COCTEAU (Jean) & IRIBE (Paul)Livre Rare Book
9 826 résultats
191423890Revue complète. Exemplaire Poulenc avec envoi Paris, aux bureaux de la revue, imp. Crété, 1914 et 1915. 1 vol. (275 x 475 mm). Cartonnage bradel papier marbré, pièce de titre (reliure de l'époque). Édition originale et collection complète des 20 numéros de cette revue parue entre le 28 novembre 1914 et le 1er juillet 1915. Exemplaire avec le double état de la couverture du n° 8 (premier état censuré et très peu diffusé) et le feuillet d’annonce pour la parution du 20 mars 1915 interdite par la censure. Envoi signé : «à Francis Poulenc, son ami Jean Cocteau, 1918».
196031584Série complète sur papier de tête : les exemplaires nominatifs pour l'auteur Paris, La Belle édition, s.d. 6 vol. (160 x 215 mm). Brochés, sous couvertures illustrées, sous chemise et étui éditeur. Édition illustrée par P.-E. Clairin, O. Denis, A. D. Steinlen, P.-E. Clairin, P. Jarach, J. Thévenet, A. Collot. Un des 15 premiers sur pur fil du Marais, avec la suite en noir — celui-ci spécialement imprimé pour Suzanne et Maurice Genevoix. Envoi signé de l'illustrateur sur le volume de Rémi des Rauches accompagné d'un grand dessin à l'aquarelle.
8 signed and justified original color-printed etchings (with aquatint) by Joan Hern·ndez Pijuan. 50 x 33 cm (sheet). Edition limited to 50 impressions printed on fine, thick wove paper . Maluquer 153-160. Complete sets are of the greatest rarity. FINE AND BRIGHT, like new. Price is for all eight; some may be available separately.
189930631Exemplaire de tête sur chine Paris, Charavay & Martin, [1899]. 1 vol. (290 x 365 mm) de [80] p. en 10 cahiers ch., en feuilles. Chemise de percaline illustrée de l'éditeur. Édition originale. 42 illustrations en couleurs de Job. Un des [20] premiers exemplaires sur chine (non annoncés), signés et justifiés par Montorgueil et Job, (n° 19).
P4360Tartu: Olion 1930-1936. Octavos and quartos generally 31.5 × 23.8 cm; vol. IV: 23.5 × 16.5 cm. Original staple-stitched decorative and photo-illustrated wrappers; ca. 24-56 pp. per issue. Occasional light wear to wrappers and spine; no. 12 1931 with significant damage to wrappers and first leaf; nos. 11 and 12 1930 with wear to wrappers; overall about very good. Significant run of the Estonian journal of art literature and popular culture full of information on modern Estonian art theatre literature architecture as well as historical essays on various topics. Illustrated with many reproductions of stage design and painting throughout as well as with photographs of cultural figures actors writers. Also contains overviews of Soviet art American art and mass culture German art Jewish culture in Estonia translations of literary texts from other languages information on cinema and popular culture.<br /> <br /> A number of the wrappers were designed by Nikolai Triik Anna Triik-Põllusaar as well as by Jaan Vahtra while many are not credited.<br /> <br /> This run lacking 12 issues in year V 1935 and the sole double issue which appeared in 1936 before the journal was discontinued.<br /> <br /> Ilk Global Avantgarde p. 120 no. 32; the very first issue.<br /> <br /> As of January 2024 KVK OCLC show holds in various states of completeness at Nanterre British Library UCL and Yale typically with no later issues than 1933.<br /> <br /> List of issues:<br /> <br /> Vol. I nos. 1 2 3 4 5 6 7 8 9 10 11 12 complete year<br /> Vol. II nos. 1 2 3 4 5-6 7-8 9 10 11 12 complete year.<br /> Vol. III nos. 1 2 3 4 5-6 7-8 9 10-12 complete year.<br /> Vol. IV nos. 1 2 3 4 5-6 7-8 9 complete year. <br /> Vol. V nos. 6 7 8 9. unknown
P6261Prague: Antonín Král 1929-1930. Large octavos 24.5 × 17 cm. Original staple-stitched photo-illustrated wrappers; 24-40 pp. each consecutive pagination. Good to very good copies; occasional wear to spines and rust to staples; a few issues with nicks to wrapper edges; a few issues of the second year with foxing to wrappers; overall still a good or better set of a fragile periodical typically only encountered rebound. Nearly complete run in the original wrappers of this striking photo-illustrated arts and culture periodical which appeared from January 1929 to July 1930. Koruna is highlighted in Jindřich Toman's study of Czech photo-illustration as a "source of rich dynamic photomontages" Photo/Montage in Print p. 263. Edited