15 963 résultats
1960014528Paris Galerie Iris Clert 1960 In-8 à l'italienne Broché
186932728Virginia City California 1869. Paper. Very good. Approx. 8" x 3" check with printed green borders information and 2 stamps. Check is drawn on the account and signed by Isaac L. Requa. The information printed on the check is "Gould & Curry Silver Mining Company W. C. Ralston Treasurer. Agency of the Bank of California Virginia City. The written date is Aug 3 1869. <br /> <br /> Requa was a mining engineer early Oakland pioneer and later President of Oakland Bank and Savings. unknown
1840J37G5H5ISWE1Istanbul 1840. Mounted on a larger sheet of paper in a passe-partout. Watercolour drawing on wove paper 29.5 x 45 cm with highlights in shellac and a thin black border. A lively scene on the Tophane Quay in Istanbul with the background dominated by the dome and minaret of the 1580 Kilic Ali Pasha Mosque. The tip of a second minaret perhaps from a different mosque is visible in the distance. On the quay an opulently dressed black-bearded Ottoman a high official in the Emperor's court or a wealthy merchant stands in the centre of the scene with his entourage. He wears red robes trimmed with gold and with black decorations a white turban around a red fez and a gold waistband with the hilts of two guns sticking out and carries a walking stick in his left hand. His entourage includes a white-bearded Islamic holy man with a green turban around a red fez a Greek or Armenian man in a black hat a dark-skinned woman in green robes holding a bundle and several other men women and children. They appear to be preparing to depart in the boats that stand ready. Two more dark-skinned women in white robes with red and blue stripes follow the party deferentially. Several people appear in the boats in addition to their crews. Four more white-bearded Islamic holy men each again with a green turban around red fez sit in one with some women while two Ottoman infantrymen with bayonets stand in another one just stepping out. Other parts of the quay show various men busy with their trades or smoking long pipes. From the collection of Hooton Pagnell Hall in Yorkshire England. With a 1.5 cm tear in the water at the foot of the scene not approaching the boats and otherwise in very good condition. A lively and fascinating scene on a quay in Istanbul with the dome and minaret of Kilic Ali Pasha Mosque prominently shown.l For the King family: Debretts Peerage 1840 p. 423 & 1861 p. 338; Debretts Baronetage LXXV 1893 p. 127. unknown
1618177408Japan.: No publisher. Meiji 16 1883. Japanese accordion style book orihon 10 numbered double page colour lithograph illustrations multiple images per page 24.7 x 17.5 cm patterned cloth-covered boards. Some soiling wear to cover extremities some even browning to pages but overall the contents are in very good condition. The illustrations feature details of brocade cloths with gold thread and silver thread as well as damask textile and gold foiled textile. Some of the samples are enlarged so that it is possible to see the details of the weave. The book is exquisitely printed in colour to give the effect of the real thing. It is an early example of Japanese colour lithography and an item of interest to fabric and clothing historians. The chop on the last page says that it was printed in the Printing Agency of the Treasury dated on July 28 Meiji 16 1883. . No publisher. hardcover
192062329Portland OR Spokane WA San Francisco CA & Seaside OR: Lyle E. Lewis Dance Orchestra ca. 1920-1944. Eight vols. 1st - 4to. 48 pp unpaginated. on thick black paper w/ 100’s of pieces of ephemera mounted and laid-in including 7 silver gelatin photographs sized from 5 x 7 in. up to 8 x 10 in. many different TLS and ALS most on stationery letterhead for assorted hotels KGW Radio and others many newspaper clippings tickets promotional brochures advertising cards dance tickets along with a spoof printed “Wanted†notice for Ted Mullen alias Sourdough Sullen with $ 500 million reward offered and large double-page advertising broadside on yellow-gold tinged thick paper stock at rear for gig in Astoria OR under the auspices of the Co. L 186th Infantry Oregon National Guard. Contemporary pebbled black boards punch-sewn at gutter margin chipping edgewear still VG- exemplar; 2nd - 4to. 92 pp unpaginated w/ majority of leaves on ruled paper including 18 leaves of mylar sleeves featuring the majority of the 23 silver gelatin photographs most sized 8 x 10 in. photographer’s imprints on versos remainder w/ clippings promotional announcements tickets broadsides ALS & TLS documents throughout along with a long radio program script. Contemporary 2-ring blue cloth binder rounded corners some edgewear rubbing still VG; 3rd-7th - 16mo. Five daily diaries Approx. 700 pp unpaginated. w/ approx. 4000 words manuscript annotations in ink & pencil throughout featuring some laid-in miniature photos receipts business cards including 1 photographic souvenir business card for Cole McElroy’s Dance Band and Cole McElroy’s Spanish Ballroom 1 tiny postage stamp photo of Lewis at his bungalow in Seaside all bound in cloth some wear still VG grouping; 8th - 12mo. Approx. 