5 882 résultats
199924706Atelier Eric Seydoux 1999 1 Sérigraphie en couleurs, Paris, L'Atelier Eric Seydoux, Vue Sur La Ville, signée avec envoi sous la planche, justifiée Épreuve d'Artiste, 1990, 48 x 45 cm. ( format à vue), feuille 80 x 60 cm. (format de l'affiche), encadrée.
1908227051908 Montrouge, Draeger, 1908, in-4, basane bordeau maroquinée reliure de Présent, large frise florale dorée en encadrement, titrée en datée sur le premier plat, couvertures conservées.
19263164EBParis, Editions Pierre Lafitte, 1926. 4°. 32 cm. Nicht durchgehend paginiert. Halblederbände mit goldgeprägten Rückentiteln und marmoriertem Bezugspapier.
1907227351907 1 Montrouge, Draeger, 1907, in-4, basane maroquinée havane, encadrements dorés avec dentelles, couverture illustrée d'un médaillon de Thévenot dans un encadrement floral en relief, couverture conservée.
1940196731940 Gouache et collages signés en bas à droite, titrés, maquette pour "Rouge Baiser", (1940), 16 x 20 cm., encadrés.
1960240891960 Aquarelle, encre de Chine et fusain sur papier contrecollée sur carton signée en bas à droite, titrée, (1960), 61 x 42 cm.
1996403084California 1996. Hardcover. Near Fine. A Collection of 100 used concert tickets featuring punk new wave and heavy metal bands performing in California from 1983 through 1996. The tickets vary in size from 3†x 2†to 5.25†x 2.5â€. All items are near fine with light soiling and a modest amount of creasing except for three torn tickets and 4 tickets stubs from use. The L.A. and Bay Area rock scene started in the late 1970s until new wave and heavy metal bands became the central focus of the 1980s. Some of the bands include: Mötley Crüe Iron Maiden Guns N’ Roses Depeche Mode Fatal Attraction Porno for Pyros Billy Idol Culture Club and others. The tickets span from Los Angeles to San Francisco and cities in between from 26 different venues some of which include The Troubadour Coconut Teaszer The Stone Trocadero Transfer The Metro Cow Palace The Palomino and Filthy McNasty Station. Many of the tickets are bright colors with printed pictures and stamped band logos showing the typographic designs of the time frame.<br /> <br /> Many bands kicked off their careers in California during this time. Mötley Crüe a popular heavy metal band formed in Los Angeles in 1981 is featured here playing at Oakland stadium on October 10 1987. The band is well known for their heavy make-up shocking clothing high-heeled boots and their abuse of drugs and alcohol. In 1985 the band transitioned to a more glam metal style influencing the heavy metal signature look. Guns N' Roses formed in 1985 in Los Angeles and is featured here playing at the Warfield Theatre on February 5 1988. They are a hard rock band that quickly gained popularity after the release of their debut album “Appetite for Destruction†which has sold over 28 million copies worldwide. The band has been labeled as the "the most dangerous band in the world" due to their rebelliousness and were credited to the rekindling of rock music during a time of dance music and glam metal. 1n 1992 Porno for Pyros formed in Los Angeles as an alternative rock group formed out of Jane’s Addiction. They are featured here playing at the Trocadero Transfer on June 19 1996. Their shows featured props extras and pyrotechnics. The band lasted through the mid-1990s and mixed the sounds of grunge and rock together.<br /> <br /> In the 1980s California became the melting pot of music genres mixing in punk rock new wave and metal. Certain venues became synonymous with the music genres and bands of that time. The Stone opened in the 1980s and was linked to the Keystone Berkeley and Keystone Palo Alto. It was large enough for a capacity of 700 sold only hard liquor at the bar and attracted an audience with bigger hair bigger shoes and makeup. It featured many local and big name artists in its day and was an important part of the Bay Area rock scene in the 1980s. The Coconut Teaszer operated from the 1980s through the mid-2000s. It hosted bands from all genres and featured a downstairs acoustic bar named “8121â€. Sawdust on the dance floor and giant goblets for draft beer were some of the popular trademarks of the venue. One of the notable and peculiar policies of the venue was “no open toe shoes†which was painted on the front door. The Troubadour which is still functioning today opened in 1957. New wave and punk was the main feature for The Troubadour in the late 1970s and early 1980s. Through the 1980’s the venue became synonymous with the heavy metal genre and glam bands during that time. Today The Troubadour is revered as one of Hollywood’s most respected places to see live music.<br /> <br /> <br /> An attractive collection of brightly colored concert tickets featuring popular heavy metal and punk bands from the 1980s through the mid-1990s displaying over a decade of music in California. hardcover
192018920Paris VOGEL 1920 1 in-4 Paris, Librairie Centrale des Beaux-Arts, Lucien Vogel Directeur,1920, petit in-4, en feuilles, sous chemise éditeur illustrée d'une rose aux feuilles bleues.