by Antonin Král the journal contains news about cinema dance American and European popular culture and avant-garde theater. Much of the contents features erotic and romantic overtones and the advertisements include numerous publications by František Trefný the sex-reformist and proprietor of the Hydiko House of Modern Cosmetics. Illustrated throughout with photocollages photographs drawings cartoons and advertisements. "A group of photomontages from Koruna in all likelihood . by Vojtěch Tittelbach belongs to the most radical examples of the entertainment-oriented photomontage essay. All cases exemplify rich Dada-inspired photomontage in the service of a sensational story and with elements of a cinematic way of seeing" Toman p. 276. Other photo-collages have been attributed to Vladimír Sychra. Toman 7.1.14-16.<br /> <br /> As of March 2024 KVK OCLC only show four holdings all in North America of which only two appear to be complete. unknown
190640192NY: Colonial Society of America. Near Fine with no dust jacket. 1906. Proof. Pages. B&W Illustrations; 36 36 pages; These are a series #52 of 300 complete series of remarque proofs of Colonial American scenes with the artist's penciled signature in the bottom margin. . '/Occasional; light grey foxing to some margins of mounts. Limitation information on reverse for subscriber Hon. George Peabody Wetmore. I imitation is ink stamped and signed in pencil by Society Secretary Theodore Compton. The remarque consists of a miniature image of the subject and which is in the lower margin of the Chine Colle which is a thin layer applied over the etching. The total dimensions are 14 x 19" and the Image Area is 9" x 13" which is in all cases fine. Only the outer margins show any minor defects. Each etching has a thin tissue protector . A few about 10 of the protectors have worked their way to the edges of the etchings and show subsequent rumpling. The Colonial Society of America was incorporated in 1906 so I have used this for the date of issue. We have been unable to locate any other instances of this set. ; Signed by Artist . Colonial Society of America unknown
200187031Parkett Publishers. New. 2001. Paperback. 3907582217 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Description: "120 postcards .featuring a card for each of the artists' editions published by Parkett beginning in 1984.Each card is printed in full color with the artist and edition information on the back. A catalogue raisonne in a mailable form." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Parkett Publishers paperback
16-5638Paris: André Marty 1909. 2 vol. in-8 13.5 x 19.5 cm. The edition was 150 copies but there were some hors commerce copies includng this one: "Exemplaire imprimé pour M. Roger-Marx.".2 vols on slipcase one bound in perclaine and the other in choclolate wraps. Fine condition. Very rare. Not in OCLC.Percaline chocolat sous emboitage non rogné; un de texte 194 p. et un vol. de 106 planches montées sur onglet. Introduction et description par Jean Guiffrey 1 de texte broché et l’album de dessins montés sur onglet sous cartonnage et emboitage. ".Eugène Delacroix 1798–1863 visited Morocco from January through June of 1832. He was part of the diplomatic mission of Charles-Henri-Edgar Comte de Mornay. He made drawings and annotations in seven sketchbooks during the trip. The Frick Art Reference Library has facsimiles of two of the sketchbooks. The facsimiles were made in 1909 Musée du Louvre album published by André Marty Paris and in 1913 Chateau de Chantilly album published by J. Terquem & Cie. Paris. Each facsimile is accompanied by an introductory volume with transcripts by the art historian Jean Guiffrey. Expertise by Alain Nicolas and Pierre Gheno Paris. Paris: André Marty 1909. paperback
19325101Lyon, Imprimerie Vaucanson et chez le graveur Philippe Burnot, 1932 ; in-folio ; plein maroquin écorce de chêne (marron), dos lisse, titre en long composé de barettes chêne clair mosaïquées et lettres dorées, plats incrustés de quatre feuilles de placage acajou au centre, doublés de même sur une large bande entourant le papier de garde à la main, deux coins sont soulignés de trois filets dorés gras successifs, couverture et dos conservés, étui bordé (Germaine Cart) ; (80) pp. en tout dont 15 grands bois gravés en couleurs hors-texte et 5 bois in-texte.
