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19 126 résultats
Cm. 35. Raccolta di 51 belle tavole incise in rame ed in fine coloritura coeva. Legatura del tempo in piena percallina con titoli in oro al dorso. Qualche fioritura, ma esemplare genuino ed in buono stato di conservazione. Raccolta iconografica che raccoglie tutte le tavole a colori pubblicate nel 1877.
Cm. 35. Raccolta di 52 belle tavole incise in rame ed in fine coloritura coeva. Legatura del tempo in piena percallina con titoli in oro al dorso. Qualche fioritura, ma esemplare genuino ed in buono stato di conservazione. Raccolta iconografica che raccoglie tutte le tavole a colori pubblicate nel 1878.
Cm. 35, con moltissime illustrazioni applicate e tavole fuori testo. Legatura editoriale in piena tela blu con titoli in oro. Taglio di testa dorato. Esemplare ben conservato e stampato su carta forte. Si tratta del primo dei tre volumi che formano la celebre triolgia di Elisa Ricci e che riguardano trine ad ago e trine a fuselli.
191016878Birmingham England: Stratnoid later Stratton & Co. n.d. ca. 1910. Three board panels with two cloth spines connecting boards. Bound in dark blue leather with gilt title. . Folding triptych display 8" x 11". With thirteen original Stratnoid silver hatpins nickel-plated eight with attached printed paper labels "Stratnoid Untarnishable heads". Also with three mounted illustrated advertisements for hatpin stands and sets of pins: the Collapsible Junior Stand the Collapsible Senior Stand and the De Luxe Collapsible Stand. A paper strip labeled in manuscript identifies which pins are part of the Junior Senior or De Luxe Stand sets. With spaces for the fifteen other hat pins in the set not present. Cracking and wear to joints and some chipping to leather. Some rubbing to extremities. Pins stuck into blue velvet pad with sheet of protective felt. Some foxing to felt and some light toning inside. A very good copy of a rare item. Stratnoid or Stratton and Company after 1920 was founded in 1860 as a producer of knitting needles. By the twentieth century the company was a major producer of powder compacts lipstick holders jewelry hat pins and other metal accessories. Business boomed in the late Victorian and early Edwardian eras as actresses like Lillie Langtry and Lillian Russell began wearing large elaborate hats secured with pins. b b b The hatpins in the present item feature the special Stratnoid Untarnishable heads which were warrantied for ten years and were designed in a variety of shapes like a stylized golf club an acorn and more. The collapsible stands would have been used to display the pins in women's stores and millinery shops. Stratnoid (later Stratton & Co.), hardcover
19574585Detroit: Bolar Printing & Publishing 1957. Good plus. 20; 36pp. Original printed wrappers stapled. Moderate soiling and wear. A pair of rare programs issued for the 1956 and 1957 benefits for the March of Dimes Fashion Extravaganza at the Latin Quarters in Detroit. The programs include information on the organization's committee hostesses sponsors and more. The event itself is titled "Fashion in Colorama" in the earlier program and "Spring Fashions in Symphony" in the latter with a schedule of events listed in both cases. Each program is profusely illustrated with photographs pertaining to the event itself but also in the numerous advertisements which populate both throughout. The ads feature a wide variety of local Detroit businesses providing critical information on commercial entities both owned by African Americans in and around Detroit and also those friendly to the local African American community. The only institutional holdings for these programs in OCLC reside at the Detroit Public Library. Bolar Printing & Publishing unknown