150 pp unpaginated. of ruled paper mostly typescript ink & pencil manuscript some ruling throughout annotations & checkmarks last 4th or so blank. Flexible black cloth 6-ring binder business card for Lewis as Commercial Agent for ACME Fast Freight taped in on front pastedown 3 blank routing order forms in red & black some scuffing edgewear still VG all from the library of Genevieve Martha Lewis Levin 1911-1994. This unusually well-preserved archive of a Roaring 20’s Jazz Orchestra musician and Band Leader in the Pacific Northwest reveals the exuberance and business success of this largely forgotten artist through his successful years before foundering during the Great Depression. Both scrapbooks open with clippings thank you and recommendation letters as well as dance broadsides and photographs during 1926 at the height of Lyle Lewis’s orchestra appreciation. Testimonials include B.J. Saad who owned the Garden Dancing Palace and stated “I have taken the Garden which is second to no other ballroom west of Chicago. That is why I have secured Lyle Lewis recognized as one of the best orchestra leaders on the Coast.†C.W. Craig of Lipman Wolfe & Co. department store extolls that Jazz music dance held at the Multnomah Hotel March 16 1926 that “I don’t think we have ever enjoyed better or more up to date dance music than that furnished by your splendid aggregation.†Broadsides and notices advertise the Lewis Jazz Orchestra playing the Grand Ball Room at the Masonic Temple Congress Hotel leading McElroy’s Oregonians at the McElroy’s Spanish Ballroom the Dessert Hotel Oasis near Spokane parties for Studebaker and more. One of the mounted letters includes a rather sad severance letter signed by Cole McElroy explaining the circumstances of Lyle Lewis’s leaving stating “I realise that you were a victim of circumstances. On account of the fact that you had a fine band organized. . . certain music masters of the theatre jobs saw fit to take your men away from you thereby breaking up your fine band and forcing me to make a deal for another organization.†McElroy 1888-1947 was known as “Pop†McElroy was a popular band leader who during the years before World War I and after played the Palm Gardens often and had great success in his McElroy Spanish Ballroom which opened in 1926 and then opened another Seattle McElroy Ballroom in 1928. Several TLS on letterheads include those for KXL Radio station KGW Radio Station and the KOIN Studio Director for The Portland News which played three nights a week on air for over six months. The many photographs capture the Lyle Lewis band joking around with their instruments on the road fully arrayed on stage in the Radio Station posing at various venues stages and even one as late as 1939 conducting the Lyle E. Lewis Dance Orchestra. The band included Cluet Mansfield formerly with Henry Halsted band William Webber on drums Eddie Scroggins & Frank Champion as sax players G. Berardinelli on Bass and also played dances at the Irvington Club Multnomah Athletic Club and for a while with the historic Congress Hotel in Portland which had been the City’s first reinforced concrete building erected during the Progressive Era and by 1924 expanded to 119 rooms with vibrant Jazz ballroom. The daily diaries for 1929 and 1930 show that Lewis regularly played at the Cotillion Hall now the Crystal Ballroom initially at $ 7.00 per night in 1929 and then steadily dropping to less than half by 1933. He writes about traveling for a gig in San Francisco with Mansfield in 1929 leaving Tuesday and arriving Wednesday Sept. 18 1929 driving 40 mph and getting 19 miles to the gallon with a drive made in 19 hours and 15 minutes. He played extensively at the Bungalow Club in Seaside OR which had opened originally June 19 1920 and for more than 25 years was the destination for the biggest names in the Big Band Jazz era including Lyle E. Lewis Cole McElroy Duke Ellington Bob Crosby Glenn Miller and tragically became connected with the death of Jimmie Lunceford who died from a heart attack just before playing his last set at the Bungalow after playing McElroy’s Ballroom in Portland 2 nights before. Lewis 1890-1948 was a popular Portland Oregon based jazz band & orchestra leader who managed to lie about his age and enlist at 15 in the Oregon National Guard Co. G 3rd Battalion served for three years and in May 1910 married Genevieve Franklin while working as salesman and musician before World War I Following the War he quickly became a successful band leader including successful stints with the Cole McElroy Spanish Ballroom Congress Hotel Multnomah Hotel Bungalow Garden Ballroom as well as the Coronado Hotel in California. As indicated by the daily diaries he maintained a fairly close relationship with his daughter Genevieve “Martha†but became largely estranged from his wife Genevieve living in separate rooming houses or hotels. Still in her position as a sales manager she managed to convince Meier & Frank to hire him as their house band for store functions and the restaurant while during the Great Depression he mostly worked for the US Forest Service mapping division while his show business largely disappeared. By 1943 he became the commercial agent for ACME Fast Freight where he worked as commercial agent until his death. This cataloguer could find no surviving recorded discography record for Lyle E. Lewis and his assorted incarnations although there are a few recordings for the Cole McElroy Band from 1926-1928 which most likely would have included him as band leader and musician. Lyle E. Lewis, Dance Orchestra, hardcover
