Gold, KyellBiblio.com
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45023437like new. unknown
1909597297Pennsylvania 1909. Unbound. Good. Two Real Photo Postcards. Each measuring approximately 3½" x 5½". Versos soiled recto of one with a bit of ink bleed-through and the other with shallow loss good only. Two brief 1909 postcards from "Geo." or "G.H." to a Miss Mary Anderson of Jersey Shore Pennsylvania; it seems "Geo." may have taken a liking to her. Each card has a 1909 Harrisburg & Erie postmark. Sadly a later note penciled on the verso of one card states that young G.H. died in April of 1910. A worn but handsome pair of images. unknown
16-6339Mid-late 19th Century. . Watercolor and gouache. 31 x 22cm. Annotated with artist's name verso and collection number. .Compare to Morgan Library Dept. of Drawings and Prints. Record ID:109832.Notes:The artist's fame stems from his sketches of Parisian society for which Baudelaire dubbed him “the Painter of Modern Life†in the pages of Le Figaro 1863. Widely traveled and a regular contributor to the growing corpus of illustrated journals such as Illustrated London News and Punch he worked swiftly and captured the sense of movement synonymous with modern urban life.This group of figures appears to be gathered in the foyer of a theater or cabaret judging from the row of gas lamps along the upper margin. The women wear small bonnets one a cape the other a jacket over voluminous crinolines a stiff underskirt introduced in 1855 and unfashionable by 1867. They speak to two men in top hats while a third seems indifferent to their presence; other similarly attired men mill about and walk through the background.Provenance:Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. Mid-late 19th Century. unknown
16-48901676. Mezzotint. 26.83x 13.2 cm. On old laid paper. Very rare. Monogrammed and dated in the plate. Likely Dutch. 1676 unknown
51-5387Mid-19th Century. Ink drawing. 10 x 13cm. Signed .Provenance: Successions Jean-Claude Flamen d'Asssigny 1741-1827 and Felix-Ariel Flamen d'Assigny 1794-1846. Mid-19th Century unknown
51-501619th Century. Handcolored lithograph. 28 x 42 cm. Rare. Missing some text in lower margin. 19th Century unknown
1995321099San Francisco: Flash Pub 1995. Hardcover. Two unpaginated 9.25x12.25 inch monographs introductions by Crumb & Coleman glossy explicit b&w photographs limited editions #368/2000 & #51/2000 copies good in black cloth boards and unclipped but very heavily worn and torn dust jackets with tape repair on the Body & Beyond book personal inscriptions to Herb Gold signed on limitation/title pages. "Forbidden Photographs" is a reissue of the 1981 edition. The 50 photos in "Beyond Body and Soul" are from his earlier books. Flash Pub hardcover
0935063110.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1331806615.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9781498562683_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Ratified in 1951 the Twenty-second Amendment imposed a two-term limit on presidents maintaining checks and balances central to the American Constitution. This book examines its enormous effect on the institution of the presidency pub paperback
1333265174.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0332864340.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
16-4339Jersey UK: Slater - London: Rock & Co circa 1850. Oblong 12mo. 13 x 18cm. Original embossed cloth cover. 24 wood-engraved plates. Moderate foxing on first few pages. OCLC Number: 1071788321.Petit in-8 oblong percaline olive de l'éditeur.Suite de 24 vues de Jersey gravées sur métal. Le titre occupe le plat supérieur de la reliure. Quelques rousseurs au début Jersey, UK: Slater - London: Rock & Co, circa 1850 hardcover
A9781138312524Hardback. New. hardcover
2019__1138312525Routledge 2019. Hardcover. New. 328 pages. 11.00x8.75x0.75 inches. Routledge hardcover
20212123First edition first printing UK hardback 2021 Sphere. The book is in fine condition the dustjacket is in fine condition and is not price clipped. Signed by the author. Sphere hardcover
1330364945.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2024006269HarperCollins 2024. SIGNED BY AUTHOR ON TITLE PAGE. Limited edition #82 of 250. First Edition/First Printing UK. Fine condition. Brodart protected. Ships in a box. Signed by Author. First Edition UK. Hard Cover. Fine/Fine. HarperCollins Hardcover
1966H10050Washington DC: U.S. Department of Commerce 1966. Very Good. 8.5 x 11 stapled wraps 161 pp. Very good light ink note to cover mild age toning. Very rare in institutions and in commerce a single copy is located by OCLC: Bogazici University Library. U.S. Department of Commerce unknown
1961712796PN. New. 1961. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
19812092902141207208Shanxi people 1981. Soft Cover. Fine. Volume: 1 Shanxi people paperback
1850542023Boston: Phillips Samson & Co 1850. Hardcover. Near Fine. First edition. Small octavo. Brown cloth stamped in blind and gilt. Small nicks on the cloth at the spine ends small finger pressure mark on front gutter tiny ink spot on foredge and some scattered foxing but a nice and fresh near fine copy. An attempt by the important educator reformer and sister of Harriet Beecher Stowe to promote the cause of her pupil author Delia Bacon in the aftermath of a matrimonial breach of promise suit and her prosecution in the court of public opinion by the authorities at Yale whom Beecher felt had thwarted her case. Bacon would seek solace in her research popularizing the notion that Shakespeare's works were actually written by a group of writers including Francis Bacon and Walter Scott. A very nice copy seldom found thus. Phillips, Samson & Co hardcover
1330163184.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19278179Salem: Ross E. Moores & Co 1927. First Edition. Hardcover. Near Fine Condition/No Dust Jacket. Ross E. Moores & Co Salem 1927. First Edition. Near Fine Condition/No Dust Jacket. Signed by Author. Gift inscription to a Rev. M. L. Wise dated 1928 with authors signature in ink. Maroon cloth w/gilt lettering. b-n. Size: Small Octavo. 202 pages. A clean bright copy inside and out with very little shelf-wear. The covers are clean & the binding is structurally sound. . Quantity Available: 1. Category: Literature & Literary; Poetry; United States:Oregon; 1920s; PACIFIC NORTHWEST; Poetry. Signed by Author. Pictures of this item not already displayed here available upon request. Inventory No: 8179. Ross E. Moores & Co hardcover
A9781501351723Hardback. New. Metafiction has long been associated with the heyday of literary postmodernism—with a certain sense of irresponsibility political apathy or outright nihilism. Yet if as is now widely assumed postmodernism has finally run its course how might we account for the proliferation of metafictional devices in contemporary narrative media Does this persistence undermine the claim that postmodernism has passed or has the function of metafiction somehow changed To answer these questions Josh Toth considers a broad range of recent metafictional texts—bywriters such as George Saunders and Jennifer Egan and directors such as Sofia Coppola and Quentin Tarantino. At the same time he traverses a diffuse theoretical landscape: from the rise of various new materialisms in philosophy and the turn to affect in literary criticism to the seemingly endless efforts to name postmodernism’s ostensible successor. Ultimately Toth argues that much contemporary metafiction moves beyond postmodern skepticism to reassert the possibility of making true claims about real things. Capable of combating a “post-truth†crisis such forms assert or assume a kind of Hegelian plasticity; they actively and persistently confront the trauma of what is infinitely mutable or perpetually other. What is outside or before a given representation is confirmed and endured as that which exceeds the instance of its capture. The truth is thereby renewed; neither denied nor simply assumed it is approached as ethically as possible. Its plasticity is <i>grasped</i> because the grasp the form of its narrative apprehension lets slip. hardcover