195061496Chicago IL: Hart Schaffner & Marx ca. 1950. Two large colour lithograph advertising posters sized 38.25 x 51 in. and 28.75 x 38.5 in. respectively both bearing the Golden Trumpeter logo as rendered by noted artist Robert Reinhardt von Liski minor dustsoiling creasing faint dampstain to very lower right fore-edge of larger poster minor closed tears neatly repaired light age toning still both bright VG- copies now mounted and shrink wrapped on archival foam core. The Hart Schaffner & Marx logo for men’s fashion was first created by Edward Penfield in 1914 with the trumpeter bearing an upright lance but the next year had turned into a trumpet and would continue on HSM suits until the late 1980’s. Hart Schaffner & Marx was founded in 1887 by Harry and Max Hart Marcus Marx and Joseph Schaffner. By the early 20th century they owned dozens of small garment factories around Chicago and was one of the first tailoring/garment manufacturing firms to become unionized. They continued to grow through the 20th century and by the end of the 1960s had 38 factories and 250 retail stores around the country. The Company continues to operate under the Hartmarx label and is one of the leading men’s clothing wholesalers to this day. Von Liski 1908-1991 was a noted self-taught artist and commercial artist who worked for various studios and was a partner in a Chicago advertising agency. No copies located in Worldcat; See: Leif Peng & Nan Hall Tom Hall Today’s Inspiration Celebrating Illustrations Design Cartoon and Comic Art of the Mid-20th century 2016; Hart Schaffner & Marx Encyclopedia of Chicago 2005. Hart Schaffner & Marx, hardcover
195352352Boston: Houghton Mifflin Co. 1953. 8vo. 86 2 pp. Illustrated half-title illustrated title page numerous text illustrations & plates 3 colour plates colour-illustrated endpapers. Blue-green coloured cloth illust. of doll in yellow holding parasol on front cover yellow lettering on spine very minor shelfwear minor rubbing & very slight bumping to lower corners w/ d.j. cover art of fashion doll by Bannon minor chipping head & foot of spine wear to corners minor rubbing upper corner clipped $ 2.25 price written in lower corner in pencil VG/VG copy. First edition of this remarkably rare and beloved children’s book surrounding the mystery and treasurer hunt for a 19th-century fashion doll in Peterborough NH by a young girl hidden by her ancestor in a secret room. Fashion dolls also called Queen Anne Dolls were often made of wood plaster or bisque with a fashionable hairstyle in flax or wool and dressed in miniature clothes showcasing the latest couture of the day. The most desirable dolls in the 19th-century were the French bisque dolls distributed all over Europe and were originally modeled on teen girls or adult women although these eventually changed over into child like bisque doll babies which would dominate the market from the 1860s onward. Bannon 1895-1963 was inspired to write this work while staying at the famed MacDowell Art Colony in Peterborough NH which carried a legend of a secret room in the MacDowell farmhouse. Original copies of this work have become quite scarce especially first editions. Houghton Mifflin Co., hardcover
196861495Portland OR: Jantzen Knitting Mills 1968. One giant colour lithograph advertising poster sized 40.5 x 46.5 in. on thick paper stock minor creasing edgewear agewear and couple closed tears w/ repairs still a bright copy now mounted on archival foam core and shrunk-wrapped from the library of Keith Albert Zilk 1927-2020 Korean War Vet Company D 40th Infantry and photographer with Condit Photo Studio and later with Jantzen Swimwear. First edition of this exceedingly scarce promotional swimwear poster for Jantzen produced under the direction of Roger Yost former Jantzen Art Director & Advertising & Marketing Manager designer Byron Ferris and copywriter Homer Groening 1919-1996 for the 1968 season the year after Jantzen had become the NFL’s first apparel licensee. Replacing the iconic “Just wear a smile and a Jantzen†with “Jantzen Speaks Your Language†this poster also sports the revised Jantzen Logo created by Thomas Lincoln who created a sort of condensed Bodoni which did not previously exist and worked with John Pistilli a New York type designer to create the entire alphabet. The swimwear advertising campaign featured such athletes as Frank Gifford Jerry West and Paul Hornung wearing wearing the striped trunks and were also used in 30-minute television biopics created by Portland filmmaker Homer Groening for 120 TV stations. We could find no similar surviving example; See: Trudy Chin Jantzen Collaboration Between Design & Advertising in the Jantzen Bullpen Portland Design History 2020; Ash Horn Homer Groening The Vanguard Cartoonist Filmmaker and Ad Man Who Did it All Portland Design History 2020. Jantzen Knitting Mills, unknown