162134518Lisbon and Hangzhou China: Manuscripts ca.1623 and 1621. Very Rare A Similar Manuscript Exists in Brussels. We know of no others. The Latin text of both letters is written in a neat uniform cursive hand in brown. Folio leaves 33 x 20.5 cm The transcripts bound in 18th Century stiff blue wrappers the blank paste-downs and endpapers are late 18th century most likely the third quarter between 1745/1753 and 1776 since they contain a clear "lion/vryheit/pro patria" watermark with a crowned GR countermark which resembles Heawood 3148 3149 and 3154. The paper used for the manuscript contains a faint double-headed eagle watermark and it has been reinforced in the gutters. A very pleasing survival very well preserved edges slightly mellowed the wrappers show some signs of wear. VERY RARE MANUSCRIPT TRANSCRIPTS. Chrysostomus Johann Gall 1586-1643 was a German Jesuit and scholar. He left Ingolstadt Germany to teach astronomy mathematics and navigation in Lisbon fro 1620to 1627 before leaving to work in the Jesuit missions in India. The Colégio de Santo Antŕo benefitted from the arrival of many foreign mathematicians and other scholars as Lisbon serves as a gateway for all missionaries departing for Asia. The original letter by Gall was written in Lisbon September 1623 and concerns a newspaper style description of various events including details of the perseution of Christians in Japan particularly the execution of large numbers of the Christian community in Nagasaki in 1622.<br> The second letter in the present work is especially interesting as the original was written by Johannes Terentius also known as Johannes Schreck an Deng Yuhan Hanpo 1576-1630. Terentius was a prominent Jesuit scholar specialized in natural science and mathematics. Before joining the Jesuits as a novice1611 he already enjoyed a grea reputation in Germany as a scholar. In 1621 Terentius left for China to join the Jesuit mission. The original letter by Terentius was written in Hangzhou China on 30 August 1621 to the rector of teh Jesuit College in Munich Jakob Keller 1568-1631. He discusses his journey to China which he started in 1618 his intentions to participate in the planned calendar reform in China and his impressions of the city of Hangzhou which he reached in 1621 Terentius wrote several works on european medicine mathematics and technology in Chinese and together with Johann Adam Schall von Bell and G. Roho introduced European tigonometry and European astronomical instruments to China. In 1629 he began to reform the calendar which J.A. Schall von Bell ocmpleted after Terentius' early death a year later.<br><br>Backer & Sommervogel VII col. 1929-F<br> Manuscripts unknown
1904551484Winnipeg: Free Press No-Rodeneletekteyar 1904. Softcover. Fine. First edition. Slim 24mo. 54pp. Text in Deg Hit'an also knowns as Deg Xinag or Ingalik. Fine in stiff pebbled wrappers. Interestingly the book has several contemporary ink corrections in the text. An uncommon Catholic prayer book and hymnal for the use of the Deg Hit people who live along the lower portion of the Yukon River in Alaska. Free Press No-Rodeneletekteyar unknown
180424023New York: Printed by Isaac Collins and Son 1804. First Edition. Pamphlet. 4 72pp. Disbound. Includes Historical Sketch of the Institution Charter for Establishing the Hospital Rules and Orders for the Government of the Hospital Rules and Orders Concerning the Library Catalogue of the Books A General Summary of the Number of Patients Admitted into and Discharged from the New-York Hospital List of Officers and List of Members of the Corporation. Name in pen and stamp on title. Soiling and stains throughout. A fair copy. Scarce. Sabin 54481.; Octavo. Printed by Isaac Collins and Son unknown
4941No place 30 Aug. 1803. One page 4to minor defects. He asks Stockdale to send "six copies of Sr. B. Boothby's translation of Britannicus by Racine and a copy of the 'Cursory remarks on the State of Parties' see BLC" by the Birmingham coach of "tomorrow". Note: St Helens' original collection of books was destroyed when his house burned down in 1797DNB. WITH: Autograph Note third person one page Malham Water 30 Aug. no year Lord Ribblesdale 1752-1826 asking Stockdale to send "his Newspaper perhaps "LOndon Courant" to Gisburne park from this time". No place, 30 Aug. 1803. unknown
1782298728London: J. Stockdale; R. Faulder 1782. First Edition. Half Leather. Very Good binding. 8vo.; in an attractive later binding of red half-goat over marbled boards with raised bands with morocco label lettered vertically; with marbled endpapers; 2 49 1 pages.~~A note on this rather interesting binding: we assume that the binder was charged with binding a group of different books to a uniform size -- the title page is trimmed and mounted and all the other leaves are folded neatly to fit the bottom edge and then the leading edge over it. Rather astonishing actually.~~This is Ritson’s first book in which he attacks Thomas Warton’s History of English Poetry in such vitriolic tones -- Warton is a pretender a cheater and a liar -- as to cause quite a contretemps in late 18th century English literary circles. One assumes this actually pleased Ritson as he went on the next year to attack Samuel Johnson and George Steevens. Eventually Ritson went complete mad barricading himself in his rooms at Gray’s Inn and setting fire to a pile of manuscripts. Very Good binding. J. Stockdale; R. Faulder unknown