194157736New York: Apparel Arts Esquire Inc. Esquire Building Madison at 46th March 1941. Folio. 10.75 x 14.25 in. 98 pp. Numerous colour plates many double-page colour photographs 23 of 30 fabric samples tipped-in photo illustrations colour photo illustrations. Quarter-blue cloth over colour-illustrated photo boards cover art of divers in swim suits from high dive platforms edgewear rubbing rubbing to corners some dustsoiling still VG- copy. First edition of this World War II-era trade magazine launched in 1931 in the depths of the Great Depression by Weintraub Smart & Gingrich from the Menswear Service Corporation. This issue features illustrations and advertisements by such artists as John Lagatta 1894-1977; Allen for Portis hats the modernist master Paul Rand’s 1914-1996 Summer 1941 poster the iconic fashion illustrator Laurence Fellows 1885-1964 and other mainstays. This installment features advertisements from such menswear brands as Botany Worsted Mills Jockey Manhattan Shirt Co. Dobbs Hats Hickok John Cyril Woolen Co. and even Pittsburgh Plate Glass Co. fashion displays. By the 1940’s the magazine was printed by Esquire Inc. issued 8 times a year continuing in print until replaced by Gentlemen’s Quarterly GQ in 1959. See: Marianne Brown Apparel Arts & Conde Nast May 10 2017. Apparel Arts, Esquire Inc., Esquire Building, Madison at 46th, hardcover
1930248391930 Dessin crayon blanc sur fond noir signé en bas à droite, (1930), 27 x 17 cm., encadré.
1909240701909 Aquarelle signée et datée en bas à gauche, 1909, 14 x 21.1 cm. (format à vue).
1967AMO-3560Très beau dessin original à l'encre de Chine et rehauts de blanc signé D. B. pour Daniel Billon (1927-2004) Grand format dessin 31,5 x 22,5 cm environ sur carton 50 x 32,5 cm Signé au crayon en bas dans le dessin D. B. pour "Daniel Billon" Sujet : scène de roman noir. Dessin original exécuté pour un roman-photos publié dans le programme TV Télé Poche n°63 (numéro du 22 mars 1967 - deuxième année de parution de ce périodique pour la télévision) Annotations autour du dessin (voir photos). Cachet en marge supérieure. Très beau dessin par un maître du genre
193118710Paris Tolmer 1931 1 Paris, Tolmer, 1931, in-folio, demi-toile argentée, cartonnage bleu avec un encadrement central et une bordure argentée.
1967AMO-3557Très belle peinture originale gouache et aquarelle signée par Mark Miller Grand format 35,7 x 24 cm environ sur carton de même dimensions Signé au crayon dans le dessin en bas Sujet : homme et deux femmes scène d'intérieur Dessin original exécuté pour un roman-photos intitulé "Voyage pour un meurtre" publié dans le programme TV Télé Poche n°84 (numéro du 16 août 1967 - deuxième année de parution de ce périodique pour la télévision) Annotations en marge supérieure du dessin et au verso (voir photos). Très beau dessin par un maître du genre. Mark Miller, born Marshall Dawson Miller, was an internationally renowned illustrator whose work was published in most of the world. His life and career took him from Oklahoma to Hollywood to New York and Europe. Born in Eldorado, Oklahoma on Jan. 2, 1919, Miller grew up on a cotton farm, studied art at the University of Oklahoma (where he took the name Mark) and then moved to Los Angeles where he attended the Chouinard Art Institute and later got his start as a costume designer for 20th Century Fox in Hollywood. After WW II, he moved to New York where he had a had a long career as an artist that culminated in the 1950s and 60s when he was an illustrator for the Saturday Evening Post and other leading magazines like Colliers, Good Housekeeping, McCall’s, Redbook, Cosmopolitan and many magazines throughout Europe, South America and Australia. In describing the humble beginnings of his career, Miller has said, “My choice of an art career did not have the enthusiastic support of my conservative family back in OK. From their point of view, it was clearly my duty as the eldest son to help run the family farms, and they tolerated my errant pursuit of art only in the certainty that it would become as clear to me as it was to them that I couldn’t make a living at it. (extrait du site http://millerillustrations.com/markmiller/) Les dessins originaux de Mark Miller sont rares sur le marché.
193942553Graz, Leuschner & Lubensky, 1932-1935 (recte 1932-1939). 4°. Mit 577 (dav. 128 farb.) tlw. ganzs. Abbildungen. VII, 502 S., 1 Bl.; 619 S., Grüne OHLdr.-Bde. m. goldgepr. Rückentiteln u. Kopfrotschnitt.
1946228861946 Paris, Maison de la Midinette, Union, Mourlot Frères, 1946, in-4, broché, couverture rempliée illustrée d'un visage de Matisse, 24 pages, sous étui cartonné.
