67 166 résultats
192784736L.M. Miller. As New. 1927. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000UDL5FG. 88 pages; 4 color wood block prints; 8vo. ; loose as issued. -- with a bonus offer-- . L.M. Miller paperback
19921685001992. BOURGEOIS Louise. Homely Girl A Life. By Arthur Miller. Two volumes. With 10 drypoints by Bourgeois. Folio 290 x 215 mm. original beige half morocco over grey cloth preserved in a grey cloth slipcase. New York: Peter Blum 1992. A fine copy of this highly effective example of contemporary bookmaking. The playwright Arthur Miller gave Louise Bourgeois an unpublished story for which she provided two sets of illustrations. The publisher issued both hence the two volumes one containing original drypoints and the other a series of offsets from colour photographs. The publisher also issued two versions. The one most commonly encountered consisted of an edition of 1200 copies with reproductions of the etchings. The limited edition of which this is one illustrated with original drypoints is extremely scarce. One of an edition of 100 copies with the colophon signed by Miller and Bourgeois. The American Livre de Peintre 8. hardcover
03821: Privately Reprinted 1886. Just like Love is yonder rose<br/>Heavenly fragrance round it throws."<br/>Luis de Camoens - Portugal's Greatest Poet<br/>A Wonderful Inlaid Binding by Charles Meunier<br/><br/>MEUNIER Charles binder. CAMOENS. Luis de. Love Poems from the Portuguese of Luis de Camoens. By Lord Viscount Strangford. London: Privately Reprinted 1886. <br/><br/>Limited to 50 copies on Japan Paper this being number 49 signed by the editor B.B. Haggin. Additionally inscribed on a front blank leaf "Compliments of the Editor/B.B. Haggin/March 27th 1892."<br/><br/>Small quarto 8 9/16 x 6 9/16 inches; 217 x 167 mm. iv 117 3 blank pp. Original stiff paper wrappers decorated in gold bound in. Illustrated with very attractive engraved head and tail-pieces.<br/><br/>Bound ca. 1886 by Charles Meunier stamp-signed in gilt on lower turn-in. Full rose colored crushed morocco each cover richly and decoratively bordered in gilt surrounding a rectangular foliate frame with sixteen flowers inlaid in black morocco and fourteen leaves inlaid in green morocco. Spine with five raised bands and five inlaid black morocco flowers decoratively tooled and lettered in gilt in compartments in a matching design decorative gilt board-edges wide gilt decorated turn-ins blue silk liners and end-leaves marbled end-papers all edges gilt. A spectacular binding on a beautifully printed book.<br/><br/>Charles Meunier 1865-1940 began his apprenticeship as a bookbinder at age eleven. Five years later at age sixteen he joined master binder Marius-Michel's workshop. He soon grew weary of producing traditional bindings and established his own bindery in 1885 at the tender age of twenty years old. CM was thought to be innovative and instinctive with great reserves of energy and undeniable artistic talent. Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches.with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding p. 194.<br/><br/>LuÃs Vaz de Camoens c. 1524-1580 is considered Portugal's and the Portuguese language's greatest poet. His mastery of verse has been compared to that of Shakespeare Vondel Homer Virgil and Dante. He wrote a considerable amount of lyrical poetry and drama but is best remembered for his epic work Os LusÃadas The Lusiads. His collection of poetry The Parnasum of LuÃs de Camões was lost in his lifetime. The influence of his masterpiece Os LusÃadas is so profound that Portuguese is sometimes called the "language of Camoens : Privately Reprinted, 1886 unknown books
19784428DB1978. 2 Kassetten. Lausanne. André et Pierre Gonin Éditeur. 1978. 1 Bogen mit Farbstichzeichnung. 84 Seiten 21 gefalteten Bogen 20 ganzseitige Lithographien Suite mit 18 Lithographien. Illustrierter Leinenband mit individuell gestaltetem gezeichnetem Pergamin-Schutzumschlag. N° 1 von 157 nummerierten und vom Verleger und Künstler siginerten Exemplaren. Dazu in zusätzlicher Mappe und Acrykassette eine Vielzahl von Arbeitsentwürfen Probeabzügen etc. Es sind dies: 2 Aquarelle mit Widmung von Hans Falk and Walt und Dorli Beglinger 59 gefaltete Bogen «Papier japon nacré et vélin» mit 58 Lithographien zum Teil überarbeitete Probeabzüge oder Andrucke 25 Aquarelle 9 Collagen 32 zum Teil farbige Zeichnungen. Die meisten Blätter sind von Hans Falk signiert. unknown