36023801Japan 1860 n.p. Large sheet 96 x 1m 44 cm. gouachevery clean work no worming or other condition issues painted on 16 joined sheets of Washi paper to make one large sheetfine water-color painting. THIS IS AN ORIGINAL PAINTED ART WORK . . . AM ORIGINAL COLOR PAINTING IN GRAND SIZE . . . FROM JAPAN'S OLDEST MYTHOLOGY: . . . THE KOJIKI & NIHON SHOKI PANTHEON . . . THE ORIGINS OF THE EMPEROR . . . OTOHIME GYO RETSU ZU: . . . THE PROCESSION OF OTOHIME DAUGHTER OF THE SEA GOD . . A stunning color painting by Kyosai. Probably done for a temple donation or as an expression of his faith to Japan's historic heroine. . OTOHIME is a goddess in Japanese mythology and is featured in the Kojiki as well as Nihon Shoki. Also known as "Luminous Jewel". A Japanese goddess the beautiful daughter of the sea-king Ryujin. She married Hoori and gave birth to a son after which she turned into a dragon. . Per the Japanese text brushed on the verso upper left corner: "239 ban dated Ansei 7th Kanoe-Saru-doshi 2 gatsu jojun end of February OTOHIME GYO RETSU ZU" . English: "#239 dated Ansei 7th monkey zodiac year end of Feb.: 1860 . PAINTING TITLE PER VERSO: "THE FIGURE OF PRINCESS OTOHIME'S PROCESSION THE DAUGHTER OF THE SEA GOD" . "Toyotama-hime" Japanese for "Lady Bountiful Soul" better known as Otohime is a goddess in Japanese mythology and is featured in the Kojiki as well as Nihon Shoki. She is the beautiful daughter of Ryujin the "God of the Sea." . A STUNNING ORIGINAL POLYCHROME GOUACHE PAINTING: . This original color watercolor painting shows the lively procession of OTOHIME and her hand maid. She is followed by a flag and umbrella bearer. Also following is a man with a pair of deer antlers good omen a man with a small red offering table with peaches the Wind God and his thunder-drum. Another flag bearer his helper followed by two others one holds a staff the other an offering of golden egg. . The items carries are symbolic good fortune and wealth in terms of deer antlers peaches and the golden egg represent ancient Chinese also used by the Japanese of omens of good fortune and good luck. . THE PAINTING: . Per the Japanese brushed text on the verso there is a number found meaning this panel of several was part of a larger work per the chronology found in Clark see below. . This panel of several paintings was part of a restoration of Zojo-ji temple in Shiba. In 1859 KANO Toei & Kyosai "participates in a repair project at the Zojo-ji temple." See Clark. . Although Kyosai had officially left the Kano school in 1854 by participating in the restoration of Tokugawa's family temple in Shiba he was showing loyalty to the Tokugawa family a good reason to volunteer his skills to the temple. It is also noteworthy that his mentor Kano Toei also participated in the restoration and in all likelihood Kyosai joined his master in a sign of respect and loyalty to him. . Based on this chronology it is clear Kyosai was one of the painters who worked at Zojo-ji temple along with his mentor and master teacher Kano Toei. It was not uncommon at this time for schools to volunteer teachers and students to do temple restoration and art work painting replacing or enhancing paintings and large murals. . This item's date matches the restoration dates for the Zojo-ji temple which began in 1859 and continued into 1860. . This panel was unused in the restoration it may have been a precursor to the final painting which was actually used in the restoration project. It matches the scenes found in Zojo-ji temple restoration. The work is the exact style of others painted by Kyosai and his genre. The caricatures of the people in this painting reflect Kyosai's style exactly the theme of his eccentric humor expressing his love for creativity and the joy of painting. . It is entirely within Kyosai's bizarre character to undertake and devote himself to such a project as illustrating the famous myth of OTOHIME in more than 200 deluxe extra-large-size format paintings. . This restoration project could also have been a 'paying job' for Kyosai as at that time he did not seem to be employed but in 1858 he began to design "Kyoga crazy pictures. It was in 1857 he married Okyo the daughter of a Rimpa painter Suzuki Kiitsu but Okyo died in 1859 and he remarried Tose who died in 1860. . It is more than likely Kyosai being a Buddhist he felt it was his religious obligation to do pennants by contributing to and drawing Buddhist or such traditional images as a way to placate the loss of his wife. . THE STORY OF OTOHIME DAUGHTER OF THE SEA GOD: . Because this work was part of the Zojo-ji temple restoration it cannot be considered a commercial painting one that was casually drawn and put on the market for sale. This was part of a commissioned restoration financed by some benefactor to the temple and most likely supported by the Tokugawa