186837492Paris, Hachette & Cie., 1868, in-4, agréable demi-reliure de l'époque, dos long orné d'un fer "queue de poisson", filets et titre à l'or, plats de papier marbré, pagination continue. Hebdomadaire - publié de janvier 1860 jusqu'en juillet 1914 par Edouard Charton- relatant les grandes explorations ayant marqué la seconde moitié du 19e et le début du 20e siècle. Illustré de nombreuses gravures, puis de reproductions photographiques in- et hors-texte texte. Vendu en fascicules à travers le réseau des gares de chemins de fer, ceux-ci sont réunis et reliés tous les 6 mois pour une diffusion en librairie. Edition originale. Bel état de fraîcheur.
11181 En feuillet, sous couverture imprimée rempliée, emboîtage d'édition en simili-maroquin, grande chemise de même facture pour la suite. 38 x 28,5 cm, 139-[7] p. + 1 pl. libre + suite dans une chemise à part. Paris-Bruxelles, Jean-Robert Delahaut, 1973.
11181 En feuillet, sous couverture imprimée rempliée, emboîtage d'édition en simili-maroquin, grande chemise de même facture pour la suite. 38 x 28,5 cm, 139-[7] p. + 1 pl. libre + suite dans une chemise à part. Paris-Bruxelles, Jean-Robert Delahaut, 1973.
Eight large signed and justified original sugarlift etchings by Joan Hern·ndez Pijuan. 65.5 x 50.5 cm (sheet). Edition limited to 50 impressions printed on fine, thick wove paper. FINE AND BRIGHT, like new. Maluquer 479-486. Price is for the set. Individual prints may be available separately. Please inquire.
74564Imprimerie Paul Dupont. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 17 Volumes 1895; 1898 through 1913 Inclusive. Decorated coverboards and endpapers. -- with a bonus offer-- . Imprimerie Paul Dupont hardcover
5712Bruxelles, Librairie Edmond Deman, 1907. 28,8 x 20 cm, 67 pp. et 4 pp. du prospectus. Couverture illustrée et 15 compositions originales en couleurs (dont 12 hors-texte) dessinées et gravées par Armand Rassenfosse. Tirage unique à 125 exemplaires numérotés sur papier de Rives. Relié plein maroquin bleu nuit, premier plat orné dun couple damants enlacés en cuir repoussé en relief, monogrammé en bas à droite H.B., dos à cinq nerfs, titre doré, toutes tranches dorées, revers des plats doublés de maroquin marron et filets dorés formant encadrement, celui du premier plat signé H[enri Émile] BLANCHETIÈRE [1881-1933], pages de garde en tissu persan. Légères traces dusures, petites rousseurs, traces de frottements, quelques infimes rayures. Sous emboîtage avec quelques griffures et traces de frottements), sinon superbe exemplaire.
5712Bruxelles, Librairie Edmond Deman, 1907. 28,8 x 20 cm, 67 pp. et 4 pp. du prospectus. Couverture illustrée et 15 compositions originales en couleurs (dont 12 hors-texte) dessinées et gravées par Armand Rassenfosse. Tirage unique à 125 exemplaires numérotés sur papier de Rives. Relié plein maroquin bleu nuit, premier plat orné dun couple damants enlacés en cuir repoussé en relief, monogrammé en bas à droite H.B., dos à cinq nerfs, titre doré, toutes tranches dorées, revers des plats doublés de maroquin marron et filets dorés formant encadrement, celui du premier plat signé H[enri Émile] BLANCHETIÈRE [1881-1933], pages de garde en tissu persan. Légères traces dusures, petites rousseurs, traces de frottements, quelques infimes rayures. Sous emboîtage avec quelques griffures et traces de frottements), sinon superbe exemplaire.