199458623Milan et al: Valentino Atelier by Carnet Elegance Exclusive Distributor for North America 1994. Thick 4to. 12.75 x 12.25 in. 106 pp assorted pagination. With 51 colour fashion designs 136 tipped-in cotton silk wool acrylic and blend fabric sample swatches several printed fabric samples. Black silk cloth gilt lettering stamped on front cover numbered on colophon at rear very minor rubbing edgewear still VG bright copy. First edition No. 970 of this sumptuously illustrated sample fashion catalogue from one of the greatest Italian Couturiers Valentino Clemente Ludovico Garavani the incomparable fashion designer. This collection was representative of many of Valentino’s collections of the 1990’s integrating themes of revival and self-reference-flounces embroidery and dots partly as a way of highlighting his 30 years of fashion designs. In addition these designs and their fabrics reflect a foreshadowing of the later mid-1990’s shift towards a more bohemian style drawing upon 1970’s fashions mixing fabrics embroidery and Eastern influences in their designs. No copies located in Worldcat; See: Pelle & Mauries Valentino. Thirty years of magic 1990; Pelle Valentino’s Magic 1998. Valentino Atelier by Carnet, Elegance, Exclusive Distributor for North America, hardcover
66249Very Good. Silk scarf measuring 12" x 12". Two fold lines one horizontal one vertical through the center. 1" split in the cloth to the surface. A sporty design by John Held Jr. <br /> <br /> Utah Artist John Held Jr. 1889-1958 was a prominent illustrator of the 1920s and 1930s. He began by drawing sports and political drawings for The Salt Lake Tribune when he was just 16 years old. Held moved to New York City in 1910 where he went on to gain notoriety for his drawings in the popular magazines "Life" "The New Yorker" "Vanity Fair" "Judge" and "College Humor." His work epitomized the Jazz Age. He is most recognized for creating the short-haired "flapper. unknown
1929108242Folio. Barcelona: Central de Corte Marti April 1929-December 1929. Folio 24 pp. Original wrappers printed in brown with illustrations to every page and terminal fold-out sewing patterns. Stapled paper wrappers with title and date printed to the upper wrapper. Some minor foxing to outer margins; very good. § First edition. Ten issues of Ediciones Marti created for disciples of the “Method of Cut†system with all the best creations of haute couture. Each edition contains a selection of models drawn to exhibit new designs accompanied by sewing patterns. Central de Corte Marti unknown books
Vittorio Raffignone, patron dell' "Accademia di Sartoria" di Torino tra la fine dell'800 e l'inizio del 900, presenta in questa litografia, prodotta presumibilmente a scopo pubblicitario, una serie di 9 fantasiosi costumi carnevaleschi in gran parte all'insegna della bicicletta, realizzati dalla sua Casa di Mode sita al n. 2 di Via Po. Vi si vedono infatti due graziose damigelle, a destra e sinistra in basso, appoggiate alle loro biciclette, ed un curioso personaggio al centro, con stivaloni alla moschettiera, ricami sul busto e sul buffo cappello sormontato da una lanterna ispirati anch'essi alla bicicletta. Sono inoltre raffigurati due gentiluomini settecenteschi a fianco delle due velocipediste, un Pulcinella in alto a sinistra ed un elegante Pierrot a destra, e tra di essi una fanciulla vestita da Gianduja ed un'altra da Arlecchino.
19337429BB(Paris, Editions Léon Claude, um 1933). 4°., 1Mode - Rochas, Marcel - Gout Parisien. 11 Modezeichnungen (Mäntel) um 1933
1949PRZS0078kMünchen, Verlag der Amerikanischen Armee 1946-1949. 4°. pro Ausgabe ca. 32 S., mit zahlreichen, vereinzelt Farbabb., gebunden in Orig.-Einbanddecken mit goldgepr. Deckel- u. Rückentiteln. Mit nur geringen Gebrauchsspuren. HEUTE war die erste deutschsprachige Illustrierte nach dem Ende des Zweiten Weltkriegs. Die Illustrierte der amerikanischen Befreier erschien 14-täglich von 1945 bis 1951 in 152 Nummern.