family. . ONE OF JAPAN'S EARLIEST AND MOST FAMOUS MYTHS: . The story of OTOHIME DAUGHTER OF THE SEA GOD is one of Japan's oldest and most famous myths known to all Japanese. Treasured as one of the most important in the ancient pantheon it is found in the earliest writing about the origin of Japan and the Emperor in the KOJIKI and the NIHON SHOKI. . This kind of larger paper illustrated story would take months to complete by It would also take devotion to the subject and focus with responsibility to produce a good number of paints daily. This was something Kyosai could and would do ! . THE ARTIST/PAINTER: This work is unsigned which is expected as part of a larger series of paintings. If this was the work of Kyosai it falls entirely within the dates during his period of work produced when he was 29 years old. . The caricature in the faces and fluid bodies in motion the "flowing" style are his. Although there is no signature and it is a true reflection of Kawanabe's work we are attributing it to him. . Another convincing point is that this kind of painting and meticulous style is also found in his famous instructional showing various 'schools' of painting in his KYOSAI GADEN. See below. . WHO WAS KAWANABE GYOSAI/KYOSAI: 1831-1889: Kawanabe Kyosai was a superb artist in the words of a critic "an individualist and an independent perhaps the last virtuoso in traditional Japanese painting". . Living through the Edo period to the Meiji period Kyosai witnessed Japan transform itself from a feudal country into a modern state. Born at Koga he was the son of a Samurai. His first aesthetic shock was at the age of nine when he picked up a human head apart from a corpse in the Kanda river. . After working for a short time as a boy with Utagawa Kuniyoshi he received his artistic training in the Kano school but soon abandoned the formal traditions for the greater freedom of the popular school. During the political ferment which produced and followed the revolution of 1867 Kyosai attained a reputation as a caricaturist. His very long painting on Makimono" scroll The battle of the farts" may be seen as a caricature of this ferment. . He was arrested three times and imprisoned by the authorities of the Shogunate. Soon after the assumption of effective power by the Emperor a great congress of painters and men of letters was held at which Kyosai was present. . He again expressed his opinion of the new movement in a caricature which had a great popular success but also brought him into the hands of the police this time of the opposite party. After this time he changed his name from Kyo crazy or wild to any one of 19 other "Go" studio names he used. However after the police jailed him he avoided use of "Kyo" but returned back to it with three other "GO" that used the same character "Kyo" crazy & wild such as #7 "Baiga Kyosha" #10 "Kyosai #12 Kyosha Gaishi #16 "Shosho Kyosai" Quoted from Roberts below see that reference for more details. . Kyosai is considered by many to be the greatest successor of Hokusai as well as the first political caricaturist of Japan. His work mirrored his life in its wild and undisciplined nature and occasionally reflected his love of drink. . Color photos are posted to our website. . REFERENCE: . More on OTO HIME: heon-org/articles/o/otohime-html KAWANABE Gyosai later known as Kyosai: Is well collected by world museums I GADAN: 1887 4 vol. set: In this work he outlines and exhibits a wide variety of "styles" of painting. In this work there are several examples of this kind or school of painting. Wikipedia stated about this book: "The most important work about Kyosai's art and life was written by himself: Kyosai Gadan or "Kyosai's Treatise on Painting" half autobiography and half painting manual. WESTERN APPRECIATORS: Many westerners came to visit Kyosai and their memoirs about the artist are valuable. The two important ones both rare were: Emile Etienne Guimet Promenades Japonaises Paris 1880. Josiah Conder: "Paintings and Studies by Kawanabe Kyosai" Tokyo 1911. Conder was a serious student of Japanese art; after some initial rejections he was accepted as Kyosai's pupil and accompanied him for ten years until the master's death. Timothy Clark Demon of painting: the art of Kawanabe Kyosai p.186 chronology and the drawing #21 p.58 is very similar to the pose found in our painting of OTOHIME Toyotama-hime both in pose facial quality hair style and the general perspective. ROBERTS Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING SCULPTURE CERAMICS PRINTS LACQUER p.100 stated of him: Kyosai ".was marked by a wild eccentric humor.caricatures of full of fantasy and invention." KAWANABE KYOSAI MEMORIAL MUSEUM. KAWANABE KYOSAI DOKU HON. OTOHIME: Nihon Jinmei Daijiten Toyotama-hime. Tokyo: Shogakukan. 2012. . . unknown