194959006NY: Viking 1949. First Edition third printing before publication. 8vo pp. 139. A fine copy in some nicked and chipped second issue price clipped dj with play reviews. This is a "round-robin" copy signed by Miller and the cast of the original production; Lee J Cobb Mildren Dunnock Arthur Kennedy Cameron Mitchell Don Keefer Winnifred Cushing Howard Smith Thomas Chalmers Alan Hewitt AnnDriscoll Tom Pedi Constance Ford and Hope Cameron. This won the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. The play premiered on Broadway in February 1949 ran for 742 performances and has been revived on Broadway four times winning three Tony Awards for Best Revival. Brooks Atkinson noted in his New York Times Review: "Arthur Miller has written a superb drama. From every point of view "Death of a Salesman" which was acted at the Morosco last evening is a rich and memorable drama. It is so simple in style and so inevitable in theme that it scarcely seems like a thing that has been written and acted. Viking unknown books
19591996Philadelphia: J. B. Lippincott Company 1959. First edition of the author's landmark novel. Octavo original cloth. Presentation copy inscribed by the author on the front free endpaper in the year of publication "For Ben Best Regards Walter Miller Jr. 5-28-60." Near fine in a very good dust jacket. Housed in a custom half morocco clamshell box. Books inscribed by Walter Miller Jr. are fairly uncommon even more so in the year of publication. Winner of the 1961 Hugo Award for Best Novel "A Canticle For Leibowitz" is considered one of the most accomplished powerful and enduring classics of modern speculative fiction. "An extraordinary novel . Prodigiously imaginative richly comic terrifyingly grim profound both intellectually and morally and above all . simply such a memorable story as to stay with the reader for years" Chicago Tribune. J. B. Lippincott Company hardcover books
32967Washington: M.M. 1973. Original Autographed Letters. Marcel Marceau. Marcel Marceau. Original Autographed Letters. Signed by Author. "Like the clown we go through the motions forever simulating forever postponing the grand event. We die struggling to get born. We never were never are. We are always in the process of becoming" - Henry Miller" - Epilogue. "The Smile At The Foot Of The Ladder "I have designed my style pantomimes as white ink drawings on black backgrounds so that man's destiny appears as a thread lost in an endless labyrinth." - Marcel Marceau. Marceau Marcel. Henry Miller. AUTOGRAPHED AND ILLUSTRATED LETTER SIGNED. Washington 1973 8vo. on blue tinted onion skin. A wonderful rambling letter & as much original art from Marceau in French scrawled across 13 pages with small humorous illustrations on many pages all about asking Miller for the rights at whatever price to make a film from Miller's "Smile At The Foot Of The Ladder". Translation In part " First of all I send you my best wishes for the year 1973. . . with all the silences and heart of the Bip flower. I saw the drawing in your book. Thank you for including it. / It will always remind me of those unforgettable moments in Berchères. . . I understand you. Here's what it's about I would absolutely want to produce the movie version of / "The smile at the foot of the ladder" / To put it simply tell me if the book is still available for me to create an adaptation that will follow your Spirit and your heart. I am ready to buy the movie rights! You know I am just like you. . . Complex. . . but / without ambiguity and loyal! . . It's better to answer to God than to his saints. Also from you - to me- in all honesty. . . give me the movie rights to the "smile". I wait in silence like a peasant on a mountain. . . I would really like / my first movie to be the "smile at the foot of the ladder". If the rights are taken and no one does anything with them like the American who wouldnt go anywhere then please give them to me. . . tell me the cost and I will be in Los Angeles in May. / Right now we are touring universities and big cities in the United States. You book is really beautiful! I admired your drawings!!! One word from you / would make me happy if you want Unhappy if it pleases you. . . Your pale Bip flower. . . who loves you like a brother / Elaborate Bip Clown Illustration Henry Miller With the faithful heart of the Bip Flower Always M.M. / If you agree we will deal with the formalities in Los Angeles in June - my heart is beating like a little girl's / Faithfully with my heart and my friendly hand Your Bip Marcel Marceau" Marceau's interest in Millers novella "The Smile At The Foot Of The Ladder" is obvious - the book