190511083ABParis and Berlin, Brunet resp. Liebig, 1905 - 1911. 36,5 : 27 cm. with together 56 (4 double-page) partly coloured plates with many illustrations. Cloth. 2 parts in 1 volume.
1833EEzz3579(Wien, Eigenvlg. 1833). 1300 S. Mit 36 (statt 52) kol. Modekupfern, 3 (statt 4) kol. Wagenkupfern u. 4 gef. Notenkupfern. Ein Jahrg. in 4 Pappobänden mit rosa Bezugspapier u. Rückenschildchen (nur mehr fragmentarisch vorh.). Berieben, Kanten u. Ecken bestoßen. Kupfer tlw. leicht gebräunt. 1 Kupfer u. einige Seiten mit Braunflecken im unt. Randbereich.
1911236041911 Dessin à l'encre de Chine sur papier signé en haut à gauche, (1911), 8 x 23.5 cm.
In folio grande (49×37 cm); (66) pp. Legatura coeva in tela rigida, foderata con carta posteriore. Esemplare in buone-ottime condizioni di conservazione. Il volume contiene più di 310 campioni di tessuto. I campioni di tessuto, forma, stile e colore diverso sono direttamente applicati sul campionario. Sul piatto anteriore, scritta da mano coeva, è presente la dicitura Rayures – Pois, chiosata a pennarello rosso. All’interno dei piatti sono ben visibili le cuciture che legano i fogli alla legatura. Esemplare in buone-ottime condizioni di conservazione.
1980232221980 1 Affiche entoilée signée dans la planche en haut à droite, Imprimerie Karcher, 1989 ), 59.9 x 39.8 cm., (65,5 x 45,5 cm.)
1930192031930 Estampe en noir, sur papier cartonné souple, (1930), 13 x 21 cm.
1930192071930 Estampe en noir, sur papier cartonné souple, (1930), 13 x 21 cm.
1930192051930 Estampe en noir, sur papier cartonné souple, signée dans la planche en bas au centre,(1930), 13 x 21 cm.
190210884ABParis, Societé Francaise d'Éditions d'Art, 1902. 30,5 : 23,5 cm. 14 pages with 100 plates in coloured etching and 1 coloured, etched title-vignette. Contemporary red half calf, spine richly gilt, top edge gilt.
190511083AB1905. 2 parts in 1 volume. Paris and Berlin Brunet resp. Liebig 1905 - 1911. 365 : 27 cm. with together 56 4 double-page partly coloured plates with many illustrations. Cloth. Interesting compilation of French and German hair style at the beginning of the 20th century. With many extravagant samples. - Edges a bit stained and wrinkled; binding a bit rubbed. hardcover
190210884AB1902. Paris Societé Francaise d'Éditions d'Art 1902. 305 : 235 cm. 14 pages with 100 plates in coloured etching and 1 coloured etched title-vignette. Contemporary red half calf spine richly gilt top edge gilt. One of only 600 numbered copies of the only edition. Wonderful coloured etchings which show perfectly the style of that time. - "Henri Boutet 1851-1919 a traduit a la point-seche avec un elegance zn peu mievre les graces de la Parisienne. Dans l'eau-fort en couleurs il a fait preuve d'un art beaucoup plus sur. Certains de ses dernieres estampes notamment ses paysannes normandes ont un veritable caractere" Benezit. - Reliure demi-cuir à coins jolis motifs au dos. Couvertures du broché conservées mais pas le dos. Chaque illustration est protégée par une serpente épaisse le papier lui-même est très épais si bien qu'en dehors d'une courte préface de Clarétie le livre ne contient en fait que les 100 illustrations une par feuille le recto est vide. Collationné complet. Henri BOUTET Les Modes féminines au XIXe siècle interprétées en cent pointes sèches aquarellées au pinceau 1801-1900. Préface de Jules Clarétie. Paris Société Française d'Éditions d'Art 1902. l'un des 600 après 60 sur Japon les 2 seuls tirages. 100 illustrations aquarellées une par année. Binding a bit rubbed otherwise a mint copy. unknown