16-4399Paris : Paul Dupont eÌditeur : E. Lachaud eÌditeur 1870. Large folio. 57 x 40cm. Original percaline cloth faded and worn at extremities. Two of the plates loose with jagged edges. 26 color plates with fresh colors and unfoxed; some tissue guards torn.OCLC Number: 1088682178.Voyage pittoresque à travers l'isthme de Suez. Paris Dupont ; Lachaud sd. 1870.In plano : 2f. 100pp. ; illustré d'une carte en couleurs et 25 aquarelles d'après nature par Riou lithographiées en couleurs par Eugène Cicéri. Portrait-frontispice de Ferdinand de Lesseps absent. Quelques serpentes légendées déchirées ou avec de petits manques 2 planches libres frangées en bordure. Couleurs bien vives papier bien blanc.Percaline violette éditeur dos lisse et premier plat insolés titre en lettres doré sur plat supérieur et décor doré sur dernier plat.Riou exécuta cette série d'aquarelles en marge et pendant les fêtes de l'inauguration du canal de Suez novembre 1869. Expertise by Michel Convert expert en livres anciens installé à Salies de Béarn 64. Paris : Paul Dupont, eÌditeur : E. Lachaud, eÌditeur, [1870] hardcover
16-4398Paris: Goupil; Luchon: Lafon; Pau: Ariza circa 1850. Oblong Folio. 38 x 26.5 cm. Original publisher's percaline cloth. 22 tinted and 1 color lithograph; incl. a double page panorama of Pau.Very good.See list of plates below.OCLC Number: 715593228.Sur le cartonnage Souvenir des Pyrénées. Paris Goupil Luchon Lafon sd. vers 1860.In folio oblong : Sans titre 22 planches lithographiées sur fond teinté dont 2 sur double page par CICERI 10 GORSE 11 et MERCEREAU 1 et une en couleurs Saint-Jean-de-Luz.Cartonnage percaline marron éditeur titre doré sur le plat supérieur. Très bon état.5 vues de Pau ou prises de Pau dont 2 dépliantes une vue de Lourdes Pic du Midi d'Ossau 2 des Eaux-Bonnes Eaux-Chaudes Saint Jean de Luz 5 vues des environs de Cauterets Luz Pont Napoléon cascade du Parisien Luchon Pont de Vénasque La Maladetta. Album monté tel quel à l'époque. Expertise by Michel Convert expert en livres anciens installé à Salies de Béarn 64. Paris: Goupil; Luchon: Lafon; Pau: Ariza, circa 1850 hardcover
51-5974Haarlem: François Bohn 1802-1803. 8vo. 13 x 224 cm.I: xxii 274pp.; II: x 348pp.; III: xx 232 ivpp. Original marbled wrappers printed lettering label on spines of 2 volumes lacks spine of one volume housed in morocco-backed solander box .Rare - OCLC only lists one copy of the later German edition: 1067860712. Tipped in to each volume is a contemporary one page manuscript related to the work. 4 hand-colored costume plates 4 folding engraved plates 3 folding letterpress tables one with short tear Mendelssohn I pp. 432/3 Haarlem Francois Bohn 1802-3 .In 1791 Cornelius arrived in Cape Town with his frigate where he met his future wife. At that time the Republic was at war with France. It was not until 1794 that Cornelius returned to get married. Because his wife quickly became pregnant he had to return alone. During the trip he heard that the Republic was now at war with England again due to political complications the patriots had come to power but he managed to bring the fleet safely to Norway. He was given a year's leave to collect his wife and daughter. Six more children would be born in the Netherlands. As soon as he returned he was given command of a ship in the squadron that had to repel the Russian-English fleet. Not all Dutch captains were pro-patriotic and some defected to the English. Cornelius had remained neutral but was still condemned by the High Council of the Sea and exiled. He settled with his family on the Duivenvoorde estate near Kleef. He wrote a number of travel stories here and started a publication to prove his innocence. After the Republic was annexed by France Cornelius was allowed to return and the family settled in Vught. In 1814 he was rehabilitated. In 1815 the family left for The Hague where Cornelius also held all kinds of administrative positions Haarlem: François Bohn, 1802-1803 unknown