is the story of a clown named Auguste whose one-dimensional fame causes an existential crisis of identity and a Siddhartha-like quest for spiritual meaning. Time Magazine review from 1948 adds: "Auguste's search for his true identity is a dangerous quest and it ends fatally but not before he has discovered that perhaps he was all right just as he was . . . The mistake he had made was to go beyond his proper bounds. " Karl Orends book Henry Millers Angelic Clown: "Reflection on The Smile At The Foot Of The Ladder" 2007 Alyscamps Press is a thorough analysis of Millers 1948 short novel. In his view "Ladder" may not contain a writer character named Henry but the clown named Auguste is reflective of the spiritual and philosophical core of Henry Miller. "More than any other text Henry Miller wrote" writes Orend "The Smile At The Foot Of The Ladder gives us a concise and allegorical vision of the point towards which all his writing was aimed Apocatastasis and the attainment of Samadh." Published in 1948 Smile provided a spiritual ladder or bridge between his Colossus Of Maroussi 1941 & Big Sur & The Oranges of Hieronymus Bosch 1957. Marcel Marceau 1923 - 2007 was an internationally acclaimed French actor & the most acclaimed mime in the world most famous for his persona as Bip the Clown. M.M. unknown
19151519Paris, Imprimé pour Charles Meunier, 1915. In-folio (37,5 x 27,8 cm), reliure maroquin bordeaux, listel d'encadrement à froid, dos à quatre nerfs titré or, encadrement intérieur orné de listels à froid se croisant aux angles avec jeu de petits carrés dorés, doublure bord à bord de même maroquin, gardes de moire aubergine, tranches dorées sur témoins, couverture, étui (Gruel). TRÈS RARE ÉDITION TIRÉE À 30 EXEMPLAIRES SEULEMENT, illustrée de compositions dans le texte et de 10 EAUX-FORTES DE LOBEL-RICHE EN 5 ÉTATS ET À PLEINE PAGE. Un des 25 exemplaires sur vélin teinté (n° 19) contenant 5 états des gravures hors texte sur papier vélin, papier japon et parchemin, une suite de 11 petites remarques d'artistes gravées à l'eau-forte. Cet exemplaire est enrichi de 8 épreuves d'essais de ces vignettes en états signés, 30 épreuves d'essais et d'artiste toutes signées et annotées des 10 hors-texte, et 15 DESSINS ORIGINAUX de l'artiste au crayon ou en sanguine sur vélin ou calque, généralement très aboutis et signés. EXEMPLAIRE DE MAURICE CHEVALIER portant cet envoi de Lobel-Riche : "Un jour, j'ai compris pourquoi Maurice Chevalier était un artiste et un poète : il avait le secret des grands coeurs qui s'imposent. Et c'est avec plaisir que je lui dédie cet ouvrage en mémoire de notre commun sentiment [...]. PARFAITE ET SOBRE RELIURE ART-DÉCO EN MAROQUIN DOUBLÉ DE GRUEL.
18496294Paris & Leipzig: G. De Gonet & Chez Charles Twietmeyer 1849. First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards. Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br /> <br /> This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. "The compositions of this 'last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville.The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br /> <br /> The talented Charles Meunier 1865-1940 was first apprenticed to a book binder at the eleven years old. After training with Marius-Michel he began his own binder in 1885 where he sought to be innovative and nontraditional. ". Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding.<br /> <br /> <br /> Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. G. De Gonet & Chez Charles Twietmeyer unknown
18866337London: Pirvately reprinted 1886. Limited edition. Fine. Number 49 of 50 copies on Japan Paper signed by the editor B.B. Haggin. Small quarto 8 9/16 x 6 9/16 inches; 217 x 167 mm. iv 117 3 blank pp. Original stiff paper wrappers decorated in gold bound in and illustrated with very attractive engraved head and tail-pieces. Additionally inscribed on a front blank leaf "Compliments of the Editor/B.B. Haggin/March 27th 1892." Bound ca. 1892 by Charles Meunier stamp-signed in gilt on lower turn-in. Full rose colored crushed morocco each cover richly and decoratively bordered in gilt surrounding a rectangular foliate frame with sixteen flowers inlaid in black morocco and fourteen leaves inlaid in green morocco. Spine with five raised bands and five inlaid black morocco flowers decoratively tooled and lettered in gilt in compartments in a matching design decorative gilt board-edges wide gilt decorated turn-ins blue silk liners and end-leaves marbled end-papers all edges gilt. Housed in a felt-lined dark blue cloth clamshell case spine with leather label lettered in gilt. A spectacular binding on a beautifully printed book.