8333One full-page woodcut. .5 29 .5; 15.5 folding leaves. Two vols. 8vo orig. blue wrappers orig. block-printed title labels on upper cover later decorated wrappers later stitching. From the colophon at end of Vol. II: Edo Kyoto & Osaka: Hanabusaya Heikichi et al. 1812.<br /> <br /> <BR> <BR> with:<br /> <br /> <BR> <BR> —. Haru nanakusa ko Thoughts about Seven Herbs in Spring. Three full-page woodcuts & nine smaller woodcuts in the text. .5 36 folding leaves. 8vo orig. blue wrappers as above later decorated wrappers later stitching. From the colophon: Edo: Yamashiroya Sahei 1814.<br /> <BR> <BR> First editions a rare complete set of these two works which are concerned with two important seasonal celebrations. The first of the year is the Festival of Seven Herbs in Spring Nanakusa no sekku a traditional Japanese ritual of eating seven-herb rice porridge on the 7th of January; its consumption would bring longevity and health and ward off evil. The tradition derives from ancient China. The seven herbs are seri Japanese parsley nazuna shepherd’s purse gogyo cudweed hakobera chickweed tahirako nipplewort suzuna turnip and suzushiro daikon radish.<br /> <BR> <BR> The other is the Festival of Seven Autumn Herbs Akino nanakusa less well known then the spring celebration. These herbs are hagi bush clover obana/susuki Japanese pampas grass kuzu kudzu nadeshiko Japanese dianthus ominaeshi Patrinia scabiosifolia fujibakama Eupatorium fortunei and kikyo balloon flower. While many of them have medicinal qualities for this festival they are not for eating but for viewing and admiring.<br /> <BR> <BR> Kikuu Kitano 1762-1831 a native of Sendai came to Edo in the 1780s and opened an antiques gallery that enjoyed great success. In 1804 he purchased a large piece of land in the Mukojima section of Edo where he established a botanic garden today known as the Mukojima Hyakkaen Garden. It is Tokyo’s only surviving garden from the Edo period. There he planted a landscaped orchard of 360 plum trees and other plants including the seven herbs of both spring and autumn selected by Kitano and his literati friends both poets and painters. <br /> <BR> <BR> These works are very beautifully printed using a wide variety of character styles to express meanings and authorship. The first two volumes to be published — on the autumn festival — contain a fine full-page woodcut designed by the author showing all seven herbs. The text contains references to each herb in waka and kanshi Chinese poetry written by Japanese a guide to understanding the nuances of the poetry and the botanical literature.<br /> <BR> <BR> The spring festival volume published two years later describes each of the seven spring herbs and their uses in medicine and gastronomy with many references to the Japanese botanical literature. There is a long passage on how to prepare the springtime porridge. The woodcuts depicting each of the seven herbs are by prominent artists including Kita Busei 1776-1856 and an unidentified woman artist.<br /> <BR> <BR> PROVENANCE: With the seals of Mayori 1829-1906 and Mamichi 1866-1925 Kurokawa prominent father and son book collectors. Their collection was largely concerned with botanical and herbal books; most of the collection was destroyed in the great Kanto earthquake. Our set later entered the collection of Frank Hawley scholar and one of the most discerning collectors of Japanese books and manuscripts. His stamp appears on the first page of text. See R.H. van Gulik’s “In Memoriam. Frank Hawley 1906-1961†in Monumenta Nipponica Vol. 16 No. 3/4 Oct. 1960-Jan. 1961 pp. 434-47.<br /> <BR> <BR> Fine set preserved in a fine chitsu. With some mostly marginal worming much of which has been carefully repaired. unknown
190461076Chicago & New York: Union Book & Publishing Company ca. 1904. Folio. 12 x 13.75 in. pp. 201-216. With photo illustrations throughout. Illustrated printed khaki-coloured softcovers edgewear chipping to head of spine still VG copy. First edition thus of this installment in the bi-monthly “America Her Grandeur†released by Union Book during the opening decade of the 20th Century. This installment focuses on the Alaska and Yukon Territory with excellent gold mining Alaska & Yukon steamships and railroads and more. Although undated the work does specifically mention that the Tenana Railroad will be started in 1905 and that the gold rush had just recently launched with most miners trekking into the Cleary Fairbanks and Ester Creeks in the Fall of 1903. Worldcat locates 3 copies U of GA Clarke Hist. Lib. UTX Austin. Union Book & Publishing Company, paperback
196763083Portland OR: Metropolitan Press 1967. Thick 8vo. 4 419 5 pp. Photo frntsp. numerous photo illusts. Gray-black cloth blue lettering front cover & spine w/ d.j. cover art photo of gold miner minor scuffing toning to fore-edges 1 closed tear upper fore-edge front cover price-clipped still NF/VG- copy w/ former ownership markings on ffep. Alaska Centennial edition of this rousing first-hand account of the early days of the Klondike Gold Rush much of it drawn from the journals and notes of her father and grand father Edward Lung and Clement Lung who joined the stampede from Tacoma WA to the Klondike via Skagway Chilkoot Pass and the Yukon River. He met many of the famed Gold Rush figures including Joaquin Miller and despite the hardships kept a daily diary used in this memoir. See: Kurutz Klondike & Alaska Gold Rushes A Descriptive Bibliography 339b. Metropolitan Press, hardcover
184975634hLondon: For Private Circulation 1849. Book. Very Good. Hardcover. 1st Edition. 4to - over 9¾ - 12" tall. Contemporary half leather over marbled boards with some neat professional restoration to spine corners and hinges. Some toning and foxing to text; old owner's armorial bookplate inside front cover. Otherwise clean tight and unmarked. Very neat -- a sound and handsome copy. . For Private Circulation Hardcover