192017641<p>n.p. France: n.d. ca. 1920s architecture styles of historical periods in various geographical regions to the fashion styles of those periods. Styles illustrated include those of Greece Rome Egypt and Persia; late medieval Europe; the reign of Louis XIV; traditional Japanese attire; and fashionable 1920s dress. The background illustrations include a Roman archway seventeenth-century furniture and even a classical Greek vase that frames an illustration of three women. The fashion illustrations reflect certain design elements in the background illustrations for example the patterned fabric in the ancient Egyptian fashions match the decorative style of the columns in the background of the illustrations. . Original blue stiff paper folder with ribbon binding at spine. . 9 x 12 in. With twenty-eight pages of beautifully painted fashion designs dresses hats Greek chitons etc. from throughout history some with background elements furniture and architecture and two with real fabric accents pasted down and two pages of manuscript text explaining architectural and sculptural styles. Some of the fashion designs are captioned in manuscript. Also with eight tracing paper leaves illustrated in ink overlaying matching designs below one with pencil annotations noting types of fabric and other design elements. Some soiling to folder. Some offsetting and some foxing. Very good. We could not locate any information on Josette Eynac the student who illustrated this album though she was clearly a capable artist.</p>
196056965Pasadena CA: n.p. ca. 1960. Folio. 14.5 x 20 in. Twelve original gouache paintings on thick artist’s board 10 of them either w/ typed or manuscript labels 1 entitled “Garden Party†written in manuscript at upper fore-edge 8 preserving their cloth fabric swatch samples some w/ designer’s notes trimmings etc. All are preserved in a gray linen clamshell case minor edgewear rubbing wear to corners still a well-preserved fine set of paintings. This nicely executed set of fashion designs were apparently created for a Civil War theatre production in Southern California around 1960 with characters named Florence Bagshot Mrs. Ludley Bagshot Agatha Mrs. W.D.P.S. and Mrs. Forbes. The designs primarily focused on the women characters including one of a nurse standing in costume in gray striped dress apron and cap with Confederate cavalry trooper in kepi astride his horse and hatless officer with sash standing in the background. Many of the designs reflect the colour palate of the early 1960’s with avocado green vivid blues solid brown earth tones and bright nearly neon orange gauze fabrics in the renderings and samples which would not have been common in those combinations during the Civil War era. Still most of the dress designs incorporate the hoop skirts of the period often with crinoline and/or crinoline cage hoop skirts and high collars with ties and ribbons at the neck and trim patterns typical of the period. The design for Florence Bagshot’s bedroom wear incorporates elements of Mid 20th-Century design and sensibilities rather than the more common chemise and sturdy cotton for the 1860’s. The Confederate Nurse design was painted on “Brownie Board Cold Pressed Duncan Vail Co. Los Angeles†which appears in California art supply advertising from about 1960-1963. We were unable to identify the production after an extensive search through contemporary theatre production trade magazines newspapers and other industry publications. n.p., hardcover
19323231(Zürich, Rentsch, 1922 - 1932). 5 Bde. Zahlr. (teils farb.) ganzs. Abb. auf Tafeln. 4 separate mehrf. gefalt. Karten. 4°. OLwd. (kl. Gebrssprn., etw. fleckig).
192018450ABVienna ?, ca.(1920). 36 : 30 cm - 15 : 12 cm 21 acuarelas, en parte elevados en blanco, sobre cartón gris.
192014632ABVienna ?, n.d. ca.(1920). 36 : 30 cm - 15 : 12 cm 21 water-colours, partly heightened in white on grey cardboard.
1912143681912 P., Draeger Frères, 1912, 1 vol. in-4° (312 x 235 mm), relié 1/2 percaline bleu roi, fleuron et 2 séries de double filets doré, pièce de titre en maroquin rouge, monogramme « Y.O.F.F. » doré sur le plat supérieur, plats de papier marbré bleu et rouge, couvertures conservées, première de couverture illustrée et coloriée au pochoir, de (23) pp.Rousseurs en pages de garde de la reliure, très bel exemplaire par ailleurs.
1930192881930 Gouache sur papier gris, (1930), 31 x 23.5 cm.
1980241361980 1 Affiche lithographiée en couleurs, signée dans la planche en bas à droite, signée et datée manuscritement sous la planche en bas à droite et justifiée en bas à gauche, 1979, 65 x 49,2 cm.
192014632AB1920. Vienna n.d. ca.1920 36 : 30 cm - 15 : 12 cm 21 water-colours partly heightened in white on grey cardboard. Beautiful very detailled elaborated custome designs in different colours white black blue red green yellow pink. The designs show mainly woman maybe designs for Bizet's 'Carmen' Two plates show actors and actress dancing with masks. unknown