<br /> <br /> Luís Vaz de Camoens c. 1524-1580 often Camoens is lauded as Portugal's most significant poet. A prolific writer of both epic and lyrical verse he ranks him amongst the other European literary greats including Dante Shakespeare or Milton. Despite his fame surprisingly little can be confirmed about his life resulting in "successive biographers have woven the few concrete facts known about Camões's life into a bewildering complexity of fantasy and theory that is unsupported by concrete documentary evidence" Britanica. While some of his poetry was lost during his lifetime Os Lusíadas The Lusiads remains a classic. Here this lovely collection presents romantic verse from the beloved poet.<br /> <br /> The talented Charles Meunier 1865-1940 was first apprenticed to a book binder at eleven years old. After training with Marius-Michel he began his own binder in 1885 where he sought to be innovative and nontraditional. ". Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding. Fine. Pirvately reprinted unknown
04602Paris & Leipzig : G. De Gonet Éditeur & Chez Charles Twietmeyer 1849. Grandville's "Last Fairy-Tale" <br/>In a Superb Inlaid Binding by Charles Meunier<br/><br/>GRANDVILLE J.J. illustrator MÉRY Joseph. MEUNIER Charles binder. Les Étoiles. Dernière féerie par J.-J. Grandville. Texte par Méry. Astronomie des dames par le Comte Foelix. Paris: G. De Gonet Éditeur & Leipzig: Chez Charles Twietmeyer 1849. <br/><br/>First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards.<br/><br/>Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br/><br/>"The compositions of this ‘last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville. They show that his powers remained unimpaired to the end of his short career. Grandville told his wife on the day he began these designs: ‘for too long I have kept my eyes lowered to the earth; now I want to lift them to the heavens' p. ix. The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br/><br/>This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. <br/><br/>Charles Meunier 1865-1940 began his apprenticeship as a bookbinder at age eleven. Five years later at age sixteen he joined master binder Marius-Michel's workshop. He soon grew weary of producing traditional bindings and established his own bindery in 1885 at the tender age of twenty years old. CM was thought to be innovative and instinctive with great reserves of energy and undeniable artistic talent. Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding p. 194.<br/><br/>Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. Paris [&] Leipzig : G. De Gonet, Éditeur [&] Chez Charles Twietmeyer, 1849 unknown books
1931378785San Francisco: A. Roman & Company; John H. Carmany & Company et al. 1931. Hardcover. Very Good. Magazine. 93 bound volumes and 40 single issues in wrappers. Octavos and folios. A long run of Overland Monthly California’s most important literary magazine of the 19th and early 20th Century. The set includes a near complete run of the original series from July 1868 until December 1875 lacking only the January 1870 issue else complete; and a long near complete run of the second series from 1883 when it resumed publication through 1931. In 1923 it merged with Out West to become Overland Monthly and the Out West Magazine and changed its format from octavo to folio.<br /> <br /> Founded and first edited by Bret Harte Overland Monthly established serious literature and progressive social criticism in the American Far West. It quickly won national and international acclaim as a leading literary force in American letters. Ambrose Bierce Mark Twain and Harte contributed sardonic stories and verse and all manner of informal highly personal commentary which propelled Harte and the magazine to literary celebrity. The magazine gave rise to a new generation of writers loosely known as the West Coast Romantics that included Bierce and Harte John Muir Willa Cather Joaquin Miller Jack London George Sterling and fantasy/science fiction writer Clark Ashton Smith all of whom contributed to the magazine. Among the many important works featured in this long run is Harte’s “The Luck of Roaring Camp†“Dickens in Camp†and “Plain Language from Truthful James†and Bierce's "The Haunted Valley" and “Grizzly Papers†in five installments. Mark Twain contributed his famous travel log in four installments: “By Rail Through France†and “A Californian Abroad: A Few Parisian Sights; Three Italian Cities; A Mediaeval Romance.