198307Oaxaca: Adoratorio GalerÃa 2024. First edition. New. 20p. boards housed in a black canvas box. “Carpeta Gráfica EntomografÃa†is features insect-themed art by 20 Mexican artists. The compilation showcases a diverse range of printmaking techniques including etching lithography and digital processes reflecting the artists’ unique interpretations of entomological subjects. This collaborative endeavor highlights the richness of Mexican graphic arts and offers a contemporary perspective on the natural world. Adoratorio Galería unknown
2023198306Mexico D.F.: Taller de Gráfica Venado 2023. First edition. New. 22p. boards housed in a black canvas box. This 2023 collection features 22 prints from Taller de Gráfica Venado in Mexico City an art workshop founded in 2016 by Samuel Chávez Mazatl also known as “Samo.†This workshop focuses on collaborative production and the promotion of graphic arts especially engraving lithography and relief printing. Their work often explores themes that are rooted in tradition while experimenting with innovative techniques. This copy is number five in a limited run of 35. Featured artists include FermÃn Revueltas Melecio Galván Adrián Aja Méndez Ernesto Alva Franco Eduardo Barrera Demián Flores Carlos Flores Rom Emiliano Guerrero Victor Manuel Hernández Castillo Daniel Luis Hernández Ãlvaro Medina Claudia Méndez Méndez Gabriela Morac Diana Morales Galicia Triana Parera Alejandro Pérez Cruz Coral Revueltas Valle and José Luis Vázquez. Taller de Gráfica Venado unknown
51-3609Paris: Henri Charpentier 1870. Folio. 48 x 34cm. Original boards. 25 lithographs in 2 colors. 36pp. text in French and 36pp. text in English.OCLC Number:457564828Paris Henri Charpentier 1870.In-folio demi-percaline verte couvertures imprimées reliure de l'éditeur.Ouvrage illustré de 25 planches lithographiées par Sabatier Ciceri Ph. Benoist et Bayot d'après les dessins de Félix Benoist. Texte en français puis en anglais par Loïc Petit & Sigismond Ropartz.Bon exemplaire. Premiers feuillets du texte français légèrement jaunis une seule piqûre sur une planche. Coiffes émoussées coins et coupes frottées Paris: Henri Charpentier, 1870 hardcover
51-5694Paris: Jean Baptiste Coignard1684. Folio. 27 x 41.5cm. Original calf covers laid onto new goatskin binding by the artisan binder Sasha Mosalov. 20 3254 16pp. Numerous engravings.Very good.OCLC Number / Unique Identifier:493493105 Paris: Jean Baptiste Coignard,1684 unknown
1932905201932. Multiple Artists Hardy Jowett author. Chinese Costumes ä¸è¯æœç‰©è€ƒç•¥ ZhÅng huá fú wù kâo lüè. 1932. Peiping Peiking China: The Chinese Painting Association of Peiping. 32 x 22cm silk-covered boards bound with cord. Front board is embroidered with multicolor flowers and a butterfly. Table of Contents in English as well as a Foreword in English by Hardy Jowett. 24 hand-painted color illustrations depict informal and formal dress including military and religious garb of men and women in China during the Qing Dynasty. Each plate has a paper tissue guard with title and description in English. Handwritten name in ink and pencil on title page. Slight discoloration to a few faces. Staining on silk cover. Bottom forecorner of title page clipped. unknown
