 et 348 pages, édition sur vélin pur fil du marais non numérotée, complet des 16 illustrations à pleine page de Joseph Hémard. Reliure signée de Guétant, demi maroquin rouge orangé à coins bordés de double filets dorés, dos à cinq nerfs portant titres et tomaisons dorés, caissons ornés, tranche de tête dorée, gardes marbrées, couvertures conservées. Coins frottés comme d'ordinaire, de légères griffures sur le papier marbré des plats, page de faux-titre du tome I dédicacée à l'encre par les amis du précédent possesseur de l'ouvrage, sinon bon état général, bel exemplaire.
197655401976. London: Trianon Press 1976. <br /> <br /> 4to 5 color plates and commentary. Quarter brown morocco slipcase. A fine copy.<br /> <br /> § Regular copy #166. Limited to 538 copies including 32 de luxe copies numbered I-XXXII 480 regular copies numbered 1-480 and 26 copies lettered A-Z reserved for the Trustees of the William Blake Trust and the publishers. Bentley BBS p. 62.<br /> <br /> The Book of Los is the companion volume to the Book of Ahania. "The poem opens with a lamentation by "Eno aged Mother" over the loss of Edenic pleasures through Urizenic error and the world it creates. The narrative then centers on Los's anguished responses to that world including his transformation of the void into matter and his binding of Urizen. The five plates of The Book of Los were etched in intaglio and printed in 1795. There is only one complete copy A British Museum plus a separate impression of Plate 4. The designs on Plates 1-3 and 5 were color printed from the surfaces of copperplates bearing only etched outlines of the pictorial motifs." The Blake Archive 6288. unknown
1976BIBLIO-57445Trianon Press Paris first edition 1976. One of 480 numbered ordinary copies from a total edition of 538. Quarter-morocco and marbled boards 4to. 5 facsimile plates 8 pp. From the Commentary: "The Book of Los was the first of the two small books executed by Blake mainly as etchings on copper to be printed as ordinary intaglio plates. The Book of Ahania was the companion volume. The title-pages of both books were dated by Blake 1795 so that they were probably the last ones to be produced in his Lambeth house. Each book exists in only a single copy. For this facsimile direct collotype negatives in the size of the originals were made from the volume in the British Museum. A proof printing was done from these and each plate was then expertly coloured in the Museum to make a faithful replica of the original. The direct collotype negatives were subsequently used again for the printing of the present facsimile the replicas being used as colour-guides for cutting the stencils and for colouring the plates." The book was printed "on Arches pure rag paper made to match the paper used by Blake. Copy no. X a misnumbering as roman numerals were reserved for the 32 special copies this being one of 480 numbered copies from a total edition of 538. Very Good in Very Good slipcase. Trianon Press, Paris, first edition, 1976 hardcover
197753391977. London: Trianon Press: 1977. <br /> <br /> 4to 155 pp. 51 plates. Original quarter brown morocco slipcase. Fine as issued. <br /> <br /> § Limited to 562 copies. This is copy 67. The definitive work on all known portraits of Mr. and Mrs. Blake. Not in Bentley BB or supplement. unknown
1993Q-2711827747Reunion des musees nationaux 1993-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Re?union des muse?es nationaux paperback
19706442London: Trianon Press 1970. First thus. Fine. Limited edition number 9 of 600 numbered copies out of a total edition of 662 copies. A Fine copy. Quarto 11 3/4 x 9 in; 298 x 230 mm. 28 pp. Ten color plates. Original quarter green morocco over marbled boards. In the original marbled board slipcase. <br /> <br /> "Through aphoristic declarations and accompanying emblem-like designs Blake argues for the essential unity of all religions as expressions of the "Poetic Genius" within all human beings." The William Blake Archive. Blake first etched the work in c. 1788 returned to it in 1795 and again in 1818. In this edition the plates were reproduced by the Trianon Press France using the collotype process with some water-color washes added by hand. The editorial matter was printed by the Imprimerie Darantiere Dijon and binding was by Engel Malakoff and the hand-made slip-case by Adine Paris. With a description and bibliographical history by Blake scholar Geoffrey Keynes. Fine. Trianon Press unknown
19776443London: Trianon Press 1977. First thus. Fine. Limited edition number 135 of 600 numbered copies out of a total edition of 662 copies. A Fine copy. Quarto 11 3/8 x 8 1/4 in; 290 x 210 mm. 154 p. Ten color plates. Original quarter brown morocco over cloth boards. In the original cloth slipcase.<br /> <br /> A singular collection of all portraits and related sketches of Blake his wife and places they lived by a range of artists to get at the character of the artist. "This compilation of portraits was a departure for the Trianon Press which had previously focused on facsimiles of Blake's illuminated books and designs. But with a text by Blake scholar Geoffrey Keynes who contributed commentary to the other facsimiles it continued Trianon's incomparable record of bringing all aspects of Blake's work and life to light" Union College. Fine. Trianon Press unknown