†Willa Cather’s short story “On the Divide†appeared in 1896.<br /> <br /> Most volumes are bound in full beige or blue cloth. The original series lacks one monthly issue January 1870 otherwise it is complete in 14 bound volumes volumes 1-3 and 5-15 with four unbound issues in wraps February-May 1870. Volume 3 from 1869 has the original wrappers and supplements bound in. Volumes 1-6 of the second series is incomplete consisting of 11 unbound single issues in wraps from 1883-1885: April 1883; January April July August September October and November 1884; January March May 1885 then follows a consecutive run of mostly bound volumes 7-89 from 1886-1931 with 29 single issues from 1921-22 in wrappers. The bound volumes from 1901-1931 have the original wrappers bound in.<br /> <br /> An ex-library set with bookplates or ink stamps on the front pastedowns. Only two volumes in half calf from 1895 and 1897 are scuffed and worn thus good only about ten volumes and a few single issues in wraps from the 20th Century have some intermittent torn leaves the volume containing the “San Francisco Fire Number†May 1906 is split at the gutter with detached leaves else overall an about very good set. A scarce large assemblage of many first appearances of important American literary works and articles. A list of notable selections is available. A. Roman & Company; John H. Carmany & Company [et al.] hardcover
193463142Paris:: The Obelisk Press 1934. publisher's wrappers illustrated by Maurice J. Kahane rear wrapper detached. A dark brown stain affects the bottom 1-1/4 inch of the spine extending to a larger unprinted area on the back panel; small chips at the edges of the spine affecting the lettering at the bottom of the front panel. Old pencil ownership signature; contents otherwise clean and fine. 8vo. Preface by Anais Nin. The Obelisk Press, unknown
178625988Ephrata: The Cloister 1786. First edition 4to pp. 6 250 2; printed in black letter throughout; engraved vignette pasted on title page; prelims and terminals waterstained small tear in the lower margin of title not touching letterpress old ownership signature at the top of the title page of Christian Stauffer 1736-1808 and a 30-line poem also presumably by him on the final blank leaf as well as a few marginal annotations; contemporary full calf front cover detached but present; the whole in a new cloth clamshell box. An abstract of the diary of the Brotherhood which had been kept by Brother Lamech and continued and edited by Brother Jaebez Agrippa i.e. Johan Peter Miller. Brother Lamech has been identified as Jacob Gass by Seidensticker First Century of German Printing in America p. 117. Evans 19558: "This biography of Johann Conrad Beissel the founder of the Ephrata Community is the principal source of information regarding that remarkable institution. Brother Agrippa is Johann Peter Miller; and Brother Lamech's secular name is said to be Jacob Gass. An English translation was printed in Lancaster Pennsylvania in 1890." Howes G76 identifying this as the second issue of three with the title page seal pasted on. <br/><br/> [The Cloister] hardcover books
178625988Ephrata: The Cloister 1786. First edition 4to pp. 6 250 2; printed in black letter throughout; engraved vignette pasted on title page; prelims and terminals waterstained small tear in the lower margin of title not touching letterpress old ownership signature at the top of the title page of Christian Stauffer 1736-1808 and a 30-line poem also presumably by him on the final blank leaf as well as a few marginal annotations; contemporary full calf front cover detached but present; the whole in a new cloth clamshell box. An abstract of the diary of the Brotherhood which had been kept by Brother Lamech and continued and edited by Brother Jaebez Agrippa i.e. Johan Peter Miller. Brother Lamech has been identified as Jacob Gass by Seidensticker First Century of German Printing in America p. 117. Evans 19558: "This biography of Johann Conrad Beissel the founder of the Ephrata Community is the principal source of information regarding that remarkable institution. Brother Agrippa is Johann Peter Miller; and Brother Lamech's secular name is said to be Jacob Gass. An English translation was printed in Lancaster Pennsylvania in 1890." Howes G76 identifying this as the second issue of three with the title page seal pasted on. [The Cloister] unknown
197839393Sous étui en plexiglas. Sous couverture cartonnée. Intérieur très frais. Texte en partie incomplet.