201028776Berkeley:: Counterpoint 2010. First Printing of the First US Edition. A Fine tight copy in a Fine bright unclipped dust jacket. In the years between 1896 and 1899 thousands of gold seekers journeyed into the remote wilderness of the Yukon Territory in search of quick riches but what many of them found was scurvy frostbite starvation and dysentery. But it was the lure of of Klondike fever that overtook these adventurers from all over the globe to subject themselves to the rowdy and often dangerous frontier towns and mining camps in search of gold. The author tells this Klondike story through the lives of six very different people: a miner a saintly priest a twenty-four year old business woman a British journalist a Northwest Mountie and writer Jack London. Illustrated. Counterpoint, unknown
189775633hNew York: Illustrated London News 1897. Book. Very Good. Hardcover. Folio - over 12 - 15" tall. Half-year run bound in original marbled boards rebacked in leather. Handling and some staining to fore-edge of text. Otherwise clean tight and unmarked. Very neat -- a sound and handsome volume. Spectacular illustrations including numerous fold-outs on the Diamond Jubilee; a good deal including illustrations of the Klondike. Illustrated London News Hardcover
189711762Chicago: W. B. Conkey Co 1897. Hardcover. Good. 8vo. Pp. 296. Frontis. b&w photos. Illustrated with numerous b&w photos on coated paper line drawings in the text and a three-color foldout map of North America tipped in at the front. Red publisher's cloth with titles and illustration in gilt and black. Spine darkened light soiling to covers leaves toned and head edge foxed foldout map lower edge crimped. In addition to presenting "Vivid Descriptions and Thrilling Experiences" the title page claims this is "the most complete and thoroughly exhaustive collection of every known information necessary to a full realization of the immense resources of the gold fields of Alaska and replete with authentic instructions regarding how to get there when to go and what to do when the new Eldorado of the Great Northwest is reached." <p>Verso of the North America map has smaller black-line maps of North American Transportation Co. 1897 Alaska and steamer routes Juneau to Lewes river Yukon River and Tributaries Klondyke River 1896 Alaska gold fields and Northwest gold fields. SMITH: 7533. W. B. Conkey Co hardcover
196761660Seattle WA: The Shorey Book Store 815 Third Ave. Neelans Litho 1967. Atlas folio. 14.5 x 21.5 in. 36 pp. With lithographed photos text woodcut illustrations throughout including 1 double-page panoramic birds-eye. Lithographed softcovers front cover art w/ gold-tinted embellishments of The Largest Gold Nugget discovered by George W. Carmack from No. 8 El Dorado map on back cover execured by Warren C. Wilkins of the gold stikes in the Yukon chipping edgewear some scuffing closed tear neatly repaired rebacked still VG- copy from the library of Gary Kurutz. First Shorey Book’s edition of this famed Klondike gold rush promotional magazine originally published in Dawson N.W.T. & San Francisco CA which was projected to be published quarterly however Moore and his partners Charles Meadows & Wilkins were later sued in Nov. 1898 and appear to have been driven out of business in the Yukon. The impossibly scarce original publication issued April 1st 1898 touted all of the major gold strikes heretofore made in the Alaska-Yukon Territories the potential for land development nicely illustrated with photographs and copies were embellished with gold ink arching over mushers and gold miners. The last copy to appear at auction was in 1969 in the famed Streeter sale 3586 and the copy used to create this fine lithographed reproduction was oend by Dorothy Pattinson of Fairbanks AK who at the time had loaned it to the Pullen Alaska Museum’s Klondike Exhibit at the Seattle Center Food Circus balcony on the grounds of the 1962 Seattle World’s Fair. Worldcat locates 9 copies of the Shorey facsimile U of Victoria WI Historical Soc. BLM Kenai Peninsula U of AK CWU EWU Western U of Alberta; The legal case documents spelling the demise of Messers. Moore Meadows & Wilkins are held by the Huntington Library HM 27914; Not in Kurutz Klondike & Alaska Gold Rushes. The Shorey Book Store, 815 Third Ave., Neelans Litho, paperback
197725923<p>New York:: McGraw-Hill 1977. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. Alaska! The Yukon! The Klondike! This volume documents the whole glorious story of the great gold hunt in the last decade of the 19th century with more than 500 rare photographs. Authors Bronson and Reinhardt document the complete story of the monumental gold discovery in Alaska beginning with the gold-laden schooner Excelsior in San Francisco the summer of 1897 to the wind down of the stampede in 1899. Fully illustrated with more than 500 black and white photographs of the era.</p> McGraw-Hill, hardcover