19641058834to. London and Paris: The Trianon Press 1964. 4to 103 pp. With 32 plates. Original quarter morocco marbled boards matching slipcase fine with a few small scuffs to the backstrip. § Limited to 525 numbered copies signed by the author of which this is number 512. The plates taken from Songs Visions Marriage Europe Urizen Milton and Jerusalem give a good introduction to and overview of Blake’s range. They are printed in six- and 8-color offset on paper especially manufactured to match the tint of the paper used by Blake. Bentley Blake Books Supplement page 291 issue B. The Trianon Press hardcover books
1976110686Small 4to. London: Published by the Trianon Press for the William Blake Trust 1976. Small 4to 62 pp. and 11 plates with descriptions. Quarter morocco with cloth covered boards. § Edition limited to 438 numbered copies this being 1 of 26 copies for the Trustees. A study of William Blake’s Laocoon which he first started sketching in the early 19th century with illustrations reproduced by the collotype process. This volume completes the series begun by the William Blake Trust in 1951. Not found in Bentley’s Blake Books or the Supplement. Published by the Trianon Press for the William Blake Trust hardcover books
19726961London: printed in Paris at the Trianon Press for the William Blake Trust 1972. Letter L of 26 copies reserved for the Trustees of the William Blake Trust and teh Publishers. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving. 2 vols. 4to and small 4to. quarter brown morocco with marbled paper covered boards in original marbled paper covered slipcase. A very good copy.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic†and “If any could desire what he is incapable of possessing despair must be his eternal lotâ€.Bentley <em>Blake Books </em>202. printed in Paris at the Trianon Press for the William Blake Trust hardcover
19733550London: Trianon Press 1973. No.243 of 808 copies. 4to 6 colour facsimile plates reproduced in Paris at the Trianon Press using the collotype and hand-stencil process one black and white illustration plus 5 pp. of commentary by Geoffrey Keynes. 4to. original quarter dark blue morocco marbled paper covered boards in the original marbled paper covered slipcase. A very good bright copy. Booklabel of Elaine Klemen.A facsimile of the only known copy of The Book of Ahania which was owned by Lessing Rosenwald. The original frontispiece was supplied for this facsimile by its owner Geoffrey Keynes. <br>The Book of Ahania continues the story of the Book of Urizen. As Keynes writes: “Ahania the feminine Emanation of Urizen signifies Pleasure in Blake’s system.the poem begins with.a new character Fuzon who.signifies Passion.Fuzon attacks Urizen.with a fiery globe.Urizen was sorely wounded in the loins and.in his agony at losing his source of pleasure he seized on Ahania calling her Sin.Urizen seeks vengeance on Fuzon creating in the process the Serpent of Materialismâ€. Bentley <em>Blake Books</em> A15 Trianon Press hardcover
19763552London: Printed at the Trianon Press for the Trustees of The William Blake Trust 1976. No. 156 of 480 ordinary copies in addition there were 32 deluxe copies and 26 copies for the Trustees and publishers. 5 colour facsimile plates made using the collotype and hand-stencil process at the Trianon Press in Paris. Printed on Arches pure rag paper to match the paper used by Blake. 4to. quarter brown morocco marbled paper boards in a marbled paper covered slipcase. Very good.The companion volume to the <em>Book of Ahania </em>printed by Blake in Lambeth in 1795.<em> </em>A facsimile of the only known copy of <em>The Book of Los</em> in the British Museum.<br>In his commentary Geoffrey Keynes writes: “the philosophic message of this small book is hidden in apocalyptic verbiage calculated to puzzle Blake’s small audience. Blake seems to have sensed this obscurity as soon as it was completed and as far as is known he never made another copy.or referred to it.â€<br>Bookplate of Alexander Stone on front pastedown. Bentley <em>Blake Books</em> supplement p. 62. Printed at the Trianon Press for the Trustees of The William Blake Trust hardcover
19741252491974. London: Trianon Press 1974. <br /> <br /> Folio 25 color plates 8 proofs and commentary at the end. Original quarter brown morocco slipcase fine. <br /> <br /> § Limited to 500 copies of which this is No. 289. Jerusalem is the longest of Blake's prophetic books and tells of the fall of Albion Blake's embodiment of man or the Western World. This is the facsimile of Lord Cunliffe's copy and Kerrison Preston's proofs; the coloring differs markedly from the Stirling copy also published in facsimile by Trianon. "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements." Martin Butlin Bentley Blake Books A82. unknown