189651047New York: Fless & Ridge Printing Company 1896. 1896. First edition. 8vo. Original pictorial wrappers with title stamped in blue on spine and front cover 2.p 1. 7-163 1pp. portrait. "Offers a vivid portrayal of the challenges and triumphs experienced by early cattlemen in the late 19th-century American frontier. This memoir delves into Miller’s experiences as a novice cattle rancher in the southern Kansas and Indian Territory regions offering the reader insight into the rugged lifestyle of ranchers the intricacies of cattle trading and the dynamics between settlers and Native American tribes during this period in American history. The late 1800s were a pivotal time for cattle ranching in the American West. The expansion of the railroad system facilitated the transportation of cattle to eastern markets while interactions with Native American tribes were complex and often fraught with tension. Miller's account provides a unique perspective on these events." Miller was born in 1851 and went to Kansas in 1878. This colorful account of his life as a rancher there over the next five years is an excellent first-hand account of ranching in the Indian territory during that early period. Miller attended Cornell University spent a year and a half in Alaska in 1898-99 and died in Binghamton New York in 1930. Adams Herd 1485 says "rare." Streeter Sale 2387: "An account of herding in the Cherokee Strip in the seventies." The author was one of the early presidents of the Cherokee Strip Livestock Association in the early seventies. Adams Six Guns 1486: "Rare. The book contains some firsthand information on Billy the Kid and tells about the attempt of the mob at Las Vegas to take prisoners away from Pat Garrett an incident the author witnessed." Merrill Aristocrats of the Cow Country: "His book is a vivid portrayal of the business of the Cattle-barons on the plains and as he stated in the title 'How a Fortune Was Made in Cattle.'" Tiny chip to lower front corner and rear lower corner and minor wear to the spine ends else a near fine bright copy housed in a quarter leather and cloth clamshell case with titles stamped in gold gilt on the spine. A choice copy of this rare and important cattle book. Fless & Ridge Printing Company, 1896. hardcover
196531920Santa Monica: Omarr 1965. 1st Edition. Soft cover. 1st Edition. Soft cover. Signed by Author. Sydney Omarr / Henry Miller Archive. 6 typed letters 5 from Miller's great friend & Americas most popular astrologer Sydney Omarr - 1 from Joseph Chenko for Omarr 5 on Omarr's letterhead dated from 4/16/65 to 12/10/77 1 - 4/16/65 on yellow bond 2 pages - "Dear Henry / Am just starting to read LETTERS TO ANAIS NIN have been asked to review it for the Los Angeles Times. Hope I can do it justice. / Your vigor comes through even in those early letters: the misery of that teaching job the cold the emptiness these are made real. Your feeling for Nin too is there even so early - telling that it seems to me that one might have for a life-line something that provides the nourishment of home anticipating - kindred soul. . / any way it is good again to discover Henry Miller. . . / Your friend / signed Omarr" 2- 10/7/71 One page. On Sydney Omarr Letterhead. In part. "Dear Henry: Thanks for the items. The intro you did for Langman was splendid. All of us owe you a great deal. Naturally I am looking forward to the introduction you are doing for me. For that how can I thank you / I feel you would enjoy Gustav Holst's record THE PLANETS. . . / Did I ever tell you this That when Albert Dekker took his life he scrawled on his body the words I told him he would write about himself. That Gael once tried to take her life and wrote in soap on the hotel mirror "I love Sydney." That I once "boxed" a fellow and when he wanted to quit I kept pounding him until he began to cry in front of everyone. I have never been ashamed so much in my life. Hurts when I recall it. / Happy Days. . . To come! / Signed Omarr" 3- 11/2/71 One page. On Sydney Omarr Letterhead. In part. "Dear Henry: All goes well so far with the new drug treatment. / For you Full Moon tonight falls in area of the chart which indicates SPECIAL ACTIVITY THROUGHOUT MONTH HAVING TO DO WITH POSSESSIONS FINANCES. A transaction will be completed which begins that "onslaught" of money. . . Incidentally Canadian television crew much impressed with my "gallery" of Henry Miller. / Best as usual / Signed Omarr" 4 - 2/1/72 One page. On Sydney Omarr Letterhead. In part. "Dear Henry: . . . Sent you a copy of my new book. Check Aries and you will note recollection of our meeting with George Jessel. I have been interviewed by N.Y. times will be interviewed tomorrow by West Magazine of L.AA. Times and will be on KABC - Radio February 6th. . . Debating with the head of the UCLA dept of astronomy. . . Your chart shows you are slightly indisposed today. But it should be temporary. Merely intestinal gas moon in Virgo in your 6th sector. / See you soon / Best wishes. Signed Omarr" 5 - 12/3/75 One page. On Sydney Omarr Letterhead. In part. "Dear Henry: Enclosed are two analysis done by Sydney Omarr on Joan Kennedy and Caroline Kennedy. He asked me to send them to you and hoped you would comment on them. / I ordered your book. "My life and Times by Henry Miller" . . . / Best regards Joseph G. Chenko / Signed Joe / P.S. Sydney feels that the Joan Kennedy analysis is superior. . . 