G. Salentijn en A. Salentijn-Krins.MareMagnum
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Hardcover, 271 pages ,+ appendix 36 pages in English , 27 x 19.5 x 2.5 cm., meer dan 200 fraaie kleurenfoto's, nieuw. NL/ ENGLISH . ISBN 9789082063004. LIEFTE VERWINDT AL DINCK is de randtekst van een vijzeltje uit 1597. Dit fraaie vijzeltje komt uit de vijzelcollectie Salentijn die in dit boek aan de hand van tweehonderd kleurenfoto?s wordt getoond: vijzels die uitgebreid hun geschiedenis vertellen: waar, wanneer en door wie en voor wie ze zijn gemaakt; en andere exemplaren die bar weinig loslaten over hun afkomst. Prachtige detailfoto?s geven een beeld van het vakmanschap en de aandacht waarmee de vijzels zijn gemaakt. Dit boek is bestemd voor de antiekliefhebber in het algemeen en de vijzelverzamelaar in het bijzonder. Een kloek naslagwerk waarin elke vijzel wordt beschreven met interessante historische details. De vijzels zijn ingedeeld op land van herkomst: niet alleen Nederlandse en Belgische vijzels en die uit landen als Duitsland, Engeland en Frankrijk, ook exemplaren uit Zuid-Europa, Midden-Oosten en een enkele uit Afrika staan in dit boek. Elk land of regio wordt vakkundig ingeleid voor de liefhebber en de connaisseur. Het register en de Engelse vertaling van de bijschriften maken het stijlvolle boek toegankelijk voor elke lezer. ---------------- LIEFTE VERWINDT AL DINCK is the border text of a mortar from 1597. This beautiful mortar comes from the mortar collection Salentijn, which is shown in this book on the basis of two hundred color photos: mortars that extensively tell their history: where, when and by whom and who they are made for; and other copies that reveal very little about their origin. Beautiful detail photos give an idea of the craftsmanship and the attention with which the jacks are made. This book is intended for the antique enthusiast in general and the mortar collector in particular. A bold reference book in which each mortar is described with interesting historical details. The mortars are classified by country of origin: not only Dutch and Belgian mortars and those from countries such as Germany, England and France, but also specimens from Southern Europe, the Middle East and a few from Africa. Each country or region is expertly introduced for the enthusiast and the connoisseur. The index and the English translation of the captions make the stylish book accessible to every reader.
Huesca, Instituto de Estudios Altoaragoneses, 1994. 4to. menor; CXLV pp., 454 pp., 2 hs. Cubiertas originales.
1575ABC_46067Antwerp: Hans van Luyck 1575. Modern red half cloth marbled sides. Oblong folio album 24.5 x 35.5 cm. Series of 24 engravings plate size ca. 20 x 14 cm with views of landscapes around Brussels by Hans I Collaert possibly after Hans Bol or Jacob Grimmer each with a caption in the plate plates 8 and 20 also with Van Luyck and Collaert's monograms "H.V.L.EXcudit" and "H.C.Fecit". Trimmed down to the plate edge and mounted on album leaves numbered in pencil on the album leaves next to the engravings. Album with the complete series of Collaert's views around Brussels here in its first unnumbered state published by Hans van Luyck in Antwerp. Hans I Collaert ca. 1525/30 - 1585 was a painter-draughtsman who founded the influential Collaert dynasty of engravers and print publishers. The views show villages castles and abbeys in the vicinity of Brussels engraved in a very naturalistic way. The series includes a view of the cloister of Zevenborren south of Sint-Genesius-Rode views of Schaarbeek Elsene Etterbeek Stal Eggevoort and Bosvoorde and views of the some castles including those of Brussels Coensborg south of Laken and Carloo. Some references attribute the drawing of the views to Hans Bol because of an inscription added to the first plate of the later Visscher edition but the "related drawings are not consistent with Bol's style" New Hollstein. Others name Jacob Grimmer as an alternative candidate for the artist who drew the views.With a 20th-century manuscript inscription on the first free endleaf mistakenly identifying the series as the second state published by Visscher which is however numbered in the plates in contrast to the present series in an unnumbered first state. Binding slightly worn around the edges some slight marginal foxing stains browning and soiling but overall a beautiful album complete and therefore rare with all the plates of Collaert's views around Brussels here in its first state.l Hollstein IV 149-172; New Hollstein The Collaert dynasty V 1229-1252; cf. New Hollstein The Collaert dynasty I pp. xlix-liii. Hans van Luyck, hardcover
2000Q-0139593969Pearson 2000-11-25. Paperback. New. New. In shrink wrap. Looks like an interesting title! Pearson paperback
2000DADAX0139593969Pearson 2000-11-25. 2. paperback. New. 5.90x1.00x8.90. Buy with confidence. Excellent Customer Service & Return policy. Pearson paperback
1869189011869. Paperback. Very good condition. Part of a series of articles "The Gold fields of Australia" in a 16pp 8vo weekly magazine The Home Circle magazine. Depicting countryside with cattle in the foreground city in the distance by an unidentified artist. The view corresponds with the leading article of the issue. 8vo pp 129 - 144 b&w ills. Unusual English weekly magazine No. 165 - Vol. VII. Not found on Trove. paperback
365436Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365421Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365411Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century ca. 1849. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365412Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century ca. 1849. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365424Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365409Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century ca. 1849. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365434Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365433Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365422Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365410Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century ca. 1849. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365435Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
365423Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
207 S. 76 S/W Abb. und 85 Marken. ISBN 3925058222. Katalogbuch zur Ausstellung in Munchen, gezeigt wird nachmittelalterliches schwedisches Silber
133505aaf(1657): 39x50 cm (view) 41.5x52 cm (lichtmass) vue à vol d’oiseau, coloriée à la main d’époque, pli au milieu avec légères traces, / fine handcolored view, light wear on middle fold, sous passepartout dans un cadre or. 56x65 cm (cadre) / framed.
2018500199485Fayard 2018 298 pages 15 2x23 5x1 8cm. 2018. Broché. 298 pages.
2011500070792HUGO IMAGE 2011 130 pages 14 4x1 4x20 8cm. 2011. Broché. 2 volume(s). 130 pages.
Barcelona, 2005. 4to.; 251 pp. Cubiertas originales.
Madrid, Imprenta de la Esperanza, a cargo de Don Antonio Pérez Dubrull, Editor, 1862. 4to. mayor; 264 pp., 4 hs., con cinco láminas (de 6) litografiadas por C. Escarpizo, una de ellas doble y en color que representa la crucifixión de los mártires en Nagasaki. Enc. en media piel, de la época, fatigada.
Madrid, en la Imprenta de Antonio Román, 1695. 4to.; 26 hojas, 470 pp. de 472, faltando la última, de Tabla. Ejemplar carente de lámina y de las páginas 259/260 y 261/262 y de la mitad inferior del texto de las páginas 371/372 y 373/374. Encuadernación en piel, de la época. Lomera totalmente perdida.