189863466Vancouver & Victoria B.C.: Province Publishing Company Ltd. 1898. Folio. 10 x 14 in. 2 63 3 pp. With photo illustrations throughout in colour and black & white plan of Vancouver on last leaf. Textured purple-coloured softcovers decorative silver lettering stamped on front cover yapp fore-edges minor sunning to front cover minor creasing curling front cover edgewear still a VG- copy. First edition of this exceedingly scarce and lavishly illustrated guidebook promoting Vancouver & Victoria B.C. as the primary outfitting stations for the Klondike Gold Rush. Photos depict the military contingent departing to police and restore order in the gold country and even features an interview with F.M. Rattenbury advocating the coastal route to the Klondike via the Chilkoot and White Passes. Many of the photographs depict miners on the trail the Canadian customs house at Chilkoot Pass and Dawson City. Worldcat locates 5 copies Yale UBC Toronto Bancroft Canadian Centre for Architecture; See: Kurutz Klondike & Alaska Gold Rushes A Descriptive Bibliography 480. Province Publishing Company, Ltd., paperback
199926762<p>Langley:: Timberholme Books 1999. First Printing of the First Canadian Edition. A Fine tight copy in a Fine dust jacket . W.H.T. Olive's memoir is his record of the year he spent as manager of the boats for the Bennett Lake & Klondyke Navigation Company in the Yukon Gold Rush of 1898. In the untamed North where travellers had only one thing on their minds Gold! Olive's day-to-day life was nothing but extraordinary. He acted as onboard diplomat for both seasoned prospectors and greenhorns shot the White Horse Rapids and in addition to passengers and their provisions was responsible for two all-important kinds of shipment: mail and liquor. His adventures included rescuing damsels in distress guiding his employer the architect Frank Rattenbury through a disastrous mosquito-infested expedition and defending his strongbox at gunpoint from thieves. Sam Steele of the North West Mounted Police William Ogilvie first commissioner of the Yukon Machine-gun Joe Boyle and the notorious gangster Soapy Smith all make an appearance here. Olive's account of his adventures is complemented by his fond remembrance of the sourdoughs on the trail he met during this short but intense period in history.</p> Timberholme Books, hardcover
198726763Fairbanks:: University of Alaska Press 1987. First Printing of the First US Edition. A Fine tight copy in a Fine dust jacket . By the thousands they came the gold-seekers of 1897 pouring through Alaska’s White and Chilkoot passes on their way to the Klondike and to fortune. Fast behind them came the entrepreneurs the bunco artists and before long the engineers and financiers whose driving ambition was to build a railway through the White Pass’s rocky precipices. This is the epic northern adventure of the men who rushed for gold the workers who toiled in winter storms and thaw-time muck carving the grade and laying rail and the ingenious characters who dreamed schemed promoted and finally built the White Pass and Yukon Railway. University of Alaska Press, unknown
189761925Victoria B.C.: R.E. Gosnell Agent General 39 Victoria St. 1897. 8vo. 500 7 pp. plus 26 pp. publisher’s illustrated advertisements. Over 50 photo plates 4 maps 2 large folding recto & verso text illustrations. Red pebbled publisher’s cloth black lettering & decorated border front cover gilt & black lettering on spine minor edgewear rubbing ownership stamps & writing on title still VG copy from the library of former California State Librarian Gary Kurutz. First edition thus of this expanded edition of Gosnell’s 1860-1931 noted British Columbia Year Book and was originally self-published by first British Columbia Legislative Librarian and the first Provincial Archivist. Unlike the initial print run for this publication which consisted of only 216 pages this Year Book in reaction to the Klondike Gold Rush excitement expanded with a section on “The Canadian Yukon†with notes drawn from William Ogilvie article by H. Bratnober additional maps and even includes a section on the “Routes into Klondyke.†Also featured are numerous printed photos documenting stampeders on their way into the golden rivers and streams of the North. See: Kurutz Klondike & Alaska Gold Rushes A Descriptive Bibliography 211c. R.E. Gosnell, Agent General, 39, Victoria St., hardcover
193062088Toronto: The Hunter-Rose Co. Ltd. 1930. 8vo. 6 359 1 pp. Frontisp. map numerous photo plates. Green publisher’s cloth black lettering slight shelfwear slight foxing & dustsoiling fore-edges w/ d.j. plain brown paper w/ banner title in red & black across upper fore-edge & spine printer’s imprint at foot of spine slight shelfwear NF/NF copy. First edition of this fascinating account by one of the original Klondike sourdoughs who went with a party of 10 in 1898 providing detailed accounts of the early miners those lost in avalanches on the Chilkoot Trail the amount of supplies needed and more. Robertson recounts his life before the Klondike as a champion bicycle racer along with describing hockey matches and skiing competitions in Dawson in 1898 and 1899. This work was compiled according to the author to “attract capitalists to the Yukon Territory.†Scarce in original dustjacket. Kurutz Klondike & Alaska Gold Rushes A Descriptive Bibliography 498. The Hunter-Rose Co., Ltd., hardcover