6 - 12/10/77 One page. On Sydney Omarr Letterhead. In part. "Dear Henry: By the end of the week or early next week you will receive a cashier's check for $2000. If you believe me - and I know you do - send Lilly's painting at your earliest convenience. / . . . She adores you admires you basks and glows when you talk to her or write to her. That is why I want to buy this one last thing - your painting. . . / Your friend Signed Omarr" Sydney Omarr born Aug. 5 1926 as Sidney Kimmelman was an astrologer & counselor to the rich & famous whose horoscopes were the most widely read in the world. A lifelong promoter of the ancient art of divining the future from the juxtaposition of the planets and stars He reached millions through his 13 books and his column which was owned by the Tribune Co. & carried by the Los Angeles Times. The column appears in more than 200 daily newspapers. Omarr's b. Omarr unknown
1956721010047<p>8vo 5.75"X8.5" very good copy. Signed by Walt Disney.on 3d frontis in green ballpoint ink.Some age tanning on front and back endpapers and on back cover. For its age in very collectible condition. Written by his daughter as told to Pete Martin. Curtis Publishing Company held the copyright in 1956 and Diane Disney Miller had the 1957 copyright. The green signature books were sold in the Disneyland Mainstreet Store for $3.95. Disneyland opened in 1955. CONTACT ME for information about authenticity.</p> Henry Holt hardcover
19491211New York: The Viking Press 1949. First edition. Fine/Fine. Signed by the author on the first blank. Book Fine with a short price code stamped on the final blank otherwise untouched. In a Fine dust jacket with bright vibrant colors including the spine fonts and only the most niggling wear at the crown. A book that is becoming extremely difficult to locate in Fine condition. <br/><br/>Arthur Miller's 1949 play - one of the towering classics of the American stage. Death of a Salesman follows the trials of Willy Loman the quintessential American tragic hero. The original production was directed by Elia Kazan starred Lee J. Cobb and ran for 742 performances. The role of Loman has also been played by such luminaries as George C. Scott Brian Dennehy and Philip Seymour Hoffman. The play would win a Tony Award the Pulitzer Prize and the New York Drama Circle Critics' Award becoming the first play to win all three prizes. It would also be adapted into a 1951 film directed by Stanley Roberts -- Fredric March would be nominated for an Academy Award for Best Actor. "Arthur Miller has written a superb drama. From every point of view "Death of a Salesman" which was acted at the Morosco last evening is a rich and memorable drama. It is so simple in style and so inevitable in theme that it scarcely seems like a thing that has been written and acted" Contemporary New York Times review. Fine in Fine dust jacket. The Viking Press unknown books
1944WRCLIT43784Probably Big Sur CA. 1944. Original watercolor on paper 27.5 x 35cm floated on mat framed under glass in shadow- box style. Fine. A vintage highly characteristic watercolor from the period of Miller's residence in Big Sur when he actively solicited financial assistance in exchange for his paintings to enable him to survive and continue writing ref: AN OPEN LETTER TO ALL AND SUNDRY etc etc. The dominant colors are orange pink green and white with accents in red and black within a black and green wash border. The painting depicts two human figures against a green field within a white irregular "protective" oval on the left side isolated against a larger orange and pink background juxtaposed with a more hostile appearing form on the right within its own shell of jagged concentric ovals. Signed in full and dated in the lower right. unknown books
