Thwaites, Reuben GoldBiblio.com
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199851311080028ELDORET AMECEA PASTORAL INSTITUTE 1998-2001. Paperback. Very Good. Very good SET OF 15 periodicals bound in 2 hardcovers. Containing February 1998 through December 2001: 15 ISSUES. Ex-Library with usual markings. Text is clean and unmarked. Covers show very minor shelf wear. Bindings tight hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day! ELDORET, AMECEA PASTORAL INSTITUTE paperback
A9780821422960Hardback. New. When Deborah Gold and her husband signed up to foster parent in their rural mountain community they did not foresee that it would lead to a roller-coaster fifteen years of involvement with a traumatized yet resilient birth family. hardcover
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194630308<p>HARDBACK NODustjacet . 1946 STATED Third Printing Spiral Bound UNPAGINATED Illustrated board with some Fox and Scuffing VG Condition 9 X 10 1/2 IN. APPROX</p> CLEVELAND WORLD PUBLISHING hardcover
1996AME_9780306451751Plenum 1996. N/A. Unknown Binding. New/New. Plenum unknown
2023TA260502096Z28Brittany Publications Ltd 2023-03-25. paperback. Very Good. 8x5x1. Paperback--excellent condition Brittany Publications, Ltd paperback
1969L308New York: Time-Life Records 1969. Hardcover. Very Good. slipcase pictorial cover very good condition records very good book very good; Folio - over 12 - 15" tall AB2. Time-Life Records hardcover
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B9781501398506Paperback / softback. New. How does a reader learn to read an unfamiliar genre <i>The Novel in Nineteenth-Century Bengal</i> answers this question by looking at the readers of some of the first Bengali novelists including Bankimchandra Chattopadhyay and Mir Mosharraf Hossain. Moving from the world of novels periodicals letters and reviews to that of colonial educational policies this book provides a rich literary history of the reading lives of some of the earliest novel readers in colonial India. Sunayani Bhattacharya studies the ways in which Bengalis thought about reading; how they approached the thorny question of influence; and uncovers that they relied on classical Sanskrit and Perso-Arabic literary and aesthetic models whose attendant traditions formed not a distant past but coexisted albeit contentiously with the everyday present. Challenging dominant postcolonial scholarship <i>The Novel in Nineteenth-Century Bengal</i> engages with the lived experience of colonial modernity as it traces the import of the Bengali reader’s choices on her quotidian life and grants access to 19th-century Bengal as a space in which the past is to be found enmeshed with the present. paperback
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B9798765109793Paperback / softback. New. <p><b>Tapping into the emergence of scholarly comedy studies since the 2000s this collection brings new perspectives to bear on the Dostoevskian light side.</b><br /><br /> <i>Funny Dostoevksy</i> demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor such as satire parody and the carnivalesque to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in <i>Crime and Punishment</i> the affective turn and hilarious and deadly impatience in <i>Demons</i> and ontological jokes in<i> Notes from Underground </i>and <i>The Idiot</i>.<br /><br /> The authors – coincidentally all women including some of the most established scholars in the field alongside up-and-comers – address gender and the marginalization of comedy culminating in a chapter on Dostoevsky's "funny and furious" women and explore the intersections of gender and humor in literary and culture studies.<br /><br /><i>Funny Dostoevksy</i> applies some of the latest findings on humor and laughter to his writing while comparative chapters bring Dostoevsky's humor into conjunction with other popular works such as Chaplin’s <i>Modern Times</i> and Lin-Manuel Miranda's <i>Hamilton</i>. Written with a verve and wit that Dostoevsky would appreciate this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction pleasure play and transcendence.</p> paperback
B9781501389368Paperback / softback. New. <i>Pacific Literatures as World Literature</i> is a conjuration of trans-Pacific poets and writers whose work enacts forces of “becoming oceanic†and suggests a different mode of understanding viewing and belonging to the world. The Pacific past and present remains uneasily amenable to territorial demarcations of national or marine sovereignty. At the same time as a planetary element necessary to sustaining life and well-being the Pacific could become the means to envisioning ecological solidarity if compellingly framed in terms that elicit consent and inspire an imagination of co-belonging and care. The Pacific can signify a bioregional site of coalitional promise as much as a danger zone of antagonistic peril. With ground-breaking writings from authors based in North America Japan Taiwan Korea Hawaii and Guam and new modes of research – including multispecies ethnography and practice ecopoetics and indigenous cosmopolitics – authors explore the socio-political significance of the Pacific and contribute to the development of a collective effort of comparative Pacific studies covering a refreshingly broad ethnographically grounded range of research themes. This volume aims to decenter continental/land poetics as such via long-standing transnational Pacific ties re-worlding Pacific literature as world literature. paperback