1939110655Paris: Obelisk Press 1939. First edition one of only 1000 copies printed in Paris to avoid obscenity laws in the United States. Octavo original red and white wrappers. Association copy inscribed by the author in the year of publication on the front free endpaper "To Henry Church with best wishes Henry Miller 5/5/39." Henry Church and his wife Barbara were patrons of the arts in 1930s-40s France and were friends with many of the important writers of the era. In near fine condition with light rubbing to the fragile wrappers. With first issue price of 60 francs printed on the spine. With errata slip often not found tipped to title page. Rare and desirable signed and inscribed example of this cornerstone of modern literature. Tropic of Capricorn with its focus on on Henry Miller's Brooklyn youth concludes his famed autobiographical trilogy--following Tropic of Cancer 1934 and Black Spring 1936. Once hailed by Norman Mailer as "the last great American pioneer" Miller sparked much controversy over the novel's explicit descriptions of sexual encounters. "Although his two most important works Tropic of Cancer and Tropic of Capricorn were published in Paris in the 1930s because of their heavy sexual content they were not published in the United States until the early 1960s when Miller's work became the leading battlefield in the war over 'pornographic' literature" Hoffman 108. Listed by Modern Library as one of the 100 greatest novels of the twentieth century. Obelisk Press unknown books
1939110655Paris: Obelisk Press 1939. First edition one of only 1000 copies printed in Paris to avoid obscenity laws in the United States. Octavo original red and white wrappers. Association copy inscribed by the author in the year of publication on the front free endpaper "To Henry Church with best wishes Henry Miller 5/5/39." Henry Church and his wife Barbara were patrons of the arts in 1930s-40s France and were friends with many of the important writers of the era. In near fine condition with light rubbing to the fragile wrappers. With first issue price of 60 francs printed on the spine. With errata slip often not found tipped to title page. Rare and desirable signed and inscribed example of this cornerstone of modern literature. Tropic of Capricorn with its focus on on Henry Miller’s Brooklyn youth concludes his famed autobiographical trilogy—following Tropic of Cancer 1934 and Black Spring 1936. Once hailed by Norman Mailer as “the last great American pioneer†Miller sparked much controversy over the novel’s explicit descriptions of sexual encounters. “Although his two most important works Tropic of Cancer and Tropic of Capricorn were published in Paris in the 1930s because of their heavy sexual content they were not published in the United States until the early 1960s when Miller’s work became the leading battlefield in the war over ‘pornographic’ literature†Hoffman 108. Listed by Modern Library as one of the 100 greatest novels of the twentieth century. Obelisk Press unknown
1939190227Paris: The Obelisk Press 1939. The controversial prequel to Tropic of Cancer inscribed to an adventurous poet First edition first printing first issue inscribed by the author on the front free endpaper prior to publication "To Audrey Beecham from her well wisher Henry Miller 1/5/39". Copies are rare inscribed. Beecham was a "poet and eccentric" ODNB and a descendent of Thomas Beecham founder of the eponymous pharmaceuticals empire. Miller published several of her poems while editor at Delta magazine. She once took an extended holiday from her Oxford studies to run guns for the anarchists in the Spanish Civil War and when she graduated in 1937 she moved to Paris where she befriended Miller Anaïs Nin and Lawrence Durrell. In the 1940s she spent much of her time in London where she garnered a serious poetic reputation and befriended Joe Ackerley and Dylan Thomas: "she prided herself on her mastery of martial arts and on her claim to have knocked out Dylan Thomas cold when he made unwelcome advances to her" ibid. To the surprise of her contemporaries she applied for and was appointed the warden of Nightingale Hall the women's residence at the University of Nottingham in 1950. Lord David Cecil remarked on her unexpected appointment "There's no martinet like a reformed rake" ibid. Pearson notes that publication of Tropic of Capricorn was initially scheduled for February 1939 but was delayed until 10 May 1939 "as a result of which few copies were sold before the beginning of the war the death of Kahane and the shutting down of the Obelisk Press". It was banned in America until the landmark 1961 obscenity trial that saw Tropic of Cancer declared non-obscene a watershed moment in 20th-century publishing that was instrumental in ushering in the liberal social mores of the Sixties. This is a first issue copy with the price of 60 francs printed on the spine and the errata slip present on the title page. Octavo. Original buff wrappers with flaps spine lettered in red front lettered in black on red ground with astrological motifs in buff edges untrimmed. Housed in a custom red cloth flat-backed box. With yellow errata slip tipped-in on title page as issued. Spine ends and upper corner of rear flap chipped wrappers creased but very bright nicked with a few short closed tears rear wrapper toned and soiled occasional marks to endmatter. A very good copy. Pearson A60; Porter p. 12. hardcover
197946029ROWOHLT ERNST 12/1979. 1. softcover. Bildgeschichte der Rockmusik ROWOHLT, ERNST paperback